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of these dramas that sometimes lead to madness..., a list that could not include itself in
Oedipus, unless it were to call Oedipus in question." Since, in point of fact, Oedipus does not intervene in these dramas as a familial figure or even as a mental structure; its intervention is determined by an axiomatic acting as an oedipalizing factor, resulting in a specifically scientific Oedipus.) And in contrast to Lautréamont's song that rises up around the paranoiac-Oedipal-narcissistic pole-"O rigorous mathematics....Arithmetic! algebra! geometry! imposing trinity! luminous triangle!"-there is another song: O schizophrenic mathematics, uncontrollable and mad desiring-machines!
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elaborated the ramified series of Lautréamont, taking into account the speed coefficient of the metamorphoses and the degree of perfection of each term in relation to a pure aggressiveness as the principle of the series: the serpent's fang, the horn of the rhinoceros, the dog's tooth, the owl's beak; and higher up, the claw of the eagle or the vulture, the pincer of the crab, the legs of the louse, the suckers of the octopus.
2186:
910:), created in 1920, contains a reference to a famous line in Canto VI, Chapter 3. Lautréamont describes a young boy as "beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella". Similarly, Breton often used this line as an example of Surrealist dislocation. In direct reference to Lautréamont's "chance meeting on a dissection table",
2167:
144:
357:. According to his schoolmate Paul Lespès, he displayed obvious folly "by self-indulgent use of adjectives and an accumulation of terrible death images" in an essay. After graduation he lived in Tarbes, where he started a friendship with Georges Dazet, the son of his guardian, and decided to become a writer.
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In this domain as in the others, isn't there a properly libidinal conflict between a paranoiac-Oedipalizing element of science, and a schizorevolutionary element? That very conflict that leads Lacan to say there exists a drama for the scientist. ("J.R. Mayer, Cantor, I will not draw up an honor roll
657:
The critic Alex De Jonge writes: "Lautréamont forces his readers to stop taking their world for granted. He shatters the complacent acceptance of the reality proposed by their cultural traditions and makes them see that reality for what it is: an unreal nightmare all the more hair-raising because the
1601:
In contrast to natural history, man is now no longer the eminent term of the series; that term may be an animal for man, the lion, crab, bird of prey, or louse, in relation to a given act or function, in accordance with a given demand of the unconscious. Bachelard wrote a fine
Jungian book when he
487:
I have written of evil as
Mickiewicz, Byron, Milton, Southey, A. de Musset, Baudelaire and others have all done. Naturally I pulled the registers in a slightly exaggerated way, in order to create something new in the sense of a sublime literature that sings of despair only in order to oppress the
772:
Do not deny the immortality of the soul, God's wisdom, the value of life, the order of the universe, physical beauty, the love of the family, marriage, social institutions. Ignore the following baneful pen-pushers: Sand, Balzac, Alexander Dumas, Musset, Du
Terrail, Féval, Flaubert, Baudelaire,
388:
literature, as well as scientific works and encyclopaedias. The publisher Léon
Genonceaux described him as a "large, dark, young man, beardless, mercurial, neat and industrious", and reported that Ducasse wrote "only at night, sitting at his piano, declaiming wildly while striking the keys, and
514:
During spring 1869, Ducasse frequently changed his address, from 32 Rue du
Faubourg Montmartre to 15 Rue Vivienne, then back to Rue Faubourg Montmartre, where he lodged in a hotel at number 7. While still awaiting the distribution of his book, Ducasse worked on a new text, a follow-up to his
447:, "L'autre Mond" (the other world's count). Lefrère considers another possibility: le Comte de Lautréamont = le compte de l'autre à Mont (the account of the other at Montevideo); this could be interpreted as a joke at his father's expense, who supported Ducasse with a generous allowance.
483:) in 1857, to send copies of his book to the critics. They alone could judge "the commencement of a publication which will see its end only later, and after I will have seen mine". He tried to explain his position, and even offered to change some "too strong" points for future editions:
607:
on 17 September, a situation with which
Ducasse was already familiar from his early childhood in Montevideo. The living conditions worsened rapidly during the siege, and according to the owner of the hotel he lodged at, Ducasse became sick with a "bad fever".
