Gulliver's Travels

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he becomes ashamed of humans and views them more in line with animals. This new perception of Gulliver's, Stone claims, comes about because the Houyhnhnms' judgement pushes Gulliver to identify with the Yahoos. Along similar lines, Crane holds that Gulliver's misanthropy is developed in part when he talks to the Houyhnhnms about mankind because the discussions lead him to reflect on his previously held notion of humanity. Specifically, Gulliver’s master, who is a Houyhnhnm, provides questions and commentary that contribute to Gulliver’s reflectiveness and subsequent development of misanthropy. However, Case points out that Gulliver's dwindling opinion of humans may be blown out of proportion due to the fact that he is no longer able to see the good qualities that humans are capable of possessing. Gulliver’s new view of humanity, then, creates his repulsive attitude towards his fellow humans after leaving Houyhnhnmland. But in Stone's view, Gulliver’s actions and attitude upon his return can be interpreted as misanthropy that is exaggerated for comic effect rather than for a cynical effect. Stone further suggests that Gulliver goes mentally mad and believes that this is what leads Gulliver to exaggerate the shortcomings of humankind.

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From this playing off of familiar genre expectations, Stone deduces that the parallels that Swift draws between the Yahoos and humans is meant to be humorous rather than cynical. Even though Gulliver sees Yahoos and humans as if they are one and the same, Stone argues that Swift did not intend for readers to take on Gulliver’s view; Stone states that the Yahoos' behaviors and characteristics that set them apart from humans further supports the notion that Gulliver's identification with Yahoos is not meant to be taken to heart. Thus, Stone sees Gulliver’s perceived superiority of the Houyhnhnms and subsequent misanthropy as features that Swift used to employ the satirical and humorous elements characteristic of the Beast Fables of travel books that were popular with his contemporaries; as Swift did, these Beast Fables placed animals above humans in terms of morals and reason, but they were not meant to be taken literally.

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questions raised by the emotional designation 'slavery.' The misery of the Irish in the early eighteenth century shocked Swift and all others who witnessed it; the hopeless passivity of the people in this desolate land made it seem as if both the minds and bodies of the Irish were enslaved." Kelly goes on to write: "Throughout the Irish tracts and poems, Swift continually vacillates as to whether the Irish are servile because of some defect within their character or whether their sordid condition is the result of a calculated policy from without to reduce them to brutishness. Although no one has done so, similar questions could be asked about the Yahoos, who are slaves to the Houyhnhnms." However, Kelly does not suggest a wholesale equivalence between Irish and Yahoos, which would be reductive and omit the various other layers of satire at work in this section.

1080:, a friend of Swift and one of the first critics of the book, criticised the author for his overt use of misanthropy. Other negative responses to the book also looked towards its portrayal of humanity, which was considered inaccurate. Swifts’s peers rejected the book on claims that its themes of misanthropy were harmful and offensive. They criticized its satire for exceeding what was deemed acceptable and appropriate, including the Houyhnhnms and Yahoos’s similarities to humans. There was also controversy surrounding the political allegories. Readers enjoyed the political references, finding them humorous. However, members of the Whig party were offended, believing that Swift mocked their politics. 290: 1027:." According to Treadwell, however, these implications extend beyond the speculators of the South Sea Bubble to include the many projectors of the late seventeenth and early eighteenth century England, including Swift himself. Not only is Swift satirizing the role of the projector in contemporary English politics, which he dabbled in during his younger years, but the role of the satirist, whose goals align with that of a projector: "The less obvious corollary of that word is that it must include the poor deluded satirist himself, since satire is, in its very essence, the wildest of all projects - a scheme to reform the world." 1003:. Some critics contend that Gulliver is a target of Swift's satire and that Don Pedro represents an ideal of human kindness and generosity. Gulliver believes humans are similar to Yahoos in the sense that they make "no other use of reason, than to improve and multiply ... vices". Captain Pedro provides a contrast to Gulliver's reasoning, proving humans are able to reason, be kind, and most of all: civilized. Gulliver sees the bleak fallenness at the center of human nature, and Don Pedro is merely a minor character who, in Gulliver's words, is "an Animal which had some little Portion of Reason". 3134: 458: 814:

phials hermetically sealed, and let out to warm the air in raw inclement summers. He told me, he did not doubt, that, in eight years more, he should be able to supply the governor’s gardens with sunshine, at a reasonable rate: but he complained that his stock was low, and entreated me "to give him something as an encouragement to ingenuity, especially since this had been a very dear season for cucumbers". I made him a small present, for my lord had furnished me with money on purpose, because he knew their practice of begging from all who go to see them.

1207:. The terms derive from one of the satirical conflicts in the book, in which two religious sects of Lilliputians are divided between those who crack open their soft-boiled eggs from the little end, the "Little-endians", and those who use the big end, the "Big-endians". The nomenclature was chosen as an irony, since the choice of which byte-order method to use is technically trivial (both are equally good), but actually still important: systems which do it one way are thus incompatible with those that do it the other way, and so it 1102: 246: 490:

of the Houyhnhnms rules that Gulliver, a Yahoo with some semblance of reason, is a danger to their civilization and commands him to swim back to the land that he came from. Gulliver's "Master", the Houyhnhnm who took him into his household, buys him time to create a canoe to make his departure easier. After another disastrous voyage, he is rescued against his will by a Portuguese ship. He is disgusted to see that Captain Pedro de Mendez, whom he considers a Yahoo, is a wise, courteous, and generous person.

1284: 232: 619:. As revealed in Faulkner's "Advertisement to the Reader", Faulkner had access to an annotated copy of Motte's work by "a friend of the author" (generally believed to be Swift's friend Charles Ford) which reproduced most of the manuscript without Motte's amendments, the original manuscript having been destroyed. It is also believed that Swift at least reviewed proofs of Faulkner's edition before printing, but this cannot be proved. Generally, this is regarded as the 4752: 339: 4742: 49: 2734: 687: 633:, which complained of Motte's alterations to the original text, saying he had so much altered it that "I do hardly know mine own work" and repudiating all of Motte's changes as well as all the keys, libels, parodies, second parts and continuations that had appeared in the intervening years. This letter now forms part of many standard texts. 277:

rift within that nation. They are a people who revel in displays of authority and performances of power. Gulliver assists the Lilliputians to subdue their neighbours the Blefuscudians by stealing their fleet. However, he refuses to reduce the island nation of Blefuscu to a province of Lilliput, displeasing the King and the royal court.

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Swift's time. She talks about how this instrument of science was transitioned to something toy-like and accessible, so it shifted into something that women favored, and thus men lost interest. This is similar to the progression of Gulliver's time in Brobdingnag, from man of science to women's plaything.

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exhibiting Gulliver) is taken into the queen's service to take care of the tiny man. Since Gulliver is too small to use their huge chairs, beds, knives and forks, the queen commissions a small house to be built for him so that he can be carried around in it; this is referred to as his "travelling box".

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keeping him contained for some time, they resolve to leave him on the first piece of land they come across, and continue as pirates. He is abandoned in a landing boat and comes upon a race of deformed savage humanoid creatures to which he conceives a violent antipathy. Shortly afterwards, he meets the

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Part I is probably responsible for the greatest number of political allusions. One of the most commonly noted parallels is that the wars between Lilliput and Blefuscu resemble those between England and France. The enmity between the low heels and the high heels is often interpreted as a parody of the

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Another aspect that Crane attributes to Gulliver’s development of misanthropy is that when in Houyhnhnmland, it is the animal-like beings (the Houyhnhnms) who exhibit reason and the human-like beings (the Yahoos) who seem devoid of reason; Crane argues that it is this switch from Gulliver’s perceived

659:'s poor-quality copper currency. Faulkner had omitted this passage, either because of political sensitivities raised by an Irish publisher printing an anti-British satire, or possibly because the text he worked from did not include the passage. In 1899 the passage was included in a new edition of the 980:

takes a cue from the genre of the travel book, which was popular during Swift's time period. From reading travel books, Swift’s contemporaries were accustomed to beast-like figures of foreign places; thus, Stone holds that the creation of the Yahoos was not out of the ordinary for the time period.

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superior, he comes to believe that humans (including his fellow Europeans) are Yahoos due to their shortcomings. Perceiving the Houyhnhnms as perfect, Gulliver thus begins to perceive himself and the rest of humanity as imperfect. According to Crane, when Gulliver develops his misanthropic mindset,

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Gulliver becomes a member of a horse's household and comes to both admire and emulate the Houyhnhnms and their way of life, rejecting his fellow humans as merely Yahoos endowed with some semblance of reason which they only use to exacerbate and add to the vices Nature gave them. However, an Assembly

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farmer brings Gulliver home, and his daughter Glumdalclitch cares for Gulliver. The farmer treats him as a curiosity and exhibits him for money. After a while the constant display makes Gulliver sick, and the farmer sells him to the queen of the realm. Glumdalclitch (who accompanied her father while

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At first, the Lilliputians are hospitable to Gulliver, but they are also wary of the threat that his size poses to them. The Lilliputians reveal themselves to be a people who put great emphasis on trivial matters. For example, which end of an egg a person cracks becomes the basis of a deep political

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commended Swift’s work for its "truth" regarding the narration and claims that "the statesman, the philosopher, and the critick, will admire his keenness of satire, energy of description, and vivacity of language", noting that even children can enjoy the novel. As popularity increased, critics came

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The book was very popular upon release and was commonly discussed within social circles. Public reception widely varied, with the book receiving an initially enthusiastic reaction with readers praising its satire, and some reporting that the satire's cleverness sounded like a realistic account of a

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Swift has Gulliver frequently invoke the sensory (as opposed to reflective) word "nauseous" to describe this and other magnified images in Brobdingnag not only to reveal the neurotic depths of Gulliver's misogyny, but also to show how male nausea can be used as a pathetic countermeasure against the

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Nussbaum goes on to say in her analysis of the misogyny of the stories that in the adventures, particularly in the first story, the satire is not singularly focused on satirizing women, but to satirize Gulliver himself as a politically naive and inept giant whose masculine authority comically seems

