340:
to overcome our nerves, he said, and our personality, I think. Until the end where, discouraged, exhausted, defeated, almost all the actors abandoned, upon arriving at the studio, everything that could resemble a life of their own or a personal will to drag before our gentle tyrant what he desired: a body, a voice that he had chosen as one buys an object which will adorn a corner of a fireplace well, one thinks, … I have never hated anyone as I hated Robert
Bresson on the set."
250:
tricks him into confessing, by pretending her own feelings for him have cooled to a friendship. She hides her shock and dismay when he enthusiastically accepts her as now just a friend instead of a lover. After he leaves her apartment, it is clear that she is devastated. But instead of mourning her love, she decides to exact a cruel revenge on him.
336:
not suit the director who wanted a still face at all costs: "Don’t move your nose or anything at all. Only with open eyes", he said. She succeeded in achieving this but, being a perfectionist, Bresson demanded seven takes of the shot. Casarès therefore managed to cry seven times in a row while maintaining an impassive face.
257:, but hard times have fallen on her, and in order to support herself and her mother, she has resorted to dancing in nightclubs and earning money as a prostitute. Hélène, in a pretense of compassion, offers to pay off Agnès's mother's debts and move them into an apartment, allowing Agnès to quit the nightlife.
31:
249:
Hélène and Jean have pledged their love to each other, but are not engaged to marry. Their love affair allows dalliances with others, but they have promised to put each other first above all others. Hélène has been warned by a friend that Jean's love for her has cooled and she fears this is true. She
335:
During one scene, Maria Casarès was expected to shed a few tears. She started by squinting and grimacing to make them come but
Bresson was not satisfied. He suggested using glycerin tears. The actress refused and persisted in batting her eyelashes and wrinkling her nose to make herself cry. This did
264:
Agnès suspects they are being manipulated by Hélène, but feels powerless to escape the trap. Jean does not relent in his advances, and finally Agnès agrees to marry him. Hélène advises her not to breathe a word to Jean about her past until after they are wed, and insists to Jean that he allow her to
339:
Casarès had very bad memories of the filming, as she later testified: "I would never finish if I had to tell the story of this film, right from the start of shooting when
Lucienne Bogaert and I were drinking brandy after brandy to respond to the desires and orders of Robert Bresson. He got us drunk
268:
Immediately after the ceremony, Hélène first hints to Jean that something is amiss. Agnès had assumed that Hélène had already told Jean the truth, and learning she was tricked, falls in a faint. Jean confronts Hélène, who now divulges triumphantly that she maneuvered him into the marriage, and that
272:
Later that evening, Jean returns. Agnès' mother warns that the girl's heart is weak and that she could die. Jean walks into the room, stone-faced. Agnès, barely conscious, whispers that she hopes he will forgive her, but it is clear that she will free him by giving up her life. Agnès sighs, and
260:
Hélène sets a trap, enticing Jean to falling in love with Agnès. She assures him that Agnès and her mother are of an "impeccable" background. He is smitten as soon as he meets Agnès in the Bois de
Boulogne, and makes no attempt to learn anything about her, instead relying on Helene's false
273:
appears to stop breathing. Jean is filled with love for her and begs her to be strong and to hang on to life. Although weak, she hears him and her faint smile assures him that she will live.
411:, New York: Secker & Warburg (1985): 116. "In the 1950s Bresson was to renounce the use of professional actors, but here he obtains excellent performances from his principal actresses."
328:
regularly bombed Paris. Bresson and his team had to face numerous power cuts, bombing alerts and various restrictions imposed by the
Germans or circumstances. The
456:
Coste, Geneviève (3–9 May 1975). "Article published on the occasion of the broadcast of the film on TF1 on Monday 5 May 1975 from 8:30 p.m. as part of the series
1272:
269:
all of the guests know the truth. Jean, filled with shame, bewilderment and rage, drives off leaving his new bride still in an unconscious state.
1257:
529:
354:
Bresson said of his film: "It's a very bad film. I don't want to talk about it and I regret having allowed it to be shown on television."
332:
interrupted the filming which had begun at the end of April 1944. It resumed a few months later with a partly different technical team.
1227:
825:
1237:
566:
365:, while not one of Bresson's better-known films, nonetheless still receives positive reviews. It currently holds a perfect 100% on
752:
1262:
1232:
1252:
1191:
475:
433:
953:
507:
937:
241:
was
Bresson's second feature. It is also his last film to feature a cast entirely composed of professional actors.
