440:. Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944, Young appeared alongside drummer
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378:, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President
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205:'s orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike".
701:." It was a reunion with Holiday, with whom he had lost contact over the years. She was also in physical decline, near the end of her career, yet they both gave moving performances. Young's solo was brilliant, acclaimed by some observers as an unparalleled marvel of economy, phrasing and extraordinarily moving emotion;
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at the tail end of an abbreviated
European tour during which he ate next to nothing and drank heavily. On a flight to New York City, he suffered from internal bleeding due to the effects of alcoholism and died in the early morning hours of March 15, 1959, only hours after arriving back in New York,
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Although it has been written much too often that Lester Young declined rapidly from the mid-'40s on, the truth is that when he was healthy, Young played at his very best during the '50s, adding an emotional intensity to his sound that had not been present during the more carefree days of the '30s.
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From around 1951, Young's level of playing declined more precipitously as his drinking increased. His playing showed reliance on a small number of clichéd phrases and reduced creativity and originality, despite his claims that he did not want to be a "repeater pencil" (Young coined this phrase to
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were in effect and racial segregation was required in public facilities. He became a member of the
Bostonians, led by Art Bronson, and chose the tenor saxophone over the alto as his primary instrument. He made a habit of leaving, working, then going home. He left home permanently in 1932 when he
893:, the fictional main character Dale Turner, played by Dexter Gordon, was partly based on Young – incorporating flashback references to his army experiences, and loosely depicting his time in Paris and his return to New York just before his death. Young is a major character in
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On 17 March 2003, Young was added to the ASCAP Jazz Wall of Fame, along with Sidney Bechet, Al Cohn, Nat "King" Cole, Peggy Lee and Teddy Wilson. He was represented at the ceremony by his children Lester Young Jr and Yvette Young.
924:" photograph of jazz musicians in New York, contains many remembrances of Young. For many of the other participants, the photo shoot was the last time they saw him alive; he was the first musician in the famous photo to pass away.
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849:, a collaboration instigated by Mingus during the last year of his life as he struggled with the ALS that would kill him. The resulting song then became both an elegy to Young, and, implicitly, Mingus as well.
812:" to mean something fashionable. Another slang term he is rumoured to have popularized was the term "bread" for money. He would ask, "How does the bread smell?" when asking how much a gig was going to pay.
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Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons, spurring his dismissal, although Young and drummer
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in 1919 and Young stayed there for much of the 1920s, first picking up the tenor saxophone while living there. Young left the family band in 1927 at the age of 18 because he refused to tour in the
843:. At Mingus’s request, Joni Mitchell wrote lyrics to “Goodbye Pork Pie Hat” which incorporated stories Mingus told Mitchell about Young; the song was featured on Mitchell’s 1979 album release,
876:, subtitled "A Poetic Mood Song Based on the Legend of Lester Young", depicting Young's life. The work was subsequently adapted for the theater, and was staged in November of that year at the
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Throughout the 1940s and 50s, Young occasionally played as a featured guest with the Count Basie
Orchestra. The best-known of these appearances is the July 1957 performance at the
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Young's career after World War II was far more prolific and lucrative than in the pre-war years in terms of recordings made, live performances, and annual income. Young joined
724:, who rode with Holiday in a taxi to Young's funeral, she said after the services, "I'll be the next one to go." Holiday died four months later on July 17, 1959, at age 44.
231:, known as Lee Young, who became a drummer, and a sister, Irma Cornelia. He grew up in a musical family. His father was a teacher and band leader. While growing up in the
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troupe in 1946, touring regularly with JATP over the next 12 years. He made many studio recordings under Granz's supervision as well, including more trio recordings with
974:(2000) contains a story called "Pork Pie Hat", a fictionalized account of the life of Lester Young. Straub was inspired by Young's appearance on the 1957 CBS-TV show
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describe the act of repeating one's own past ideas). Young's playing and health went into a crisis, culminating in a
November 1955 hospital admission following a
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He emerged from this treatment improved. In
January 1956, he recorded two Granz-produced sessions including a reunion with pianist Teddy Wilson, trumpet player
705:, one of the show's producers, later commented, "Lester got up, and he played the purest blues I have ever heard ... in the control room we were all crying."
