442:"I'd listen to the radio and hear this big drum sound, and I'd say, "That's pretty cool. I wanna get that. But I don't wanna do what they're doing. I don’t wanna sound like those records—but I want that drum sound." It turned out it was a very difficult thing to do. And y’know, with Crazy Horse it’s such a special thing, because none of us can really play. We know we aren’t any good. Fuck, we’d get it in the first take every time, and it was never right—but we could never do it better. So what happens is when a real musician enters that, it fucks it all up. They were great "feel" guys, both of 'em, but it made everybody conscious of how they were really dumb players. Oh, the sessions sucked. We were all inhibited by each other—and we were all sick, fuckin' Legionnaires' disease or something. I don't know why we went to New York. We took the Horse way out of its environment. The Power Station—too many hit records had been made there. It ended up a big fuckin' bum-out. Everybody was bummed, and we didn't do anything for a long time. Because we never failed completely to fuckin' get anything. It was a rough time. I had a lot of animosity from my own team during those years—I mean, Briggs was pissed at me. Crazy Horse had a big chip on their shoulder. They were pissed because I recorded with other people. Everybody was pissed at me, y'know."
770:, featuring each of the ten songs on the album. After Geffen Records refused to support the idea, Young decided to finance the project on his own. Ultimately, only four videos were finished - "Weight of the World", "Touch the Night", "Pressure" and "People on the Street". The videos all employ humor, with Young playing a variety of characters. In "Touch the Night", which was shot in a single continuous take, he played a local TV news reporter at the scene of an accident. In "Weight of the World" he wears a wig, moustache and business suit at a pool party; in "People on the Street" he plays a tap dancer who battles dog poop. For "Pressure," he plays a nerdy father driving a family on vacation who hits himself on the head repeatedly; during filming Young managed to knock himself out cold. According to a March 1987 article by music critic Jim Farber, the videos were intended to show different aspects of the American character. A video for "Drifter" would have featured Young as a hillbilly pig farmer with a history of incest. "Violent Side" would have featured the artist as a loner who wanders into a nuclear testing site causing a transformation into the
1078:"It's a piece of crap. Let’s be honest about it. I don't know what to say about it, it's last year's record. They are all different. There are a couple of songs I really feel good about, but there was a lot of pressure on me during recording. I'd just been sued for being non-commercial after twenty years of making records. They were on my case about it all the time. Then they pulled the plug out and took the money away while I was recording it and said 'you can't have any more money because you are going over budget.' So I finished it myself. Basically at that point I said 'Well, here I am in L.A.; I don't like L.A. that much; I'm making a record with studio musicians. Theses guys are great guys but they don't know me very well.' The record company said that that was the way you got to do it. I'm thinking: pretty soon I'm not going to be with this record company anymore; so I had some songs and I went in and I played them, and there they are. There's some good things on that record, but if I was going to give one of my records to somebody, I don’t think that would be the one I'd give them."
1100:"How can you find yourself if you don't lose yourself? How can you be renewed if—if you don't get old? You can't. You have to do that. There have to be peaks and valleys, or it's boring. If I've done that, I guess it's because I believe in that part of life, and I believe that's the way things are. Even if it means temporarily sacrificing success. I don’t really give a shit. "I don't make excuses for those records. I think those records are going to stand up, in time. I don't feel the records are not as good as the records I'm doing now. I just feel that they’re not aimed at success—in any way. Yet if you put them on a wall—I look at them as if you’re walking through a museum. You see somebody's paintings. You go, 'Wow, look at this period here! Is this weird!' Especially considering what came after it and what was before it. And then you have to look at 'Well, during that period, what was the artist doing?'—and even knowing what he was doing, no one knew whet was going to follow. Obviously, people considered nothing was going to follow. This was the end."
496:"He had heard the stuff I was doing with Don Henley, and he was intrigued by the idea of using more electronics. He had a Synclavier (synthesizer/work station), and so he brought me in, thinking I was a guy that knew this stuff, which I did to some degree. The first thing I did was call two of my great pals to work with me on it. One was Steve Jordan the great drummer, and the other was Niko Bolas, who’s a brilliant audio engineer. And we came in there and just blew the joint up. That was incredible working with Neil, because we were really pounding away. I was playing a synth bass on most of it, and Neil had pre-sequenced stuff that he’d done on his Synclavier. So we’d run the Synclavier, and Neil would bash away and Steve…his drum sound is just punching right through the wall. And Neil responded brilliantly to this big beat, so that was a lot of fun. I love Neil, he’s such a great cat...he’s such a talented, adventurous fellow, musically. We had a great time making that record.
757:"The cover and the title of that album, it’s directions on how to survive an insurvivable thing: how to land on water, in a jet that’s crashing. The most ridiculous damn thing you’ve ever heard of. You’re really landing on water where there’s no clear floor underneath you: everybody dies. That title was there because I knew where that album was going. I knew the process and the thought behind the people who were putting the album out; what they wanted me to do. That was me doing their method. And my title for it. Geffen tried to force me to do things—the record company, not David Geffen himself—when they saw that I was on—tangents. Ultimately, ‘Make a record that sounds like you.’ That was a very tough thing to do. But I tried to do a great record. We put everything we had into making that a great record. But I was just starting to come out of the trees at that point."
509:"I needed a complete change. I wanted to see what was happening, what was going on in the studios in L.A., what kind of records were being made, how they were making them. The vocals on that record were pretty weak because they were all overdubbed. The demos were overdubbed, too, because the original track was overdubbed onto a click track. It wasn’t Danny's idea to do that. That was my fault. It was a concept thing, I wanted to see what would happen. That was sort of a reentry into creative recording. I kind of lost it awhile there. Landing on Water was the beginning...or the end, depending on how you look at it. I just wanted to try somethin' else, break out...I felt like I was dying. Felt like if I didn't do something, I was gonna lose it. Something had to wake me up."