279:
and that his mother died soon afterwards, possibly due to an epidemic. Jean-Jacques Lefrère suggests she may have committed suicide, although concludes there is no way to know for certain. In 1851, as a five-year-old, he experienced the end of the eight-year
890:
and the status of patron saint in the
Surrealist movement. In 1930, Aragon called Lautréamont the "veritable initiator of the modern marvelous", with "the marvelous" being a primary feature of Breton's Surrealism. In 1940, Breton incorporated him into his
863:
regarded him — even more than
Rimbaud — as the most significant figure, as the "gate-master of tomorrow's literature", meriting Breton and Soupault "to have recognized and announced the literary and ultra-literary importance of the amazing Lautréamont".
611:
Lautréamont died at the age of 24, on 24 November 1870, at 8 am in his hotel. On his death certificate, "no further information" was given. Since many were afraid of epidemics while Paris was besieged, Ducasse was buried the next day after a service in
1093:. The thesis covers plagiarism as a necessity and how it is implied by progress. It explains that plagiarism embraces an author's phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea. His fellow Situationist
914:
defined the structure of the surrealist painting as "a linking of two realities that by all appearances have nothing to link them, in a setting that by all appearances does not fit them". Referencing this line, the debut record by the
488:
reader, and make him desire the good as the remedy. Thus it is always, after all, the good which is the subject, only the method is more philosophical and less naive than that of the old school. (...) Is that evil? No, certainly not.
1531:. Great Britain: Penguin Books, "Penguin Classics" series, 1977. Fourth English translation (after Rodker, Wernham and Lykiard) by Paul Knight. Also contains "Poesies" and several "lettres". Extensive introduction by translator.
369:, only to abandon them one year later. Continuous allowances from his father made it possible for Ducasse to dedicate himself completely to his writing. He lived in the "Intellectual Quarter", in a hotel in the
403:, in which he included two copies of the first canto, and asked for a recommendation for further publication. A new edition of the first canto appeared at the end of January 1869, in the anthology
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534:
I replace melancholy with courage, doubt with certainty, despair with hope, malice with good, complaints with duty, scepticism with faith, sophisms with cool equanimity and pride with modesty.
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546:
Plagiarism is necessary. It is implied in the idea of progress. It clasps the author's sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.
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was dedicated to Lautréamont, under the title "Le cas Lautréamont" (The Lautréamont case). It was the 1927 publication by
Soupault and Breton that assured him a permanent place in
515:"phenomenological description of evil", in which he wanted to sing of good. The two works would form a whole, a dichotomy of good and evil. The work, however, remained a fragment.
1444:
1680:
1567:. Translated, with Introduction, by Paul Knight. New York: Penguin Books, 1988. Cover illustration is a color reproduction of Antoine Wiertz' "Buried Alive" (detail); 288 pp.;
518:
In April and June 1870, Ducasse published the first two installments of what was obviously meant to be the preface to the planned "chants of the good" in two small brochures,
1281:, par Comte de Lautréamont (1st canto, published under the pseudonym Comte de Lautréamont), in: "Parfums de l'Ame" (anthology, edited by Evariste Carrance), Bordeaux, 1869
307:, where he attended classes in rhetoric and philosophy. He excelled at arithmetic and drawing and showed extravagance in his thinking and style. Isidore was a reader of
1952:
There is a wealth of Lautréamont criticism, interpretation and analysis in French, including an esteemed biography by Jean-Jacques Lefrère, but little in English.
454:
in Brussels, who had also published Eugène Sue. The book was already printed when Lacroix refused to distribute it to the booksellers as he feared prosecution for
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291:
In October 1859, at the age of thirteen, he was sent to high school in France by his father. He was trained in French education and technology at the Imperial
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officer, and his wife Jacquette-Célestine Davezac. Very little is known about Isidore's childhood, except that he was baptized on 16 November 1847 in the
407:
in Bordeaux. Here Ducasse used his pseudonym "Comte de Lautréamont" for the first time. His chosen name may have been based on the title character of
1350:
936:
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that: "For as long as there have been men — and men who read Lautréamont — everything has been said and few people have gained anything from it."
817:
in the mathematics section of a small Parisian bookshop, near the military hospital to which he had been admitted. In his memoirs Soupault wrote:
416:
2077:
522:
I and II; this time he published under his real name, discarding his pseudonym. He differentiated the two parts of his work with the terms
462:. Ducasse considered that this was because "life in it is painted in too harsh colors" (letter to the banker Darasse from 12 March 1870).
