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Lydia, the Swiss Milkmaid

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81: 164: 295: 385: 133: 711: 172: 159:. This was disputed throughout the 19th century—a published review by A. Wolf of the Imperial Ballet's 1849–1850 season credits the work as 428: 17: 288: 155:
Marius Petipa claimed sole authorship of the 1849 revival in St. Petersburg in his memoirs, in which he refers to the work as
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in the lead role, and in 1833 staged the work for the Imperial Ballet in St. Petersburg where it was not well received.
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Pipers Enzyklopädie des Musiktheaters: Spontini : Agnes von Hohenstaufen bis Zumsteeg : Die Geisterinsel:
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revising Gyrowetz's score. First presented in Paris, France, on November 7, 1832. Principal dancers:
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Revival by Jules Perrot, Marius Petipa and Jean Petipa in 2 acts-2 scenes for the
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revising Carafa's 1832 version of Gyrowetz's score. First presented at the
108: 140:, in Paris in 1823. In 1832 Titus restaged his 1823 production of for the 808: 369: 784: 671: 303: 792: 744: 183:, the ballet's choreography is credited to Jean Petipa, except for the 878: 736: 679: 631: 345: 321: 145: 202: 167:'s study of the ballet of Tsarist St. Petersburg, titled 115:
in St. Petersburg, Russia on December 20 [
849:The Little Humpbacked Horse (as "The Tsar Maiden") 236: 82:Ballet du Théâtre de l'Académie Royale de Musique 946: 208: 246:Schubert's Late Lieder: Beyond the Song-Cycles 119:December 8] 1849. Principal Dancers: 289: 136:created a ballet with the same title for the 933:The Romance of the Rosebud and the Butterfly 171:, the work is attributed to Petipa's father 249:. Cambridge University Press. p. 158. 177:Jules Perrot: Master of the Romantic Ballet 688:Le Diable à Quatre (as "The Willful Wife") 296: 282: 541:Ondine (as "The Naiad and the Fisherman") 897:Les Ruses d'Amour or The Trial of Damis 362:The Rose, the Violet, and the Butterfly 41:Natalie, oder Das schweizer Milchmädche 14: 947: 242: 277: 80:Revival by Filippo Taglioni for the 373:(*1858, *1863, *1868, *1885, *1899) 330:Le Diable amoureux (as "Satanella") 24: 209:Dahlhaus, C.; Döhring, S. (1997). 25: 976: 163:, while in the ballet historian 138:Théâtre de la Porte Saint-Martin 113:Imperial Bolshoi Kamenny Theatre 48:in 2 acts, with choreography by 640:La Vivandière (as "Markitenka") 161:"Jules Perrot's new production" 86:Nathalie, ou la Laitière suisse 13: 1: 378:A Marriage During the Regency 304:The ballets and *revivals of 195: 191:which are credited to Perrot. 960:Ballets by Adalbert Gyrowetz 349:(*1850, *1884, *1899, *1903) 105:Lydia, ou la Laitière Suisse 71:on Monday, October 8, 1821. 