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Any other approach would have been for
Albanese contrary to the musical sense with which she was born, contrary to musical training she acquired, and, if such exists, contrary to her musical morality. It was this, Licia's uniqueness and musical mastery which drew me, which drew us, into the world of Mimi, Cio-Cio-San, Manon, Liu and Violetta week after week, year after year, inviting me to a place and places I had never been before. It is for all these reasons that
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once asked me how I ever got through it, but
Toscanini wanted it that way," Albanese later recalled. "'It should be like champagne,' he said. I complained to him, and he said, 'You can do it.' Before I sang the part, I went to a hospital to study the behavior of people with tuberculosis and I learned
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Like all great artists, Licia's specific ingenuity as a singer, the originality of her art, lay in the fact that technique for this artist at least was always a means to an end and never an end in itself: for the salient features of all great art is the ability to connect technique to the emotions.
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at the old
Metropolitan Opera House in spite of the fact that after the December 7, 1941 Pearl Harbor attack, performances of that opera were banned in the U.S. until the end of World War II. Her success was instantaneous, and Albanese remained at the Met for 26 seasons, performing a total of 427
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To all of her work, Albanese brought passion and commitment, with her rich soprano voice, equalized throughout its range, thrilling in its climaxes. However, despite her repeated performances, she never fell into routine. As she explained in a 2004 interview with Allan Ulrich of the
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was able to write of Licia's first
Violetta: 'She did not sing the role, she recreated it for our times.' As we all know, Albanese's art is capable of the widest range of effects from the tragic to the comedic, from dramatic repertoire to the lyrical and even
447:. She worked with some of the best conductors of her time, but it is her work with Toscanini that has endured. Despite her talent and numerous performances, she was not the best known of her contemporaries, overshadowed in her day by
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which has remained her best known. Her connection with that work began early with her teacher, Giuseppina
Baldassare-Tedeschi, a contemporary of the composer, and an important exponent of the title role in the previous generation.
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Alfredo
Vecchio, a frequent member of the audience at her performances, gave the following tribute to the career of Albanese at the Columbus Club, Park Avenue, New York City, in 1986:
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For some years before her death, many print and online resources gave her birth year as 1913, and this was the year used by many reports of her death and obituaries.
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in 2000. At the ceremony, Mayor
Giuliani commemorated the career of a woman who is "without question of the most loved and respected performers in the world."
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where she sang between 1941 and 1961, performing 22 roles in 120 performances over 20 seasons, remaining in part because of her admiration for its director,
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Even after a career spanning seven decades, Albanese continued to perform occasionally. After hearing her sing the national anthem during a Met opening,
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There is some controversy regarding when she made her formal debut. It was either in that same year (1934) at the Teatro
Municipale in Bari, singing in
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celebrating the 50th anniversary of the San
Francisco Opera. Joining numerous colleagues who had sung with the company, Albanese sang the duet from
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was such that she sang more performances of that opera at the Met and the San
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program listing for Licia Albanese, Alfredo Antonini, Richard Tucker and The New York Philharmonic on 25 June 1959 p. 17 on nyphil.org
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Ulrich, Allan, "Many a tear was shed when soprano Licia Albanese sang. Now she is celebrating her signature work,
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Mayor Giuliani presents Handel Medallion to Licia Albanese and Roberta Peters (press release), November 20, 2000
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performances of 17 roles in 16 operas. She left the company in 1966 in a dispute with General Manager Sir
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region). She made her unofficial debut in Milan in 1934, when she replaced another soprano in Puccini's
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Licia Albanese, Alfredo Antonini, Richard Tucker, performing at Lewisohn Stadium on wqxr.org
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and members of the New York Philharmonic during the popular "Italian Night" broadcasts from
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Albanese went to San Francisco in the summer of 1972 for the special gala concert at
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Albanese died on August 15, 2014, at the age of 105 in her home in Manhattan.
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Her voice had a distinctive character which the Italians call a
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Martin Bernheimer; Robert J. Dennis (2015). "Albanese, Licia".
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invited Albanese to join his broadcast concert performances of
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debut on February 9, 1940, in the first of 72 performances as
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in 1946. Both performances were later issued on LP and CD by
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Albanese appeared in the very first live telecast from the
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Felicia Albanese was born in July 1909 in Torre Pelosa, (a
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obituary (M. Fox) state July 23; some others state July 24
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Albanese was noted for the grace with which she performed
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in Houston, Texas, Albanese starred in a stage revival of
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810:Her petition for US naturalization states July 22;
49:. Unsourced material may be challenged and removed.