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After a brief stay with his father in Montevideo, Ducasse settled in Paris at the end of 1867. He began studies in view of entering the
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language. Goodness and conventional moral values are regularly praised, even as authors familiar to Ducasse are sometimes denigrated:
72:
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Thanks to his father's money and the banker Darasse's good offices, a total of six cantos were to be published during late 1869, by
2249:
573:
381:. It is possible that he started this work before his passage to Montevideo, and also continued the work during his ocean journey.
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hammering out ever new verses to the sounds". However, this account has no corroborating evidence, and is considered unreliable.
53:
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came to visit me. I gave him the book and asked him to read it. The following day he brought it back, enthusiastic as I had been.
79:
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By the light of a candle that was permitted to me, I began reading. It was like an enlightenment. In the morning I read the
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is praised, other passages suggest on the contrary a humanism which places man above God: "Elohim is made in man's image."
86:
427:, a haughty and blasphemous antihero similar in some ways to Isidore's Maldoror. The pseudonym was possibly paraphrasing
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68:
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1934:
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119:
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1413:, based on the edition of 1938, with all historical prefaces by Léon Genonceaux (Édition Genouceaux, Paris, 1890),
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the Surrealism was born. Older examples can only be traced all the way back to the time of prophets and oracles".
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Lautréamont's writing has many bizarre scenes, vivid imagery and drastic shifts in tone and style. There is much "
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At the same time Ducasse took texts by famous authors and cleverly inverted, corrected and openly plagiarized for
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143:
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57:
17:
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1287:(first complete edition, not delivered to the booksellers), A. Lacroix, Verboeckhoven et Cie, Brussels, 1869
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noticed it in May 1870, saying: "The book will probably find a place under the bibliographic curiosities".
441:) or "l'autre Amont" (the other side of the river: 'En amont' = French for: 'Upstream') or, finally, from
498:
Poulet-Malassis announced the forthcoming publication of the book the same month in his literary magazine
1214:
1193:
1311:, preface by Léon Genonceaux, with a letter by Lautréamont, Éditions Léon Genonceaux, 1890 (new edition)
1159:, and the English edition notes that Lautréamont is "one of the forgotten presences alive" in the book.
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247:
93:
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1275:, par *** (1st canto, published anonymously), Imprimerie Balitout, Questroy et Cie, Paris, August 1868
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First edition of "Les Chants de Maldoror": the booklet, sold for 30 cents, is anonymous (August 1868).
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693:(Poems, Poetry) is Ducasse's other, minor surviving work, and is divided into two parts. Unlike
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46:
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1926:
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and mankind. The book combines a violent narrative with vivid and often surrealistic imagery.
642:
530:, announcing that the beginning of a struggle against evil was the reversal of his other work:
234:
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placed considerable importance on the insights of Lautréamont, stating in the Introduction to
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1437:(Éditions du Club français du livre, Paris, 1949), Éditions Librairie José Corti, Paris, 1984
1914:
1877:
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878:, and published the text in April and May 1919 in two sequential editions of their magazine
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prose did not have a price; each customer could decide which sum they wanted to pay for it.
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339:(see the letter of 23 October 1869 cited extensively below). At school he was fascinated by
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Lautréamont announced: "I will leave no memoirs", and as such, the life of the creator of
8:
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1984:
1878:
1305:, Typ. de E. Wittmann, Paris and Brussels, 1874 (1869's complete edition, with new cover)
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617:
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285:
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2008:
1959:, special edition of "Le Disque Vert", with an introduction by André Gide, and texts by
1414:
1391:, with 27 illustrations by Jacques Houplain, Société de francs-bibliophiles, Paris, 1947
392:
In late 1868, Ducasse published (anonymously and at his own expense) the first canto of
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The Maldoror Chants: Hermaphrodite, Avantgarde-Metal-Album of the band Schammasch, 2017
1968:
1826:
1554:, 1994; Translated into English by Alexis Lykiard with updated notes and bibliography;
1505:
1212:
Isidore Ducasse is the given name of the fashion creator in William Klein's 1966 movie
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and Dalí made "imaginary" portraits of Lautréamont, since no photograph was available.
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concerning literature and poetry. These statements frequently refer to authors of the
705:
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is based on a character called Maldoror, a figure of unrelenting evil who has forsaken
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336:
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Shishaldin petitioned the government for permission to marry the author posthumously.
