745:
captain of the carabinieri and Piétro as the Baron de
Campotasso. Gloria-Cassis asks about the three million payment but then Fragoletto and Fiorella (as the innkeeper and his lover) enter. The Granadans become confused when told to retire to bed (at two in the afternoon) but do as they are told. Once out of their clothes, the brigands go for them for the next disguise. However the innkeeper escapes his bonds and cries for help, but the brigands prevail over the carabinieri who, locked in the cellars, have helped themselves to the wine. The brigands head off towards Mantua.
680:
29:
717:
2278:
713:
Granada, setting out the promise to the
Spaniards of a large dowry instead of the debt owed to them. Falsacappa frees the messenger, replacing the princess's portrait in the briefcase with that of his daughter. Fragoletto has earned his place in the band; as the gang celebrate their new member they hear the sound of the boots of the carabinieri approaching, but they pass by without noticing the gang, and the brigands resume their celebration of their plans.
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1381:
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103:). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation.
757:
The Duke is taking advantage of his last hours before marriage bidding farewell to his mistresses. The portrait he has received of his bride reminds him of the peasant girl who assisted him in the mountains (and for whom he has been searching ever since). The Duke is also keen to pay off his debt of
765:
When
Falsacappa asks for the money it emerges that the treasurer has squandered the dowry. Falsacappa is furious, but just then the Mantuans, swiftly followed by the Granadans abandoned at the inn, arrive, along with the carabineri. The real princess introduces herself. The brigands admit who they
708:
His daughter
Fiorella has fallen for the young farmer Fragoletto, whose farm the gang recently raided, and she is beginning to have doubts about their calling. She shows Piétro, the second-in-command a small portrait she has had painted of herself. Fragoletto is brought in by some of the brigands,
283:
Gilbert was displeased with his own work, which he had created merely to secure the
British copyright, and he attempted to prevent its performance in London, without success. He also objected to new songs inserted in the piece but written by another lyricist. Gilbert's arch lyrics pleased operetta
744:
When the
Mantuan party arrive, led by the Baron de Campotasso and accompanied by the carabinieri they fall into the trap, but the brigands have little time to switch clothes again before the Granadan delegation reaches the inn. After a Spanish dance, the Granadans are greeted by Falsacappa as the
740:
The band plan to disguise themselves as cooks and waiters; then, when the
Mantuans arrive, they will capture them in turn and re-disguise themselves as Mantuans, so that when the Granadans arrive they will surprise them, don their clothes and hasten to the Mantuan court to present Fiorella as the
279:
in London, beginning 16 September 1889, running for about 16 nights until 12 October. It then toured, starring Hallam Mostyn as
Falsacappa, H. Lingard as Pietro, Frank Wensley as Fragoletto, Agnes Dellaporte as Fiorella, Marie Luella as the Princess of Granada, and Geraldine St. Maur as Fiametta.
712:
Fiorella is left with Piétro, and a handsome stranger enters. He – fascinated by her – has lost his way. When Piétro goes to find help, she decides to warn him – in fact the Duke of Mantua – to flee. Fragoletto arrives with an intercepted message about the union of the Duke and the
Princess of
704:
The brigands assemble at dawn, but some of them complain to
Falsacappa that they cannot live properly on the rewards of their work. He promises an imminent and profitable venture. The marriage of the Princess of Grenade with the Duc de Mantoue has been announced, and the band will be there.
113:, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, financiers receive satiric treatment. The satire counterpoints lively musical romps and the frequent use of Italian and Spanish rhythms; "Soyez pitoyables" is a true
736:
The Mantuan delegation is heading for Pipo's inn on the border of Italy and Spain on the road from Granada to Mantua. Posing as beggars the bandits come to the inn; they quickly overwhelm the hotel staff horrified to be victims of the infamous Falsacappa.