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Despite his earlier intention of remaining at home, Gulliver returns to sea as the captain of a merchantman, as he is bored with his employment as a surgeon. On this voyage, he is forced to find new additions to his crew who, he believes, have turned against him. His crew then commits mutiny. After

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Between small adventures such as fighting giant wasps and being carried to the roof by a monkey, he discusses the state of Europe with the King of Brobdingnag. The king is not happy with Gulliver's accounts of Europe, especially upon learning of the use of guns and cannon. On a trip to the seaside,

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Gulliver is charged with treason for, among other crimes, urinating in the capital though he was putting out a fire. He is convicted and sentenced to be blinded. With the assistance of a kind friend, "a considerable person at court", he escapes to Blefuscu. Here, he spots and retrieves an abandoned

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proposes the idea that "Gulliver himself is a gendered object of satire, and his antifeminist sentiments may be among those mocked". Gulliver’s own masculinity is often mocked, seen in how he is made to be a coward among the Brobdingnag people, repressed by the people of Lilliput, and viewed as an

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and the Yahoo-Houyhnhnm relationship as an allusion to that of the Irish and the British: "The term that Swift uses to describe the oppression in both Ireland and Houyhnhnmland is 'slavery'; this is not an accidental word choice, for Swift was well aware of the complicated moral and philosophical

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No form of government is ideal—the simplistic Brobdingnagians enjoy public executions and have streets infested with beggars, the honest and upright Houyhnhnms who have no word for lying are happy to suppress the true nature of Gulliver as a Yahoo and are equally unconcerned about his reaction to

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The first man I saw was of a meagre aspect, with sooty hands and face, his hair and beard long, ragged, and singed in several places. His clothes, shirt, and skin, were all of the same colour. He has been eight years upon a project for extracting sunbeams out of cucumbers, which were to be put in

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in Balnibarbi, great resources and manpower are employed on researching preposterous schemes such as extracting sunbeams from cucumbers, softening marble for use in pillows, learning how to mix paint by smell, and uncovering political conspiracies by examining the excrement of suspicious persons.

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Locations visited by Gulliver, according to Arthur Ellicott Case. Case contends that the maps in the published text were drawn by someone who did not follow Swift's geographical descriptions; to correct this, he makes changes such as placing Lilliput to the east of Australia instead of the west.

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This commentary of Deborah Needleman Armintor relies upon the way that the giant women do with Gulliver as they please, in much the same way as one might play with a toy, and get it to do everything one can think of. Armintor's comparison focuses on the pocket microscopes that were popular in

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with the aim of satirising popular literary genres. According to these accounts, Swift was charged with writing the memoirs of the club's imaginary author, Martinus Scriblerus, and also with satirising the "travellers' tales" literary subgenre. It is known from Swift's correspondence that the

2737: 996:, his plan is "to discover some small Island uninhabited" where he can live in solitude. Instead, he is picked up by Don Pedro's crew. Despite Gulliver's appearance—he is dressed in skins and speaks like a horse—Don Pedro treats him compassionately and returns him to Lisbon. 848:

Each part is the reverse of the preceding part—Gulliver is big/small/wise/ignorant, the countries are complex/simple/scientific/natural, and Gulliver perceives the forms of government as worse/better/worse/better than Britain's (although Swift's opinions on this matter are

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Specific individuals may be good even where the race is bad—Gulliver finds a friend in each of his travels and, despite Gulliver's rejection and horror toward all Yahoos, is treated very well by the Portuguese captain, Don Pedro, who returns him to England at the book's

273:. After giving assurances of his good behaviour, he is given a residence in Lilliput and becomes a favourite of the Lilliput Royal Court. He is also given permission by the King of Lilliput to go around the city on the condition that he must not hurt their subjects. 856:

in the contrasting part—Gulliver sees the tiny Lilliputians as being vicious and unscrupulous, and then the king of Brobdingnag sees Europe in exactly the same light; Gulliver sees the Laputians as unreasonable, and his Houyhnhnm master sees humanity as equally

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I must confess no Object ever disgusted me so much as the Sight of her monstrous Breast, which I cannot tell what to compare with, so as to give the curious Reader an Idea of its Bulk, Shape, and Colour.... This made me reflect upon the fair Skins of our

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in this work, many scholars believe Gulliver's blatant misogyny to be intentional, and that Swift uses satire to openly mock misogyny throughout the book. One of the most cited examples of this comes from Gulliver's description of a Brobdingnagian woman:

802:' radical political philosophy and for this reason Gulliver repeatedly encounters established societies rather than desolate islands. The captain who invites Gulliver to serve as a surgeon aboard his ship on the disastrous third voyage is named Robinson. 549:, who used five printing houses to speed production and avoid piracy. Motte, recognising a best-seller but fearing prosecution, cut or altered the worst offending passages (such as the descriptions of the court contests in Lilliput and the rebellion of 493:

He returns to his home in England, but is unable to reconcile himself to living among "Yahoos" and becomes a recluse, remaining in his house, avoiding his family and his wife, and spending several hours a day speaking with the horses in his stables.

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has entered many languages as an adjective meaning "small and delicate". There is a brand of small cigar called Lilliput, and a series of collectable model houses known as "Lilliput Lane". The smallest light bulb fitting (5 mm diameter) in the

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which is southwest of Balnibarbi. On Glubbdubdrib, he visits a magician's dwelling and discusses history with the ghosts of historical figures, the most obvious restatement of the "ancients versus moderns" theme in the book. The ghosts include

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asserts that Swift's lampooning of the experiments of Laputa is the first questioning by a modern liberal democrat of the effects and cost on a society which embraces and celebrates policies pursuing scientific progress. Swift wrote:

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wrote a Gulliver Suite for 2 violins without bass between 1728 and 1729. It includes a "Lilliputian" chaconne, a "Brobigdinian" gigue as well as a Loure of the "well-mannered houyhnhnms" combined with a Fury of the "naughty yahoos".

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Another criticism of Swift's use of misogyny delves into Gulliver's repeated use of the word 'nauseous', and the way that Gulliver is fighting his emasculation by commenting on how he thinks the women of Brobdingnag are disgusting.

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in 1705) were swiftly produced. These were mostly printed anonymously (or occasionally pseudonymously) and were quickly forgotten. Swift had nothing to do with them and disavowed them in Faulkner's edition of 1735. Swift's friend

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Gulliver's attitude hardens as the book progresses—he is genuinely surprised by the viciousness and politicking of the Lilliputians but finds the behaviour of the Yahoos in the fourth part reflective of the behaviour of

369:, a kingdom devoted to the arts of music, mathematics, and astronomy but unable to use them for practical ends. Rather than using armies, Laputa has a custom of throwing rocks down at rebellious cities on the ground. 961:

norm that leads the way for him to question his view of humanity. As a result, Gulliver begins to identify humans as a type of Yahoo. To this point, Crane brings up the fact that a traditional definition of man—

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perceived threat of female consumption. Swift has Gulliver associate these magnified acts of female consumption with the act of "throwing-up"—the opposite of and antidote to the act of gastronomic consumption.

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is blown off course by storms and forced to sail for land in search of fresh water, Gulliver is abandoned by his companions and left on a peninsula on the western coast of the North American continent.

2400: 376:, the kingdom ruled from Laputa, as the guest of a low-ranking courtier and sees the ruin brought about by the blind pursuit of science without practical results, in a satire on bureaucracy and on the 1087:

described Swift's work as "blasphemous", saying its critical view of mankind was ludicrous and overly harsh. He concluded that he could not understand the origins of Swift’s critiques on humanity.

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Gulliver refers in passing to his visit to Tribnia (that is, Britain), called by some Langden (that is, England), where the main occupations are plotting and informing. Gulliver is then taken to

1665:. Edited by Albert J. Rivero. Based on the 1726 text, with some adopted emendations from later corrections and editions. Also includes a selection of contextual material, letters, and criticism. 1023:, which Swift was openly critical of. Furthermore, "A. E. Case, acting on a tipoff offered by the word 'projectors,' found to be the hiding place of many of those speculators implicated in the 739: 537:

satire, it is likely that Swift had the manuscript copied so that his handwriting could not be used as evidence if a prosecution should arise, as had happened in the case of some of his Irish

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composition proper began in 1720 with the mirror-themed Parts I and II written first, Part IV next in 1723 and Part III written in 1724; but amendments were made even while Swift was writing

973:) in college, so it is highly likely that he intentionally inverted this logic by placing the typically given example of irrational beings—horses—in the place of humans and vice versa. 798:

argues that Swift was concerned to refute the notion that the individual precedes society, as Defoe's work seems to suggest. Swift regarded such thought as a dangerous endorsement of

1234:, published 1727, which expands the account of Gulliver's stays in Lilliput and Blefuscu by adding several gossipy anecdotes about scandalous episodes at the Lilliputian court. Abbé 1047:

claims that "making sense out of the words and phrases introduced by Swift...is a waste of time," and these words were invented nonsense. However, Irving Rothman, a professor at

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The causes of Gulliver's misadventures become more malignant as time goes on—he is first shipwrecked, then abandoned, then attacked by strangers, then attacked by his own crew.

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Part I includes examples of the Lilliputian language, including a paragraph for which Gulliver provides a translation. In his annotated edition of the book published in 1980,

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During his first voyage, Gulliver is washed ashore after a shipwreck and finds himself a prisoner of a race of tiny people less than 6 inches (15 cm) tall, much like the

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In terms of Gulliver's development of misanthropy, these three scholars point to the fourth voyage. According to Case, Gulliver is at first averse to identifying with the

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Gulliver's travels : complete, authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives

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Gulliver's travels : complete, authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives

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is as tall as a tree. He is then found by a farmer who is about 72 ft (22 m) tall, judging from Gulliver estimating the man's step being 10 yards (9 m). The

1242:(The New Gulliver, or the travels of John Gulliver, son of Captain Lemuel Gulliver), published in 1730. Gulliver's son has various fantastic, satirical adventures. 2566: 434:, people who are immortal. They do not have the gift of eternal youth, but suffer the infirmities of old age and are considered legally dead at the age of eighty. 697: 2397: 4816: 1214:

It has been pointed out that the long and vicious war which started after a disagreement about which was the best end to break an egg is an example of the

553:), added some material in defence of Queen Anne to Part II, and published it. The first edition was released in two volumes on 28 October 1726, priced at 8 4866: 330:

his traveling box is seized by a giant eagle which drops Gulliver and his box into the sea where he is picked up by sailors who return him to England.