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would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer
239:, he worked from the age of five to make money for the family. He sold newspapers and shined shoes. By the time he was ten, he had learned the basics of the
227:, Mississippi, on August 27, 1909, to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana. Lester had two siblings – a brother,
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980:, which he watched repeatedly, wondering how such a genius could have ended up "this present shambles, this human wreckage, hardly able to play at all".
363:
421:(their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the
382:, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with
370:. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the
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was shy of hipster elaborations. He added nothing to the vocabulary, as did Lester Young, one of the great hip verbalists." Russell, Ross (1973).
350:. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised
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311:. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of
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Live. Early "in person" recordings. Recorded on a home recorder. First commercially issued collection of Young as band leader.
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425:. Small record labels not bound by union contracts continued to record, and Young recorded some sessions for Harry Lim's
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502:. Young did not fight the charges and was convicted. He served one traumatic year in a detention barracks and was
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touring with carnivals and playing in regional cities in the
Southwest. Young's early musical influences included
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in late 1945. His experience inspired his composition "D.B. Blues" (with D.B. standing for detention barracks).
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gave him one and urged him to play it (with far different results at that stage in Young's life—see below).
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band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for
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in gratitude for what he learned from studying Lester Young's work, modeled after a 1946 trio date with
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209:
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859:, composed a tribute called "Lester Left Town," which was released on the Jazz Messengers' 1960 album
837:. Mingus re-released "Goodbye Pork Pie Hat" under the name "Theme for Lester Young" on his 1964 album
613:, with a line-up including many of his 1940s colleagues: Jo Jones, Roy Eldridge, Illinois Jacquet and
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In his teens, he and his father clashed, and he often left home for long periods. His family moved to
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modeled his style so closely on Young's that he was sometimes referred to as the "Vice Prez" (sic).
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After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year
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490:, Young was assigned to the regular army where he was not allowed to play his saxophone. Based in
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In
December 1943, Young returned to the Basie fold for a 10-month stint, cut short by his being
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began to incorporate elements from Lester Young's approach when he made the transition to
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albums. 1956 was a relatively good year for Lester Young, including a tour of Europe with
8:
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2241:
2222:"Lester Young With the Oscar Peterson Trio - Lester Young | Songs, Reviews, Credits"
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in a couple of studio sessions (1937–1941) and also made a small set of recordings with
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482:. Unlike many white musicians, who were placed in band outfits such as the ones led by
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331:
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1879:
Complete Billie
Holiday Lester Young / Intégrale Billie Holiday Lester Young 1937-1946
410:, for the next couple of years; live and broadcast recordings from this period exist.
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Years given are for the recording(s), not first release, unless stated otherwise.
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194:(August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American
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Classic
Columbia, Okeh and Vocalion: Lester Young with Count Basie (1936–1940)
315:, the dominant tenor sax player of the day. One of Young's key influences was
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2548:"Lester Left Town – Lester Young, Wayne Shorter and honoring your influences"
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Known for his hip, introverted style, he invented or popularized much of the
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Lester married three times. His first marriage was to
Beatrice Tolliver, in
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This classic session finds the great tenor in particularly expressive form.
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307:, where after playing briefly in several bands, he rose to prominence with
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Trio. Live recording of Young and Potts in Washington were issued later.
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374:, his clarinet work from 1938–39 is documented on recordings with Basie,
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339:
308:
292:
275:
236:
202:
1766:– 8-CD boxed set (includes the only two Young interviews known to exist)
831:", only a few months after his death, and released it on his 1959 album
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856:
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546:(1944, 1949 and 1950), some sessions of which included Basie on piano.
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518:
Young at the Famous Door, New York, N.Y., c. September 1946. Photo by
1937:
Bird Lives: The High Life and Hard Times of Charlie (Yardbird) Parker
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749:
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737:
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228:
2460:, M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, pp.