1041:"Young might have been better off hiring a shrink to listen to all the self- pitying nonsense he tries to pass off as songs on this album. His titles suggest his one-note mood: "Hard Luck Stories", "I Got a Problem", "Violent Side", "Pressure", "Weight of the World" and "Bad News Beat". Actually, Weight of the World is relatively positive, but then Touch the Night, which sounds innocuous, is about a highway accident. ("Touch the Night" is dramatized in a video that is grisly and vulgar even by MTV standards.) It would be comforting to think that Young was only satirizing this narcissistic attitude. His lyrics, however, are hardly funny:
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here; I'm talking about my life. I’ve got to keep moving somewhere. I've written some of my best songs on the move, driving on a long journey, scribbling lyrics on cigarette packets while steering. I like that style, though I tend to get pulled over a lot by traffic cops for driving erratically, heh heh. They just pop into my head, these songs and ideas, while I'm driving along, and when I get home I move over to the typewriter, and sometimes what comes out is good and sometimes it isn't; but it never stops. In a sense, it's all about running away. I've been running all my life. Where I'm going, who the fuck knows?
742:. I was just reading the safety brochure; there is a plane and I noticed the graphic there down on the bottom of the page, of a plane landing on water and an illustration of how to do it. I was feeling tentative about the record and how people would like it, and I looked down at those people in the diagram, and the big plane with the water lapping up at the windows, and they are all trying to get their rafts out of the doors just right, and following the directions. It didn't look as if they had a chance. So I kind of felt like that myself."
434:, but efforts were scuttled when Geffen threatened to sue Young for recording with the group. Young's experiences with Geffen would result in the band signing with Warner instead of Geffen in their own negotiations for a major label contract that decade. Eventually, Young would place his attempts on recording a rock album on hold and go on tour for the next year with a country band instead. Young would reflect on the difficulties of recording a commercial sounding album for Geffen in early 1984 during interviews for
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337:. The album is noted for its unique production and synthetic 1980s sound with prominent drums, synclavier and synthesizers, giving it a "claustrophobic" feel. According to Young in a 2009 interview, "one record company president in Europe told me it was the most claustrophobic record he had ever heard, and I thought that was pretty cool. He put it on in his Porsche and would turn it up real loud. He just felt like it was all over him."
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870:"We lost it almost every night. Neil was yellin’ and screamin'. All of a sudden we were thrown into this full-blown MIDI electronic techno-jive shit that we knew nothing about. The thing that bummed me out the most was, we were tryin’ to cop these other guys’ chops—Ralph playing like Steve Jordan, me tryin’ to play like Danny Kortchmar. What a joke."
544:"Violent Side" was one of the first songs written for the album, from the period when Young's relationship with Geffen was at a nadir and he was struggling to prioritize both his family's needs and his waning rock career. Its lyrics describe insomnia and the inability to sleep due to inner struggle and processing emotion.
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615:"I had (Crosby) in mind for about five years and I kept writing different things. Then one night I wrote that. I called him up and said 'I wrote this song; you're probably going to hear it. All you have to do is prove that I didn't know what I was talking about, and I'd be a happy guy if you could do that."
422:, Young explains: "We went to New York and tried to record these songs for three weeks, and we didn’t get one track. We just blew a whole bunch of time. That was when I first introduced the horns; we had a horn section with Crazy Horse. We just never could get it to gel." According to a 1995 interview with
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On April 2, 2022, a high-resolution edition of the album was released. In an April 18, 2022 article posted to Neil Young's website, engineer and producer Niko Bolas describes the process of making a new transfer from the original analog master tapes. Fans had written in to Young to question the sound
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holding up a copy of the album in place of his agreement with Hitler promising "peace in our time." When asked about the ad concept in 1994, Young stated: "I didn’t have anything to do with that...but I kind of like the concept. Whoever thought of that must have been a genius. Sounds like high art to
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I think I’ve just had an uncanny ability to escape. There’s no magic to it, but it’s like a little light goes on. And when the light goes on, I leave. See, I don't see change as a curse. It's just part of my makeup. Without change, the whole thing would fall apart. I'm not talking about rock and roll
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The album cover shows an excerpt of an airplane seat pocket guide with instructions on how to evacuate the plane in event of an emergency landing on a body of water. The cover represents an apparent criticism of Geffen's efforts to encourage Young to produce an album that caters to commercial tastes
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The closing track does little to relieve the tension built by the preceding songs. "Drifter" appears to echo some of the sentiments of Young's previous songs "The Loner" and "Sail Away," and the feeling of release that comes with being able to escape one's situation and shift gears to a new setting.
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gives the album two out of five stars arguing the production ruins a batch of songs that were weak anyway. It does highlight Jordan's drumming and the songwriting of "Hippie Dream" as highlights, and suggests the album was a much needed step in the right direction. Though many of Young's fans have
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across four shows on
February 6 and 7, 1984. The new material included album tracks "Touch the Night", "Violent Side", and "I Got a Problem" as well as the songs "Rock, Rock, Rock", "So Tired" and "Your Love Is Good To Me". The concerts were professionally recorded and circulate as bootlegs. Young
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in June 1988: "I wrote that one for Crosby. But I guess it could have been for me, or for anybody. It's really about the excesses of our whole generation. From hippie to yuppie – I mean, it's been quite an evolution." Crosby had long been associated with the hippie movement and had performed with
394:, the band express their frustrations with the recording process. Mazer and Young had the band record separately in contrast to their familiar live recording style. Feedback and other equipment problems culminated in Young smashing a guitar in frustration and eventually abandoning the sessions.