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This open critique towards aspects of the female body is something that Swift often brings up in other works of his, particularly in poems such as

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Ladies, who appear so beautiful to us, only because they are of our own Size, and their Defects not to be seen but through a magnifying glass....

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in 1968. Gary Gulliver and his dog Tag are pursued by a ship's captain; he is aided by Lilliputians Bunko, Eager, Glum, Flirtatia, and King Pomp.

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Though Don Pedro appears only briefly, he has become an important figure in the debate between so-called soft school and hard school readers of

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Setting out again, Gulliver's ship is attacked by pirates, and he is marooned close to a desolate rocky island near India. He is rescued by the

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and many other poetic and prose works. Also included is a selection of contextual material, and criticism from Orwell to Rawson. The text of

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A possible reason for the book's classic status is that it can be seen as many things to many people. Broadly, the book has three themes:

4861: 3210: 3067: 1630:. Edited with an introduction by Claude Rawson and notes by Ian Higgins. This title contains the major works of Swift in full, including 1477: 1096: 189:

Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships

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Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships

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boat and sails out to be rescued by a passing ship, which safely takes him back home with some Lilliputian animals he carries with him.

4871: 603:, which Swift liked so much that he added them to the second edition of the book, though they are rarely included in modern editions. 4806: 3370: 1447: 4846: 3100: 1793: 343: 1935: 1077: 3660: 351: 31: 2926: 545:). In March 1726 Swift travelled to London to have his work published; the manuscript was secretly delivered to the publisher 4896: 4851: 4811: 4786: 3724: 2974: 1768: 1358: 1826: 4796: 945:'s development of misanthropy and come to the consensus that this theme ought to be viewed as comical rather than cynical. 2748: 992:

is the name of the Portuguese captain who rescues Gulliver in Book IV. When Gulliver is forced to leave the Island of the

3672: 2772: 1141:, respectively, are used for adults shorter than 1.30 meters, although in Dutch this term is controversial. Conversely, 4926: 4685: 4011: 3756: 3049: 2634: 2544: 2448: 2064: 1627: 1608: 1593: 1510: 4006: 3751: 3193: 2998: 2982: 2958: 2934: 2278: 2232: 2111: 2012: 1743: 1420: 1365: 1341: 1311: 726: 386: 4921: 4886: 4881: 4876: 4629: 3891: 3744: 3739: 3734: 3041: 2474: 1987: 1611:. Edited with an introduction by Claude Rawson and notes by Ian Higgins. Essentially based on the same text as the 1503: 479:, a race of talking horses. They are the rulers while the deformed creatures that resemble human beings are called 402: 4916: 4906: 3695: 3665: 1215: 438: 4776: 574:

Two Lilliputian Odes, The first on the Famous Engine With Which Captain Gulliver extinguish'd the Palace Fire...

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Some scholars have identified the relationship between the Houyhnhnms and Yahoos as a master/slave dynamic.

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It became known for its insightful take on morality, expanding its reputation beyond just humorous satire.

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listed below with expanded notes and an introduction, although it lacks the selection of criticism.

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Crane, R.S. (1968). "The Houyhnhnms, the Yahoos, and the History of Ideas". In Frank Brady (ed.).

1016:, a British statesman and Whig politician who Swift had a personally turbulent relationship with. 1012:

Whigs and Tories, and the character referred to as Flimnap is often interpreted as an allusion to

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A restatement of the older "ancients versus moderns" controversy previously addressed by Swift in

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that states a Knowledge editor's personal feelings or presents an original argument about a topic.

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that Lindalino is generally taken to be Dublin, being composed of double "L-I-N"s; hence, Dublin.

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Kelly, Ann Cline (October 1976). "Swift's Explorations of Slavery in Houyhnhnmland and Ireland".

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Stone, Edward (1961). "Swift and the Horses: Misanthropy or Comedy?". In Milton P. Foster (ed.).

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Clifford, James (1974) "Gulliver's Fourth Voyage: 'hard' and 'soft' Schools of Interpretation".

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A satirical view of the state of European government, and of petty differences between religions

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The traces of Swift's work can be found in the work of some modern science fiction writers.

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be left to each individual designer's choice, resulting in a "holy war" over a triviality.

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may be read as a systematic rebuttal of Defoe's optimistic account of human capability. In

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Lemuel Gulliver's Travels into Several Remote Regions of the World Compendiously Methodiz'd

525: 514:, whilst Swift stayed there.) Some sources suggest as early as 1713 when Swift, Gay, Pope, 3133: 1452: 1178:

it is defined as "a rude, noisy, or violent person" and its origins attributed to Swift's

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Kelly, Ann Cline (1976). "Swift's Explorations of Slavery in Houyhnhnmland and Ireland".

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Harth, Phillip (May 1976). "The Problem of Political Allegory in "Gulliver's Travels"".

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Twentieth Century Interpretations of Gulliver's Travels: A Collection of Critical Essays

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Armintor, Deborah Needleman (2007). "The Sexual Politics of Microscopy in Brobdingnag".

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The five-paragraph episode in Part III, telling of the rebellion of the surface city of

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takes place on a planet where intelligent "horses" dominate wild Yahoo-like humanoids.

1255:

describes a flying island which dominates the lands underneath, and a large portion of

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An inquiry into whether people are inherently corrupt or whether they become corrupted

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Rogers, Katharine M. (1959). "'My Female Friends': The Misogyny of Jonathan Swift".

969:'s time. Furthermore, Crane argues that Swift had to study this type of logic (see 414: 4755: 4619: 4465: 4321: 4290: 3991: 3789: 3559: 3461: 3400: 3006: 2950: 2752: 2364: 2299: 2158: 1944: 1900: 1857: 1495:

and aired in 4 parts; concertrating on the "Lilliput" section, the serial featured

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In Part III, the grand Academy of Lagado in Balnibarbi resembles and satirizes the

770: 297: 4143: 1240:

Le Nouveau Gulliver ou Voyages de Jean Gulliver, fils du capitaine Lemuel Gulliver

773:, a children's story, proto-science fiction and a forerunner of the modern novel. 568:

anonymously, and as was often the way with fashionable works, several follow-ups (

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The Reasons that Induced Dr. S. to Write a Poem Call'd the Lady's Dressing Room

3307: 3109: 2788: 2409: 1948: 1559: 1409: 1371: 1013: 966: 596: 546: 515: 392:

While waiting for a passage, Gulliver takes a short side-trip to the island of

389:, the main port of Balnibarbi, to await a trader who can take him on to Japan. 201: 107: 65: 2599:"Le nouveau Gulliver: ou, Voyage de Jean Gulliver, fils du capitaine Gulliver" 2439:

Wiener, Gary, ed. (2000). "The Enthusiastic Reception of Gulliver's Travels".

2398:“The Lilliputians in Swift’s Gulliver’s Travels may have been speaking Hebrew” 245: 231: 4770: 4575: 4452: 4425: 4121: 4030: 3963: 3931: 3886: 3881: 3604: 3587: 2814: 1464: 1283: 1260: 1020: 799: 795: 747: 590: 511: 398: 377: 223:

remarked, "It is universally read, from the cabinet council to the nursery."

2626: 2536: 2423:“Gulliver's Travels’ ‘nonsense’ language is based on Hebrew, claims scholar” 2121: 2074: 1133:

series is called the "Lilliput Edison screw". In Dutch and Czech, the words

792:

The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man

4602: 4243: 3986: 3926: 3866: 3638: 3532: 3507: 3502: 3468: 2840: 2627:"BBC Radio 4 - Jonathan Swift - Gulliver's Travels, 3 The Voyage to Laputa" 1546: 1389: 1251: 1246: 1130: 1044: 777: 666: 585: 393: 2597:

l'abbé), Desfontaines (Pierre-François Guyot, M.; Swift, Jonathan (1730).

2162: 334:

Part III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib and Japan

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Ehrenpreis, Irvin (December 1957). "The Origins of Gulliver's Travels".

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The standard edition of Jonathan Swift's prose works as of 2005 is the

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Gulliver discovers Laputa, the floating/flying island (illustration by

173: 2376: 2328:

Treadwell, J. M. (1975). "Jonathan Swift: The Satirist as Projector".

1912: 1869: 645:

against the flying island of Laputa, was an allegory of the affair of

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and the impositions of Laputa represented the British imposition of

629:

with one small exception. This edition had an added piece by Swift,

445:"to excuse my performing the ceremony imposed upon my countrymen of 48: 4649: 4500: 4395: 4343: 4275: 4131: 4079: 3968: 3542: 3473: 2870: 2743: 2704: 2368: 2303: 1904: 1861: 875: 538: 425: 220: 4200: 3348: 2472:"The Reputation of 'Gulliver’s Travels' in the Eighteenth Century" 452: 257:

gives a brief outline of his life and history before his voyages.

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Pathological narcissism stymies Fianna Fáil support for Fine Gael

2528: 1699: 1688: 1362:, a 1965 Japanese animated film featuring Gulliver as a character 1076:

Despite its initial positive reception, the book faced backlash.

1238:, the first French translator of Swift's story, wrote a sequel, 4614: 4530: 4510: 4490: 4188: 4153: 4094: 3522: 3517: 2855: 2850: 1676: 1117: 965:(Humans are rational animals)—was prominent in academia around 652: 446: 381: 366: 193: 93: 852:

Gulliver's viewpoint between parts is mirrored by that of his

4720: 4690: 4659: 4570: 4552: 4485: 4480: 4365: 4163: 4116: 4074: 4062: 4057: 4052: 4047: 3434: 2656:

Swift, Jonathan (2005). Rawson, Claude; Higgins, Ian (eds.).

