215:
40:
1401:
233:
portrait of
Beatrice d'Este and attributed to Leonardo da Vinci . So also Dalli Regoli (1985), who considered the drawing the copy from a lost original by Leonardo. The most notable similarities are in the clothing and the ornament. The necklace, with its alternating black beading, perhaps references the colors of an ermine and the three strands might reference her three pregnancies.
271:
in 1920; the owner, Mrs Andrée
Lardoux Hahn, sued for defamation of property in a notorious court case, which involved many of the major connoisseurs of the day, inspecting the two paintings side by side at the Louvre; the case was eventually heard in New York before a jury selected for not knowing
288:. After decades in an Omaha vault, the Hahn La Belle was sold at auction by Sotheby's on January 28, 2010 as "by a follower of Leonardo, probably before 1750"; it brought $ 1.5 million, a price three times higher than Sotheby's pre-sale estimate. The buyer was an unidentified American collector.
232:
Karl
Morgenstern (1813) and other critics noted some similarities with the drawing number 209 preserved in the Uffizi, executed in lapis and watercolor but retouched a little hard everywhere by a hand of the sixteenth century, which was identified by Father Sebastiano Resta (XVII century) as a
963:
824:
1342:
1021:
1063:
1311:
402:
Its earliest secure appearance was its purchase in 1847 by
Antoine Vincent, from the collection of the comte de Betz, as from General Louis Tourton. (Brewer).
1430:
229:
However, "Ferroniere" could be a reference to
Beatrice Sforza's birthplace, the Duchy of Ferrara, derived from the Latin word for iron, "ferrum".
778:
660:
364:"Controversial painting 'La Belle Ferronnière', once thought to be a da Vinci, sells for $ 1.5M". New York Daily News. Reuters. January 29, 2010.
1028:
977:
457:
1332:
914:
631:
606:
124:
The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger (a
1435:
928:
696:
386:
Herbert Cook, "Some Notes on the Early
Milanese Painters Butinone and Zenale. Part III (Conclusion) – Zenale as a Portrait Painter"
214:
1350:
1327:
1425:
17:
1375:
492:"$ 500,000 Suit Hangs on da Vinci Fingers: Impressions on Canvas Said to Prove Master Painted Picture Denounced by Duveen"
1049:
298:
636:
626:
355:
and Larry Keith, Leonado Da Vinci: Painter at the Court of Milan, Exhibition
Catalogue, National Gallery (London, 2011)
343:
and Larry Keith, Leonado Da Vinci: Painter at the Court of Milan, Exhibition
Catalogue (National Gallery, London, 2011)
310:
1180:
970:
867:
838:
799:
1056:
935:
900:
689:
1445:
874:
599:
576:
561:
264:
1337:
1299:
1170:
942:
423:(New York: Oxford UP, 2009) is the definitive account of the Hahns' unsuccessful marketing of their painting.
1109:
1042:
845:
276:, and settled for $ 60,000 plus court expenses, which were considerable. The owner's account, Harry Hahn's
195:
is still shrouded in mystery, the landmark exhibition "Leonardo Da Vinci: Painter at the Court of Milan" (
1450:
1268:
1223:
244:
491:
1404:
1294:
1160:
831:
740:
592:
546:
517:
1243:
998:
770:
762:
754:
301:. The Louvre painting is identified in pre-Revolutionary inventories of the French royal collection.
260:
1440:
668:
196:
465:
1233:
1205:
1104:
653:
240:
225:
compared: the pose is similar, but the clothing is different; even the look varies significantly.
1165:
1120:
718:
527:
542:
1035:
675:
411:"The most sensational art trial of the early twentieth century", according to John Brewer,
8:
1363:
1190:
1175:
881:
726:
711:
164:
147:
131:
39:
1258:
1143:
1099:
222:
200:
1369:
1185:
1155:
817:
615:
281:
208:
152:
135:
113:
50:
1358:
1306:
1248:
1084:
440:
432:
273:
236:
1263:
1228:
1200:
1114:
747:
204:
156:
139:
108:
263:
as the original, but was identified as a copy, on the basis of a photograph, by
907:
792:
682:
375:
Italian
Pictures of the Renaissance: Central Italian and North Italian Schools
176:
1419:
1278:
1137:
1094:
1089:
921:
703:
412:
151:
has also been known by this name. This was once believed to be a portrait of
1253:
1238:
1215:
248:
142:
to
Duchess Beatrice of Milan, who became another of the Duke's mistresses.