2133:"Lester Young - Biography, Albums, & Streaming Radio - AllMusic"
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2246:
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2137:
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942:. "Ivey-Divey" was one of Lester Young's common eccentric phrases.
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542:(1945-1947, where he had made the Cole recordings in 1942) and for
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367:
134:
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240:
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Young made his final studio recordings and live performances in
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244:
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24 part "Interview with Lester Young", conducted in the 1950s.
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709:
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627:. In 1956, he recorded two LPs with his 1930s collaborators
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and a successful residency at Olivia Davis' Patio Lounge in
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Young's playing style influenced many musicians, including
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108:
2789:
Lester Leaps In: The Life and Times of Lester 'Pres' Young
2298:(Rev. ed.). Ann Arbor: University of Michigan Press.
2014:"Lester 'Pres' Young in Minneapolis: The Formative Years"
1987:(2 ed.). New York: Oxford University Press. p.
1845:
The Complete Jazz at the Philharmonic on Verve: 1944-1949
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949:(1993), a book of poetry by Vancouver writer Jamie Reid.
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662:
His third wife was Mary Berkeley; they had two children.
1915:
1913:
784:. Lester Young also had a direct influence on the young
538:. Young also recorded extensively in the late 1940s for
2775:
You Just Fight for Your Life: The Story of Lester Young
2161:"Stories of Standards: Lester Leaps In by Lester Young"
808:. He is also said to have popularized use of the term "
635:. Allmusic's Scott Yanow, reviewing one of the albums,
2782:
You Got to Be Original, Man! The Music of Lester Young
884:, with a four-piece jazz combo led by Dwight Andrews.
2621:"Seven Music Greats Added to ASCAP Jazz Wall of Fame"
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1910:
1898:
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with the Basie Band when they were inducted into the
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recording ban by the American Federation of Musicians
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2428:
2263:
Being Prez : the life and music of Lester Young
2202:
2190:
1947:
1945:
659:, on 23 February 1930. His second was to Mary Dale.
334:'s orchestra. He soon left Henderson to play in the
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1885:Billie Holiday and Lester Young: A Musical Romance
1764:The Complete Lester Young Studio Sessions on Verve
2242:"Pres & Teddy | Songs, Reviews, Credits"
1957:
1942:
1870:Lady Day: The Complete Billie Holiday on Columbia
413:During this period, Young accompanied the singer
298:
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1299:The President Plays with the Oscar Peterson Trio
1100:The President Plays with the Oscar Peterson Trio
330:Young left the Basie band to replace Hawkins in
1802:The Lester Young Count Basie Sessions 1936-1940
727:
498:and alcohol among his possessions. He was soon
2720:Being Prez: The Life and Music of Lester Young
198:tenor saxophonist and occasional clarinetist.
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2506:"Lester Young: 'The Prez' Still Rules At 100"
2333:. Washington: Smithsonian Institution Press.
2326:
2293:
2063:"Frankie Trumbauer - Biography & History"
800:Young also influenced non-musicians such as
215:which came to be associated with the music.
1820:(1936–1940 and non-Young sessions to 1964)
1795:(1936–1940 and non-Young sessions to 1942)
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319:, who came to prominence in the 1920s with
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31:
2894:Lester Young with the Oscar Peterson Trio
2673:. MosaicRecords.com (Official site). 2021
1754:session and more from the post-war period
1048:Lester Young with the Oscar Peterson Trio
1028:Lester Young with the Oscar Peterson Trio
945:Young was the subject and inspiration of
815:
670:On December 8, 1957, Young appeared with
620:Lester Young with the Oscar Peterson Trio
2826:Lester Young 100th Year Anniversary Site
2552:Quixote Consulting - Rob Fletcher's Blog
2545:
2539:
513:
218:
3035:Alcohol-related deaths in New York City
3015:20th-century African-American musicians
2695:
2403:
2111:. New York: Bonanza Books. p. 90.