2501:

Johnathan Swift’s Gulliver's Travels: A Routledge Study Guide

2273:. Ed. Larry Champion. Athens: U of Georgia Press. pp. 33–49. 837:

In storytelling and construction the parts follow a pattern:

461:

Gulliver in discussion with Houyhnhnms (1856 illustration by

442: 406: 322: 4695: 4537: 4370: 4253: 4168: 4111: 3282:

A Complete Collection of Genteel and Ingenious Conversation

1200: 698:

personal reflection, personal essay, or argumentative essay

249:

Mural depicting Gulliver surrounded by citizens of Lilliput

2357:

Publications of the Modern Language Association of America

1051:, points out that the language may have been derived from 615:, printed a set of Swift's works, Volume III of which was 4547: 4542: 4475: 4470: 4106: 2271:

Quick Springs of Sense: Studies in the Eighteenth Century

2227:. T Englewood Cliffs, NJ, Prentice-Hall. pp. 80–88. 1815:

Case, Arthur E. (1945). "The Geography and Chronology of

1492: 219:

The book was an immediate success. The English dramatist

2919:

Gulliver's Travels Among the Lilliputians and the Giants

1302:

Gulliver's Travels Among the Lilliputians and the Giants

1230:. The earliest of these was the anonymously authored 1199:

are used to describe two possible ways of laying out

1055:, which Swift had studied at Trinity College Dublin. 941:. Arthur Case, R.S. Crane, and Edward Stone discuss 1933:

Probyn, Clive (2004) "Swift, Jonathan (1667–1745)",

1395:

Crayola Kids Adventures: Tales of Gulliver's Travels

1226:

Many sequels followed the initial publishing of the

506:. (Much of the writing was done at Loughry Manor in 309:

Gulliver soon sets out again. When the sailing ship

4837:

Fictional depictions of Julius Caesar in literature

2197:Case, Arthur E. (1961). "From 'The Significance of 2005:

Giants and Dwarfs: An Outline of Gulliver's Travels

502:It is uncertain exactly when Swift started writing 284: 1218:, a term Sigmund Freud coined in the early 1900s. 631:A letter from Capt. Gulliver to his Cousin Sympson 3203:Thoughts on Various Subjects, Moral and Diverting 1734:Swift, Jonathan (2003). DeMaria, Robert J (ed.). 1354:, a 1960 American film loosely based on the novel 253:The travel begins with a short preamble in which 4768: 2596: 2007:. New York: Simon and Schuster. pp. 47–51. 651:of which Swift was proud. Lindalino represented 2259:. T Thomas Y. Crowell Company. pp. 180–92. 2196: 2101: 1580:in 16 volumes, edited by Herbert Davis et al. 529:. By August 1725 the book was complete; and as 453:Part IV: A Voyage to the Land of the Houyhnhnms 269:, who are inhabitants of the island country of 240: 1759:Swift, Jonathan (2009). Rawson, Claude (ed.). 3797:The Magazine of Fantasy & Science Fiction 3364: 3094: 2773: 2254: 2205:. Thomas Y. Crowell Company. pp. 139–47. 1562:, adapted in three parts by Matthew Broughton 588:who had similarly written a "key" to Swift's 380:and its experiments. At the Grand Academy of 2611:: CS1 maint: multiple names: authors list ( 2438: 2151:SEL: Studies in English Literature 1500–1900 2002: 1972:Swift, Jonathan (1980). Isaac Asimov (ed.). 1729: 1727: 1481:, a 1980 Hungarian television film starring 1451:, a 1974 Hungarian television film starring 937:is a theme that scholars have identified in 294:Gulliver exhibited to the Brobdingnag Farmer 4817:Cultural depictions of Marcus Junius Brutus 3211:An Argument Against Abolishing Christianity 2257:A Casebook on Gulliver Among the Houyhnhnms 2222: 2203:A Casebook on Gulliver Among the Houyhnhnms 1978:. New York: Clarkson N Potter Inc. p. 1491:, a 1982 television serial produced by the 4867:Irish novels adapted into television shows 3371: 3357: 3101: 3087: 2780: 2766: 2134:: CS1 maint: location missing publisher ( 2087:: CS1 maint: location missing publisher ( 1890: 1752: 903:A criticism of Swift's use of misogyny by 606: 497: 216:"to vex the world rather than divert it". 2327: 2048: 1825:. Princeton: Princeton University Press. 1724: 1515:, a 1996 American TV miniseries starring 727:Learn how and when to remove this message 3068:Cultural influence of Gulliver's Travels 2660:(New ed.). Oxford. p. xlviii. 2514:"yahoo – definition of yahoo in English" 2330:Texas Studies in Literature and Language 2148: 2030:Texas Studies in Literature and Language 1620:The Essential Writings of Jonathan Swift 1603:(Oxford: Oxford University Press, 2005) 1463:, a 1979 television special produced by 1305:, a 1902 French silent film directed by 1282: 1100: 1097:Cultural influence of Gulliver's Travels 738: 456: 337: 288: 244: 230: 204:, satirising both human nature and the " 1936:Oxford Dictionary of National Biography 1397:, a 1997 direct-to-video film starring 1370:, a 1977 British-Belgian film starring 1316:, a 1924 Austrian silent adventure film 470:7 September 1710 – 5 December 1715 14: 4769: 2250: 2248: 2246: 2244: 2218: 2216: 2214: 2212: 2192: 2190: 2188: 2027: 1777: 1650:is taken from Faulkner's 1735 edition. 1166:is often encountered as a synonym for 1090: 1006: 352:Floating cities and islands in fiction 4822:Cultural depictions of René Descartes 3725:Internet Speculative Fiction Database 3352: 3293:(published posthumously – 1766) 3082: 2761: 2655: 2495: 2493: 2491: 2466: 2464: 2462: 2460: 2354: 2323: 2321: 2289: 2054: 1971: 1962:28 Oct 1726, "This day is published". 1847: 1758: 1733: 984: 908:inferior Yahoo among the Houyhnhnms. 2443:. Greenhaven Press. pp. 57–65. 1814: 1545:, a satirical radio series starring 1069:to appreciate the deeper aspects of 929: 898:A Beautiful Young Nymph Going To Bed 744:The King of Brobdingnag and Gulliver 680: 4802:Books illustrated by Arthur Rackham 3378: 2927:Gulliver en el país de los Gigantes 2649: 2637:from the original on 2 October 2022 2537:"On Holy Wars And A Plea For Peace" 2241: 2209: 2185: 1783: 874:Although Swift is often accused of 32:Gulliver's Travels (disambiguation) 24: 4862:Novels adapted into radio programs 4686:LGBT themes in speculative fiction 4012:Works inspired by J. R. R. Tolkien 3108: 2975:Gulliver's Travels Beyond the Moon 2584:"Memoirs of the Court of Lilliput" 2488: 2457: 2318: 1796:from the original on 23 March 2019 1507:, a 1992 French animated TV series 1379:, a 1983 Spanish animated film by 1359:Gulliver's Travels Beyond the Moon 357:5 August 1706 – 16 April 1710 25: 4938: 4872:Novels set in fictional countries 2678: 2547:from the original on 25 June 2022 2534: 1822:Four Essays on Gulliver's Travels 1531:, a 1999 radio adaptation in the 1478:Gulliver in the Country of Giants 1448:Gulliver in the Country of Dwarfs 1436:, a 2021 Ukrainian animated film. 1221: 4807:Cultural depictions of Aristotle 4751: 4750: 4740: 3132: 2732: 2565:O’Toole, Fintan (16 March 2016) 2201:.'". In Milton P. Foster (ed.). 1975:The Annotated Gulliver's Travels 1829:from the original on 2 June 2023 1425:, a 2010 American film starring 1232:Memoirs of the Court of Lilliput 1083:British novelist and journalist 685: 570:Memoirs of the Court of Lilliput 285:Part II: A Voyage to Brobdingnag 47: 4847:Irish novels adapted into films 4741: 3696:Ballantine Adult Fantasy series 2619: 2590: 2576: 2559: 2506: 2432: 2416: 2391: 2348: 2283: 2263: 2142: 2095: 2021: 1996: 1588:(Harmondsworth: Penguin, 2008) 1566: 1346:, a 1939 American animated film 1216:narcissism of small differences 1030:Ann Kelly describes Part IV of 676: 305:20 June 1702 – 3 June 1706 261:4 May 1699 – 13 April 1702 2729:(1900 ed.; with illustrations) 2441:Readings on Gulliver's Travels 1965: 1953: 1927: 1884: 1841: 1808: 1784:Gay, John (17 November 1726). 1657:(New York: W.W. Norton, 2001) 1622:(New York: W.W. Norton, 2009) 1408:, a 2003 Indian film starring 1278: 212:. Swift claimed that he wrote 13: 1: 1763:. W. W. Norton. p. 875. 1717: 1440: 1417:, a 2005 Indian animated film 4897:British philosophical novels 4852:Irish science fiction novels 4812:Cultural depictions of Homer 4787:1720s science fiction novels 3150:Meditation Upon a Broomstick 2106:. Fox, Christopher. Boston. 2059:. Fox, Christopher. Boston. 1058: 776:Published seven years after 636: 611:In 1735 an Irish publisher, 601:Verses on Gulliver's Travels 241:Part I: A Voyage to Lilliput 27:1726 novel by Jonathan Swift 7: 4797:18th-century British novels 3714:The Encyclopedia of Fantasy 2742:public domain audiobook at 2407:by Hayah Goldlist-Eichler, 1669: 1571: 1467:. The same studio produced 1266: 1085:William Makepeace Thackeray 1038: 869: 447:trampling upon the crucifix 10: 4943: 3329:The House That Swift Built 3042:Saban's Gulliver's Travels 3034:The Adventures of Gulliver 1786:"Letter to Jonathan Swift" 1504:Saban's Gulliver's Travels 1470:The Adventures of Gulliver 1388:, a 1996 animated film by 1094: 952:, but, after he deems the 760:Metropolitan Museum of Art 349: 267:little people in mythology 29: 4927:Fiction about immortality 4736: 4642: 4561: 4451: 4289: 4209: 4038: 4029: 3959: 3950: 3859: 3827: 3765: 3752:List of story collections 3681: 3637: 3630: 3593:Occult detective fiction‎ 3414: 3386: 3300: 3245: 3219:The Conduct of the Allies 3192: 3141: 3130: 3124:Sermons of Jonathan Swift 3116: 3060: 3017: 2910: 2879: 2823: 2802: 1176:Oxford English Dictionary 1148:Oxford English Dictionary 963:Homo est animal rationale 533:was a transparently anti- 161: 149: 141: 133: 113: 103: 89: 81: 71: 61: 46: 4017:World Fantasy Convention 3275:The Lady's Dressing Room 2967:The 3 Worlds of Gulliver 2102:Swift, Jonathan (1995). 2055:Swift, Jonathan (1994). 1542:Brian Gulliver's Travels 1522: 1351:The 3 Worlds of Gulliver 894:The Lady's Dressing Room 769:has been described as a 4922:Works by Jonathan Swift 4887:Novels set in the 1710s 4882:Novels set in the 1700s 4877:Novels set in the 1690s 4085:Fire-breathing monsters 3166:The Battle of the Books 2477:10 January 2023 at the 2403:31 October 2022 at the 1941:Oxford University Press 1738:. Penguin. p. xi. 1683:List of literary cycles 1294: 1162:In like vein, the term 831:The Battle of the Books 607:Faulkner's 1735 edition 498:Composition and history 226: 4917:Social science fiction 4907:Political satire books 3836:Dungeons & Dragons 3235:Directions to Servants 2749:Gulliver's Travels 2691:Gulliver's Travels 2499:Lund, Roger D. (2006) 2298:(4, Part 2): S40–S47. 1949:10.1093/ref:odnb/26833 1790:Communion Arts Journal 1644:Directions to Servants 1291: 1272:Georg Philipp Telemann 1121: 976:Stone points out that 923: 890: 816: 763: 707:by rewriting it in an 671:The Annotated Gulliver 518:and others formed the 466: 347: 301: 250: 237: 4892:Novels set on islands 3902:International Fantasy 3263:newspaper (1710–1714) 2991:Jajantaram Mamantaram 2861:Lilliput and Blefuscu 2483:University of Windsor 2470:Gerace, Mary. (1967) 2163:10.1353/sel.2007.0022 2003:Bloom, Allan (1990). 