761:
When the fake Granadan delegation arrives led by Falsacappa, the Duke is delighted to see Fiorella again, and she recognizes him as the stranger lost in the mountains. Fiorella, playing the princess of Grenade introduces Fragoletto as her page.
160:
in the following months dampened audience enthusiasm. The work was soon popular around Europe and beyond: it was produced in Vienna, Antwerp, Prague, Stockholm, Berlin, Madrid and Budapest in 1870, and in New York City at the
813:
No.7 – Finale A – Choir la réception: 'Pour cette ceremonie'/B – 'Jure d'avoir du courage... Vole, vole, pille, vole'/C – Orgie: 'Flamme claire'/D – Choir des carabiniers: 'Nous sommes les carbiniers'/E – Strette: 'Flamme
270:
as Fiorella, Fred Solomon as Pietro (the brigand lieutenant), Henry Hallam as the Duke, and Fanny Rice as Fragoletto, with an American tour thereafter. Its British premiere was on 2 September 1889 at the
766:
are but when Fiorella enters in her costume from Act 1 and reminds the Duke that she saved him from the brigands, he agrees to an amnesty and they swear to lead good lives from then on.
109:
has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling
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princess whose associate (Pietro in disguise) is worth three millions. Fiorella claims her reward: Fragolettos's hand and the disguising begins.
1555:
133:
and noted that the librettists for this work supplied Bizet's libretto, but standard Offenbach references do not mention any such influence.
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not unwillingly, as he asks for Fiorella's hand, and to join the band. Falsacappa agrees on condition that Fragoletto prove himself.
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148:, Paris on 10 December 1869; this version was in three acts. A four-act version was subsequently prepared for a production at the
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No.14 – Choir et couplets de l'ambassade: 'Dissimulons, dissimulons... Nous avons ce matin tous deux' (Campo Tasso, le capitaine)
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No.15 – Choir, melodrame et scene, couplets: 'Entrez-là !... Grenade, Infante des Espagnes...Jadis vous n'aviez qu'une patrie'
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963:"Sans doute !... il faut voler selon la position qu'on occupe dans la société... c'est élémentaire." Act 2, scene 3.
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319:, beginning on 13 September 1875. Camille Dubois starred as Fragoletto, Julia Vokins was the Princess of Granada and
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No.17 – Finale: Choir, Ensemble, Scene: 'Entrez-là !... Tous sans trompettes ni tambour... Quels sont ces cris?...'
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three million little knowing that his treasurer Antonio has been spending the ducal money on women of his own.
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and musical romps in three-quarter time. Many of the characters and situations in the piece are echoed in
2007:
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Lords and Ladies of the Grenadan court, Pages of the Princess, Lords and Ladies of the Mantuan court.
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1934:
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915:, which was recorded and released in 2002 on the Capriccio label, Catalog: 60090. Conductor,
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No.12 – Trio des marmitons: 'Arrête-toi Donc, Je t'en prie' (Fragoletto, Falsacappa, Pietro)
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audiences, who were delighted to accept a rough-and-tumble pirate band speaking impeccable
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was the Prince of Popoli. This version had also been given an 1871 performance in London.
8:
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No.19 – Chœur de fête et couplets du prince: 'L'aurore paraît... Jadis régnait un prince'
157:
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74:
2017:
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2110:
2057:
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1967:
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Meanwhile, another English version by H. S. Leigh had been presented at the
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Chorus: Brigands, Carabinieri, Peasants, Cooks, Pages of the Mantuan court,
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1997:
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Links to English libretto translated by W. S. Gilbert, score and reviews
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1003:, Vienna House, New York, 1974), and Jean-Claude Yon (Yon, Jean-Claude.
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908:
342:
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152:, opening on 25 December 1878. The piece achieved great success as the
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No.4 – Couplets de Fragoletto: 'Quand tu me fis l’insigne honneur...'