2106:
2091:
2011:
1976:
1974:
1972:
1919:
1904:
1793:America's No.1 Band: The Columbia Years
1717:Pres, In Washington, DC 1956, volume 4
1700:Pres, In Washington, DC 1956, volume 3
1683:Prez, In Washington, DC 1956, volume 2
1666:Pres, In Washington, DC 1956, volume 1
956:, that was written by Bernard Cash and
872:(Charles F. Gordon) published the book
549:
327:(between the alto and tenor in pitch).
201:Coming to prominence while a member of
2972:
2811:Porter, Lewis (2005, revised edition)
2380:"Lester Young | Encyclopedia.com"
2087:
2085:
1786:The Original American Decca Recordings
509:
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2714:
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2208:
2196:
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1980:
1963:
1951:
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16:American jazz saxophonist (1909–1959)
3115:20th-century American male musicians
3005:Musicians from Kansas City, Missouri
2446:
2440:
2260:
2109:The Book of Jazz: From Then till Now
2012:Daniels, Douglas Henry (Fall 2004).
1969:
1618:An Historical Meeting At The Summit
2646:"Verve Records Discography Project"
2546:Fletcher, Rob (December 22, 2011).
2265:. Oxford: Oxford University Press.
2178:
2082:
952:Young was the subject of an opera,
901:'s 1991 fictional book about jazz,
13:
3010:People from Woodville, Mississippi
2737:
2565:Mel Gussow, THEATER: 'Lady Lester'
2363:Jazz: A History of America's Music
2361:Ward, Geoffrey C., and Ken Burns.
997:
840:Mingus Mingus Mingus Mingus Mingus
14:
3131:
3095:Oklahoma City Blue Devils members
2819:
2808:. Smithsonian Institution Press .
2159:Hillshafer, Linda (May 4, 2019).
1601:Live at the Savoy (aka The Pres)
3045:American jazz tenor saxophonists
2886:The Lester Young Buddy Rich Trio
2860:
2758:
2744:
2671:"Lester Young at Mosaic Records"
2261:Dave, Gelly (October 18, 2007).
1636:
1524:Charlie Parker Records (company)
1352:The Lester Young Buddy Rich Trio
1247:
1194:The Lester Young Buddy Rich Trio
494:, Alabama, Young was found with
396:
3020:20th-century American musicians
3000:Jazz musicians from New Orleans
2990:Jazz musicians from Mississippi
2815:. University of Michigan Press.
2798:. University of Arkansas Press.
2796:Prez: The Story of Lester Young
2689:
2663:
2638:
2613:
2588:
2558:
2523:
2498:
2477:
2397:
2372:
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2320:
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2187:, The African American Registry
2152:
2125:
2100:
2055:
1881:(Frémeaux & Associés, 1998)
1748:The Complete Aladdin Recordings
874:The Resurrection of Lady Lester
465:
448:, and fellow tenor saxophonist
3085:American vaudeville performers
2787:Daniels, Douglas Henry (2002)
2773:Büchmann-Møller, Frank (1990)
2700:. Matrix Publishing Services.
2034:
2005:
1925:
987:
665:
650:
299:With the Count Basie Orchestra
1:
3060:Count Basie Orchestra members
3030:African-American saxophonists
2485:"Online Etymology Dictionary"
1891:
1887:(1937-1941) Columbia Records
1770:
1758:The Complete Savoy Recordings
617:. In 1952 he was featured on
470:In September 1944, Young and
3090:American male jazz musicians
2995:Jazz musicians from Missouri
2934:Laughin' to Keep from Cryin'
1741:(recorded in 1938 and 1944)
1466:Laughin' to Keep from Cryin'
1390:Reissue of Norgran MGN 1022
1373:Reissue of Norgran MGN 1005
1356:Reissue of Norgran MGN 1074
1337:Reissue of Norgran MGN 1072
1320:Reissue of Norgran MGN 1071
1303:Reissue of Norgran MGN 1054
1284:Reissue of Norgran MGN 1043
992:
947:Prez. Homage to Lester Young
857:Art Blakey's Jazz Messengers
728:Influence on other musicians
7:
2327:Porter, Lewis, ed. (1991).