924:"Licia Albanese, Exalted Soprano, Is Dead at 105"
854:Petition for Naturalization: Licia Albanese Gimma
624:under the maestro's famously intense direction. "
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1902:United States National Medal of Arts recipients
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400:in 1985. During the 1987 spring season of the
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1010:The Licia Albanese-Puccini Foundation website
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676:(1954). For a 1951 recording conducted by
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1942:Naturalized citizens of the United States
1932:21st-century American women opera singers
1927:20th-century American women opera singers
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109:Learn how and when to remove this message
1917:20th-century Italian women opera singers
629:that sometimes they can be hysterical."
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1129:Harris & Carroll Sterling Masterson
841:10.1093/gmo/9781561592630.article.00415
736:in 1945. On October 5, 1995, President
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16:Italian-born American operatic soprano
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958:Davis, Dan, "Licia Albanese" (review)
710:The Licia Albanese-Puccini Foundation
158:The Licia Albanese-Puccini Foundation
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742:National Medal of Honor for the Arts
568:with the RCA Orchestra conducted by
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1031:by Bruce Duffie, February 26, 1988
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1029:Interview with Licia Albanese
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1912:American women centenarians
1708:Steppenwolf Theatre Company
765:University of South Florida
749:Marymount Manhattan College
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636:. Among her recordings are
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866:Licia Albanese obituary
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982:May 30, 2005, at the
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495:Recordings and legacy
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1179:Charles "Honi" Coles
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43:improve this article
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1764:Harvey Lichtenstein
1344:Robert Rauschenberg
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354:San Francisco Opera
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1189:Richard Diebenkorn
977:, October 4, 2004.
944:Vecchio, Alfredo,
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829:Grove Music Online
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60: –
59:
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54:Find sources:
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38:
37:
32:This article
30:
26:
21:
20:
1774:George Segal
1688:Gregory Peck
1683:Agnes Martin
1617:James Levine
1597:Betty Carter
1521:Edward Albee
1448:
1400:Julie Harris
1385:Dave Brubeck
1364:Billy Wilder
1289:Lila Wallace
1265:Billy Taylor
1255:Earl Scruggs
1245:Minnie Pearl
1240:Allan Houser
1204:Pearl Primus
1110:Jasper Johns
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648:Fritz Reiner
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41:Please help
36:verification
33:
1872:2014 deaths
1867:1909 births
1754:Norman Lear
1713:Gwen Verdon
1698:Philip Roth
1673:Frank Gehry
1622:Tito Puente
1502:Bill Monroe
1468:Ossie Davis
1463:Iris Cantor
1415:Pete Seeger
1359:Paul Taylor
1319:Ray Charles
1279:Robert Wise
1260:Robert Shaw
1209:Isaac Stern
1184:John Crosby
1095:Hume Cronyn
1023:La traviata
699:La traviata
622:La traviata
615:La traviata
597:Fritz Busch
589:Ramón Vinay
587:, opposite
539:La traviata
416:La traviata
371:with tenor
319:including:
285:La traviata
270:Rudolf Bing
170:subdivision
1861:Categories
1637:Doc Watson
1602:Agnes Gund
1410:Gene Kelly
1390:Celia Cruz
1133:Ian McHarg
870:Alan Blyth
656:Jan Peerce
634:RCA Victor
581:, Verdi's
298:RCA Victor
174:Noicattaro
69:newspapers
1839:Biography
1556:Vera List
1459:B. Gerald
1164:Roy Acuff
1015:Recording
611:La bohème
542:with the
478:soubrette
328:La bohème
294:Studio 8H
292:in NBC's
288:with the
280:La bohème
219:La bohème
127:Puccini's
1487:Bob Hope
1472:Ruby Dee
1284:AT&T
980:Archived
898:Archived
689:Soprano
334:Turandot
232:La Scala
222:, or in
196:Violetta
1825:Portals
1077:(1990s)
1021:" from
650:, with
429:vibrato
406:Follies
389:Follies
150:Puccini
142:soprano
83:scholar
1744:Odetta
1305:Walter
1214:Texaco
779:, and
720:, and
716:, the
643:Carmen
584:Otello
565:Carmen
443:, and
243:Carmen
209:geisha
182:Apulia
85:
78:
71:
64:
56:
1851:Opera
1812:2010s
1807:2000s
1802:1990s
1797:1980s
815:'
798:Notes
664:with
638:Bizet
322:Tosca
224:Parma
146:Verdi
90:JSTOR
76:books
1722:1999
1651:1998
1585:1997
1514:1996
1470:and
1461:and
1442:1995
1373:1994
1307:and
1298:1993
1272:and
1223:1992
1152:1991
1083:1990
1039:IMDb
1017:of "
668:and
654:and
591:and
522:WQXR
459:and
343:and
282:and
252:and
202:and
192:Mimì
178:Bari
148:and
62:news
1037:at
973:",
926:by
868:by
837:doi
640:'s
516:in
396:at
200:Liù
172:of
45:by
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835:.
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106:(
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97:(
87:·
80:·
73:·
66:·
39:.
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