1405:Jajantaram Mamantaram 1324:, a 1934 film in the 1286: 1187:computer architecture 1185:In the discipline of 1104: 1049:University of Houston 918: 881: 811: 742: 460: 341: 292: 248: 234: 200:writer and clergyman 4902:Novels about pirates 4857:Metafictional novels 4842:Irish fantasy novels 4832:Fiction about giants 4782:1720s fantasy novels 4706:Supernatural fiction 3783:Fantastic Adventures 2601:. La veuve Clouzier. 1558:production starring 1489:Gulliver in Lilliput 1338:, a 1935 Soviet film 1287:Comic book cover by 1106:Gulliver and a giant 1078:Viscount Bolingbroke 905:Felicity A. Nussbaum 750:(1803), (satirising 599:wrote a set of five 428:, he encounters the 121: (297 years ago) 119:28 October 1726 30:For other uses, see 4827:Fiction about Earth 4007:Tolkien's influence 3720:Fantasy Masterworks 3673:Television programs 3481:Fairy tale parodies 3290:A Journal to Stella 3268:Cadenus and Vanessa 2586:. J. Roberts. 1727. 2518:Oxford Dictionaries 1236:Pierre Desfontaines 1110:Tadeusz Pruszkowski 1091:Cultural influences 1071:Gulliver’s Travels. 1007:Political allusions 912:to be in jeopardy. 578:Gulliver Decipher'd 72:Original title 43: 4777:Gulliver's Travels 4229:Damsel in distress 3997:Mythopoeic Society 3598:Paranormal romance 3513:Historical fantasy 3498:Fantasy of manners 3452:Children's fantasy 3174:Gulliver's Travels 3050:Gulliver's Travels 2999:Gulliver's Travels 2983:Gulliver's Travels 2959:Gulliver's Travels 2935:Gulliver's Travels 2794:Gulliver's Travels 2739:Gulliver's Travels 2721:Gulliver's Travels 2705:Gulliver's Travels 2658:Gulliver's Travels 2199:Gulliver's Travels 1817:Gulliver's Travels 1761:Gulliver's Travels 1736:Gulliver's Travels 1705:The Voyage of Bran 1655:Gulliver's Travels 1632:Gulliver's Travels 1613:Essential Writings 1601:Gulliver's Travels 1586:Gulliver's Travels 1552:Gulliver's Travels 1529:Gulliver's Travels 1512:Gulliver's Travels 1460:Gulliver's Travels 1422:Gulliver's Travels 1386:Gulliver's Travels 1377:Gulliver's Travels 1367:Gulliver's Travels 1343:Gulliver's Travels 1313:Gulliver's Travels 1292: 1180:Gulliver's Travels 1122: 1014:Sir Robert Walpole 1001:Gulliver's Travels 985:Character analysis 978:Gulliver's Travels 939:Gulliver's Travels 788:Gulliver's Travels 767:Gulliver's Travels 764: 752:Napoleon Bonaparte 709:encyclopedic style 696:is written like a 627:Gulliver's Travels 617:Gulliver's Travels 566:Gulliver's Travels 531:Gulliver's Travels 504:Gulliver's Travels 467: 348: 302: 251: 238: 214:Gulliver's Travels 210:English literature 183:Gulliver's Travels 168:Gulliver's Travels 55:Gulliver's Travels 41:Gulliver's Travels 39: 4764: 4763: 4638: 4637: 4563:Places and events 4025: 4024: 3855: 3854: 3576:Planetary romance 3487:Fairytale fantasy 3442:Alternate history 3430:Sword and sorcery 3421:Action-adventure 3346: 3345: 3313:Esther Vanhomrigh 3253:Isaac Bickerstaff 3227:Drapier's Letters 3182:A Modest Proposal 3177:(1726–1727, 1735) 3076: 3075: 2726:Project Gutenberg 2710:Project Gutenberg 2429:, 17 August 2015. 2425:by Alison Flood, 2413:, 12 August 2015. 1770:978-0-393-93065-8 1711:Castle in the Sky 1695:Sinbad the Sailor 1636:A Modest Proposal 1415:Gulliver's Travel 1151:as a synonym for 930:Comic misanthropy 737: 736: 729: 648:Drapier's Letters 543:Drapier's Letters 526:Drapier's Letters 424:On the island of 206:travellers' tales 179: 178: 134:Publication place 53:First edition of 16:(Redirected from 4934: 4912:Satirical novels 4754: 4753: 4744: 4743: 4620:Enchanted forest 4264:Occult detective 4036: 4035: 3992:Lovecraft fandom 3957: 3956: 3661:highest-grossing 3635: 3634: 3622:West‎ern fantasy 3373: 3366: 3359: 3350: 3349: 3238:(published 1745) 3136: 3103: 3096: 3089: 3080: 3079: 3007:Gulliver Returns 2951:The New Gulliver 2880:Other characters 2782: 2775: 2768: 2759: 2758: 2753:Internet Archive 2736: 2735: 2728: 2712: 2684:Digital editions 2672: 2671: 2653: 2647: 2646: 2644: 2642: 2623: 2617: 2616: 2610: 2602: 2594: 2588: 2587: 2580: 2574: 2563: 2557: 2556: 2554: 2552: 2532: 2526: 2525: 2524:on 14 June 2013. 2520:. Archived from 2510: 2504: 2497: 2486: 2468: 2455: 2454: 2436: 2430: 2420: 2414: 2395: 2389: 2388: 2352: 2346: 2345: 2325: 2316: 2315: 2292:Modern Philology 2287: 2281: 2267: 2261: 2260: 2252: 2239: 2238: 2220: 2207: 2206: 2194: 2183: 2182: 2146: 2140: 2139: 2133: 2125: 2099: 2093: 2092: 2086: 2078: 2052: 2046: 2045: 2025: 2019: 2018: 2000: 1994: 1993: 1969: 1963: 1957: 1951: 1931: 1925: 1924: 1888: 1882: 1881: 1845: 1839: 1838: 1836: 1834: 1812: 1806: 1805: 1803: 1801: 1781: 1775: 1774: 1756: 1750: 1749: 1731: 1653:Swift, Jonathan 1618:Swift, Jonathan 1599:Swift, Jonathan 1584:Swift, Jonathan 1433:Gulliver Returns 1335:The New Gulliver 1289:Lillian Chestney 1108:, a painting by 1025:South Sea Bubble 771:Menippean satire 732: 725: 721: 718: 712: 689: 688: 681: 584:, the second by 564:Motte published 441:, Gulliver asks 344:J. J. 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Grandville 455: 437:After reaching 419:Pierre Gassendi 372:Gulliver tours 354: 336: 287: 255:Lemuel Gulliver 243: 229: 154: 142:Media type 125: 123: 120: 116: 98:science fiction 57: 35: 28: 23: 22: 15: 12: 11: 5: 4940: 4930: 4929: 4924: 4919: 4914: 4909: 4904: 4899: 4894: 4889: 4884: 4879: 4874: 4869: 4864: 4859: 4854: 4849: 4844: 4839: 4834: 4829: 4824: 4819: 4814: 4809: 4804: 4799: 4794: 4789: 4784: 4779: 4762: 4761: 4759: 4758: 4748: 4737: 4734: 4733: 4731: 4730: 4725: 4724: 4723: 4713: 4708: 4703: 4698: 4693: 4688: 4683: 4681:Horror fiction 4678: 4676:Gothic fiction 4673: 4667: 4662: 4657: 4652: 4646: 4644: 4640: 4639: 4636: 4635: 4633: 4632: 4627: 4625:Thieves' guild 4622: 4617: 4612: 4611: 4610: 4600: 4595: 4590: 4585: 4584: 4583: 4573: 4567: 4565: 4559: 4558: 4556: 4555: 4550: 4545: 4540: 4535: 4534: 4533: 4528: 4518: 4513: 4508: 4503: 4498: 4493: 4488: 4483: 4478: 4473: 4468: 4463: 4457: 4455: 4449: 4448: 4446: 4445: 4444: 4443: 4438: 4433: 4428: 4423: 4418: 4413: 4408: 4403: 4398: 4393: 4388: 4383: 4375: 4374: 4373: 4368: 4363: 4362: 4361: 4351: 4346: 4336: 4335: 4334: 4329: 4324: 4319: 4306: 4295: 4293: 4287: 4286: 4284: 4283: 4278: 4273: 4272: 4271: 4261: 4256: 4251: 4246: 4241: 4236: 4231: 4226: 4221: 4215: 4213: 4207: 4206: 4204: 4203: 4198: 4193: 4192: 4191: 4186: 4181: 4176: 4171: 4166: 4161: 4151: 4146: 4141: 4136: 4135: 4134: 4129: 4119: 4114: 4109: 4104: 4099: 4098: 4097: 4092: 4082: 4077: 4072: 4067: 4066: 4065: 4060: 4050: 4044: 4042: 4033: 4027: 4026: 4023: 4022: 4020: 4019: 4014: 4009: 4004: 4002:Tolkien fandom 3999: 3994: 3989: 3984: 3976: 3971: 3966: 3960: 3954: 3948: 3947: 3945: 3944: 3939: 3934: 3929: 3924: 3919: 3914: 3909: 3904: 3899: 3894: 3889: 3884: 3879: 3874: 3869: 3863: 3861: 3857: 3856: 3853: 3852: 3850: 3849: 3844: 3839: 3831: 3829: 3825: 3824: 3822: 3821: 3814: 3807: 3800: 3793: 3786: 3779: 3771: 3769: 3763: 3762: 3760: 3759: 3754: 3749: 3748: 3747: 3742: 3737: 3730:List of novels 3727: 3722: 3717: 3710: 3709: 3708: 3698: 3693: 3687: 3685: 3679: 3678: 3676: 3675: 3670: 3669: 3668: 3663: 3653: 3647: 3645: 3632: 3628: 3627: 3625: 3624: 3619: 3618: 3617: 3612: 3602: 3601: 3600: 3595: 3585: 3580: 3579: 3578: 3573: 3562: 3557: 3552: 3547: 3546: 3545: 3535: 3530: 3525: 3520: 3515: 3510: 3505: 3500: 3495: 3490: 3484: 3478: 3477: 3476: 3466: 3465: 3464: 3454: 3449: 3444: 3439: 3438: 3437: 3432: 3427: 3418: 3416: 3412: 3411: 3409: 3408: 3403: 3398: 3393: 3387: 3384: 3383: 3376: 3375: 3368: 3361: 3353: 3344: 3343: 3341: 3340: 3333: 3325: 3320: 3315: 3310: 3308:Esther Johnson 3304: 3302: 3298: 3297: 3295: 3294: 3286: 3278: 3271: 3264: 3256: 3249: 3247: 3243: 3242: 3240: 3239: 3231: 3223: 3215: 3207: 3198: 3196: 3190: 3189: 3187: 3186: 3178: 3170: 3162: 3154: 3145: 3143: 3139: 3138: 3131: 3129: 3127: 3126: 3120: 3118: 3114: 3113: 3110:Jonathan Swift 3106: 3105: 3098: 3091: 3083: 3074: 3073: 3071: 3070: 3064: 3062: 3058: 3057: 3055: 3054: 3046: 3038: 3030: 3021: 3019: 3015: 3014: 3012: 3011: 3003: 2995: 2987: 2979: 2971: 2963: 2955: 2947: 2939: 2931: 2923: 2914: 2912: 2908: 2907: 2905: 2904: 2899: 2894: 2889: 2883: 2881: 2877: 2876: 2874: 2873: 2868: 2863: 2858: 2853: 2848: 2843: 2838: 2833: 2827: 2825: 2821: 2820: 2818: 2817: 2812: 2806: 2804: 2800: 2799: 2789:Jonathan Swift 2785: 2784: 2777: 2770: 2762: 2756: 2755: 2746: 2730: 2716: 2714: 2700: 2698: 2686: 2685: 2680: 2679:External links 2677: 2674: 2673: 2666: 2648: 2618: 2589: 2575: 2558: 2535:Cohen, Danny. 2527: 2505: 2487: 2456: 2450:978-0737703429 2449: 2431: 2415: 2410:Jerusalem Post 2390: 2369:10.2307/461560 2363:(5): 846–855. 2347: 2336:(2): 439–460. 