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554:- he announces that the King is fact dying of Venetian poison and hopes that he can still be saved. Enter Mocenigo to tell them it is too late to save the King, and that Catarina must hand power over to him. Catarina and GĂ©rard however successfully resist the Venetian invasion. Mocenigo is captured. The King with his last breath hands his crown to Catarina, to whom the people swear fealty. GĂ©rard renounces his love.
532:
A feast, in Cyprus, awaiting the arrival of
Catarina. Mocenigo is informed that GĂ©rard may be lurking in the vicinity. He sets his swordsmen on GĂ©rard, who is saved by the intervention of a stranger (in fact the King of Cyprus in disguise). Each tells the other his story - as is the custom in such
523:
Catarina's chamber in the
Cornaro palace. Andrea asks Catarina to forgive him. No sooner has he left than, by a secret passage, Mocenigo appears, with a bunch of assassins, and insists that Catarina tell GĂ©rard when she sees him that she no longer loves him otherwise Mocenigo's companions will do
541:
At
Catarina's marriage festivities, GĂ©rard seeks to revenge himself by slaying her husband, but recognises him at the last moment as his deliverer. The King is equally astonished but prevents GĂ©rard from being slaughtered by the crowd and delivers him to prison.
562:
Wagner praised the libretto of Saint-Georges for its competence, even allowing for its lack of poetry. The music he called 'noble, feeling and even new and elevating', although he was critical of Halévy's lapses towards unsophisticated
250:
hypocritically took the part of a prince of that house, whose right to the throne was disputed by his family, , helped him to his crown, and sought to saddle him with its baleful influence by giving him for his wife
524:
away with him. They retreat to the passage while GĂ©rard enters and, to his bewilderment, hears his dismissal from his lover. When he has left
Mocenigo reemerges and seizes Catarina to take her to Cyprus.
699:
Macdonald 1992 (roles of Coucy, Lusignan, Caterina
Cornaro, Mocénigo); the voice types of the remaining roles are based on that of the role creator, as given in the index of Tamvaco 2000.
598:"You did well, old friend, not to go to the Opera. It was boring to death in spite of the magnificence and pomp of the spectacle. I trust your truffles gave you more inspiration than
515:
to marry her to the King of Cyprus; otherwise Andrea faces execution. He is given one hour to make up his mind. Andrea revokes his promise to GĂ©rard, to the scandal of all present.
550:
Two years later. The King is dying, and reveals that he knows of her love for GĂ©rard (whom he has spared from execution). He hopes she may be happy with him. Enter GĂ©rard, as a
479:
441:
Venetian lords and ladies, Cypriot lords and ladies, Bishop of Cyprus, clergy, guards, courtiers of the King of Cyprus, Cypriot people, courtesans, rogues
272:
over her son; Catarina's obstinate refusal to give up the reins of government, together with her spirited resistance, this time frustrated Venice's plan.
170:
38:
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melodramas, without actually giving away their true identities - and they promise eternal brotherhood. The guns sound for
Catarina's arrival.
448:
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573:, he wrote 'the Opéra may congratulate itself on the birth of this work, for it is decidedly the best that has appeared on its boards since
583:'. (This tribute to Meyerbeer was deleted when Wagner later reprinted the review, in line with his later vendetta against the composer).
883:
511:
In the
Cornaro palace in Venice, Andrea is about to marry his niece Catarina to GĂ©rard. Mocenigo however announces the decision of the
889:
1160:
131:
66:
661:
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845:
Les
Cancans de l'Opéra. Chroniques de l'Académie Royale de Musique et du théâtre, à Paris sous les deux restorations
831:
The Paris Opéra: An
Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815–1914
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is based on an
Italian translation. The historical background was well summarised by Wagner in his review:
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Now, adds Wagner, 'let us see how Herr Saint-Georges has used this historical find for a five-act
206:
The libretto, or a version of it, was used by several other composers within a three-year period:
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203:, for which he was a correspondent. However, since the 19th century it has been rarely revived.
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was reputed to have paid the enormous sum of 30,000 francs for the rights to the opera.
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as GĂ©rard, was regarded in its time as one of the composer's greatest achievements.
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In the latter half of the fifteenth century, with predatory designs on the isle of
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Wagner, Richard, (Trans. W. Ashton Ellis (1994)), "Halévy's
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Conspiracies came to a head to rob the royal widow of the
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Release Date: 2018 CD Ediciones Singulares Cat: ES1032
615:(Catarina Cornaro), Cyrille Dubois (GĂ©rard de Coucy),
453:
Costume designs for Stoltz and Duprez in Acts IV and V
866:, Lincoln and London: University of Nebraska Press.
795:Fromental Halevy: His Life and Music, 1799 to 1862
619:(Mocénigo), Étienne Dupuis (Jacques de Lusignan),
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623:(Andrea Cornaro), Artavazd Sargsyan (Strozzi).
847:(2 volumes, in French). Paris: CNRS Editions.