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gave less charitable assessments of the album: "In this dismal piece of self-flagellation, when you come to the track about a highway accident, you've found the upbeat stuff. This is just what you need when you're headed for a desert island and have to leave behind only one album." Ralph Novak
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tour. The "Live from a Rusted Out Garage" tour would feature much of the same atmosphere with fun sets and visual gags, this time with oversized remote controlled cockroaches and calls mid set where Young would pretend to speak with his mother. One concert, recorded for pay-per-view television
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The bookends of the album, "Weight of the World" and "Drifter," both consider the impact of relationship in confronting the world's challenges. In "Weight of the World," he praises his relationship for helping him rise above his challenges, while in "Drifter," he reexamines the benefits of
702:. It is also likely influenced by Geffen's decision to cut off funding for the album sessions, leaving Young to finish the album out of pocket. It features a processed scream by drummer Jordan at the end. Young intended to release the song as a single, but the idea was rejected by Geffen
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was recorded over the course of over two years. The first attempt at a commercial, non-genre album dates from late 1983 and early 1984. The backing tracks for "I Got a
Problem" and "Hard Luck Stories" were both recorded at Young's home studio at Broken Arrow Ranch as solo recordings with
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The lyrics of several of the songs reflect the personal pressure Young was facing from his record company and the need to care for his family at the time. Additionally, Young took up weight-lifting during the recording of the album, which he credits in making the music more aggressive.
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591:. Crosby was arrested several times on gun, drug and drunk-driving charges and ultimately spent 9 months in a Texas jail in 1985. In light of Crosby's difficulties, the lyrics of "Hippie Dream" find Young reflecting on whether the ideals of the Woodstock generation were now dead:
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plus his struggles with Geffen while trying to maintain his flailing rock music career and tending to his family needs. He would often find himself spending his days torn between acrimonious business calls and trying to maintain creativity and productivity in recording sessions.
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would also perform. The benefit was organized by Young and his wife Pegi to raise funds for a local school for kids with special needs. The benefit would become an annual event with dozens of prominent musicians performing acoustic sets over the next three decades.
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interview, Young promised Crosby at the height of his problems that if Crosby got sober and overcame his addictions, Young would once again collaborate with CSNY. After coming clean during his time in prison, Crosby held Young to the promise, resulting in 1988's
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In the fall of 1986, Young embarked on an
American tour with Crazy Horse to promote the album. "Touch the Night", "Bad News Beat", "Violent Side" and "Hippie Dream" would all feature in the setlists. The band struggled to recreate the electronic sounds of the
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The album's distinctive production and mix were the result of Young's desire to create a unique sound. Additionally, he insisted on a recording process where layers of instruments were overdubbed onto the original demos. Young explained in interviews for
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at an event that Young and his wife attended. The couple were asked to speak at a parents event about their experiences raising a child with cerebral palsy, and Young was asked to introduce the choir. He later asked them to perform for the album.
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long considered the album to be a lackluster release, the album has become something of a cult favorite among others. In discussion posts on music forums and unofficial fan sites, fans advocate that the album's reputation should be reconsidered.
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It doesn't help that Young's singing is so awful. He sounds like an eighth grader and a wimpy, not very musical eighth grader at that. The only lyric that deserves to be taken seriously is in "Hippie Dream": 'Take my advice/ Don't listen to
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quality of the album as it was originally made available on Young's
Archives website. As a result, Bolas and engineer John Hausmann tracked down the master tapes and made a new transfer with significantly improved sound quality and clarity.
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is mostly favorable, however. It complements the freshness of the sound and the album's pop melodies, as well as the upfront drumming of Steve Jordan, while criticizing the album's dark lyrics for sometimes being simple.
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One of the earliest songs written for the record, the song dates from the timeframe when Young's relationship with his record company turned sour and Geffen sued him for putting out uncommercial albums. In
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SONG A CHECKLIST OF THIS WEEK'S NOTEWORTHY TV SHOWS, MOVIES, BOOKS, RECORDS AND OTHER HAPPENINGS. By: Novak, Ralph, Shaughnessy, Mary, Dougherty, Steve, People, 00937673, 10/13/86, Vol. 26, Issue 15
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The song "Pressure" was the last song recorded for the album, and deals with the pressure of keeping up a public persona with lyrics that poke fun at television figures and reference
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646:"Touch the Night" is the most guitar driven song on the album. Its lyrics consider the sudden loss of a partner. Biographer Jimmy McDonough compares it to its predecessor "
778:"When Neil gets a bee in his bonnet about something, it`s bound to happen." Tim Pope had previously directed videos for "Wonderin'" and "Cry Cry Cry" from 1983's
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Just because it's over for you / Don't mean it's over for me / It's a victory for the heart / Every time the music starts / So please don't kill the machine.
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ranked the album as one of Young's worst, describing the production as a "digital mess" and charitably concedes that at least it isn't a total fiasco.
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play all the instruments on the album, including
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tracks live. The performances required new equipment including a keyboard bass and complex computer programs. According to Poncho
Sampedro in
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The album has received mixed reviews since its release, with the mid-80s production bearing the brunt of criticism. A contemporary review in
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638:"Bad News Beat" finds Young taking the perspective of someone who uses surveillance to discover their partner has left them.
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Neil Young's own opinions of the album have varied over the years. In 1987, he gave a frank assessment in an interview with
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Young seems to argue that hippie idealism isn't dead, and that music will help it overcome its current challenges:
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The decision to add a boy's choir to the tracks "Violent Side" and "Touch the Night" was the result of meeting the
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The setlists would also feature several new songs that would be recorded on tour for the follow-up record, 1987's
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489:, launching a long term working relationship. Bolas would go on to produce several of Young's subsequent albums.
