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Lifes Rich Pageant

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4134: 390:"Don (Gehman, the album's producer) is good at layering things so there can be a lot of things going on but you can still hear everything. And as far as Michael's vocals go, it's a combination of things: Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice. The overall sound of everything was so good, we didn't mind having the vocals mixed as loud as they were." 728: 690: 578: 804: 799: 794: 789: 784: 766: 761: 756: 751: 746: 723: 718: 713: 708: 685: 680: 675: 670: 640: 635: 630: 625: 620: 573: 568: 563: 545: 540: 535: 530: 525: 366:"I liked to spend time on the arrangement and layer in the overdubs and comp the vocals—all this process which, to me, was normal record-making, they had never been through before. When they saw that kind of record-making process didn't take anything away—that it actually added another level of artistic expression—they were very excited by it." 29: 910:
argues that it represents R.E.M. embracing the mainstream: "For the first time, it had occurred to REM that they had a constituency – and, indeed, that it might be possible and desirable to build on that" with an album where "Every note... fizzes and crackles with the urgency of people who’ve made
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During the first half of 1986, the band took a break from touring to recover energy. They wanted to make a change from the sound of their previous album, with Mills saying "We wanted to get away from the sort of murky feelings and sounds that we got out of Joe in London". They wanted a "really
879:, writing in 2003, gave it four stars, praising "Fall on Me" in particular as "the finest song in the R.E.M. canon. A lullaby of modern anxiety, it's flexible enough to serve as a potent metaphor for acid rain, nuclear warfare, satellite surveillance or any other modern phobia you choose". 920:. DeCurtis said Gehman "has done an outstanding job of hardening R.E.M.’s sonic jolt" while Deusner stated of Gehman that by "giving the melodic leads their own space, he emphasizes the muscle in Berry's beats and the intricate interaction between the rhythm section". 889:, calls it "invigorating", citing it as R.E.M.'s first transitional album, simultaneously their "most pop-oriented and accessible album up to that point" and "most overtly political collection, with songs addressing environmental crises and political malaise". 1830:
The track listing on the CD packaging (back cover) is incorrect and has never been corrected. The order is given as 01-05-10-08-02-07-04-09-03-11, which excludes "Underneath the Bunker". The track listing is corrected on the vinyl, cassette, and some CD
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listed the album at #52 on its list of "Best Albums of 1980s" saying "Lifes Rich Pageant stands as a nearly seamless transition between the band's formative period and their commercial dominance." In 2000, it ranked at number 162 in the list of
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says it "may represent the band at their absolute zenith... imbued with a swaggering confidence absent from its murky predecessor". Petridis also singles out "Fall on Me" for its "beautiful opacity" and the "sumptuousness of its melody".
362:, in March 1986 (These recordings would later be released as the "Athens Demos" on the 25th anniversary re-release of the album). After being initially skeptical, they embraced the new recording process with Gehman later stating that: 2575: 354:
hard-driving record, but we also like to throw in a lot of things: pianos and organs and accordions and banjos and what-not" and considered working with Gehman as they liked the acoustic sound of his work with
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on back cover packaging (shown as "+_____________"), but listed on the disc and cassette media. Some early UK compact disc copies list the track as "Superwoman".
854:, called it "brilliant and groundbreaking, if modestly flawed", praising it as "the most outward looking record R.E.M. has made." He found that it "carries on... 2607: 276:. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, 4071: 2692: 1887: 4120: 3612: 3120: 2732:
https://www.discogs.com/master/14705-REM-Lifes-Rich-Pageant?image=395082.SW1hZ2U6NjU5OTk0Nw%3D%3D&format=LP&format=Vinyl&country=US
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Retrospective reviews of the album in the context of the band's later work (beginning with the following original studio album,
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proved at the time to be the band's most commercially successful album in the United States, peaking at number 21 on the
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while there. The band were also happy with the production of the record and the extra clarity of the vocals, bassist
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Both DeCurtis and Deusner praise the production work of Don Gehman, comparing it favorably to their previous album
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Maria: "You should get out of these clothes immediately. You'll catch your death of pneumonia, you will."
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gave the album B+ in a dismissive review that complained of a lack of progress from earlier albums.