69:
134:, married to a certain Le Ferron. Later she was tentatively identified as
444:
181:, a type of accessory worn across the forehead, in the painting as well.
1150:
352:
340:
199:, 9 Nov. 2011 – 5 Feb. 2012) listed the portrait as possibly depicting
79:
62 cm × 44 cm (24 in × 17 in)
785:
436:
329:
285:
584:
259:
A later version of the painting, on canvas, had been offered to the
1273:
251:, who retracted his opinion, seeing Leonardo's own hand, in 1904.
538:
130:), was said to be discreetly alluding to a reputed mistress of
1022:
The Virgin and Child with Saint Anne and Saint John the Baptist
117:
87:
1312:
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
1195:
207:. This challenges an earlier identification of the sitter as
159:, Duke of Milan. The narrative and the title were applied to
421:
The American Leonardo: A Tale of Obsession, Art and Money
825:
Madonna and Child with the Infant Saint John the Baptist
267:, who permitted his remarks to be published in the
1417:
528:"Mona Lisa She Is Not, but Coveted Nonetheless"
27:Painting by Leonardo da Vinci (Louvre INV 778)
809:
600:
413:"Art and Science: A Da Vinci Detective Story"
964:Designs for an Adoration of the Christ Child
543:La belle Ferronière d'après Léonard de Vinci
292:
190:
174:
168:
125:
97:
562:Portrait de femme, dit La Belle Ferronnière
1431:Paintings in the Louvre by Italian artists
607:
593:
38:
978:Head of the Infant Saint John the Baptist
486:
388:The Burlington Magazine for Connoisseurs
213:
167:'s collection, and became confused with
112:) is a portrait painting of a lady, by
14:
1418:
614:
588:
477:(subscription required for full view)
107:
779:The Virgin and Child with Saint Anne
189:Although the model of the painting
24:
393:No. 14 (May 1904:199-2090 p. 201f.
311:List of works by Leonardo da Vinci
25:
1462:
1050:Drapery of the Virgin's Right Arm
570:
1436:Portrait paintings in the Louvre
1400:
1399:
936:Studies of the Fetus in the Womb
915:The Martyrdom of Saint Sebastian
901:Study for the Madonna of the Cat
280:(1946) is a classic of populist
555:
532:
521:
511:
480:
450:
1426:Paintings by Leonardo da Vinci
1354:replicas and reinterpretations
1300:Museo Ideale Leonardo da Vinci
943:Portrait of a Man in Red Chalk
697:Saint Jerome in the Wilderness
426:
405:
396:
380:
367:
358:
346:
334:
322:
299:Musée des beaux-arts, Chambéry
184:
13:
1:
122:Portrait of an Unknown Woman.
1343:Conservation-restoration of
1110:Codex on the Flight of Birds
1043:Drapery of the Virgin's Legs
669:The Madonna of the Carnation
464:. 1929-02-18. Archived from
239:attributed this portrait to
221:and the alleged portrait of
7:
1269:Giovanni Ambrogio de Predis
1224:Giovanni Antonio Boltraffio
929:Portrait of Isabella d'Este
439:, and the directors of the
419:, No. 1/2 (2005); Brewer's
304:
245:Giovanni Antonio Boltraffio
155:, one of the mistresses of
10:
1467:
1295:Museo leonardiano di Vinci
832:The Holy Infants Embracing
547:French Ministry of Culture
490:staff (November 5, 1921).
211:, a mistress of Ludovico.
1394:✻✻ Possible collaboration
1387:
1320:
1287:
1244:Giovanni Agostino da Lodi
1214:
1130:
1077:
1008:
987:
952:
892:
859:
690:The Adoration of the Magi
645:
622:
274:Morellian connoisseurship
261:Kansas City Art Institute
254:
83:
75:
65:
57:
46:
37:
32:
316:
272:anything of Leonardo or
197:National Gallery, London
163:when it was in Princess
417:Engineering and Science
291:A 19th-century copy of
109:[labɛlfɛʁɔnjɛʁ]
1446:15th-century portraits
1121:A Treatise on Painting
839:The Battle of Anghiari
800:Saint John the Baptist
719:Portrait of a Musician
632:Science and inventions
447:, and others (Brewer).