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In late 1985 and early 1986, Young would make a new attempt at recording a more commercial sounding album at
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The album was released July 21, 1986. A promotional ad for the album in the UK featured the iconic image of
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similarly ranks the album toward the bottom of Young's catalog, calling the release "rigid and soulless"
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2071:"Neil Young News: "Landing on Water" by Neil Young: Incredibly Underrated | Steve Hoffman Forum"
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https://www.rollingstone.com/music/music-news/neil-young-and-crazy-horse-back-in-saddle-again-229261/
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The song "Hippie Dream" revisits and laments the apparent failure of 60s idealism. The opening lines
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1724:"David Crosby on love, music and rancour: 'Neil Young is probably the most selfish person I know'"
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and mutual friend of both artists who had attempted to help Crosby with his addictions stated for
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at benefit concerts in 1986. In August, Young would appear at the "Get Tough on Toxics" event in
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607:"I got chills when I heard it. 'Hippie Dream' is a great portrait of David. So cutting." In a
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Kortchmar recalled his experiences making the album in a 2019 interview with Dale
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website, Young stated "Addiction is hell. You got to get over it. It doesn’t have to be."
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And the Wooden Ships / Are a hippie dream / Capsized in excess / If you know what I mean.
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The album represents a return to a contemporary rock sound after the 1985 country album
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821:. In October, Henley, backed by Kortchmar, would perform an acoustic set at the first
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Back in the saddle again. By: Henke, J., Rolling Stone, 0035791X, 10/4/90, Issue 588
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671:, Young describes dealing with a lawsuit stemming from the production of his movie
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Here comes the night/ Here comes the anger/ Hidden so deep inside/ No one can see.
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Young's partnership with
Kortchmar would result in Young sharing a ticket with
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https://www.rollingstone.com/music/music-features/interview-neil-young-79380/
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Young had plans to make a longform video directed by
British film director
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as producer, but again were unsuccessful at completing an album. In a 1990
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Neil Young. By: Henke, James, Rolling Stone, 0035791X, 10/15/92, Issue 641
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Henke, James. 1988. "Interview: Neil Young." Rolling Stone. June 2, 1988.
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658:"People on the Street" empathizes with the experience of the homeless.
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1917:"Landing on Water – Neil Young | Songs, Reviews, Credits, Awards"
1854:"Neil Young News: Making of "Touch the Night" Music Video by Tim Pope"
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The lyrics to "I Got a
Problem" deal with addiction. In a post on the
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interview, Young recalls writing the song and reaching out to Crosby:
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1787:"Neil Young News: 1990 Neil Young Interview by Nick Kent | VOX"
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partnership and whether he'd prefer to escape his troubles instead.
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1663:"Danny Kortchmar Interview - Hit Songwriter, Producer, Guitarist"
1562:"35 Years Ago: Neil Young Plugs in Synths for 'Landing on Water'"
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1638:"I Build Something Up, I Tear It Right Down: Neil Young at 50"
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criticizes the album's dark lyrics and mocks Young's singing:
2276:
1341: – vocals on tracks "Violent Side" and "Touch the Night"
455:
Studios in Los Angeles. This time, Young would hire producer
397:
The band would perform the new material in a live setting at
87:
2015:
WORST OF SONG. People, 00937673, 12/22/86, Vol. 26, Issue 25
711:
Young addresses these themes in a 1990 interview with Vox's
1050:
Later reviews are more balanced but hardly more favorable.
834:
2221:
369:, and a new attempt at "If You Got Love", an outtake from
2167:
2085:"Landing on Water by Neil Young - incredibly underrated!"
1869:
1824:
880:. The tour was the first with Crazy Horse since the 1978
474:
47:
430:, an attempt was made to record the album with the band
382:
Young would also attempt new material at the ranch with
43:
2176:(in Dutch). Hung Medien. Retrieved September 21, 2020.
1870:
Van Matre, Lynn; Pop music critic (4 September 1986).
1825:
Van Matre, Lynn; Pop music critic (4 September 1986).
2131:. Australian Chart Book, St Ives, N.S.W. p. 97.
1865:
1863:
782:
and would also direct the video for "This Town" from
481:" in 1989. Jordan would also later go on to join the
2193:
2059:
https://www.spin.com/2022/02/best-neil-young-albums/
893:
broadcast, featured additional cameos from comedian
2200:"Swedishcharts.com – Neil Young – Landing on Water"
653:
2248:
2246:
1860:
530:
406:and the band would attempt additional sessions at
3831:
2174:"Dutchcharts.nl – Neil Young – Landing on Water"
661:
2243:
2903:Sugar Mountain – Live at Canterbury House 1968
1687:
1685:
1683:
977:
681:
641:
302:. The album was released on July 21, 1986, by
2292:
2202:. Hung Medien. Retrieved September 21, 2020.
1335: – guitar, producer, synthesizer, vocals
42:. Consider transferring direct quotations to
929:
730:rather than his artistic motives. In a 1986
633:
2254:"Neil Young Chart History: Mainstream Rock"
1910:
1908:
1872:"MAVERICK NEIL YOUNG GOES VIDEO IN BIG WAY"
1827:"MAVERICK NEIL YOUNG GOES VIDEO IN BIG WAY"
1721:
1680:
547:
539:
2299:
2285:
2099:"Neil Young Broken Arrow Magazine Archive"
1991:"Neil Young Landing On Water Album Review"
1756:"Neil Young Broken Arrow Magazine Archive"
1693:"Neil Young Broken Arrow Magazine Archive"
78:
2871:Neil Young Archives Volume III: 1976–1987
1806:"Neil Young: Our 1993 Artist of the Year"
1595:
1082:In a 1988 interview with James Henke for
3501:Crime in the City (Sixty to Zero Part I)
2864:Neil Young Archives Volume II: 1972–1976
1905:
1372:Doug Sax – mastering, original mastering
753:s Greil Marcus, Young further explains:
724:
566:. Its lyrics reference creative partner
2205:
693:
469:. Young, Kortchmar and studio drummer
3832:
2145:
1988:
1591:
1288:
734:interview, Young explains the origin:
705:
446:
2280:
1800:
1798:
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1151:
1137:
910:
900:
459:, who had recently seen success with
33:too many or overly lengthy quotations
2123:
1914:
1635:
485:. Kortchmar would bring in engineer
15:
3748:The Bridge: A Tribute to Neil Young
2555:Living with War: "In the Beginning"
1978:. Vintage Books. 1995. p. 448.