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can be heard screaming the line "I'm so young, I'm so goddamn young", quoting longtime influence
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Clouseau: "Yes, I probably will. But it's all part of life's rich pageant, you know?"
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included it in their list of the "12 Essential 1980s Alternative Rock Albums".
437: 289: 197: 129: 28: 4150: 4010: 3742: 3654: 3535: 3493: 2961: 2576:"Hope Despite the Times: 12 Essential Alternative Rock Albums from the 1980s" 2434: 1927: 1442: 1205: 1150: 1115: 1080: 941: 850: 699: 358:. They initially met for an extensive demo session at John Keane's Studio in 316: 4000: 3980: 3254: 2403: 2375: 1845: 1470: 1452: 895: 839: 661: 611: 453: 441: 440:, signifying an environmental theme, on the lower half. It also alludes to 124: 2122: 4030: 3942: 3791: 3717: 3556: 3423: 3367: 3106: 2891: 2880: 2862: 1588: 1107: 1066: 1017: 320: 87: 2853: 1912:
Keating, Robert (October 1986). "Atlanta, Who Murdered Your Children?".
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The ecologically minded "Cuyahoga" refers to the once heavily polluted
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Talk About The Pageant: When R.E.M. Came To Bloomington In 1986
1974:"'Lifes Rich Pageant': How R.E.M. Banked A Classic | uDiscover" 1052: 257: 148: 41: 2008:"How R.E.M. Took a Big Step Forward With 'Lifes Rich Pageant'" 3956: 1070: 1056: 400: 280:-influenced quality. The album was well-received critically. 36: 2713:"R.E.M. - Lifes Rich Pageant | Releases | Discogs" 2693:"R.E.M. - Lifes Rich Pageant | Releases | Discogs" 335:", which she also uses at the end of her cover version of " 301: 3396:
It's the End of the World as We Know It (And I Feel Fine)
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Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011
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With R.E.M.'s fan base beginning to grow beyond its
432:The cover of the album is a photograph of drummer 2608:"The 100 Best Albums of the 1980s | Feature" 2550:"Lifes Rich Pageant by R.E.M. Reviews and Tracks" 2357: 2355: 1810:† I.R.S. Vintage Years edition, with bonus tracks 471:. In the UK, the album managed a number 43 peak. 4148: 2060:R.E.M. Inside Out: The Stories Behind Every Song 4121:Drive XV: A Tribute to Automatic for the People 2784:. St Ives: Australian Chart Book. p. 244. 2654: 2652: 2633:"Rocklist.net..Colin Larkin 1000 Albums - 2000" 2416: 2414: 858:the dark Southern folk artistry of last year's 3121:Unplugged: The Complete 1991 and 2001 Sessions 2498: 2496: 2352: 825:score of 93 out of 100 from 20 critic scores. 560: 522: 331:" released on the B-side of her 1976 single " 2920: 3613:All the Way to Reno (You're Gonna Be a Star) 2649: 2610:. Slant Magazine. 2012-03-05. Archived from 2411: 2269: 2267: 1813:†† 25th anniversary edition, with bonus disc 781: 743: 705: 667: 617: 264:to produce the album, which was recorded at 2808: 2806: 2796:N.B. The Kent Report chart was licensed by 2774: 2745: 2743: 2741: 2739: 2523:. No. 171. p. 102. Archived from 2493: 1885: 1106:Gregg Edward – mixing at Can-Am Recorders, 348: 252:is the fourth studio album by the American 2927: 2913: 2082: 2080: 2078: 2076: 421:opens a car door, falling into a fountain. 