1044:
1095:
1028:
865:
718:
559:
1267:
1247:
1242:
809:
712:
535:
386:
745:
118:
1222:
1111:
1004:
770:
614:
945:
849:
670:
638:
817:
892:
694:
552:
1103:
1036:
908:
678:
590:
325:
1087:
841:
969:
900:
833:
785:
738:
1170:
977:
539:
294:
227:
76:
288:
84:
8:
1217:
1181:
1138:
1130:
1052:
929:
646:
329:
1196:
1176:
686:
324:
The filming conditions for the film were not simple; France was still occupied and the
312:
1146:
996:
630:
502:
429:
98:
857:
300:
210:
88:
282:
80:
1079:
1020:
801:
513:
366:
206:
192:
1164:
961:
873:
793:
662:
575:
253:
Young Agnès is a cabaret dancer. Her ambition was to become a ballerina at the
218:
51:
41:
1211:
622:
598:
222:
66:
1071:
761:
306:
214:
55:
30:
1186:
348:
254:
221:. It is a modern adaptation of the story of Madame de La Pommeraye from
518:
496:
344:
232:
108:
654:
524:
231:(1796) that tells the tale of a man who is tricked into marrying a
544:
730:
531:
Les Dames du Bois de
Boulogne: The Earrings of Robert Bresson
369:, with an average rating of 8.3/10 based on 15 critics.
458:
La Caméra du lundi - Chefs-d'œuvre du cinéma français
460:(Monday Camera - Masterpieces of French Cinema)".
1209:
343:The role of Jean was originally to be played by
746:
560:
753:
739:
567:
553:
29:
1273:Films scored by Jean-Jacques Grunenwald
451:
449:
447:
445:
419:
417:
1258:Films with screenplays by Jean Cocteau
1210:
464:(in French). No. 781. p. 51.
734:
548:
455:
423:
351:, and finally given to Paul Bernard.
442:
428:(in French). Larousse. p. 203.
414:
387:"The Ladies of the Bois de Boulogne"
13:
574:
14:
1284:
1228:Films about prostitution in Paris
490:
424:Pinel, Vincent (3 October 2002).
1238:Films directed by Robert Bresson
826:Les Chevaliers de la Table ronde
760:
276:
265:plan a lavish wedding for them.
1192:Notre-Dame-de-Jérusalem, Fréjus
468:
401:
379:
1:
1013:Les Dames du Bois de Boulogne
607:Les Dames du Bois de Boulogne
520:Les Dames du Bois de Boulogne
509:Les Dames du Bois de Boulogne
498:Les Dames du Bois de Boulogne
478:Les Dames du Bois de Boulogne
372:
363:Les Dames du Bois de Boulogne
319:
202:Les Dames du Bois de Boulogne
24:Les Dames du Bois de Boulogne
1263:French black-and-white films
1233:Films based on French novels
1096:Les mariés de la tour Eiffel
719:Notes on the Cinematographer
357:
7:
1253:1940s French-language films
133:21 September 1945
16:1945 film by Robert Bresson
10:
1289:
1157:
1122:
1112:Le jeune homme et la mort
1063:
988:
919:
884:
777:
768:
705:
615:Diary of a Country Priest
582:
188:
180:
170:
124:
114:
104:
94:
72:
62:
47:
37:
28:
23:
946:The Eagle with Two Heads
671:Four Nights of a Dreamer
639:The Trial of Joan of Arc
217:French film directed by
244:
209:for "The Ladies of the
119:Jean-Jacques GrĂĽnenwald
1045:La Princesse de Clèves
909:Opium: Diary of a Cure
591:Les affaires publiques
347:, who was replaced by
144:3 April 1964
1029:Les Enfants terribles
970:La Villa Santo-Sospir
954:Les Parents terribles
901:Les Enfants terribles
834:Les Parents terribles
786:Le Gendarme incompris
1171:Jean Cocteau: A Life
978:Testament of Orpheus
938:Beauty and the Beast
866:L'Aigle Ă deux tĂŞtes
810:The Infernal Machine
540:Criterion Collection
228:Jacques le fataliste
1182:Jean Cocteau Museum
1088:Le BĹ“uf sur le toit
1053:Thomas the Impostor
930:The Blood of a Poet
850:La Machine Ă Ă©crire
842:Les Monstres sacrés
647:Au Hasard Balthazar
426:Le Siècle du cinéma
330:Liberation of Paris
1268:1940s French films
1248:French drama films
1243:Films set in Paris
1197:The Orphic Trilogy
1177:Jean Cocteau House
818:L'École des veuves
687:The Devil Probably
482:. Rotten Tomatoes.