1038:
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and compare their works and talents in rhetorical language; cited authors include the
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Peter W. Nesselroth, "Lautréamont's Imagery: a stylistic approach" Geneva: Droz, 1969
1960:
1930:
1915:
1893:
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1568:
1555:
1538:
1509:
1422:
1317:, with 65 illustrations by Frans De Geetere, Éditions Henri Blanchetière, Paris, 1927
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1008:
988:
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475:
1845:
1237:
1222:
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851:, and acknowledged as a direct precursor to Surrealism. In the first edition of the
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1976:
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344:
332:
2015:
a.o., and a portrait by Odilon-Jean Périer; René van den Berg, Paris/Brussels 1925
2012:
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1354:
1324:
956:
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665:(including an esteemed biography by Jean-Jacques Lefrère), but little in English.
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in the novel, while taking a trip by train through Europe. Both Ducasse and his
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1992:
1988:
1964:
1263:, for 8 soloists, mixed choir, narrator and large orchestra, Op.42 (1984-86).
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1996:
1980:
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1809:"International Paintings and Sculpture | The enigma of Isidore Ducasse"
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408:
288:. He was brought up speaking three languages: French, Spanish, and English.
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2000:
1972:
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depicts the character of Isidoro Ducasse as one of the seven angels of the
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1107:
1076:
1049:
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867:
661:
There is a wealth of Lautréamont criticism, interpretation and analysis in
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438:
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242:, had a major influence on modern arts and literature, particularly on the
2004:
1362:
1188:
1153:, an American poet influenced by surrealism, entitled his 1992 collection
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1382:
1124:, under the same title, but could not raise enough money to complete it.
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400:
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340:
324:
2110:
L'Arte della Mistificazione e la Mistificazione nell'Arte di Lautréamont
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cited Lautréamont twice over the course of their joint two-volume work,
926:
Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella
2202:
2018:
1221:
Lautréamont, as an unnamed "South American", appears as a character in
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713:
593:
523:
316:
264:
243:
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968:
911:
672:"; De Jonge argues that Maldoror reads like "a sustained sick joke".
459:
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348:
843:(accursed poets), he was elevated to the Surrealist pantheon beside
728:, and especially many French authors of Ducasse's period, including
500:
Quarterly Review of Publications Banned in France and Printed Abroad
35:
2235:
2180:
2176:
2056:, London: Secker and Warburg, 1973. Creation Books, 2007 1840681268
1537:, translated by Alexis Lykiard. London: Allison & Busby, 1977.
1225:'s short story "The Other Heaven", which also uses quotations from
1011:
always carried a copy of the book with him and used to walk around
765:
709:
216:
1699:"O Fazedor de Auroras: L'autre à Mont (Lautréamont em Montevideo)"
1407:(facsimiles of the original editions), La Table Ronde, Paris, 1970
620:. In January 1871, his body was put into another grave elsewhere.
384:
Ducasse was a frequent visitor to nearby libraries, where he read
292:
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1374:
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753:
268:
229:
172:
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527:
296:
1548:
Maldoror (and the Complete Works of the Comte de Lautréamont)
1114:
have both counted Lautréamont as an influence on their work.
374:
764:
in the sense that it uses far more positive, uplifting, and
1299:, Librairie Gabrie, Balitout, Questroy et Cie, Paris, 1870
1293:, Librairie Gabrie, Balitout, Questroy et Cie, Paris, 1870
1177:. Ducasse's character becomes obsessed with an edition of
603:
declared war on Prussia, and after his capture, Paris was
2054:
Nightmare Culture: Lautréamont and Les Chants de Maldoror
1713:
Nightmare Culture: Lautréamont and Les Chants de Maldoror
798:
651:
399:
On 10 November 1868, Ducasse sent a letter to the writer
396:(Chant premier, par ***), a booklet of thirty-two pages.
882:. In 1925, a special edition of the Surrealist magazine
502:. Otherwise, few people took heed of the book. Only the
2145:
No dejaré memorias. El enigma del Conde de Lautréamont
825:
again, convinced that I had dreamed... The day after,
1405:Œuvres complètes. Fac-similés des éditions originales
1622:
1421:(Éditions Librairie José Corti, Paris, April 1938),
837:. Soon they called him their prophet. As one of the
833:
Due to this find, Lautréamont was introduced to the
1127:In recent years, invoking an obscure clause in the
793:. Both works regularly describe animals by way of
60:. Unsourced material may be challenged and removed.