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No.1 C – Couplets de Falsacappa: 'Qui est celui qui par les plaines'
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No.1 B – Couplets des jeunes filles: 'Déjà depuis une grande heure'
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No.21 – Morceau d’ensemble: Voici venir la princesse et son page'
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No.9 – Choir: 'Les fourneaux sont allumés' (Fiorella, Fragoletto)
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289:
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recorded the three-act version with chorus and orchestra of the
1494:
1369:, Ed. Brian Jones, Vol. 2, No. 16: Winter 2004, pp. 508–09
999:, J M Dent & Sons, London, 1978), Mina Curtiss (Curtiss M.
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No.2 – Couplets de Fiorella: 'Au chapeau je porte une aigrette'
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No.20 – Couplets du caissier: 'O mes amours, O mes maîtresses'
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73:. Meilhac and Halévy's libretto lampoons both serious drama (
33:
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1286:
Recordings on operadis-opera-discography.org.uk/CLOFBRIG.HTM
804:
No.4 Bis – Choir de sortie: 'Nous avons pris ce petit homme'
231:
and Macha Makeïeff), and then at the Opéra-Comique in 2011.
1160:
Gilbert & Sullivan: a selling exhibition of memorabilia
1007:, Éditions Gallimard, Paris, 2000), and extended essays on
798:
No.3 – Morceau d'ensemble: 'Nous avons pris ce petit homme'
974:"Recordings; Rare Works Display Offenbach's Varied Gifts"
894:
848:
No.16 – Couplets de Fiorella: 'Je n’en sais rien, Madame'
839:
No.13 – Choir et melodrame: 'A nous, holà ! les marmitons'
123:
article theorized that the music of the piece influenced
117:, and each act finale is a well-developed whole. A 1983
184:
and Dupuis and the same year with Tariol-Baugé, at the
1340:
Introduction, synopsis and other information in French
780:
No.1 A – Chœur des brigands: 'Le cor dans la montagne'
262:
in 1871 but was not performed until 9 May 1889 at the
2294:
1019:, Cambridge University Press, Cambridge, UK, 1992).
873:
No.22 – Finale: 'Coquin, brigand, traître, bandit!'
2318:
1414:from an American production with Lillian Russell
882:This work has been recorded a number of times:
810:No.6 – Saltarelle: 'Ce petit est un vrai luron'
207:More recent revivals have been produced at the
188:in 1921 with Andrée Alvar, Raymonde Vécart and
2219:Le barbier de Séville ou La précaution inutile
1556:Tromb-al-ca-zar, ou Les criminels dramatiques
1433:
1190:Who Was Who in the D'Oyly Carte Opera Company
2357:Libretti by Henri Meilhac and Ludovic Halévy
833:No.11 – Duetto du Notaire: 'Hé! Là ! Hé! Là !'
288:English while describing dastardly deeds to
1388:has original text related to this article:
2261:
2247:
1440:
1426:
939:
937:
935:
933:
904:in 2004, Albany Records, ASIN: B00022FWVS.
900:Gilbert's English version was recorded by
250:The piece was translated in three acts as
2229:La folle journée, ou Le mariage de Figaro
1402:International Music Score Library Project
807:No.5 – Rondo: 'Après avoir pris à droite'
196:in 1931 with Marcelle Denya, Emma Luart,
156:came to an end. Only the outbreak of the
1199:
1197:
982:, 27 March 1983, accessed 22 August 2013
715:
678:
238:
219:in 1988 (then recorded by EMI), 1992 at
27:
1111:trouvent leurs aises à l'Opéra-Comique"
930:
2319:
1243:Gilbert's letter re: Gilbert v. Boosey
1162:, c20th.com, accessed 21 November 2009
1088:Peter Ustinov Foundation, Achievements
136:
1755:Croquefer, ou Le dernier des paladins
1447:
1421:
1203:
1194:
1022:
1298:"Information about OLO recording of
1795:M. Choufleuri restera chez lui le …
1272:. L'Almanacco di Gherardo Casaglia
1076:Gänzl's Book of the Musical Theatre
754:A great hall at the court of Mantua
234:
13:
1712:Vent du soir, ou L'horrible festin
1324:
769:
176:from the original cast, 1900 with
168:Paris revivals included 1885 with
14:
2368:
1373:
1204:Adams, William Davenport (1904).