260:, released on July 28, 1986. R.E.M. chose 27: 2751:"Lifes Rich Pageant – R.E.M. Awards" 2273: 2264: 2246:"Traveling Through The Years With R.E.M." 2146: 2144: 3564:How the West Was Won and Where It Got Us 2803: 2736: 2658: 2456: 2361: 821:received "universal acclaim" based on a 2573: 2502: 2420: 2086: 2073: 2036:"ONWARD AND UPWARD AND PLEASE YOURSELF" 2005: 1971: 1941:Matthew, Perpetua (20 September 2008). 1940: 1911: 399:The album title is based on an English 370:The album was recorded at Mellencamp's 4149: 4114:Surprise Your Pig: A Tribute to R.E.M. 2322: 2174: 2172: 2141: 2033: 1003:"What If We Give It Away?" – 3:33 997:"The Flowers of Guatemala" – 3:55 490:movies that began the album version). 315:At the end of "Just a Touch" frontman 2908: 1967: 1965: 1963: 503: 2768: 2397:Kane, Peter (August 2011). "R.E.M.: 2396: 2208: 2029: 2027: 2001: 1999: 1997: 1995: 1993: 1176: 1160:Sandra Lee Phipps – photography 848:, writing a contemporary review for 2457:Nawrocki, Tom (2004). "R.E.M.". In 2240: 2169: 2062:. New York: Thunder's Mouth Press. 813:According to the review aggregator 562: 524: 436:, on the upper half, and a pair of 13: 2542: 2288:Christgau's Record Guide: The '80s 1960: 1375: 14: 4183: 3725:We All Go Back to Where We Belong 2839: 2574:Ramirez, AJ (February 11, 2020). 2468:The New Rolling Stone Album Guide 2024: 1990: 1322: 842:'s All-Time Album Top 1000 List. 783: 745: 707: 669: 619: 4133: 4132: 3283:Reckoning Songs from The Olympia 2034:Popson, Tom (October 17, 1986). 2006:Zaleski, Annie (July 28, 2016). 1181: 923: 802: 797: 792: 787: 782: 764: 759: 754: 749: 744: 726: 721: 716: 711: 706: 688: 683: 678: 673: 668: 638: 633: 628: 623: 618: 576: 571: 566: 561: 543: 538: 533: 528: 523: 2814:"CRIA Gold and Platinum Search" 2800:between 1983 and June 19, 1988. 2781:Australian Chart Book 1970–1992 2725: 2705: 2685: 2625: 2600: 2567: 2450: 2390: 2316: 2234: 2202: 2180:"R.E.M. Artist Official Charts" 2115: 1886:Ramirez, AJ (August 27, 2014). 1834: 1824: 467:and heralding the band's first 3508:What's the Frequency, Kenneth? 2894:(I.R.S. Vintage Years edition) 2869:(I.R.S. Vintage Years edition) 2052: 1934: 1905: 1879: 1861: 1087:, backing vocals on "Superman" 1020:) (unlisted track) – 2:52 304:. The song includes the lyric 1: 4162:Albums produced by Don Gehman 2749: 1855: 990:Side two – "Supper side" 953:Side one – "Dinner side" 738:The Rolling Stone Album Guide 372:Belmont Mall Recording Studio 3480:The Sidewinder Sleeps Tonite 3347:(Don't Go Back To) Rockville 3340:So. Central Rain (I'm Sorry) 3005:Fables of the Reconstruction 2407:. No. 301. p. 128. 1172:B. Slay – illustrations 1097:M. Bird – illustrations 1024: 917:Fables of the Reconstruction 860:Fables of the Reconstruction 493: 474:The ecologically conscious " 394: 162:Fables of the Reconstruction 7: 3135:Live at the Borderline 1991 2512:: 25th Anniversary Edition" 2096:(25th Anniversary Edition)" 1972:Peacock, Tim (2021-07-28). 