1508:The Essential Lester Young
712:in March 1959 with drummer
697:performing Holiday's tune "
10:
3136:
3050:American male saxophonists
3040:American jazz clarinetists
2698:Jazz 'Essential Listening'
2096:. Paladin. pp. 79–80.
2021:Minnesota History Magazine
303:In 1933, Young settled in
3120:Signature Records artists
3025:20th-century saxophonists
2944:
2877:
2868:
2536:. Retrieved July 17, 2009
2410:. Da Capo Press. p.
2404:Feather, Leonard (1987).
2107:Feather, Leonard (1965).
2092:Berendt, Joachim (1976).
720:According to jazz critic
223:Lester Young was born in
150:
140:
122:
114:
104:
87:
67:
57:
47:
42:
30:
23:
3070:Vocalion Records artists
2596:"Peter Straub interview"
2185:"The Prez, Lester Young"
1838:Jazz at the Philharmonic
1739:The Kansas City Sessions
1733:Compilations (as leader)
532:Jazz at the Philharmonic
348:The Kansas City Sessions
3100:Aladdin Records artists
2780:Büchmann-Møller, Frank
2696:DeVeaux, Scott (2011).
2457:All Music Guide to Jazz
1448:The Lester Young Story
970:short story collection
578:– which were issued as
504:dishonorably discharged
287:became a member of the
3110:Victor Records artists
3055:Cool jazz saxophonists
2806:Lester Young: A Reader
2294:Porter, Lewis (2005).
1939:. DaCapo Press, p. 186
1828:Count Basie at Newport
1571:Live (Savoy Ballroom)
1491:Lester Young in Paris
1387:It Don't Mean a Thing
1232:It Don't Mean a Thing
1083:It Don't Mean a Thing
878:Manhattan Theater Club
816:Posthumous dedications
788:, and thus the entire
648:
623:, released in 1954 on
523:
280:Southern United States
276:Minneapolis, Minnesota
81:Woodville, Mississippi
43:Background information
3105:Verve Records artists
3065:Savoy Records artists
2959:Count Basie Orchestra
2794:Delannoy, Luc (1993)
2573:, November 14, 1981.]
2407:From Satchmo to Miles
2330:A Lester Young reader
1778:Count Basie Orchestra
1750:(1942–47) – the 1942
922:A Great Day in Harlem
643:
611:Newport Jazz Festival
517:
446:Harry "Sweets" Edison
436:into the army during
219:Early life and career
2953:Goodbye Pork Pie Hat
1370:Lester Swings Again
1235:Reissue of MGN 1022
1218:Reissue of MGN 1005
1215:Lester Swings Again
964:television in 1985.
829:Goodbye Pork Pie Hat
682:, Roy Eldridge, and
550:Struggle and revival
386:date from this era.
372:Kansas City Sessions
37:Young (left) in 1944
2910:The Jazz Giants '56
1984:The History of Jazz
1981:Gioia, Ted (2011).
1144:The Jazz Giants '56
930:recorded the album
690:television special
596:Modern Jazz Quartet
581:The Jazz Giants '56
520:William P. Gottlieb
510:Post-war recordings
192:Lester Willis Young
53:Lester Willis Young
3080:Swing saxophonists
3075:Swing clarinetists
2570:The New York Times
1760:(recorded 1944–50)
1585:Just You, Just Me
954:Prez: A Jazz Opera
796:Non-musical legacy
717:at the age of 49.