1205:
1204:
1147:Le pauvre matelot
997:The Phantom Baron
728:
727:
289:Élina Labourdette
198:
197:
99:Philippe Agostini
85:Élina Labourdette
1280:
1223:1945 drama films
1005:L'Éternel retour
858:Renaud et Armide
755:
748:
741:
732:
731:
569:
562:
555:
546:
545:
484:
483:
472:
466:
465:
453:
440:
439:
421:
412:
405:
399:
398:
396:
394:
383:
315:as Hélène's maid
301:Lucienne Bogaert
211:Bois de Boulogne
162:
160:
151:
149:
140:
138:
89:Lucienne Bogaert
33:
21:
20:
1288:
1287:
1283:
1282:
1281:
1279:
1278:
1277:
1208:
1207:
1206:
1201:
1153:
1118:
1064:Ballet libretti
1059:
1037:The Black Crown
984:
921:
915:
893:The White Paper
880:
802:The Human Voice
773:
764:
759:
729:
724:
701:
679:Lancelot du Lac
578:
573:
514:Rotten Tomatoes
493:
488:
487:
474:
473:
469:
454:
443:
436:
422:
415:
406:
402:
392:
390:
389:. unifrance.org
385:
384:
380:
375:
367:Rotten Tomatoes
360:
322:
313:Yvette Etiévant
279:
247:
173:
166:
158:
156:
147:
145:
136:
134:
127:
87:
83:
79:
54:
17:
12:
11:
5:
1286:
1276:
1275:
1270:
1265:
1260:
1255:
1250:
1245:
1240:
1235:
1230:
1225:
1220:
1203:
1202:
1200:
1199:
1194:
1189:
1184:
1179:
1174:
1167:
1165:Bastion Museum
1161:
1159:
1155:
1154:
1152:
1151:
1143:
1135:
1126:
1124:
1123:Opera libretti
1120:
1119:
1117:
1116:
1108:
1100:
1092:
1084:
1076:
1067:
1065:
1061:
1060:
1058:
1057:
1049:
1041:
1033:
1025:
1017:
1009:
1001:
992:
990:
986:
985:
983:
982:
974:
966:
958:
950:
942:
934:
925:
923:
917:
916:
914:
913:
905:
897:
888:
886:
882:
881:
879:
878:
870:
862:
854:
846:
838:
830:
822:
814:
806:
798:
790:
781:
779:
775:
774:
769:
766:
765:
758:
757:
750:
743:
735:
726:
725:
723:
722:
715:
709:
707:
703:
702:
700:
699:
691:
683:
675:
667:
663:A Gentle Woman
659:
651:
643:
635:
627:
619:
611:
603:
595:
586:
584:
583:Films directed
580:
579:
576:Robert Bresson
572:
571:
564:
557:
549:
543:
542:
527:
516:
505:
492:
491:External links
489:
486:
485:
467:
441:
435:978-2035053428
434:
413:
400:
377:
376:
374:
371:
359:
356:
321:
318:
317:
316:
310:
304:
298:
292:
286:
278:
275:
246:
243:
219:Robert Bresson
196:
195:
190:
186:
185:
182:
178:
177:
174:
171:
168:
167:
165:
164:
155:June 1964
153:
142:
130:
128:
125:
122:
121:
116:
112:
111:
106:
102:
101:
96:
95:Cinematography
92:
91:
74:
70:
69:
64:
60:
59:
52:Robert Bresson
49:
45:
44:
42:Robert Bresson
39:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1285:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1244:
1241:
1239:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1216:
1215:
1213:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1172:
1168:
1166:
1163:
1162:
1160:
1156:
1149:
1148:
1144:
1141:
1140:
1136:
1133:
1132:
1128:
1127:
1125:
1121:
1114:
1113:
1109:
1106:
1105:
1104:Le Train Bleu
1101:
1098:
1097:
1093:
1090:
1089:
1085:
1082:
1081:
1077:
1074:
1073:
1069:
1068:
1066:
1062:
1055:
1054:
1050:
1047:
1046:
1042:
1039:
1038:
1034:
1031:
1030:
1026:
1023:
1022:
1018:
1015:
1014:
1010:
1007:
1006:
1002:
999:
998:
994:
993:
991:
989:Films written
987:
980:
979:
975:
972:
971:
967:
964:
963:
959:
956:
955:
951:
948:
947:
943:
940:
939:
935:
932:
931:
927:
926:
924:
920:Films written
918:
911:
910:
906:
903:
902:
898:
895:
894:
890:
889:
887:
883:
876:
875:
871:
868:
867:
863:
860:
859:
855:
852:
851:
847:
844:
843:
839:
836:
835:
831:
828:
827:
823:
820:
819:
815:
812:
811:
807:
804:
803:
799:
796:
795:
791:
788:
787:
783:
782:
780:
776:
772:
767:
763:
756:
751:
749:
744:
742:
737:
736:
733:
721:
720:
716:
714:
711:
710:
708:
706:Miscellaneous
704:
697:
696:
692:
689:
688:
684:
681:
680:
676:
673:
672:
668:
665:
664:
660:
657:
656:
652:
649:
648:
644:
641:
640:
636:
633:
632:
628:
625:
624:
623:A Man Escaped
620:
617:
616:
612:
609:
608:
604:
601:
600:
599:Angels of Sin
596:
594:(short, 1934)
593:
592:
588:
587:
585:
581:
577:
570:
565:
563:
558:
556:
551:
550:
547:
541:
537:
536:David Thomson
533:
532:
528:
526:
522:
521:
517:
515:
511:
510:
506:
504:
500:
499:
495:
494:
481:
479:
471:
463:
459:
452:
450:
448:
446:
437:
431:
427:
420:
418:
410:
409:French Cinema
404:
388:
382:
378:
370:
368:
364:
355:
352:
350:
346:
341:
337:
333:
331:
327:
314:
311:
308:
305:
302:
299:
296:
293:
290:
287:
284:
283:Maria Casarès
281:
280:
277:Selected cast
274:
270:
266:
262:
261:information.