1166: – back cover painting 1139:Stan Katayama – engineering 1077:, lead vocals on "Superman" 10: 4188: 2934: 2438:. No. 926. p. 73 1368: 1365: 1362: 1357: 1354: 1351: 1346: 1343: 1340: 1335: 1332: 1329: 1315: 1309: 1306: 1303: 1298: 1291: 1288: 1285: 1280: 1274: 1271: 1268: 1263: 1260: 1257: 1254: 1247: 1240: 1233: 1230: 1225: 1220: 1217: 1212: 1204: 1201: 1194: 1191: 1188: 1169:R. O. Scarelli – packaging 1136:Ross Hogarth – engineering 1006:"Just a Touch" – 3:00 447: 4130: 4054: 3966: 3871: 3734: 3676:Supernatural Superserious 3317: 3292: 3269:Vancouver Rehearsal Tapes 3246: 3144: 3098: 2982: 2942: 1430: 1425: 1422: 1009:"Swan Swan H" – 2:42 511: 508: 323:'s live cover version of 241: 207: 196: 192: 155: 147: 135: 123: 107: 86: 71: 63: 48: 35: 26: 21: 3354:Cant Get There from Here 3040:Automatic for the People 2210:Erlewine, Stephen Thomas 1817: 1120:Rick Fetig – engineering 1016:" (Mitchell Bottler and 965:"These Days" – 3:24 588:Christgau's Record Guide 413:, minus the apostrophe: 349:Recording and production 306:we burned the river down 283: 3820:First We Take Manhattan 3054:New Adventures in Hi-Fi 2328:"An R.E.M. discography" 2184:Official Charts Company 1840:"Superman", which is a 1313:Mainstream Rock Tracks 1278:Mainstream Rock Tracks 1213:21 (32 weeks on chart) 1000:"I Believe" – 3:49 996: 337:Privilege (Set Me Free) 233:Released: November 1986 52:July 28, 1986 3936:When the Light Is Mine 3333:Talk About the Passion 1869:"R.E.M. Album Details" 1241:73 (7 weeks on chart) 1226:43 (4 weeks on chart) 944:, except where noted. 875:) have been positive. 392: 368: 339:" from her 1978 album 4167:I.R.S. Records albums 3855:All the Right Friends 3704:Mine Smell Like Honey 3697:Until the Day Is Done 2340:on September 24, 2015 2058:Rosen, Craig (1997). 928:All songs written by 407:, from the 1964 film 388: 364: 220:Released: August 1986 4016:The Baseball Project 3950:Live from Austin, TX 3585:At My Most Beautiful 2824:on November 15, 2011 2473:Simon & Schuster 2333:Entertainment Weekly 600:Entertainment Weekly 499:Professional ratings 16:1986 album by R.E.M. 3799:Turn You Inside-Out 3522:Crush with Eyeliner 3262:Not Bad for No Tour 3114:Live at The Olympia 2662:(August 28, 1986). 2637:Rocklistmusic.co.uk 2428:Life's Rich Pageant 2399:Life's Rich Pageant 2088:Deusner, Stephen M. 1943:"Ask Michael Stipe" 1369:September 30, 1987 1363:CRIA – Canada 1358:September 30, 1987 1352:CRIA – Canada 982:"Hyena" – 2:50 500: 270:Belmont Mall Studio 202:Lifes Rich Pageant 4082:170 College Avenue 3862:Out in the Country 3750:Gardening at Night 3620:I'll Take the Rain 3529:Strange Currencies 3445:Shiny Happy People 3438:Losing My Religion 3167:The Best of R.E.M. 3153:Dead Letter Office 3012:Lifes Rich Pageant 2887:Lifes Rich Pageant 2876:Lifes Rich Pageant 2863:Lifes Rich Pageant 2854:Lifes Rich Pageant 2848:Lifes Rich Pageant 2666:Lifes Rich Pageant 2510:Lifes Rich Pageant 2369:Lifes Rich Pageant 2326:(March 22, 1991). 2281:Lifes Rich Pageant 2244:(March 24, 1991). 2216:Lifes Rich Pageant 2094:Lifes Rich Pageant 2040:chicagotribune.com 1069:, backing vocals, 819:Lifes Rich Pageant 498: 458:Lifes Rich Pageant 419:Inspector Clouseau 410:A Shot in the Dark 249:Lifes Rich Pageant 180:Dead Letter Office 171:Lifes Rich Pageant 67:April and May 1986 22:Lifes Rich Pageant 4144: 4143: 3764:Pretty Persuasion 3606:Imitation of Life 3326:Radio Free Europe 3222:Complete Rarities 3181:Singles Collected 3174:The Automatic Box 3128:R.E.M. at the BBC 3089:Collapse into Now 2660:DeCurtis, Anthony 2424:(July 10, 2003). 