979:
554:Take my advice / Don't listen to me
67:1986 studio album by Neil Young
13:
3860:Albums produced by Danny Kortchmar
3695:Waging Heavy Peace: A Hippie Dream
1968:
1964:. Random House. 1992. p. 795.
1954:
1793:
1568:
1329: – drums, synthesizer, vocals
276:"Weight of the World" / "Pressure"
14:
3871:
1722:Hattenstone, Simon (2021-09-02).
931:
479:Keep on Rocking in the Free World
345:
3814:
3813:
3732:Crosby, Stills, Nash & Young
3441:My My, Hey Hey (Out of the Blue)
3280:When You Dance I Can Really Love
2240:. Retrieved September 21, 2020.
2218:. Retrieved September 21, 2020.
2164:. Retrieved September 21, 2020.
1104:
998:
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20:
3564:A Rock Star Bucks a Coffee Shop
3434:Hey Hey, My My (Into the Black)
3185:Everybody Knows This Is Nowhere
3122:Nowadays Clancy Can't Even Sing
2359:Everybody Knows This Is Nowhere
2212:"Official Albums Chart Top 100"
2179:
2129:Australian Chart Book 1970–1992
2117:
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2091:
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2018:
2009:
1982:
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3371:Come On Baby Let's Go Downtown
3343:The Needle and the Damage Done
3329:Are You Ready for the Country?
3259:Only Love Can Break Your Heart
3074:Dorothy Chandler Pavilion 1971
2945:Roxy: Tonight's the Night Live
2306:
1748:
1715:
1702:
1655:
1629:
1617:
1601:Shakey: Neil Young's Biography
1554:
1217:
1122:
1:
3855:Albums produced by Neil Young
2857:The Archives Vol. 1 1963–1972
1976:Spin Alternative Record Guide
1962:The Rolling Stone Album Guide
1547:
1010:Spin Alternative Record Guide
972:The Rolling Stone Album Guide
619:According to an October 1983
2152:"Top RPM Albums: Issue 0733"
1636:Kent, Nick (December 1995).
1493:
1479:
1464:
1440:
1428:
1366:Louis Magor – choir director
1305:
560:of "Tired Eyes" from 1975's
340:
298:is the 16th studio album by
128:Broken Arrow Ranch, Woodside
7:
3635:Neil Young: Silver and Gold
3550:Let's Impeach the President
3273:Don't Let It Bring You Down
3089:Somewhere Under the Rainbow
2973:Way Down in the Rust Bucket
2228:"Neil Young Chart History (
2162:Library and Archives Canada
1357:Richard Bosworth – engineer
791:
10:
3876:
2910:Live at the Riverboat 1969
1989:Farber, Jim (1986-09-25).
1667:www.songwriteruniverse.com
1110:All tracks are written by
466:Building the Perfect Beast
325:, Young employed producer
3809:
3704:
3686:
3649:Neil Young: Heart of Gold
3577:
3494:Rockin' in the Free World
3471:
3215:
3164:I've Been Waiting for You
3113:
3106:
3061:
2996:
2889:Live at the Fillmore East
2880:
2848:
2839:
2807:
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2655:
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2314:
2035:"Landing On Water (1986)"
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1339:San Francisco Boys Chorus
1227:
1224:
1221:
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831:Mountain View, California
746:In a 1994 interview with
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261:
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209:
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168:
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140:
122:
114:
99:
86:
77:
72:
3755:Myrmekiaphila neilyoungi
3586:Journey Through the Past
2896:Live at Massey Hall 1971
2770:Journey Through the Past
1375:Duane Seykora – engineer
556:mirror the opening line
521:
515:San Francisco Boys Choir
279:Released: September 1986
118:August 1983 – March 1986
40:summarize the quotations
3062:Official bootleg series
2931:Live at the Cellar Door
2216:Official Charts Company
1448:Suomen virallinen lista
1420:Canada Top Albums/CDs (
1369:Tim Mulligan – engineer
808:
315:and 1983 doo wop album
103:July 21, 1986
3084:Citizen Kane Jr. Blues
2997:Special release series
2777:Where the Buffalo Roam
2401:American Stars 'n Bars
1535:"Weight of the World"
1236:"People on the Street"
1102:
1080:
1048:
872:
827:Shoreline Amphitheatre
759:
744:
722:
654:"People on the Street"
617:
511:
498:
444:
350:Like its predecessor,
3850:Geffen Records albums
3776:Bridge School Benefit
3737:The Stills–Young Band
3663:Neil Young Trunk Show
3294:Bad Fog of Loneliness
3171:The Old Laughing Lady
2917:Dreamin' Man Live '92
1899:"Neil Young Archives"
1363:Laura LiPuma – design
1360:Julie Last – engineer
1141:"Weight of the World"
1098:
1076:
1039:
868:
823:Bridge School Benefit
755:
736:
725:Title and album cover
717:
613:
558:Please take my advice
531:"Weight of the World"
507:
494:
440:
3600:Neil Young in Berlin
3536:From Hank to Hendrix
906:Professional ratings
3727:Buffalo Springfield
3670:Neil Young Journeys
3480:Rainin' in My Heart
3364:Tonight's the Night
3252:After the Gold Rush
3206:Dance, Dance, Dance
3199:Cowgirl in the Sand
2987:Noise & Flowers
2966:Return to Greendale
2527:Are You Passionate?