524:
380:Franklin Roosevelt
332:Fletcher Henderson
325:C-melody saxophone
2967:
2966:
2729:978-1-84553-058-7
2707:978-0-393-93563-9
2421:978-0-306-80302-4
1998:978-0-19-539970-7
1743:Commodore Records
1730:
1729:
1634:
1633:
1521:
1520:
1245:
1244:
977:The Sound of Jazz
960:and broadcast by
887:In the 1986 film
693:The Sound of Jazz
557:nervous breakdown
459:Jammin' the Blues
364:Rodney Richardson
344:Commodore Records
317:Frankie Trumbauer
269:Frankie Trumbauer
253:Young Family Band
251:, and joined the
186:
185:
3127:
2945:Related articles
2926:Going for Myself
2855:
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2752:Biography portal
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1978:
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1874:Columbia Records
1822:Columbia Records
1797:Columbia Records
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1427:Going for Myself
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1004:
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912:1994 documentary
774:Paul Quinichette
450:Illinois Jacquet
358:, Basie, Young,
235:neighborhood of
229:Leonidas Raymond
143:
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63:"Pres" or "Prez"
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1852:The Drum Battle
1789:(GRP, 1937-39 )
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1557:Multiple years
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1280:Pres and Sweets
1252:
1122:Pres and Sweets
1002:
999:Norgran Records
995:
990:
914:about the 1958
818:
798:
782:tenor saxophone
730:
722:Leonard Feather
699:Fine and Mellow
676:Coleman Hawkins
668:
653:
552:
540:Aladdin Records
512:
500:court-martialed
468:
429:label in 1943.
419:Nat "King" Cole
399:
323:and played the
313:Coleman Hawkins
301:
261:Bix Beiderbecke
257:Louis Armstrong
221:
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127:Tenor saxophone
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78:August 27, 1909
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786:Charlie Parker
762:Gerry Mulligan
729:
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684:Gerry Mulligan
672:Billie Holiday
667:
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638:Pres and Teddy
600:Washington, DC
587:Pres and Teddy
574:, and drummer
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456:'s short film
415:Billie Holiday
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2800:
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2766:Music portal
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2690:Bibliography
2675:. Retrieved
2665:
2653:. Retrieved
2649:
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2630:December 20,
2628:. Retrieved
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2530:Mingus Ah Um
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1966:, p. 3.
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1954:, p. 1.
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1531:Catalog No.
1511:Compilation
1476:Harry Edison
1472:Roy Eldridge
1451:Compilation
1433:Harry Edison
1411:Teddy Wilson
1259:Catalog No.
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1128:Harry Edison
1007:Catalog No.
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142:Years active
93:(1959-03-15)
25:Lester Young
18:
2985:1959 deaths
2980:1909 births
2722:. Equinox.
2716:Gelly, Dave
2655:January 22,
2170:October 19,
2074:January 22,
2026:November 2,
1818:Super Chief
988:Discography
958:Alan Plater
827:to Young, "
778:Sonny Stitt
758:Warne Marsh
703:Nat Hentoff
680:Ben Webster
666:Final years
657:Albuquerque
651:Family life
602:, with the
592:Miles Davis
476:Los Angeles
356:Dicky Wells
340:Milt Gabler
309:Count Basie
305:Kansas City
293:Walter Page
289:Blue Devils
237:New Orleans
203:Count Basie
2974:Categories
2777:. Praeger.
2583:Gelly 2007
2435:Gelly 2007
2340:1560980648
2305:0472089226
2209:Gelly 2007
2197:Gelly 2007
2050:Gelly 2007
1964:Gelly 2007
1952:Gelly 2007
1892:References
1771:As sideman
1590:1948-1949
1514:1949-1957
1454:1950-1956
1437:1957-1958
1376:1950-1952
1340:1950-1951
1323:1951-1953
1221:1950-1952
1200:Buddy Rich
1182:1950-1951
1166:1951-1953
1072:1950-1952
936:Buddy Rich
932:Ivey-Divey
899:Geoff Dyer
855:, then of
792:movement.