2317: 2304:10.1086/390691 2282: 2262: 2240: 2233: 2208: 2184: 2141: 2112: 2094: 2066:978-0312066659 2065: 2047: 2020: 2013: 1995: 1988: 1964: 1952: 1926: 1905:10.2307/460368 1899:(5): 880–899. 1883: 1862:10.2307/461560 1856:(5): 846–855. 1840: 1807: 1776: 1769: 1751: 1744: 1722: 1721: 1719: 1716: 1715: 1714: 1707: 1702: 1697: 1692: 1685: 1680: 1671: 1668: 1667: 1666: 1651: 1628:978-0393930658 1616: 1609:978-0192805348 1597: 1594:978-0141439495 1578:Prose Writings 1573: 1570: 1568: 1565: 1564: 1563: 1560:Arthur Darvill 1549: 1538: 1524: 1521: 1520: 1519: 1508: 1500: 1486: 1474: 1456: 1442: 1439: 1438: 1437: 1429: 1418: 1412: 1410:Jaaved Jaaferi 1401: 1392: 1383: 1374: 1372:Richard Harris 1363: 1355: 1347: 1339: 1331: 1330:cartoon series 1317: 1309: 1307:Georges Méliès 1296: 1293: 1280: 1277: 1268: 1265: 1223: 1222:In other works 1220: 1143:Brobdingnagian 1095:Main article: 1092: 1089: 1060: 1057: 1040: 1037: 1008: 1005: 986: 983: 931: 928: 871: 868: 867: 866: 862: 858: 850: 846: 842: 835: 834: 826: 823: 780:'s successful 735: 734: 693: 691: 684: 678: 675: 638: 635: 608: 605: 597:Alexander Pope 576:) and "keys" ( 547:Benjamin Motte 499: 496: 472: 471: 454: 451: 415:René Descartes 359: 358: 335: 332: 307: 306: 286: 283: 263: 262: 242: 239: 228: 225: 202:Jonathan Swift 177: 176: 163: 159: 158: 155: 150: 147: 146: 143: 139: 138: 135: 131: 130: 117: 114: 111: 110: 108:Benjamin Motte 105: 101: 100: 91: 87: 86: 83: 79: 78: 73: 69: 68: 66:Jonathan Swift 63: 59: 58: 52: 26: 9: 6: 4: 3: 2: 4939: 4928: 4925: 4923: 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4885: 4883: 4880: 4878: 4875: 4873: 4870: 4868: 4865: 4863: 4860: 4858: 4855: 4853: 4850: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4823: 4820: 4818: 4815: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4774: 4772: 4757: 4749: 4747: 4739: 4738: 4735: 4729: 4726: 4722: 4719: 4718: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4671: 4670:Ghost stories 4668: 4666: 4663: 4661: 4658: 4656: 4653: 4651: 4648: 4647: 4645: 4641: 4631: 4628: 4626: 4623: 4621: 4618: 4616: 4613: 4609: 4606: 4605: 4604: 4601: 4599: 4596: 4594: 4591: 4589: 4586: 4582: 4579: 4578: 4577: 4574: 4572: 4569: 4568: 4566: 4564: 4560: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 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4130: 4128: 4125: 4124: 4123: 4122:Shapeshifters 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4103: 4100: 4096: 4093: 4091: 4088: 4087: 4086: 4083: 4081: 4078: 4076: 4073: 4071: 4068: 4064: 4061: 4059: 4056: 4055: 4054: 4051: 4049: 4046: 4045: 4043: 4041: 4037: 4034: 4032: 4028: 4018: 4015: 4013: 4010: 4008: 4005: 4003: 4000: 3998: 3995: 3993: 3990: 3988: 3985: 3983: 3981: 3977: 3975: 3972: 3970: 3967: 3965: 3962: 3961: 3958: 3955: 3953: 3949: 3943: 3942:World Fantasy 3940: 3938: 3937:Tähtifantasia 3935: 3933: 3930: 3928: 3925: 3923: 3920: 3918: 3915: 3913: 3910: 3908: 3907:Japan Fantasy 3905: 3903: 3900: 3898: 3895: 3893: 3890: 3888: 3885: 3883: 3880: 3878: 3875: 3873: 3870: 3868: 3865: 3864: 3862: 3858: 3848: 3845: 3843: 3840: 3838: 3837: 3833: 3832: 3830: 3826: 3820: 3819: 3815: 3813: 3812: 3808: 3806: 3805: 3801: 3799: 3798: 3794: 3792: 3791: 3787: 3785: 3784: 3780: 3778: 3777: 3773: 3772: 3770: 3768: 3764: 3758: 3755: 3753: 3750: 3746: 3743: 3741: 3738: 3736: 3733: 3732: 3731: 3728: 3726: 3723: 3721: 3718: 3716: 3715: 3711: 3707: 3704: 3703: 3702: 3699: 3697: 3694: 3692: 3689: 3688: 3686: 3684: 3680: 3674: 3671: 3667: 3664: 3662: 3659: 3658: 3657: 3654: 3652: 3649: 3648: 3646: 3644: 3640: 3636: 3633: 3629: 3623: 3620: 3616: 3613: 3611: 3608: 3607: 3606: 3605:Weird fiction 3603: 3599: 3596: 3594: 3591: 3590: 3589: 3588:Urban fantasy 3586: 3584: 3581: 3577: 3574: 3572: 3569: 3568: 3566: 3563: 3561: 3558: 3556: 3553: 3551: 3548: 3544: 3541: 3540: 3539: 3536: 3534: 3531: 3529: 3526: 3524: 3521: 3519: 3516: 3514: 3511: 3509: 3506: 3504: 3501: 3499: 3496: 3494: 3491: 3488: 3485: 3482: 3479: 3475: 3472: 3471: 3470: 3467: 3463: 3460: 3459: 3458: 3455: 3453: 3450: 3448: 3445: 3443: 3440: 3436: 3433: 3431: 3428: 3426: 3423: 3422: 3420: 3419: 3417: 3413: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3388: 3385: 3381: 3374: 3369: 3367: 3362: 3360: 3355: 3354: 3351: 3339:" (1734 poem) 3338: 3334: 3331: 3330: 3326: 3324: 3321: 3319: 3316: 3314: 3311: 3309: 3306: 3305: 3303: 3299: 3292: 3291: 3287: 3284: 3283: 3279: 3277:" (1732 poem) 3276: 3272: 3270:" (1713 poem) 3269: 3265: 3262: 3261: 3257: 3254: 3251: 3250: 3248: 3244: 3237: 3236: 3232: 3229: 3228: 3224: 3221: 3220: 3216: 3213: 3212: 3208: 3205: 3204: 3200: 3199: 3197: 3195: 3191: 3184: 3183: 3179: 3176: 3175: 3171: 3168: 3167: 3163: 3160: 3159: 3155: 3152: 3151: 3147: 3146: 3144: 3140: 3135: 3125: 3122: 3121: 3119: 3115: 3111: 3104: 3099: 3097: 3092: 3090: 3085: 3084: 3081: 3069: 3066: 3065: 3063: 3059: 3052: 3051: 3047: 3044: 3043: 3039: 3036: 3035: 3031: 3028: 3027: 3023: 3022: 3020: 3016: 3009: 3008: 3004: 3001: 3000: 2996: 2993: 2992: 2988: 2985: 2984: 2980: 2977: 2976: 2972: 2969: 2968: 2964: 2961: 2960: 2956: 2953: 2952: 2948: 2945: 2944: 2940: 2937: 2936: 2932: 2929: 2928: 2924: 2921: 2920: 2916: 2915: 2913: 2909: 2903: 2900: 2898: 2895: 2893: 2890: 2888: 2885: 2884: 2882: 2878: 2872: 2869: 2867: 2864: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2832: 2829: 2828: 2826: 2822: 2816: 2815:Glumdalclitch 2813: 2811: 2808: 2807: 2805: 2801: 2796: 2795: 2790: 2783: 2778: 2776: 2771: 2769: 2764: 2763: 2760: 2754: 2751: at the 2750: 2747: 2745: 2741: 2740: 2731: 2727: 2723: 2722: 2717: 2715: 2711: 2707: 2706: 2701: 2699: 2697: 2693: 2692: 2688: 2687: 2683: 2682: 2669: 2663: 2659: 2652: 2636: 2632: 2628: 2622: 2614: 2608: 2600: 2593: 2585: 2579: 2572: 2568: 2562: 2546: 2542: 2538: 2531: 2523: 2519: 2515: 2509: 2502: 2496: 2494: 2492: 2484: 2480: 2476: 2473: 2467: 2465: 2463: 2461: 2452: 2446: 2442: 2435: 2428: 2424: 2419: 2412: 2411: 2406: 2402: 2399: 2394: 2386: 2382: 2378: 2374: 2370: 2366: 2362: 2358: 2351: 2343: 2339: 2335: 2331: 2324: 2322: 2313: 2309: 2305: 2301: 2297: 2293: 2286: 2280: 2279:9780820303130 2276: 2272: 2266: 2258: 2251: 2249: 2247: 2245: 2236: 2234:9780133715675 2230: 2226: 2219: 2217: 2215: 2213: 2204: 2200: 2193: 2191: 2189: 2180: 2176: 2172: 2168: 2164: 2160: 2157:(3): 619–40. 2156: 2152: 2145: 2137: 2131: 2123: 2119: 2115: 2113:0-312-10284-4 2109: 2105: 2098: 2090: 2084: 2076: 2072: 2068: 2062: 2058: 2051: 2043: 2039: 2036:(3): 366–79. 2035: 2031: 2024: 2016: 2014:9780671707774 2010: 2006: 1999: 1991: 1985: 1981: 1977: 1976: 1968: 1961: 1960:Daily Journal 1956: 1950: 1946: 1942: 1938: 1937: 1930: 1922: 1918: 1914: 1910: 1906: 1902: 1898: 1894: 1887: 1879: 1875: 1871: 1867: 1863: 1859: 1855: 1851: 1844: 1828: 1824: 1823: 1818: 1811: 1795: 1791: 1787: 1780: 1772: 1766: 1762: 1755: 1747: 1745:9780141439495 1741: 1737: 1730: 1728: 1723: 1713: 1712: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1690: 1686: 1684: 1681: 1679: 1678: 1674: 1673: 1664: 1660: 1656: 1652: 1649: 1645: 1641: 1637: 1633: 1629: 1625: 1621: 1617: 1614: 1610: 1606: 1602: 1598: 1595: 1591: 1587: 1583: 1582: 1581: 1579: 1561: 1557: 1553: 1550: 1548: 1544: 1543: 1539: 1536: 1535: 1530: 1527: 1526: 1518: 1514: 1513: 1509: 1506: 1505: 1501: 1498: 1494: 1490: 1487: 1484: 1480: 1479: 1475: 1472: 1471: 1466: 1465:Hanna-Barbera 1462: 1461: 1457: 1454: 1450: 1449: 1445: 1444: 1435: 1434: 1430: 1428: 1424: 1423: 1419: 1416: 1413: 1411: 1407: 1406: 1402: 1400: 1396: 1393: 1391: 1387: 1384: 1382: 1378: 1375: 1373: 1369: 1368: 1364: 1361: 1360: 1356: 1353: 1352: 1348: 1345: 1344: 1340: 1337: 1336: 1332: 1329: 1328: 1323: 1322: 1318: 1315: 1314: 1310: 1308: 1304: 1303: 1299: 1298: 1290: 1285: 1276: 1273: 1264: 1262: 1261:Starman Jones 1258: 1254: 1253: 1248: 1243: 1241: 1237: 1233: 1229: 1219: 1217: 1212: 1210: 1206: 1202: 1198: 1197: 1196:little-endian 1193: 1188: 1183: 1181: 1177: 1173: 1169: 1165: 1160: 1158: 1154: 1150: 1149: 1144: 1140: 1136: 1132: 1127: 1119: 1115: 1111: 1107: 1103: 1098: 1088: 1086: 1081: 1079: 1074: 1072: 1067: 1066:James Beattie 1056: 1054: 1050: 1046: 1036: 1033: 1028: 1026: 1022: 1021:Royal Society 1017: 1015: 1004: 1002: 997: 995: 991: 982: 979: 974: 972: 968: 964: 958: 955: 951: 946: 944: 940: 936: 927: 922: 917: 913: 909: 906: 901: 899: 895: 889: 887: 880: 877: 863: 859: 855: 851: 847: 843: 840: 839: 838: 833: 832: 827: 824: 821: 820: 819: 815: 810: 807: 803: 801: 800:Thomas Hobbes 797: 796:Warren Montag 793: 789: 785: 784: 779: 774: 772: 768: 761: 757: 753: 749: 748:James Gillray 745: 741: 731: 728: 720: 717:December 2022 710: 706: 700: 699: 694:This section 692: 683: 682: 674: 672: 668: 664: 662: 658: 654: 650: 649: 644: 634: 632: 628: 624: 623: 618: 614: 604: 602: 598: 593: 592: 591:Tale of a Tub 587: 583: 579: 575: 572:), parodies ( 571: 567: 562: 560: 556: 552: 548: 544: 540: 536: 532: 528: 527: 521: 517: 513: 512:County Tyrone 509: 505: 495: 491: 487: 484: 482: 478: 469: 468: 464: 459: 450: 448: 444: 440: 435: 433: 432: 427: 422: 420: 416: 412: 408: 404: 400: 399:Julius Caesar 395: 390: 388: 383: 379: 378:Royal Society 375: 370: 368: 364: 363:flying island 356: 355: 353: 345: 340: 331: 327: 324: 320: 317:The grass of 315: 312: 304: 303: 299: 296:(painting by 295: 291: 282: 278: 274: 272: 268: 260: 259: 258: 256: 247: 233: 224: 222: 217: 215: 211: 207: 203: 199: 195: 191: 190: 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Retrieved 2630: 2621: 2592: 2578: 2570: 2561: 2549:. Retrieved 2540: 2530: 2522:the original 2517: 2508: 2503:. Routledge. 