1773:Louis Aragon, "La peinture au défi". Reprinted in
1627:. Translated by Knight, Paul. New York: Penguin.
2478:
2043:Isidore: A Novel about the Comte de Lautreamont
1912:
1875:
1120:claimed to have tried to make a film based on
2278:
1786:André Breton, "Manifesto of Surrealism" , in
1525:, 1970; English translation by Alexis Lykiard
1201:has a song inspired by, and named after, the
1056:, in theater in 1984, and as a film in 1997.
870:and Breton discovered the only copies of the
748:as its title suggests, but instead a work of
588:. It even included an improvement of his own
504:Bulletin du Bibliophile et du Bibliothécaire
428:
1846:"Shishaldin: Untimely Career Retrospective"
1764:, Èditions du Sagittaire, October 15, 1924.
789:Despite this, there are commonalities with
760:also contrasts with the negative themes of
2285:
2271:
1798:(Ann Arbor: University of Michigan, 1972).
898:The title of an object by American artist
701:was published under Ducasse's given name.
142:
2072:
1913:Deleuze, Gilles; Guattari, Félix (1980).
1876:Deleuze, Gilles; Guattari, Félix (1972).
1715:(London: Secker and Warburg, 1973), p. 1.
1401:; Éditions de "La Boetie", Brussels, 1948
967:. Individual works have been produced by
634:
433:, although it can also be interpreted as
373:, where he worked intensely on the first
148:Possibly a photo representing Lautréamont
120:Learn how and when to remove this message
2130:Le Paysage dans 'Les Chants de Maldoror'
2114:La Similitudine nei 'Chants de Maldoror'
1137:
1017:
674:
27:Uruguayan-born French author (1846–1870)
1656:
1443:, with 81 illustrations by Tagliamani;
1022:An imagined portrait of Lautréamont by
14:
2479:
2242:Page about 1984 theater adaptation of
2168:Works by or about Comte de Lautréamont
1843:
1477:, 1924. First English translation, by
1458:Lautréamont, Subject to Interpretation
1433:(Éditions Librairie José Corti 1947),
1385:, G.L.M. (Guy Levis Mano), Paris, 1938
1279:Les Chants de Maldoror - Chant premier
1273:Les Chants de Maldoror - Chant premier
1044:
347:, and by the scene of the blinding in
2266:
2066:. Meridian, Stanford University Press
1417:(Édition de la Sirène, Paris, 1921),
224:(4 April 1846 – 24 November 1870), a
209:
58:adding citations to reliable sources
29:
2250:Page about 1997 film adaptation of
1657:Mathews, Harry (November 2, 1995).
1508:, 1970; vi+218 pp. Paperback 1972,
1327:; Albert Skira Éditeur, Paris, 1934
1142:Lautréamont, by the French painter
631:remains for the most part unknown.
24:
2292:
2093:. pp. 681–682. Archived from
2023:Lautréamont: The Violent Narcissus
1947:
1681:"Portrait de Lautréamont » L"
797:or colorful analogy, and although
704:Both parts consist of a series of
25:
2563:
2152:
1519:Maldoror (Les Chants de Maldoror)
744:is therefore not a collection of
550:Among the works plagiarized were
360:
277:Montevideo Metropolitan Cathedral
250:. Ducasse died at the age of 24.
2547:19th-century French male writers
2203:Lautréamont on French wikisource
2184:
1921:. Translated by Massumi, Brian.
1535:Poésies and Complete Miscellanea
1429:(La Jeune Parque, Paris, 1947),
1425:(Éditions Charlot, Paris, 1946)
271:, to François Ducasse, a French
34:
2195:"Chronologie d’Isidore Ducasse"
1906:
1869:
1856:
1844:Shrier, Sonya (April 1, 2004).
1837:
1819:
1801:
1780:
1767:
1754:
1745:
1595:
1585:
1481:. Illustrated with 3 plates by
1464:
1460:, Brill/Rodopi, Amsterdam, 2015
1266:
1100:The Revolution of Everyday Life
658:sleeper believes he is awake".
45:needs additional citations for
2049:, 1991 ("fictional biography")
1777:(Paris: Hermann, 1965), p. 39.