2471:This Note's for You
2443:Everybody's Rockin'
2387:Tonight's the Night
2366:After the Gold Rush
2334:Promise of the Real
1915:Ruhlmann, William.
1538:US Mainstream Rock
1408:Australian Albums (
1250:"Hard Luck Stories"
1213:
1118:
907:
798:Neville Chamberlain
780:Everybody's Rockin'
688:Neil Young Archives
662:"Hard Luck Stories"
563:Tonight's the Night
447:Record One Sessions
333:and studio drummer
318:Everybody's Rockin'
3315:A Man Needs a Maid
3301:Out on the Weekend
3069:Carnegie Hall 1970
2881:Performance series
2611:The Monsanto Years
2499:Sleeps with Angels
1943:. Robert Christgau
1521:"Touch the Night"
1354:– engineer, mixing
1311:Neil Young –
1211:
1116:
905:
901:Critical reception
3840:Neil Young albums
3827:
3826:
3628:Year of the Horse
3573:
3572:
3399:Cortez the Killer
3192:Down by the River
3102:
3101:
2980:Young Shakespeare
2724:Year of the Horse
2520:Silver & Gold
2422:Hawks & Doves
2415:Rust Never Sleeps
1610:978-0-224-06914-4
1603:. Jonathan Cape.
1545:
1544:
1498:
1497:
1460:Sverigetopplistan
1410:Kent Music Report
1302:
1301:
1264:"I Got a Problem"
1207:
1206:
1197:"Touch the Night"
1019:
1018:
883:Rust Never Sleeps
843:Bruce Springsteen
682:"I Got a Problem"
642:"Touch the Night"
410:in New York with
408:The Power Station
366:Silver & Gold
291:
290:
267:"Touch the Night"
256:Landing on Water
242:
241:
65:
64:
3867:
3817:
3816:
3791:Carrie Snodgress
3578:Films and videos
3413:Like a Hurricane
3287:I Believe in You
3143:Expecting to Fly
3111:
3110:
2846:
2845:
2745:Before and After
2731:Road Rock Vol. 1
2590:Psychedelic Pill
2569:Fork in the Road
2562:Chrome Dreams II
2457:Landing on Water
2327:The Stray Gators
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860:Landing on Water
740:Landing on Water
648:Like a Hurricane
477:performance of "
356:Landing on Water
323:Landing on Water
295:Landing on Water
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3722:The Mynah Birds
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3682:
3569:
3472:1980s and later
3467:
3211:
3098:
3079:Royce Hall 1971
3057:
2992:
2876:
2841:Archives series
2835:
2803:
2757:
2689:Time Fades Away
2676:
2651:
2548:Living with War
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1832:Chicago Tribune
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1564:. 21 July 2021.
1560:
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1550:
1526:Mainstream Rock
1515:
1402:
1388:
1333:Danny Kortchmar
1315:, lead guitar,
1308:
1303:
1208:
1183:"Bad News Beat"
1107:
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634:"Bad News Beat"
550:
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457:Danny Kortchmar
449:
418:interview with
348:
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327:Danny Kortchmar
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3796:Elliot Roberts
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3420:Love Is a Rose
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3150:Sugar Mountain
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2952:Songs for Judy
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1597:McDonough, Jim
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1434:Dutch Albums (
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1427:
1417:
1416:
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1399:
1387:
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1383:
1382:
1381:– art director
1379:Bernard Shakey
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1225:Recording date
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1169:"Hippie Dream"
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1155:"Violent Side"
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1130:Recording date
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899:
851:Robin Williams
810:
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801:me. It does."
793:
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683:
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663:
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627:American Dream
601:Joel Bernstein
549:
548:"Hippie Dream"
546:
541:
540:"Violent Side"
538:
532:
529:
523:
520:
483:Rolling Stones
448:
445:
347:
346:First attempts
344:
342:
339:
304:Geffen Records
289:
288:
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284:
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281:
272:
270:Released: 1986
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3593:Human Highway
3590:
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3515:Wrecking Ball
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3340:
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3333:
3330:
3326:
3323:
3322:Heart of Gold
3319:
3316:
3312:
3309:
3305:
3302:
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3295:
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3214:
3207:
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3200:
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3186:
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3179:
3178:Cinnamon Girl
3175:
3172:
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3049:
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3041:
3040:Odeon Budokan
3037:
3035:
3034:
3033:Chrome Dreams
3030:
3028:
3027:
3023:
3021:
3020:
3016:
3014:
3013:
3009:
3007:
3006:
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2938:Bluenote Café
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2830:Greatest Hits
2827:
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2601:
2599:
2598:
2597:A Letter Home
2594:
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2346:
2344:Studio albums
2342:
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2317:
2316:
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2265:September 21,
2261:
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2159:
2158:
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2138:0-646-11917-6
2134:
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2100:
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2080:
2072:
2066:
2060:
2055:
2040:
2036:
2030:
2021:
2012:
1998:
1997:
1996:Rolling Stone
1992:
1985:
1977:
1971:
1963:
1957:
1942:
1936:
1922:
1918:
1911:
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1437:
1436:Album Top 100
1432:
1425:
1424:
1418:
1414:
1411:
1406:
1398:Chart (1986)
1396:
1393:
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1380:
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1160:
1157:
1154:
1150:
1146:
1143:
1140:
1136:
1120:
1114:
1113:
1105:Track listing
1101:
1097:
1095:
1091:
1087:
1086:
1085:Rolling Stone
1079:
1075:
1073:
1068:
1065:
1061:
1060:
1055:
1054:
1047:
1044:
1038:
1035:
1034:
1029:
1026:
1025:
1024:Rolling Stone
1014:
1012:
1011:
1007:
1006:
976:
974:
973:
969:
968:
964:
962:
959:
958:
928:
926:
923:
922:
914:
911:Review scores
909:
898:
896:
891:
890:
885:
884:
879:
878:
871:
867:
865:
861:
855:
852:
848:
844:
840:
836:
832:
828:
824:
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816:
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786:
781:
777:
773:
769:
758:
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743:
741:
735:
733:
721:
716:
714:
703:
701:
691:
689:
679:
676:
675:
674:Human Highway
670:
659:
651:
649:
639:
631:
629:
628:
622:
616:
612:
610:
606:
602:
598:
594:
590:
586:
581:
577:
576:Rolling Stone
573:
569:
565:
564:
559:
555:
545:
537:
528:
519:
516:
510:
506:
504:
497:
493:
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488:
484:
480:
476:
472:
468:
467:
462:
458:
454:
443:
439:
437:
433:
429:
428:Mojo Magazine
425:
421:
417:
416:Rolling Stone
413:
409:
404:
400:
395:
393:
389:
386:and producer
385:
380:
378:
374:
373:
368:
367:
362:
357:
353:
338:
336:
332:
328:
324:
320:
319:
314:
313:
307:
305:
301:
297:
296:
286:
273:
264:
263:
260:
257:
253:
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245:
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185:
183:
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155:
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143:
139:
134:, Los Angeles
133:
130:
127:
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121:
117:
113:
102:
98:
94:
89:
85:
81:
76:
71:
59:
49:
45:
41:
35:
34:
29:This article
27:
18:
17:
3786:Daryl Hannah
3753:
3746:
3693:
3675:
3668:
3661:
3656:CSNY/Déjà Vu
3654:
3647:
3640:
3633:
3626:
3619:
3612:
3605:
3598:
3591:
3584:
3522:Harvest Moon
3455:Powderfinger
3406:Will to Love
3266:Southern Man
3231:Country Girl
3136:Broken Arrow
3093:
3088:
3083:
3078:
3073:
3068:
3050:
3045:
3038:
3031:
3024:
3017:
3010:
3003:
2985:
2978:
2971:
2964:
2957:
2950:
2943:
2936:
2929:
2922:
2915:
2908:
2901:
2894:
2887:
2869:
2862:
2855:
2828:
2821:
2814:
2808:Compilations
2796:
2789:
2784:Philadelphia
2782:
2775:
2768:
2750:
2743:
2736:
2729:
2722:
2715:
2708:
2701:
2694:
2687:
2669:
2662:
2646:World Record
2644:
2637:
2630:
2623:
2616:
2609:
2602:
2595:
2588:
2581:
2574:
2567:
2560:
2553:
2546:
2541:Prairie Wind
2539:
2532:
2525:
2518:
2513:Broken Arrow
2511:
2504:
2497:
2492:Harvest Moon
2490:
2485:Ragged Glory
2483:
2476:
2469:
2462:
2456:
2455:
2448:
2441:
2434:
2427:
2420:
2413:
2408:Comes a Time
2406:
2399:
2392:
2385:
2380:On the Beach
2378:
2371:
2364:
2357:
2350:
2332:
2325:
2318:
2263:. Retrieved
2257:
2236:
2229:
2223:
2207:
2195:
2181:
2169:
2155:
2147:
2128:
2119:
2110:
2093:
2079:
2065:
2054:
2043:. Retrieved
2041:. 2013-08-22
2038:
2029:
2020:
2011:
2000:. Retrieved
1994:
1984:
1975:
1970:
1961:
1956:
1945:. Retrieved
1935:
1924:. Retrieved
1893:
1883:23 September
1881:. Retrieved
1875:
1848:
1838:22 September
1836:. Retrieved
1830:
1820:
1809:. Retrieved
1781:
1773:"Neil Young"
1767:
1750:
1739:. Retrieved
1728:The Guardian
1727:
1717:
1704:
1671:. Retrieved
1669:. 2019-02-25
1666:
1657:
1645:. Retrieved
1641:
1631:
1619:
1600:
1556:
1500:
1499:
1487:
1421:
1390:
1389:
1345:
1344:
1327:Steve Jordan
1109:
1099:
1094:Greil Marcus
1089:
1083:
1081:
1077:
1072:Dave Fanning
1069:
1057:
1051:
1049:
1042:
1040:
1031:
1030:
1022:
1020:
1008:
970:
887:
881:
875:
873:
869:
863:
859:
856:
839:Nils Lofgren
812:
803:
795:
785:Broken Arrow
783:
779:
765:
762:Music videos
756:
747:
745:
739:
737:
728:
718:
709:
700:Max Headroom
697:
687:
685:
672:
668:
665:
657:
645:
637:
625:
618:
614:
604:
596:
592:
572:Wooden Ships
568:David Crosby
561:
557:
553:
551:
543:
534:
525:
512:
508:
502:
499:
495:
491:
471:Steve Jordan
464:
450:
441:
435:
412:David Briggs
399:The Catalyst
396:
391:
388:Elliot Mazer
381:
370:
364:
355:
351:
349:
335:Steve Jordan
322:
316:
310:
308:
294:
293:
292:
255:
232:
224:
223:
214:
88:Studio album
53:
38:Please help
30:
3845:1986 albums
3717:The Squires
3712:Discography
3614:Muddy Track
3557:Angry World
3487:Grey Riders
3392:Danger Bird
3245:Tell Me Why
3094:High Flyin'
2762:Soundtracks
2681:Live albums
2625:The Visitor
2618:Peace Trail
2506:Mirror Ball
2320:Crazy Horse
2125:Kent, David
1321:synthesizer
895:Sam Kinison
825:concert at
772:Lone Ranger
589:John Lennon
580:James Henke
420:James Henke
384:Crazy Horse
329:, engineer
3834:Categories
3781:Pegi Young
3607:Solo Trans
3448:Pocahontas
3427:Lotta Love
3378:Tired Eyes
3052:Early Daze
3005:Hitchhiker
2959:Tuscaloosa
2924:A Treasure
2752:Fuckin' Up
2352:Neil Young
2308:Neil Young
2045:2023-08-10
2002:2015-06-02
1947:2015-06-02
1926:2015-06-02
1811:2023-08-10
1741:2023-08-10
1673:2023-08-10
1647:August 26,
1548:References
1352:Niko Bolas
1295:10/30/1985
1278:"Pressure"
1200:10/29/1985
1186:11/25/1985
1172:11/21/1985
1158:11/01/1985
1112:Neil Young
819:Long Beach
815:Don Henley
694:"Pressure"
599:Archivist
487:Niko Bolas
461:Don Henley
453:Record One
403:Santa Cruz
379:sessions.