2500: 2482: 2440: 2434: 2427:The Guardian 2426: 2418: 2408: 2393: 2360: 2356: 2350: 2333: 2329: 2295: 2291: 2285: 2270: 2265: 2256: 2224: 2202: 2198: 2154: 2150: 2144: 2103: 2097: 2056: 2050: 2033: 2029: 2023: 2004: 1998: 1989:0-517-539497 1974: 1967: 1959: 1955: 1934: 1929: 1896: 1892: 1886: 1853: 1849: 1843: 1833:27 September 1831:. Retrieved 1821: 1816: 1810: 1798:. Retrieved 1789: 1779: 1760: 1754: 1735: 1709: 1687: 1675: 1654: 1647: 1643: 1639: 1635: 1631: 1619: 1612: 1600: 1585: 1577: 1575: 1567:Bibliography 1551: 1547:Neil Pearson 1540: 1532: 1528: 1511: 1502: 1499:as Gulliver. 1488: 1485:as Gulliver. 1483:András Kozák 1476: 1468: 1458: 1455:as Gulliver. 1453:László Sinkó 1446: 1431: 1421: 1414: 1403: 1394: 1390:Golden Films 1385: 1381:Cruz Delgado 1376: 1366: 1357: 1349: 1342: 1333: 1327:Mickey Mouse 1325: 1319: 1312: 1300: 1270: 1252:Shah Guido G 1250: 1247:Isaac Asimov 1244: 1239: 1231: 1227: 1225: 1213: 1208: 1195: 1191: 1189:, the terms 1184: 1179: 1175: 1171: 1167: 1163: 1161: 1156: 1152: 1146: 1142: 1138: 1134: 1131:Edison screw 1125: 1123: 1105: 1082: 1075: 1070: 1062: 1045:Isaac Asimov 1042: 1031: 1029: 1018: 1010: 1000: 998: 989: 988: 977: 975: 962: 959: 947: 938: 933: 924: 919: 914: 910: 902: 897: 893: 891: 885: 882: 873: 836: 829: 817: 812: 804: 791: 787: 781: 778:Daniel Defoe 775: 766: 765: 743: 723: 714: 695: 677:Major themes 670: 667:Isaac Asimov 665: 660: 657:William Wood 646: 640: 630: 626: 620: 616: 610: 600: 589: 586:Edmund Curll 581: 577: 573: 569: 565: 563: 558: 554: 542: 530: 524: 503: 501: 492: 488: 485: 473: 436: 429: 423: 394:Glubbdubdrib 391: 371: 360: 328: 316: 310: 308: 293: 279: 275: 264: 252: 218: 213: 188: 187: 182: 181: 180: 167: 165: 75: 54: 40: 36: 4792:1726 novels 4655:Epic poetry 4516:Leprechauns 4431:Thaumaturgy 4406:Incantation 4359:Magic sword 3917:Méliès d'Or 3818:Weird Tales 3571:Dying Earth 3550:Mythopoeia‎ 3528:Low fantasy 3493:Fantastique 3332:(1982 film) 3045:(1992–1993) 3037:(1968–1969) 2897:Struldbrugg 2836:Brobdingnag 1556:BBC Radio 4 1534:Radio Tales 1497:Andrew Burt 1279:Adaptations 1203:of data in 1135:Lilliputter 1126:Lilliputian 1032:The Travels 935:Misanthropy 854:antagonists 806:Allan Bloom 443:the Emperor 431:struldbrugs 319:Brobdingnag 198:Anglo-Irish 4771:Categories 4716:Tokusatsu‎ 4665:Fairy tale 4608:Dreamworld 4506:Hobgoblins 4441:Witchcraft 4411:Necromancy 4391:Divination 4386:Demonology 4349:Magic ring 4339:Magic item 4322:Ceremonial 4211:Characters 4132:Werewolves 4070:Elementals 3974:Filk music 3922:Mythopoeic 3757:Publishers 3683:Literature 3643:television 3615:Weird West 3555:Omegaverse 3425:Lost world 3396:Literature 3246:Miscellany 3018:Television 2887:The Engine 2831:Balnibarbi 2803:Characters 2713:(1727 ed.) 2667:0192805347 2541:RFC Editor 1943:: Oxford. 1718:References 1663:0393957241 1517:Ted Danson 1441:Television 1427:Jack Black 1399:Adam Wylie 1192:big-endian 1153:very large 994:Houyhnhnms 954:Houyhnhnms 762:, New York 756:George III 477:Houyhnhnms 374:Balnibarbi 350:See also: 174:Wikisource 126:1726-10-28 4711:Superhero 4696:Mythology 4593:Lost city 4501:Halflings 4421:Shamanism 4416:Runecraft 4401:Evocation 4259:Magicians 4234:Dark lord 4219:Barbarian 4179:Skeletons 4102:Gargoyles 4080:Familiars 4040:Creatures 3776:Fantastic 3767:Magazines 3610:New weird 3415:Subgenres 3230:(1724/25) 2892:Houyhnhnm 2866:Lindalino 2824:Locations 2641:2 October 2385:163799730 2312:154047160 2179:154298114 2130:cite book 2083:cite book 1921:164044839 1878:163799730 1800:9 January 1554:, a 2012 1209:shouldn't 1174:. In the 1139:lilipután 1124:The term 1059:Reception 849:unclear). 669:notes in 643:Lindalino 637:Lindalino 551:Lindalino 539:pamphlets 516:Arbuthnot 508:Cookstown 411:Aristotle 387:Maldonada 311:Adventure 104:Publisher 4756:Category 4650:Allegory 4526:Mermaids 4496:Gremlins 4461:Centaurs 4396:Egregore 4377:Schools 4344:Grimoire 4304:Elements 4276:Wild man 4196:Unicorns 4184:Vampires 4127:Werecats 3969:Fanspeak 3877:Crawford 3847:Podcasts 3560:Romantic 3543:Mythpunk 3474:Grimdark 3462:Bangsian 2871:Luggnagg 2744:LibriVox 2635:Archived 2607:cite web 2545:Archived 2475:Archived 2401:Archived 2342:40754389 2122:31794911 2075:31794911 2042:40753638 1827:Archived 1794:Archived 1670:See also 1572:Editions 1267:In music 1157:gigantic 1039:Language 943:Gulliver 876:misogyny 870:Misogyny 426:Luggnagg 271:Lilliput 221:John Gay 82:Language 4746:Outline 4643:Related 4521:Merfolk 4511:Kobolds 4491:Goblins 4476:Treants 4466:Dwarves 4436:Theurgy 4381:Alchemy 4313:neutral 4281:Witches 4224:Caveman 4189:Zombies 4174:Mummies 4144:Spirits 4095:Dragons 4090:Chimera 4075:Faeries 3892:Gemmell 3887:Gandalf 3842:Féeries 3811:Unknown 3691:Authors 3666:S&S 3406:Sources 3391:History 3301:Related 3142:Satires 3117:Sermons 3061:Related 2551:29 July 2171:4625129 1700:Sunpadh 1689:Odyssey 1228:Travels 1168:ruffian 886:English 845:people. 703:Please 196:by the 137:England 124: ( 85:English 18:Laputan 4615:Castle 4576:Worlds 4571:Quests 4553:Trolls 4531:Mermen 4486:Gnomes 4481:Giants 4254:Heroes 4169:Liches 4164:Ghosts 4154:Undead 4117:Nymphs 4063:Ghouls 4058:Devils 4053:Demons 4048:Angels 4031:Tropes 3982:fandom 3952:Fandom 3932:Saturn 3927:Nebula 3882:Dragon 3867:Balrog 3860:Awards 3701:Comics 3583:Shenmo 3538:Mythic 3523:LitRPG 3518:Isekai 3457:Comedy 3435:Wuxia‎ 3285:(1738) 3222:(1711) 3214:(1708) 3206:(1706) 3194:Essays 3185:(1729) 3169:(1704) 3161:(1704) 3153:(1701) 3053:(1996) 3029:(1968) 3010:(2021) 3002:(2010) 2994:(2003) 2986:(1977) 2978:(1965) 2970:(1960) 2962:(1939) 2954:(1935) 2946:(1934) 2938:(1924) 2930:(1903) 2922:(1902) 2856:Laputa 2851:Lagado 2797:(1726) 2664: 2447: 2383: 2377:461560 2375: 2340: 2310: 2277: 2231: 2177: 2169: 2120: 2110: 2073: 2063: 2040: 2011: 1986: 1919: 1913:460368 1911: 1876: 1870:461560 1868: 1767: 1742: 1677:Aeneid 1661: 1626: 1607: 1592: 1537:series 1118:Warsaw 1053:Hebrew 950:Yahoos 653:Dublin 481:Yahoos 417:, and 403:Brutus 382:Lagado 367:Laputa 194:satire 94:Satire 62:Author 4721:Kaiju 4691:Mecha 4660:Fable 4538:Ogres 4471:Elves 4366:Runes 4317:light 4239:Donor 4201:Yōkai 4159:Death 3912:Locus 3828:Other 3790:Locus 3656:Films 3651:Anime 3631:Media 3401:Magic 2911:Films 2902:Yahoo 2846:Japan 2381:S2CID 2373:JSTOR 2338:JSTOR 2308:S2CID 2175:S2CID 2167:JSTOR 2038:JSTOR 1917:S2CID 1909:JSTOR 1874:S2CID 1866:JSTOR 1523:Radio 1201:bytes 1164:yahoo 967:Swift 541:(the 439:Japan 407:Homer 323:giant 186:, or 157:823.5 145:Print 90:Genre 4588:Maps 4581:list 4548:Orcs 4371:Wand 4332:Moon 4327:Love 4309:Dark 4269:list 4112:Jinn 4107:Imps 3897:Hugo 3706:list 3641:and 3639:Film 2662:ISBN 2643:2022 2613:link 2553:2022 2445:ISBN 2275:ISBN 2229:ISBN 2136:link 2118:OCLC 2108:ISBN 2089:link 2071:OCLC 2061:ISBN 2009:ISBN 1984:ISBN 1893:PMLA 1850:PMLA 1835:2020 1802:2019 1765:ISBN 1740:ISBN 1659:ISBN 1624:ISBN 1605:ISBN 1590:ISBN 1295:Film 1194:and 1172:thug 1137:and 896:and 865:end. 754:and 580:and 535:Whig 227:Plot 162:Text 4543:Oni 3964:Art 3745:S–Z 3740:I–R 3735:A–H 2791:'s 2724:at 2708:at 2694:at 2631:BBC 2365:doi 2300:doi 2159:doi 1980:160 1945:doi 1901:doi 1858:doi 1819:". 1493:BBC 1259:'s 1249:'s 1170:or 1155:or 1116:in 857:so. 758:). 746:by 625:of 557:. 6 365:of 172:at 4773:: 3567:‎ 2633:. 2629:. 2609:}} 2605:{{ 2569:, 2543:. 2539:. 2516:. 2490:^ 2481:. 2459:^ 2379:. 2371:. 2361:91 2359:. 2334:17 2332:. 2320:^ 2306:. 2296:73 2294:. 2243:^ 2211:^ 2187:^ 2173:. 2165:. 2155:47 2153:. 2132:}} 2128:{{ 2116:. 2085:}} 2081:{{ 2069:. 2032:. 1982:. 1939:. 1915:. 1907:. 1897:72 1895:. 1872:. 1864:. 1854:91 1852:. 1792:. 1788:. 1726:^ 1648:GT 1642:, 1638:, 1634:, 1182:. 1159:. 900:. 794:, 786:, 561:. 510:, 483:. 421:. 413:, 409:, 405:, 401:, 96:, 4672:‎ 4315:/ 4311:/ 3489:‎ 3483:‎ 3372:e 3365:t 3358:v 3335:" 3273:" 3266:" 3102:e 3095:t 3088:v 2781:e 2774:t 2767:v 2670:. 2645:. 2615:) 2573:, 2555:. 2485:. 2453:. 2387:. 2367:: 2344:. 2314:. 2302:: 2237:. 2181:. 2161:: 2138:) 2124:. 2091:) 2077:. 2044:. 2034:1 2017:. 1992:. 1947:: 1923:. 1903:: 1880:. 1860:: 1837:. 1804:. 1773:. 1748:. 1120:) 1112:( 730:) 724:( 719:) 715:( 711:. 559:d 555:s 465:) 346:) 300:) 128:) 34:. 20:)

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