766:Lee Konitz
746:John Lewis
604:Bill Potts
572:Gene Ramey
570:, bassist
488:Artie Shaw
115:Occupation
74:1909-08-27
49:Birth name
2625:Ascap.com
2515:August 5,
2490:August 5,
2448:Wynn, Ron
2389:August 3,
2281:154707878
2144:August 5,
1776:With the
1658:Released
1655:Recorded
1543:Released
1540:Recorded
1505:MGV 8398
1488:MGV 8378
1462:MGV 8316
1445:MGV 8308
1423:MGV 8298
1401:MGV 8205
1384:MGV 8187
1367:MGV 8181
1348:MGV 8164
1331:MGV 8162
1314:MGV 8161
1295:MGV 8144
1276:MGV 8134
1271:Released
1268:Recorded
1229:MGN 1100
1212:MGN 1093
1190:MGN 1074
1174:MGN 1072
1158:MGN 1071
1140:MGN 1056
1118:MGN 1043
1096:MGN 1054
1080:MGN 1022
1064:MGN 1005
1019:Released
1016:Recorded
993:As leader
928:Don Byron
750:Zoot Sims
742:B.B. King
738:Stan Getz
496:marijuana
480:U.S. Army
454:Gjon Mili
408:Lee Young
336:Andy Kirk
225:Woodville
163:Commodore
146:1933–1959
2718:(2007).
2677:July 12,
2605:June 18,
2534:Allmusic
2452:Ron Wynn
2450:(1994),
2349:22861212
2314:57344030
2247:AllMusic
2227:AllMusic
2138:AllMusic
2068:AllMusic
1714:2308230
1697:2308228
1680:2308225
1663:2308219
868:In 1981
633:Jo Jones
594:and the
576:Jo Jones
474:were in
472:Jo Jones
442:Jo Jones
404:Jo Jones
368:Jo Jones
282:, where
135:clarinet
118:Musician
2804:(1991)
2510:Npr.org
2462:684–685
2454:(ed.),
1933:Charlie
917:Esquire
897:writer
895:English
754:Al Cohn
686:in the
625:Norgran
434:drafted
427:Keynote
291:led by
241:trumpet
233:Algiers
210:hipster
2937:(1958)
2929:(1957)
2921:(1956)
2913:(1956)
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2897:(1952)
2889:(1946)
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1995:
1652:Notes
1649:Album
1537:Notes
1534:Album
1483:1959?
1379:1957?
1362:1957?
1343:1957?
1265:Notes
1262:Album
1241:1956?
1185:1956?
1044:MGN 6
1024:MGN 5
1013:Notes
1010:Album
846:Mingus
768:, and
366:, and
267:, and
247:, and
245:violin
213:jargon
178:Victor
151:Labels
105:Genres
100:, U.S.
83:, U.S.
2017:(PDF)
1860:With
1836:With
1726:1981
1723:1956
1720:Live
1709:1981
1706:1956
1703:Live
1692:1980
1689:1956
1686:Live
1675:1980
1672:1956
1669:Live
1630:1961
1621:with
1610:1981
1604:Live
1593:1961
1577:1963
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1560:1961
1551:Pres
1517:1959
1500:1959
1497:1959
1494:Live
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1334:Pres
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1204:1946
1198:with
1177:Pres
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1075:1954
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1056:1952
1039:1954
1036:1952
870:OyamO
825:elegy
790:bebop
710:Paris
544:Savoy
249:drums
173:Pablo
168:Savoy
158:Verve
2724:ISBN
2702:ISBN
2679:2021
2657:2019
2632:2018
2607:2014
2517:2016
2492:2016
2466:ISBN
2416:ISBN
2391:2021
2345:OCLC
2335:ISBN
2310:OCLC
2300:ISBN
2277:OCLC
2267:ISBN
2172:2020
2165:KUVO
2146:2016
2113:ISBN
2076:2019
2028:2022
1993:ISBN
1615:828
1598:504
1582:409
1565:405
1548:402
1474:and
1053:10'
1033:10'
938:and
910:The
810:cool
804:and
631:and
584:and
486:and
196:jazz
109:Jazz
88:Died
68:Born
1989:157
1050:#2
1030:#1
962:BBC
688:CBS
530:'s
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