2365:(June 30, 2011). 2275:Christgau, Robert 2190:on March 13, 2013 2090:(July 13, 2011). 1802: 1801: 1769:November 22, 2011 1666:February 24, 1993 1373: 1372: 1347:January 23, 1987 1320: 1319: 1245: 1244: 1236:Kent Music Report 1177:Chart performance 1149:, at Masterdisc, 948:Original release: 911:their minds up". 811: 810: 245: 244: 188: 187: 4179: 4136: 4135: 4055:Related articles 4006:Ken Stringfellow 3813:Country Feedback 3690:Man-Sized Wreath 3641:Leaving New York 3599:The Great Beyond 3543:E-Bow the Letter 3452:Near Wild Heaven 3276:Live from London 3202:iTunes Originals 2929: 2922: 2915: 2906: 2905: 2834: 2833: 2831: 2829: 2820:. 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2011). 2504:Mueller, Andrew 2501: 2494: 2487: 2455: 2451: 2441: 2439: 2419: 2412: 2395: 2391: 2381: 2379: 2371: – review" 2360: 2353: 2343: 2341: 2321: 2317: 2307: 2305: 2303: 2295:. p. 343. 2272: 2265: 2255: 2253: 2250:Chicago Tribune 2239: 2235: 2225: 2223: 2218: – R.E.M." 2207: 2203: 2193: 2191: 2178: 2177: 2170: 2160: 2158: 2150: 2149: 2142: 2133: 2131: 2121: 2120: 2116: 2106: 2104: 2085: 2074: 2057: 2053: 2044: 2042: 2032: 2025: 2016: 2014: 2004: 1991: 1982: 1980: 1978:uDiscover Music 1970: 1961: 1951: 1949: 1947:Pop Songs 07-08 1939: 1935: 1910: 1906: 1896: 1894: 1884: 1880: 1867: 1866: 1862: 1858: 1853: 1852: 1839: 1835: 1829: 1825: 1820: 1400:United Kingdom 1378: 1376:Release history 1341:RIAA – US 1325: 1250: 1222:UK Albums Chart 1196: 1184: 1179: 1157:, United States 1027: 960:Begin the Begin 926: 891:Alexis Petridis 881:Stephen Deusner 855: 803: 798: 793: 788: 765: 760: 755: 750: 727: 722: 717: 712: 689: 684: 679: 674: 639: 634: 629: 624: 577: 572: 567: 555:Chicago Tribune 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1639: 1635: 1633:Compact Disc 1632: 1630: 1627: 1622: 1619: 1618: 1614: 1611: 1608: 1603: 1600: 1599: 1595: 1593:Compact Disc 1592: 1590: 1587: 1582: 1579: 1578: 1574: 1572:Compact Disc 1571: 1568: 1563: 1560: 1559: 1555: 1552: 1549: 1544: 1541: 1540: 1536: 1533: 1530: 1525: 1522: 1521: 1517: 1514: 1512: 1509: 1504: 1501: 1500: 1496: 1493: 1490: 1485: 1482: 1481: 1477: 1474: 1472: 1469: 1464: 1461: 1460: 1456: 1454: 1451: 1450: 1446: 1444: 1443:cassette tape 1441: 1440: 1436: 1433: 1427:July 29, 1986 1421: 1417: 1415: 1412: 1410: 1407: 1404:July 28, 1986 1402: 1399: 1398: 1394: 1391: 1388: 1385: 1382: 1381: 1361: 1350: 1339: 1330:Organization 1328: 1312: 1302: 1295: 1289:"Fall on Me" 1284: 1277: 1272:"Fall on Me" 1267: 1253: 1237: 1229: 1223: 1216: 1210: 1208: 1200: 1187: 1182:Weekly charts 1171: 1168: 1165: 1162: 1159: 1156: 1152: 1151:New York City 1148: 1144: 1141: 1138: 1135: 1133: 1129: 1125: 1122: 1119: 1117: 1116:United States 1113: 1109: 1105: 1103: 1100:Jim Dineen – 1099: 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Index


Studio album
R.E.M.
Belmont Mall
Belmont, Indiana
Genre
Jangle pop
alternative rock
Label
I.R.S.
Producer
Don Gehman
R.E.M.
Fables of the Reconstruction
Dead Letter Office
Singles
Fall on Me
Superman
alternative rock
R.E.M.
Don Gehman
John Mellencamp
Belmont Mall Studio
Belmont, Indiana
hard rock
Cuyahoga River
Lake Erie
Cleveland
Ohio
caught fire

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