1736:
1727:
1718:
1705:
1691:
1673:
1650:
1641:
1616:
1187:are also briefly mentioned in
1079:founder, filmmaker and author
616:in a provisional grave at the
13:
1:
2507:Uruguayan emigrants to France
2238:illustrated by Ricardo Castro
2177:Works by Comte de Lautréamont
2159:Works by Comte de Lautréamont
2118:Il 'Bestiaire' di Lautréamont
2086:Encyclopedia of Homosexuality
1923:University of Minnesota Press
1886:University of Minnesota Press
1623:Comte de Lautréamont (1978).
1609:
1490:. Translated by Guy Wernham;
1063:is recited toward the end of
908:The Enigma of Isidore Ducasse
804:
299:. In 1863 he enrolled in the
1243:Capitalism and Schizophrenia
1090:The Society of the Spectacle
493:letter from 23 October 1869.
371:Rue Notre-Dame-des-Victoires
253:
7:
2552:Uruguayan writers in French
2527:19th-century French writers
2183:(public domain audiobooks)
1397:. with 77 illustrations by
1323:, with 42 illustrations by
855:(1924) Breton wrote: "With
10:
2568:
1215:Who Are You, Polly Maggoo?
1144:Arnaud Courlet de Vregille
1052:realized an adaptation of
904:L'énigme d'Isidore Ducasse
876:National Library of France
683:
640:
2537:19th-century French poets
2512:French surrealist writers
2458:
2381:
2338:
2302:
1788:Manifestoes of Surrealism
1523:Thomas Y. Crowell Company
1492:New Directions Publishing
1445:Éditions de la Baconnière
1146:(2012, acrylic, 90 x 120)
1083:developed a section from
893:Anthology of Black Humour
568:, as well as the work of
444:The Count of Monte Cristo
311:and particularly favored
192:
178:
153:
141:
134:
2445:Jean-Philippe Salabreuil
2386:d'aujourd'hui: 1946–1970
2035:, Dallas Institute, 1986
1578:
853:Manifeste du Surréalisme
712:in prose, which express
509:
258:
2502:Writers from Montevideo
1762:Manifest du Surrealisme
1685:www.gerhard-richter.com
1194:O Xangô de Baker Street
935:inspired many artists:
809:In 1917, French writer
467:Auguste Poulet-Malassis
465:Ducasse urgently asked
2371:Les Chants de Maldoror
2252:Les Chants de Maldoror
2244:Les Chants de Maldoror
2213:Les Chants de Maldoror
2211:Comte de Lautréamont,
1663:London Review of Books
1498:Lautréamont's Maldoror
1441:Les Chants de Maldoror
1395:Les Chants de Maldoror
1321:Les Chants de Maldoror
1315:Les Chants de Maldoror
1309:Les Chants de Maldoror
1303:Les Chants de Maldoror
1285:Les Chants de Maldoror
1147:
1131:, Article 171, modern
1054:Les Chants de Maldoror
1035:
857:Les Chants de Maldoror
831:
815:Les Chants de Maldoror
787:
680:
648:Les Chants de Maldoror
643:Les Chants de Maldoror
636:Les Chants de Maldoror
629:Les Chants de Maldoror
590:Les Chants de Maldoror
548:
536:
496:
430:l'autre à Mont(evideo)
429:
394:Les Chants de Maldoror
379:Les Chants de Maldoror
235:Les Chants de Maldoror
222:Isidore Lucien Ducasse
157:Isidore Lucien Ducasse
69:"Comte de Lautréamont"
2435:Roger-Arnould Rivière
2047:Peter Owen Publishers
1494:, 1943; 0-8112-0082-5
1337:und illustrations by
1207:Caos e Cosmos, Vol. 1
1141:
1021:
819:
813:discovered a copy of
770:
678:
614:Notre-Dame-de-Lorette
544:
532:
485:
2330:Comte de Lautréamont
2216:, at athena.unige.ch
2132:, at athena.unige.ch
2120:, at athena.unige.ch
2064:Lautreamont and Sade
1333:, with a preface by
1173:in his first novel,
469:, who had published
313:Percy Bysshe Shelley
263:Ducasse was born in
203:Comte de Lautréamont
136:Comte de Lautréamont
54:improve this article
1985:Maurice Maeterlinck
1917:A Thousand Plateaus
1506:Allison & Busby
1471:The Lay of Maldoror
1232:French philosopher
1167:Joca Reiners Terron
1045:Influence on others
775:Grève des Forgerons
592:. The brochures of
481:The Flowers of Evil
367:École Polytechnique
301:Lycée Louis-Barthou
286:Uruguayan Civil War
282:Siege of Montevideo
211:[lotʁeamɔ̃]
2405:Jean-Pierre Duprey
2400:Gilberte H. Dallas
2363:Les Poètes maudits
2308:Charles Baudelaire
2128:Fortunato Zocchi,
2108:Fortunato Zocchi,
2100:on March 13, 2016.