258:
256:
251:
242:
240:
236:
234:
230:
229:
224:
223:Denis Diderot
220:
216:
212:
208:
204:
203:
194:
191:
187:
183:
179:
175:
169:
154:
143:
141: (France)
132:
131:
129:
126:Release dates
123:
120:
117:
113:
110:
107:
103:
100:
97:
93:
90:
86:
82:
81:MarĂa Casares
78:
75:
71:
68:
67:Raoul Ploquin
65:
61:
57:
53:
50:
46:
43:
40:
36:
32:
27:
22:
19:
1169:
1145:
1137:
1129:
1110:
1102:
1094:
1086:
1078:
1072:Le Dieu bleu
1070:
1051:
1043:
1035:
1027:
1019:
1012:
1011:
1003:
995:
976:
968:
960:
952:
944:
936:
928:
922:and directed
907:
899:
891:
872:
864:
856:
848:
840:
832:
824:
816:
808:
800:
792:
784:
771:Bibliography
762:Jean Cocteau
717:
713:Bibliography
693:
685:
677:
669:
661:
653:
645:
637:
629:
621:
613:
606:
605:
597:
589:
534:an essay by
530:
519:
508:
497:
477:
470:
462:Télé 7 Jours
461:
457:
425:
408:
403:
391:. Retrieved
381:
362:
361:
353:
342:
338:
334:
323:
307:Jean Marchat
303:as Madame D.
295:Paul Bernard
271:
267:
263:
259:
252:
248:
238:
237:
226:
201:
200:
199:
172:Running time
77:Paul Bernard
56:Jean Cocteau
18:
1187:Jean Marais
1139:Oedipus rex
407:Roy Armes,
393:20 February
349:Jean Marais
152: (U.S.)
63:Produced by
38:Directed by
1218:1945 films
1212:Categories
631:Pickpocket
373:References
345:Alain Cuny
320:Production
309:as Jacques
233:prostitute
148:1964-04-03
137:1945-09-21
109:Jean Feyte
58:(dialogue)
48:Written by
655:Mouchette
358:Reception
285:as Hélène
239:Les Dames
163: (UK)
105:Edited by
1131:Antigone
1021:Ruy Blas
695:L'Argent
525:AllMovie
291:as Agnès
213:") is a
189:Language
115:Music by
73:Starring
1158:Related
962:Orpheus
874:Bacchus
794:Orpheus
538:at the
297:as Jean
181:Country
159:1964-06
157: (
146: (
135: (
1150:(1927)
1142:(1927)
1134:(1927)
1115:(1946)
1107:(1924)
1099:(1921)
1091:(1920)
1083:(1917)
1080:Parade
1075:(1912)
1056:(1965)
1048:(1961)
1040:(1951)
1032:(1950)
1024:(1948)
1016:(1945)
1008:(1943)
1000:(1943)
981:(1960)
973:(1952)
965:(1950)
957:(1948)
949:(1948)
941:(1946)
933:(1932)
912:(1930)
904:(1929)
896:(1928)
877:(1951)
869:(1946)
861:(1943)
853:(1941)
845:(1940)
837:(1938)
829:(1937)
821:(1936)
813:(1934)
805:(1930)
797:(1926)
789:(1921)
698:(1983)
690:(1977)
682:(1974)
674:(1971)
666:(1969)
658:(1967)
650:(1966)
642:(1962)
634:(1959)
626:(1956)
618:(1951)
610:(1945)
602:(1943)
480:on RT"
432:
326:Allies
207:French
193:French
184:France
176:84 min
885:Prose
778:Drama
255:Opéra
503:IMDb
430:ISBN
395:2014
245:Plot
215:1945
523:at
512:at
501:at
225:'s
1214::
444:^
416:^
235:.
754:e
747:t
740:v
568:e
561:t
554:v
476:"
438:.
397:.
205:(
161:)
150:)
139:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.