830:No.10 – Canon: 'Soyez pitoyables'
333:Roles, voice types, premiere cast
2304:
2277:
2276:
2260:
2246:
2185:(conversation alsacienne) (1863)
1855:La Grande-Duchesse de GĂ©rolstein
1619:La chatte métamorphosée en femme
1481:
1379:
1290:
1279:
1254:
1236:
1218:
1178:
1165:
1144:
1133:
1122:
1078:, The Bodley Head, London, 1988
347:Premiere cast, 10 December 1869
1186:Biography of Geraldine St Maur
1100:
1081:
1061:
1043:
1032:. London, John Calder, 1978.
991:See major studies of Bizet by
985:
966:
954:
1:
2175:(chinoiserie musicale) (1855)
923:
907:There is a German version by
877:
349:Conductor: Jacques Offenbach
23:Operetta by Jacques Offenbach
1367:W.S. Gilbert Society Journal
7:
2327:Operas by Jacques Offenbach
2008:La permission de dix heures
1692:Le financier et le savetier
674:
362:Henri Venderjench 'Cooper'
275:, soon transferring to the
144:was first performed at the
96:Les diamants de la couronne
10:
2373:
1895:La princesse de Trébizonde
1260:Casaglia, Gherardo (2005).
1097:, retrieved 23 August 2013
1057:Internet Broadway Database
1051:Les brigands
1030:Annals of Opera, 1597–1940
15:
2240:
2197:
2165:(légende bretonne) (1855)
2152:
2109:
2088:La fille du tambour-major
1946:
1743:
1732:Apothicaire et perruquier
1680:
1599:Une demoiselle en loterie
1567:
1536:
1529:
1493:
1455:
1207:A Dictionary of the Drama
1175:, 16 September 1889, p. 2
1140:Complete cast information
663:
640:Chief of the carabinieri
315:in London under the name
1988:Monsieur et Madame Denis
1609:Le mariage aux lanternes
1251:, 8 November 1889, p. 10
748:
727:
695:
574:La Princesse de Grenade
326:
1345:Profile of the operetta
951:, Fayard, 2003, p. 1083
947:", in Kaminski, Piotr.
897:in 1988 (CD 7 49830 2).
420:Comte de Gloria-Cassis
299:The Pirates of Penzance
273:Theatre Royal, Plymouth
2342:Works by W. S. Gilbert
2332:French-language operas
2131:Le voyage dans la lune
1978:La chanson de Fortunio
1579:La rose de Saint-Flour
1349:Adrian Corleonis.
1129:Henry Hallam biography
1053:(1870–1871 production)
733:An inn on the frontier
724:
692:
560:the brigand lieutenant
354:Adolphe de Valladolid
247:
37:
1537:Bouffonnerie musicale
1477:The Tales of Hoffmann
1017:Georges Bizet: Carmen
792:No.1 Bis – Melodrame;
719:
682:
396:Baron de Campo-Tasso
369:treasurer to the Duke
254:by English dramatist
242:
32:Jacques Offenbach by
31:
2252:List of compositions
2209:Le malade imaginaire
2182:Lischen et Fritzchen
1775:Geneviève de Brabant
1722:Mesdames de la Halle
1669:Pierrette et Jacquot
1233:of 16 September 1889
1119:review, 28 June 2011
1028:Loewenberg, Alfred.