1969:Giuseppe Ungaretti
1957:Le Cas Lautréamont
1831:Interview Magazine
1625:Maldoror and Poems
1565:Maldoror and Poems
1205:in his 2021 album
1203:Chants of Maldoror
1185:Chants de Maldoror
1148:
1133:performance artist
1036:
845:Charles Baudelaire
750:literary criticism
730:Charles Baudelaire
714:aesthetic opinions
681:
570:Jean de La Bruyère
232:. His only works,
2542:French male poets
2522:Symbolist writers
2474:
2473:
2347:Les Fleurs du mal
2223:Maldoror: Le Site
2163:Project Gutenberg
2074:Eisenberg, Daniel
1961:Philippe Soupault
1862:Cortázar, Julio.
1850:The Brooklyn Rail
1701:. March 14, 2015.
1550:. Cambridge, MA:
1423:Philippe Soupault
1236:and psychiatrist
1180:Les Fleurs du mal
1156:Hotel Lautréamont
1129:French civil code
1087:as thesis 207 in
1028:The Book of masks
1015:quoting from it.
1009:Amedeo Modigliani
888:French literature
811:Philippe Soupault
618:Cimetière du Nord
599:On 19 July 1870,
476:Les Fleurs du mal
200:
199:
130:
129:
122:
104:
16:(Redirected from
2559:
2430:André de Richaud
2410:André Frédérique
2287:
2280:
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2263:
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2209:
2201:
2193:
2188:
2187:
2172:Internet Archive
2138:
2126:
2106:
2101:
2099:
2082:
2060:Maurice Blanchot
2029:Gaston Bachelard
2025:, Kennikat, 1972
2009:Rémy de Gourmont
1979:, André Breton,
1977:Albert Thibaudet
1941:
1940:
1920:
1910:
1904:
1903:
1883:
1873:
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1860:
1854:
1853:
1841:
1835:
1834:
1833:. June 30, 2014.
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1724:De Jonge, p. 55.
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1677:
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1647:Knight, pp. 7-8.
1645:
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1599:
1593:
1589:
1500:. Translated by
1475:Casanova Society
1453:
1435:Maurice Blanchot
1415:Rémy de Gourmont
1411:Œuvres complètes
1331:Œuvres Complètes
1261:Maldoror Requiem
1257:Róbert Wittinger
1032:Remy de Gourmont
953:Jindřich Štyrský
949:Jacques Houplain
921:Nurse with Wound
917:industrial music
785:
773:Leconte and the
722:Greek tragedians
562:La Rochefoucauld
494:
432:
425:
411:'s popular 1837
405:Parfums de l'Âme
333:Alfred de Musset
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2517:Symbolist poets
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2476:
2475:
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2466:Edgar Allan Poe
2454:
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2384:Poètes maudits
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1948:Further reading
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1900:
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1866:(tomo 4) p.415.
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1751:Knight, p. 278.
1750:
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1742:Knight, p. 264.
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1728:
1723:
1719:
1711:Alex De Jonge,
1710:
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1697:
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1678:
1674:
1659:"Shark-Shagger"
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1607:
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1600:
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1447:
1371:Wolfgang Paalen
1343:Óscar Domínguez
1269:
1197:, and musician
1065:Jean-Luc Godard
1047:
1039:Félix Vallotton
1024:Félix Vallotton
997:Wolfgang Paalen
977:Óscar Domínguez
937:Fray De Geetere
807:
786:
783:Poésies, Part I
781:
734:Alexander Dumas
726:Edgar Allan Poe
688:
645:
639:
574:Luc de Clapiers
512:
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309:Edgar Allan Poe
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2153:External links
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1234:Gilles Deleuze
1229:as epigraphs.
