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277:, the area around Laren School was distinguished by its unspoiled beauty and diversity of landscape, and was considered ideally situated by many members of the Hague School. After 1898, it was rediscovered by young artists known as the second generation of the Laren School, their work extending far into the 20th century. This colony of artists is significant in
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This artists of the Laren School are linked together by the relationship between their ideas of art, style and techniques. In Laren, the countryside was the main theme of the landscape painters. Therefore, the term 'Laren' applies primarily as a place of landscape painting. The lightening of color,
564:, was founded by Co Breman. In 1935, the Gooische Painters Association fractured, and the members formed several distinct groups. August Johannes le Gras specialised in African landscapes and animals,
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by adding gold yellow, red and blue, is essential to the Laren School. Another striking feature of Laren School paintings is the romantic view of social life in this tough region of
Gooiland.
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Painters
Association, "De Tien" (The Ten), was founded. This group organized exhibitions across the country to create new opportunities for the work of its members. The Ten included
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affected landscapes that had remained untouched for centuries. Many of these landscapes disappeared, and with them, the inspiration for earlier landscape and genre painting.
326:, whom he instructed in outdoor painting. His enthusiasm for Laren, and the surrounding landscape and agricultural activity, was infectious, and other artists from the
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665:. Several founders of this artist colony — Jozef Israëls and his son, Isaac, along with Albert Neuhuys and Anton Mauve — were already known as Hague painters.
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was born. Some of these painters settled in the region; their Laren-inspired works were shown to the public at the
Pulchri Studio and affiliated galleries.
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Around 1898, Laren was rediscovered by a group of young painters who gave new life to the Laren Style school of painting for the next 40 years, including
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The second generation of the Laren School diverged, one group following the traditions of the Hague School while the rest painted in the new style of
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and
Bernard Pothast. Most of these were genre painters in the agricultural tradition, like Neuhuys. However some were landscape painters, notably
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were looking for a new place to paint. Around 1870, the painter, Jozef Israëls, discovered the village of Laren. He visited often with his son,
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From art collectors and authors, the term is often used for all painters active in Laren, and as shorthand for the continuation of the
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Around 1885, the first colony ceased to produce new work based on Laren and its environs.
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chose the inhabitants of Laren and the surrounding landscape as the subject of their art.
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De wereld in een dorp - schilders, schrijvers en wereldverbeteraars in Laren en
Blaricum
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In 1903, under the initiative of August
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differed from the mainstream of
Impressionism, painting in the style of
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The industrialisation of
Rotterdam, Amsterdam and other regions of the
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specialized in the representation of factories. For modernists, like
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were the first to follow Israëls in 1877 and in 1882. Later,
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After 15 years of fame, from 1855 to 1870, the artists of the
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Leeuw, Ronald de; Sillervis, John and Dumas, Charles (1983):
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Today, the Singer Museum exhibits works of the Laren School.
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The Hague School: Dutch
Masters of the Nineteenth Century
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560:In 1921, the Association of Visual Artists, Laren,
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916:Laren en zijn schilders: kunstenaars rond Hamdorff
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765:Emmanuel Ernest Geradus van der Ven (1866–1944)
792:Rural artists colonies in Europe, 1870 to 1910
874:, Philip Wilson Publishers Liumited, London,
744:Ferdinand Gustaaf Willem Oldewelt (1857–1935)
741:Anton Lodewijk George Offermans (1854–1911)
625:. Unsourced material may be challenged and
53:Learn how and when to remove these messages
794:, Manchester University Press, 2001. p 170
762:Cornelius Rudolf Hendrik Spoor (1867–1928)
937:website Singer Museum, Laren, Netherlands
708:Arthur Henri Christiaan Briët (1867–1939)
645:Learn how and when to remove this message
442:, Hendrik Theodorus de Court Onderwater,
411:The second generation of the Laren School
230:Learn how and when to remove this message
212:Learn how and when to remove this message
110:Learn how and when to remove this message
711:Franz Wilhelm Maria Deutmann (1867–1915)
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292:The first generation of the Laren School
73:This article includes a list of general
392:Neuhuys concentrated on farm life as a
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396:subject, but the others turned to the
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525:At De Wilde Zwanen, painters such as
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807:Anton Mauve - Rijksmuseum Amsterdam
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962:Dutch artist groups and collectives
859:, Weidenfeld and Nicolson, London,
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42:or discuss these issues on the
903:, Bussum, THOTH - Uitgeverij,
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386:The Return of the Flock, Laren
1:
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543:nl:Johan Coenraad Heyen Brock
426:- Stedelijk Museum, Amsterdam
870:Wright, Christopher (1980):
759:Paul Philip Rink (1862–1903)
681:Evert Pieters (about 1890):
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507:The Singer Museum of Laren.
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872:Paintings in Dutch museum
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772:Jan Hendrik Weissenbruch
460:nl:Cornelis Vreedenburgh
388:- Rijksmuseum Amsterdam.
360:Jan Hendrik Weissenbruch
957:Arts in the Netherlands
736:Johannes Albert Neuhuys
730:Jacobus Hendricus Maris
703:George Hendrik Breitner
464:nl:Gerrit van Blaaderen
432:nl:Otto van Tussenbroek
94:more precise citations.
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884:Heyting, Lien (2004):
768:Jan Visser (1856–1938)
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512:William Henry Singer
146:improve this article
901:Schilders van Laren
456:nl:Jaap Dooijewaard
358:and Tony Offermans
330:began to join him.
305:Flax Barn at Laren
840:2015-09-30 at the
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522:and concert hall.
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468:nl:Frans Langeveld
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246:is the name of an
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909:978-90-6868-327-1
894:978-90-290-4856-9
880:978-90-290-1303-1
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16:Art movement
987:1898 in art
982:1870 in art
977:1855 in art
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750:(1842–1902)
748:David Oyens
738:(1844–1914)
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693:(1867–1932)
535:Pointillism
384:(1886-87):
382:Anton Mauve
336:Anton Mauve
313:Netherlands
92:introducing
951:Categories
850:References
819:2015-09-29
724:Hein Kever
578:still life
555:Leo Gestel
348:Wally Moes
340:Hein Kever
248:art colony
172:newspapers
75:references
39:improve it
606:does not
570:portraits
527:Co Breman
398:landscape
352:Etha Fles
286:Modernist
264:Hilversum
258:, in the
254:village,
45:talk page
838:Archived
661:and the
562:Blaricum
539:Luminism
482:Gooische
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279:Dutch
262:near
256:Laren
252:Dutch
193:JSTOR
179:books
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