943:"Jacques Offenbach:
450:Constant Lanjallais
294:Gilbert and Sullivan
211:in 1978 directed by
209:Deutsche Oper Berlin
146:Théâtre des Variétés
18:The Bandits (ballet)
16:For the ballet, see
2048:La jolie parfumeuse
1805:Le pont des soupirs
1361:Crowther, Andrew. "
1335:Boosey & Hawkes
1212:Chatto & Windus
1001:Bizet and his world
887:John Eliot Gardiner
335:
158:Franco-Prussian War
150:Théâtre de la Gaîté
137:Performance history
1875:L'île de Tulipatan
1629:Un mari Ă la porte
1308:on 7 February 2012
1093:23 August 2013 at
979:The New York Times
949:Mille et Un Opéras
725:
701:A wild rocky place
693:
331:
248:
163:Pike's Opera House
38:
2292:
2291:
2266:List of operettas
2193:
2192:
1915:Madame l'archiduc
1865:Le château à Toto
1845:La vie parisienne
1815:Bavard et bavarde
1765:Orphée aux enfers
1702:La bonne d'enfant
1649:Il signor Fagotto
1546:Les deux aveugles
1530:Other stage works
1449:Jacques Offenbach
1390:Original libretto
1270:10 December 1869"
1038:978-0-7145-3657-6
1015:(McClary, Susan.
1005:Jacques Offenbach
917:Pinchas Steinberg
720:Jean Sandberg as
683:Emma Meissner as
672:
671:
568:Jean-Laurent Kopp
457:the brigand chief
403:Charles Blondelet
258:and published by
178:Marguerite Ugalde
59:Jacques Offenbach
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2199:Incidental music
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1935:Maître Péronilla
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1519:Manuel Rosenthal
1514:Gaîté Parisienne
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1400:: Scores at the
1383:
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1304:. Archived from
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1240:
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1227:from Gilbert to
1222:
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1182:
1176:
1173:The Morning Post
1171:"The Brigands",
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952:
941:
902:Ohio Light Opera
861:No.18 – Entracte
789:No.1 D – Strette
532:daughter of Pipo
336:
334:
330:
235:English versions
229:JĂ©rĂ´me Deschamps
223:and 1993 at the
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2018:Robinson Crusoé
2015:
2005:
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1965:
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1942:
1932:
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1825:La belle Hélène
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1682:Opérette bouffe
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1325:Further reading
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995:(Winton, Dean.
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972:Hughes, Allan.
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770:Musical numbers
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442:Duc de Mantoue
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268:Lillian Russell
244:Lillian Russell
237:
221:Amsterdam Opera
182:Mathilde Auguez
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21:
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1362:
1352:Les brigands
1351:
1331:Work details
1310:. Retrieved
1306:the original
1300:Les brigands
1299:
1292:
1281:
1274:(in Italian)
1264:Les brigands
1263:
1256:
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1154:The Brigands
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1109:Les Brigands
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945:Les Brigands
944:
913:Die Banditen
912:
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664:
559:
545:
539:Fanny GĂ©nat
531:
518:wife of Pipo
517:
505:La Duchesse
488:
487:Fragoletto,
482:Marie Aimée
473:his daughter
472:
456:
455:Falsacappa,
368:
316:
310:
303:
297:
286:drawing room
282:
252:The Brigands
251:
249:
206:
167:
165:in 1870–71.
142:Les brigands
141:
140:
128:
118:
107:Les brigands
106:
105:
94:
88:
78:
61:to a French
51:opéra bouffe
46:
42:Les brigands
41:
40:
39:
25:
2352:1869 operas
2153:Other types
2141:Whittington
1998:Les bergers
1835:Barbe-bleue
1659:Pomme d'api
1505:Le papillon
1398:(Offenbach)
1072:Andrew Lamb
1068:Gänzl, Kurt
993:Winton Dean
618:Ciccinella
511:A RĂ©gnault
465:José Dupuis
409:Carmagnola
391:Daniel Bac
302:(1879) and
246:as Fiorella
190:Jean PĂ©rier
127:in writing
111:carabinieri
90:Fra Diavolo
80:The Robbers
47:The Bandits
2321:Categories
2172:Ba-ta-clan
1517:(arranged
1386:Wikisource
924:References
909:Ernst Dohm
878:Recordings
685:Fragoletto
653:Preceptor
602:Oppenheim
546:a landlord
471:Fiorella,
383:Barbavano
343:Voice type
317:Falsacappa
202:Louis Musy
36:, c. 1860s
2068:La créole
2058:Bagatelle
2028:Vert-Vert
1248:The Times
1230:The Times
961:Libretto:
643:baritone
629:Marquise
607:Fiametta
591:Julia H.