1223:Julio Cortázar
1199:Rogério Skylab
1175:Não Há Nada Lá
1095:Raoul Vaneigem
1046:
1043:
1001:Kurt Seligmann
973:Victor Brauner
961:Georg Baselitz
884:Le Disque Vert
849:Arthur Rimbaud
840:poètes maudits
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1399:René Magritte
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1355:René Magritte
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1118:Kenneth Anger
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1112:Henri Michaux
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1091:
1086:
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1067:'s 1967 film
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1059:A portion of
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1007:. The artist
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957:René Magritte
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43:This article
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2440:Armand Robin
2420:Gérald Neveu
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2350:(Baudelaire)
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2140:Ruperto Long
2137:(in Spanish)
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2105:(in Italian)
2095:the original
2089:. New York:
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2042:
2032:
2022:
2001:Jean Cocteau
1973:Herbert Read
1956:
1951:
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1470:
1465:Translations
1457:
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1335:André Breton
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1106:The writers
1105:
1098:
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1050:Kadour Naimi
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989:Aimé Césaire
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184:(1870-11-24)
166:4 April 1846
116:
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64:
52:Please help
47:verification
44:
2497:1870 deaths
2492:1846 births
2339:Major works
2236:Lautréamont
2231:Lautreamont
2228:(in French)
2220:(in French)
2208:(in French)
2200:(in French)
2192:(in French)
2125:(in French)
2039:Jeremy Reed
2033:Lautréamont
1993:Paul Éluard
1989:Paul Valéry
1965:René Crevel
1479:John Rodker
1448: [
1383:Yves Tanguy
1259:composed a
1005:Yves Tanguy
835:Surrealists
738:Victor Hugo
670:black humor
586:La Fontaine
437:(the other
420: [
417:Latréaumont
401:Victor Hugo
354:Oedipus Rex
244:Surrealists
110:August 2007
18:Lautréamont
2481:Categories
2366:(Verlaine)
2045:, London:
2019:Paul Zweig
1925:. p.
1888:. p.
1813:nga.gov.au
1790:, transl.
1610:References
1504:; London:
1473:. London:
1297:Poésies II
1246:, once in
1171:Apocalypse
1085:Poésies II
1081:Guy Debord
965:Victor Man
923:is titled
880:Literature
861:André Gide
805:Surrealism
766:humanistic
594:aphoristic
524:philosophy
471:Baudelaire
409:Eugène Sue
337:Baudelaire
265:Montevideo
214:) was the
193:Occupation
169:Montevideo
162:1846-04-04
80:newspapers
2532:Aphorists
2358:(Rimbaud)
2005:Léon Bloy
1363:Joan Miró
1347:Max Ernst
1291:Poésies I
1189:Jô Soares
1163:Brazilian
985:Joan Miró
969:Max Ernst
912:Max Ernst
902:, called
710:aphorisms
460:obscenity
456:blasphemy
349:Sophocles
345:Corneille
254:Biography
2181:LibriVox
2076:(1990).
1529:Maldoror
1488:Maldoror
1389:Maldoror
1351:Espinoza
1227:Maldoror
1122:Maldoror
1070:Week End
1061:Maldoror
933:Maldoror
791:Maldoror
780:—
762:Maldoror
695:Maldoror
605:besieged
491:—
386:Romantic
273:consular
246:and the
2459:Related
2170:at the
2091:Garland
1375:Man Ray
1165:author
1034:(1898).
945:Man Ray
900:Man Ray
874:in the
872:Poésies
758:Poésies
754:poetics
742:Poésies
699:Poésies
691:Poésies
685:Poésies
625:Poésies
623:In his
566:Maximes
557:Pensées
540:Poésies
520:Poésies
284:in the
269:Uruguay
240:Poésies
230:Uruguay
207:French:
173:Uruguay
94:scholar
1933:
1896:
1864:Cartas
1631:
1571:
1558:
1541:
1512:
1251:volume
919:group
823:Chants
795:simile
746:poetry
736:, and
706:maxims
663:French
528:poetry
341:Racine
335:, and
325:Milton
297:Tarbes
226:French
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2098:(PDF)
2081:(PDF)
1669:(21).
1579:Notes
1452:]
1030:from
752:, or
578:Dante
510:Death
424:]
375:canto
317:Byron
293:Lycée
259:Youth
101:JSTOR
87:books
1931:ISBN
1894:ISBN
1794:and
1629:ISBN
1569:ISBN
1556:ISBN
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1381:and
1248:each
1110:and
1003:and
963:and
847:and
584:and
582:Kant
560:and
526:and
439:Amon
343:and
315:and
238:and
196:Poet
179:Died
154:Born
73:news
2179:at
2161:at
1927:236
1890:371
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