377:Record One
361:Synclavier
331:Niko Bolas
300:Neil Young
205:chronology
203:Neil Young
189:Neil Young
132:Record One
107:1986-07-21
93:Neil Young
56:April 2024
48:Wikisource
3801:Pearl Jam
3766:Old Black
3742:The Ducks
3642:Greendale
3157:The Loner
3019:Homegrown
2717:Unplugged
2696:Live Rust
2671:The Times
2604:Storytone
2583:Americana
2534:Greendale
2429:Re·ac·tor
2259:Billboard
2237:Billboard
2230:Billboard
2039:Stereogum
1736:0261-3077
1516:position
1488:Billboard
1471:UK Albums
1403:position
1346:Technical
1313:harmonica
1306:Personnel
1292:"Drifter"
1281:3/17/1986
1239:12/4/1985
1144:1/28/1986
1053:Stereogum
889:Live Rust
847:Tom Petty
788:in 1996.
776:Billboard
713:Nick Kent
706:"Drifter"
585:Woodstock
583:Young at
424:Nick Kent
341:Recording
44:Wikiquote
31:contains
3819:Category
3771:Farm Aid
3543:Downtown
3385:New Mama
3350:War Song
3224:Helpless
3129:Mr. Soul
2849:Box sets
2791:Dead Man
2664:Eldorado
2632:Colorado
2576:Le Noise
2450:Old Ways
2127:(1993).
1921:AllMusic
1599:(2002).
1323:, vocals
1317:producer
1267:8/1/1983
1253:1/1/1984
1212:Side two
1117:Side one
1064:AllMusic
925:AllMusic
792:Releases
768:Tim Pope
732:Rockline
621:Rockline
609:Rockline
352:Old Ways
312:Old Ways
216:Old Ways
182:Producer
115:Recorded
100:Released
90: by
3705:Related
3677:Paradox
3508:No More
3336:Old Man
3308:Harvest
3012:Paradox
2798:Paradox
2478:Freedom
2373:Harvest
2189:. 2015.
1508:Single
1501:Singles
252:Singles
238:(1987)
229:(1986)
220:(1985)
105: (
2816:Decade
2135:
1734:
1607:
1511:Chart
1386:Charts
1228:Length
1133:Length
1033:People
919:Rating
916:Source
864:Shakey
669:Shakey
605:Shakey
503:Shakey
436:Shakey
432:R.E.M.
392:Shakey
175:Geffen
153:Length
123:Studio
3687:Books
3216:1970s
3114:1960s
3107:Songs
3026:Toast
2738:Earth
2436:Trans
2232:200)"
2102:(PDF)
1759:(PDF)
1696:(PDF)
1391:Album
1222:Title
1127:Title
1090:Spin'
1046:me.'"
522:Songs
372:Trans
254:from
170:Label
142:Genre
3761:Pono
3621:Weld
3357:L.A.
3238:Ohio
3046:Dume
2703:Weld
2639:Barn
2464:Life
2394:Zuma
2267:2020
2133:ISBN
1885:2023
1840:2023
1732:ISSN
1649:2023
1642:Mojo
1605:ISBN
1514:Peak
1401:Peak
1298:5:05
1284:2:46
1270:3:16
1256:4:06
1242:4:33
1203:4:30
1189:3:18
1175:4:11
1161:4:22
1147:3:40
1059:Spin
1015:4/10
877:Life
849:and
835:CSNY
809:Tour
749:Spin
570:'s "
426:for
234:Life
147:Rock
2710:Arc
2656:EPs
2157:RPM
1541:33
1524:US
1494:46
1490:200
1485:US
1480:52
1475:OCC
1465:15
1453:39
1441:34
1429:40
1423:RPM
1415:43
1289:10.
1218:No.
1123:No.
829:in
650:."
578:'s
475:SNL
463:'s
401:in
3836::
2256:.
2245:^
2234:.
2214:.
2160:.
2154:.
2037:.
1993:.
1919:.
1907:^
1874:.
1862:^
1829:.
1795:^
1730:.
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1682:^
1665:.
1640:.
1570:^
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1477:)
1462:)
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1438:)
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1275:9.
1261:8.
1247:7.
1233:6.
1194:5.
1180:4.
1166:3.
1152:2.
1138:1.
1096::
1092:s
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965:C+
897:.
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833:.
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306:.
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