580:Lucciani
553:Boulange
530:Pipetta,
367:Antonio,
215:, at the
2212:(1851/2)
2038:Fantasio
1958:L'alcĂ´ve
1569:Opérette
1357:AllMusic
1116:Le Monde
1091:Archived
824:Entracte
675:Synopsis
635:Gravier
632:soprano
621:soprano
610:soprano
599:soprano
588:soprano
585:Zerlina
577:soprano
558:Piétro,
536:soprano
522:soprano
508:soprano
489:a farmer
446:baritone
437:Bordier
426:Gourdon
308:(1889).
290:gavottes
77:'s play
75:Schiller
63:libretto
55:operetta
49:) is an
1785:Barkouf
1495:Ballets
1480:(1881)
1312:5 April
1055:at the
814:claire'
691:in 1906
687:at the
659:Videix
624:Douard
596:Bianca
525:LĂ©onie
478:soprano
431:Domino
2337:Operas
2297:Portal
2232:(1852)
2222:(1852)
2144:(1874)
2134:(1875)
2124:(1872)
2101:(1880)
2091:(1879)
2081:(1878)
2071:(1875)
2061:(1874)
2051:(1873)
2041:(1872)
2031:(1869)
2021:(1867)
2011:(1867)
2001:(1865)
1991:(1862)
1981:(1861)
1971:(1853)
1968:PĂ©pito
1961:(1847)
1938:(1878)
1928:(1877)
1918:(1874)
1908:(1869)
1898:(1869)
1888:(1868)
1878:(1868)
1868:(1868)
1858:(1867)
1838:(1866)
1828:(1864)
1818:(1862)
1808:(1861)
1798:(1861)
1788:(1860)
1778:(1859)
1768:(1858)
1758:(1857)
1735:(1861)
1725:(1858)
1715:(1861)
1705:(1856)
1695:(1856)
1672:(1876)
1662:(1873)
1652:(1863)
1642:(1860)
1632:(1859)
1622:(1858)
1612:(1857)
1602:(1857)
1592:(1856)
1582:(1856)
1559:(1856)
1549:(1855)
1470:(1864)
1457:Operas
1412:Photos
1268:
1225:Letter
1036:
1009:Carmen
722:Piétro
613:Bessy
564:tenor
550:tenor
544:Pipo,
516:Pipa,
461:tenor
434:tenor
423:tenor
415:Gobin
412:tenor
399:tenor
377:LĂ©once
373:tenor
260:Boosey
198:Dranem
174:Dupuis
170:LĂ©once
130:Carmen
83:) and
2311:Opera
1589:Le 66
1365:" in
997:Bizet
856:Act 3
819:Act 2
775:Act 1
749:Act 3
728:Act 2
696:Act 1
656:bass
647:Baron
358:tenor
339:Role
327:Roles
125:Bizet
115:canon
101:Auber
57:, by
53:, or
34:Nadar
1314:2007
1070:and
1034:ISBN
893:for
387:bass
200:and
172:and
93:and
69:and
1355:at
1245:to
1158:at
1011:by
895:EMI
296:'s
99:by
65:by
2323::
1333:,
1210:.
1196:^
1188:,
1113:,
1074:,
976:,
932:^
911:,
204:.
180:,
2299::
1521:)
1441:e
1434:t
1427:v
1316:.
1302:"
1276:.
1266:,
1262:"
1156:"
1152:"
1107:"
1040:.
919:.
87:(
45:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