35:Lydia, ou la Laitière Suisse 7: 955:Ballets by Filippo Taglioni 769:The Caprices of a Butterfly 74: 10: 981: 889: 615: 589:The Daughter of the Snows 396: 313: 157:"a new ballet of my own." 61:Das schweizer Milchmädche 29:Lydia, the Swiss Milkmaid 919:The Heart of the Marquis 557:The Adventures of Peleus 338:Leda, the Swiss Milkmaid 179:by the ballet historian 126: 18:Leda, the Swiss Milkmaid 728:The Sacrifices to Cupid 833:The Awakening of Flora 421:The Pharaoh's Daughter 65:Theater am Kärntnertor 965:1821 ballet premieres 656:The Night and the Day 469:The Benevolent Cupid 429:The Beauty of Lebanon 165:Alexander Pleshcheyev 46:Demi-Caractère ballet 761:The Enchanted Forest 715:(1886, *1887, *1900) 488:(1868, *1891, *1903) 437:The Traveling Dancer 424:(1862, *1885, *1898) 777:The Sleeping Beauty 696:La Fille Mal Gardée 683:(*1884, 1899, 1903) 386:The Parisian Market 354:The Star of Granada 243:Youens, S. (2006). 59:First presented as 712:The King's Command 624:La Fille du Danube 142:Court Opera Ballet 942: 941: 935:(never presented) 597:Frizak the Barber 256:978-0-521-02875-2 222:978-3-492-02421-1 132:The Balletmaster 54:Adalbert Gyrowetz 16:(Redirected from 972: 926:The Magic Mirror 856:The Cavalry Halt 298: 291: 284: 275: 274: 268: 267: 265: 263: 240: 234: 233: 231: 229: 206: 103:under the title 84:under the title 50:Filippo Taglioni 21: 980: 979: 975: 974: 973: 971: 970: 969: 945: 944: 943: 938: 885: 704:The Magic Pills 611: 485:Le Roi Candaule 405:The Blue Dahlia 392: 309: 302: 272: 271: 261: 259: 257: 241: 237: 227: 225: 223: 207: 203: 198: 129: 101:Imperial Ballet 77: 69:Austrian Empire 23: 22: 15: 12: 11: 5: 978: 968: 967: 962: 957: 940: 939: 937: 936: 930: 922: 916: 908: 900: 893: 891: 887: 886: 884: 883: 875: 867: 859: 853: 845: 837: 829: 821: 817:The Nutcracker 813: 805: 797: 789: 781: 773: 765: 757: 749: 741: 732: 724: 723:(*1886, *1899) 716: 708: 700: 692: 684: 676: 668: 660: 652: 644: 636: 628: 619: 617: 613: 612: 610: 609: 601: 593: 585: 577: 569: 561: 553: 545: 544:(*1874, *1892) 537: 529: 521: 513: 505: 497: 489: 481: 473: 465: 457: 449: 441: 433: 425: 417: 409: 400: 398: 394: 393: 391: 390: 382: 374: 366: 358: 350: 342: 334: 326: 325:(*1847, *1881) 317: 315: 311: 310: 301: 300: 293: 286: 278: 270: 269: 255: 235: 221: 200: 199: 197: 194: 193: 192: 185:Scène dansante 153: 128: 125: 124: 123: 97: 94:Marie Taglioni 90:Michele Carafa 76: 73: 9: 6: 4: 3: 2: 977: 966: 963: 961: 958: 956: 953: 952: 950: 934: 931: 928: 927: 923: 920: 917: 914: 913: 909: 906: 905: 901: 898: 895: 894: 892: 888: 881: 880: 876: 873: 872: 868: 865: 864: 860: 857: 854: 851: 850: 846: 843: 842: 838: 835: 834: 830: 827: 826: 822: 819: 818: 814: 811: 810: 806: 803: 802: 798: 795: 794: 790: 787: 786: 782: 779: 778: 774: 772:(1889, *1895) 771: 770: 766: 763: 762: 758: 756:(1889, *1895) 755: 754: 750: 747: 746: 742: 739: 738: 733: 730: 729: 725: 722: 721: 717: 714: 713: 709: 706: 705: 701: 698: 697: 693: 690: 689: 685: 682: 681: 677: 674: 673: 669: 666: 665: 661: 658: 657: 653: 650: 649: 645: 642: 641: 637: 634: 633: 629: 626: 625: 621: 620: 618: 614: 608:(1879, *1896) 607: 606: 602: 599: 598: 594: 591: 590: 586: 583: 582: 578: 575: 574: 570: 568:(1877, *1900) 567: 566: 562: 560:(1876, *1897) 559: 558: 554: 551: 550: 546: 543: 542: 538: 535: 534: 530: 527: 526: 522: 519: 518: 517:The Two Stars 514: 511: 510: 506: 503: 502: 498: 496:(1869, *1871) 495: 494: 490: 487: 486: 482: 479: 478: 474: 471: 470: 466: 463: 462: 458: 455: 454: 450: 447: 446: 442: 439: 438: 434: 431: 430: 426: 423: 422: 418: 415: 414: 410: 408:(1860, *1875) 407: 406: 402: 401: 399: 395: 389:(1859, *1861) 388: 387: 383: 380: 379: 375: 