165:was the choreographer, and the ballet starred
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196:, who was present at the first night, in the
192:The opera prompted an extended eulogy from
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864:A Pilgrimage to Beethoven and Other Essays
37:
890:International Music Score Library Project
627:conducts the Flemish Radio Choir and the
590:, who was also at the premiere, wrote to
297:Premiere Cast, 22 December 1841
1166:Opera world premieres at the Paris Opera
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371:niece of Andrea, betrothed to the King
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1171:Cultural depictions of Italian people
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761:"HALÉVY La reine de Chypre (Niquet)"
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43:Set design for Act V, Tableau 2, by
132:Jules-Henri Vernoy de Saint-Georges
67:Jules-Henri Vernoy de Saint-Georges
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662:Bibliothèque nationale de France
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898:French libretto (Paris, 1841)
833:. New York: Greenwood Press.
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629:Orchestre de chambre de Paris
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843:Tamvaco, Jean-Louis (2000).
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7:
812:. Limelight Editions, 1996
797:. Kahn & Averill, 1994
681:Pitou, pp. 1088–1090.
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400:Jean-Étienne-Auguste Massol
257:, daughter of the Venetian
10:
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1161:Operas by Fromental Halévy
85:22 December 1841
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483:Set design for Act IV by
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153:on 22 December 1841 with
145:, first performed at the
122:in five acts composed by
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723:Wagner, pp. 210-212, 219
621:Christophoros Stamboglis
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977:Le dilettante d'Avignon
658:Gallica Digital Library
389:senator, member of the
238:by the French house of
1151:French-language operas
750:cited in Jordan, p. 92
487:
485:Charles-Antoine Cambon
467:
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301:François Habeneck
157:in the title role and
45:Charles-Antoine Cambon
996:(1833, completion of
961:Le Roi et le batelier
829:Pitou, Spire (1990).
482:
465:Barroilhet in Act III
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1141:Operas set in Cyprus
1112:(1885, completed by
1085:Jaguarita l'Indienne
732:Wagner, pp. 220-221.
1093:Valentine d'Aubigny
346:Jacques de Lusignan
187:Maurice Schlesinger
138:Performance history
57:The Queen of Cypres
1037:La reine de Chypre
896:La reine de Chypre
885:La reine de Chypre
789:Grove Music Online
710:La reine de Chypre
602:gave to M. Halévy.
600:La Reine de Chypre
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143:La reine de Chypre
108:La reine de Chypre
21:La reine de Chypre
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558:Critical comments
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324:GĂ©rard de Coucy,
310:Venetian nobleman
216:Gaetano Donizetti
171:Natalie Fitzjames
147:Salle Le Peletier
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96:Salle Le Peletier
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1021:Guido et Ginevra
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367:Catarina Cornaro
308:Andrea Cornaro,
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185:. The publisher
124:Fromental Halévy
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665:. Retrieved
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625:Hervé Niquet
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498:(Acts 1–2);
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1156:1841 operas
714:at Gallica.
667:26 November
617:Éric Huchet
588:George Sand
408:chief rogue
294:Voice type
151:Paris Opéra
120:grand opera
53:Translation
27:Grand opera
1130:Categories
1045:Charles VI
872:0803297637
825:0879100796
810:187108251X
770:4 February
635:References
502:(Acts 3-5)
491:Time: 1441
387:Mocénigo,
89:1841-12-22
63:Librettist
1029:Le shérif
953:L'artisan
607:Recording
586:However,
575:Meyerbeer
406:Strozzi,
396:baritone
376:contralto
328:chevalier
234:, - then
1077:Le nabab
1013:L'Ă©clair
1005:La Juive
570:La Juive
475:Synopsis
439:Chorus:
355:baritone
280:drama'.
254:Catarina
241:Lusignan
210:(1841),
128:libretto
81:Premiere
73:Language
993:Ludovic
902:Gallica
783:Sources
494:Place:
326:French
270:regency
259:senator
199:Dresden
149:of the
98:, Paris
87: (
1136:Operas
1104:(1858)
1096:(1856)
1088:(1855)
1080:(1853)
1072:(1852)
1064:(1847)
1056:(1844)
1048:(1843)
1040:(1841)
1032:(1839)
1024:(1838)
1016:(1835)
1008:(1835)
1000:opera)
998:HĂ©rold
988:(1832)
980:(1829)
972:(1828)
964:(1827)
956:(1827)
945:Operas
870:
862:", in
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500:Cyprus
496:Venice
412:tenor
266:poison
247:Venice
231:Cyprus
173:, and
115:Cyprus
76:French
1114:Bizet
969:Clari
640:Notes
611:With
546:Act 5
537:Act 4
528:Act 3
519:Act 2
507:Act 1
334:tenor
291:Role
284:Roles
278:lyric
236:ruled
177:with
126:to a
868:ISBN
849:ISBN
835:ISBN
821:ISBN
814:ISBN
806:ISBN
799:ISBN
772:2019
669:2022
315:bass
181:and
1109:Noé
900:at
577:'s
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130:by
29:by
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