288:, who curated artist's major exhibition in China and France. In early 90s, Li Chevalier returned to artistic instruction in the major European cities, Florence, Paris and London. She attended in France the master classes of French painters RĂ©my Aron, Thibaut de ReimprĂ© and Pierre-Henry. She received her nomination at French National Fine Art Society (SNBA) in 2003.Li Chevalier went to London in 2003 to attend the Dali Studio at Central Saint Martins âCollege of Art and Design. She later enrolled in post graduate studies in fine art and received her degree in 2007.In December 2004, the US Virginia Common Wealth University School of Art in Qatar hosted a major solo exhibition for Chevalier presenting for the first time her experimental ink painting. Her work is submitted and exhibited at Royal Academy Summer exhibition in 2007.
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Li
Chevalier adores black and white, both in her artwork and clothing style. Her artworks are intended to make viewers reflect the artworks to their own life. Li Chevalier uses objects to express her feelings or ideas. She uses a cross, cello, empty chair, and a tombstone to express a sense of
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over the theme: A Human Screen - an inevitable political ethics. Li
Chevalier understands that being both female and Asian can be extremely difficult in the world of contemporary art dominated by male artist and political discussion. However, she refused to compromise what she loves.
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Chevalier now works in both
Beijing and France and is part of a movement of Chinese artists seeking to restore the Chinese tradition of appreciation for artistic beauty destroyed in the
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launched by the government in 1983. And she eventually became a French citizen in 1986. She embarked on studies in politics and philosophy in France. She has a degree from the
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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311:(2017). She often works in ink on canvas;
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373:"Les combats intérieurs de Li Chevalier"
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