372: 371: 367: 364: 363: 359: 356: 355: 351: 348: 347: 343: 340: 339: 335: 332: 331: 327: 324: 323: 319: 318: 316: 312: 307: 306:Marius Petipa 299: 294: 292: 287: 285: 280: 279: 276: 258: 252: 248: 247: 239: 224: 218: 214: 213: 205: 201: 190: 186: 182: 178: 174: 170: 166: 162: 158: 154: 151: 150:Fanny Elssler 147: 143: 139: 135: 134:Antoine Titus 131: 130: 122: 121:Fanny Elssler 118: 114: 110: 106: 102: 98: 95: 91: 87: 83: 79: 78: 72: 70: 66: 62: 57: 55: 52:and music by 51: 47: 43: 42: 37: 36: 31: 30: 19: 932: 924: 918: 912:Harlequinade 910: 902: 896: 877: 869: 861: 855: 847: 839: 831: 823: 815: 807: 801:A Fairy Tale 799: 791: 783: 775: 767: 759: 753:The Talisman 751: 743: 735: 726: 720:La Esmeralda 718: 710: 702: 694: 686: 678: 670: 662: 654: 646: 638: 630: 622: 603: 595: 587: 579: 571: 563: 555: 547: 539: 531: 523: 515: 507: 499: 491: 483: 475: 467: 459: 451: 443: 435: 427: 419: 411: 403: 384: 376: 368: 360: 352: 344: 336: 328: 320: 260:. Retrieved 245: 238: 226:. Retrieved 211: 204: 189:Pas de trois 188: 184: 176: 168: 160: 156: 109:Cesare Pugni 104: 85: 60: 58: 45: 40: 39: 34: 33: 28: 27: 26: 904:The Seasons 809:La Sylphide 565:La Bayadère 549:The Bandits 533:Le Papillon 493:Don Quixote 413:Terpsichore 370:Le Corsaire 173:Jean Petipa 144:in Berlin, 949:Categories 825:Cinderella 793:Kalkabrino 745:The Vestal 648:Pâquerette 196:References 181:Ivor Guest 169:Our Ballet 67:, Vienna, 871:Bluebeard 863:The Pearl 841:Swan Lake 664:Pygmalion 477:The Slave 308:in Russia 262:March 30, 228:March 30, 879:Raymonda 785:Nénuphar 737:Fiametta 672:Coppélia 509:Catarina 75:Revivals 38:, or as 32:(a.k.a. 890:1900–03 852:(*1895) 844:(*1895) 812:(*1892) 764:(*1889) 699:(*1885) 691:(*1885) 680:Giselle 675:(*1884) 651:(*1882) 643:(*1881) 632:Zoraiya 627:(*1880) 616:1880–99 581:Ariadne 536:(*1874) 525:Camargo 512:(*1870) 464:(*1867) 453:Titania 445:Florida 397:1860–79 346:Giselle 333:(*1848) 322:Paquita 314:1847–59 146:Prussia 88:, with 63:at the 44:) is a 929:(1903) 921:(1902) 915:(1900) 907:(1900) 899:(1900) 882:(1898) 874:(1896) 866:(1896) 858:(1896) 836:(1894) 828:(1893) 820:(1892) 804:(1891) 796:(1891) 788:(1890) 780:(1890) 748:(1888) 740:(1887) 731:(1886) 707:(1886) 667:(1883) 659:(1883) 635:(1881) 600:(1879) 592:(1879) 584:(1878) 576:(1878) 573:Roxana 552:(1875) 528:(1872) 520:(1871) 504:(1870) 501:Trilby 480:(1868) 472:(1868) 456:(1866) 448:(1866) 440:(1864) 432:(1863) 416:(1861) 381:(1858) 365:(1857) 357:(1855) 341:(1849) 253:  219:  187:and a 605:Mlada 461:Faust 148:with 127:Notes 107:with 264:2019 251:ISBN 230:2019 217:ISBN 117:O.S. 951:: 734:* 56:. 297:e 290:t 283:v 266:. 232:. 96:. 20:)

Index

Leda, the Swiss Milkmaid
Filippo Taglioni
Adalbert Gyrowetz
Theater am Kärntnertor
Austrian Empire
Ballet du Théâtre de l'Académie Royale de Musique
Michele Carafa
Marie Taglioni
Imperial Ballet
Cesare Pugni
Imperial Bolshoi Kamenny Theatre
O.S.
Fanny Elssler
Antoine Titus
Théâtre de la Porte Saint-Martin
Court Opera Ballet
Prussia
Fanny Elssler
Alexander Pleshcheyev
Jean Petipa
Ivor Guest
Pipers Enzyklopädie des Musiktheaters: Spontini : Agnes von Hohenstaufen bis Zumsteeg : Die Geisterinsel:
ISBN
978-3-492-02421-1
Schubert's Late Lieder: Beyond the Song-Cycles
ISBN
978-0-521-02875-2
v
t
e

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