293:
226:
191:
175:
169:
126:
120:. It is also known as
98:
53:or his Milanese circle
1338:Portraits of Leonardo
1013:Child with Saint Anne
661:The Baptism of Christ
217:
173:by the presence of a
105:French pronunciation:
1234:Bernardino de' Conti
734:La Belle Ferronnière
578:La belle ferronnière
468:on November 28, 2007
458:"Duveen on Da Vinci"
297:is conserved in the
294:La Belle Ferronnière
278:The Rape of La Belle
241:Bernardino de' Conti
192:La Belle Ferronnière
170:La Belle Ferronnière
99:La Belle Ferronnière
33:La Belle Ferronnière
18:La belle ferronnière
1379:(Galleria Borghese)
1364:Mathematics and art
1328:Cultural references
1191:Rapid fire crossbow
1181:Self-propelled cart
955:Virgin of the Rocks
727:Lady with an Ermine
712:Virgin of the Rocks
165:Izabela Czartoryska
161:Lady with an Ermine
148:Lady with an Ermine
132:Francis I of France
1451:Portraits of women
1144:Divina proportione
1100:Codex Trivulzianus
1064:Head of the Virgin
1057:Head of Saint Anne
499:The New York Times
227:
1413:
1412:
1377:Leda and the Swan
1370:The Lost Leonardo
1186:Octant projection
1156:Harpsichord-viola
1073:
1072:
971:Head of the Angel
855:
854:
846:Leda and the Swan
771:Lansdowne Madonna
755:Buccleuch Madonna
676:Ginevra de' Benci
616:Leonardo da Vinci
580:, Musée du Louvre
282:conspiracy theory
265:Sir Joseph Duveen
247:was suggested by
219:Bella Ferronnière
209:Lucrezia Crivelli
153:Cecilia Gallerani
136:Lucretia Crivelli
114:Leonardo da Vinci
94:
93:
51:Leonardo da Vinci
16:(Redirected from
1458:
1403:
1402:
1359:High Renaissance
1307:Leonardo3 Museum
1249:Bernardino Luini
1171:Fighting vehicle
1085:Codex Atlanticus
1025:(London cartoon)
1009:Relating to the
988:Studies for the
953:Studies for the
950:
949:
807:
806:
654:The Annunciation
609:
602:
595:
586:
585:
565:
559:
553:
552:
536:
530:
525:
519:
515:
509:
508:
506:
505:
496:
484:
478:
476:
474:
473:
454:
448:
441:National Gallery
433:Bernard Berenson
430:
424:
409:
403:
400:
394:
384:
378:
371:
365:
362:
356:
350:
344:
338:
332:
326:
296:
237:Bernard Berenson
194:
180:
172:
129:
111:
106:
101:
42:
30:
29:
21:
1466:
1465:
1461:
1460:
1459:
1457:
1456:
1455:
1441:1490s paintings
1416:
1415:
1414:
1409:
1391:✻ Collaboration
1383:
1345:The Last Supper
1316:
1283:
1264:Francesco Melzi
1259:Marco d'Oggiono
1229:Cesare da Sesto
1210:
1201:Viola organista
1147:(illustrations)
1126:
1115:Codex Leicester
1069:
1012:
1004:
983:
948:
888:
875:Horse and Rider
851:
805:
748:Sala delle Asse
741:The Last Supper
641:
618:
613:
573:
568:
560:
556:
550:
537:
533:
526:
522:
516:
512:
503:
501:
494:
485:
481:
471:
469:
456:
455:
451:
431:
427:
410:
406:
401:
397:
385:
381:
372:
368:
363:
359:
351:
347:
339:
335:
327:
323:
319:
307:
284:applied to the
257:
223:Beatrice d'Este
205:Ludovico Sforza
201:Beatrice d'Este
187:
157:Ludovico Sforza
140:lady-in-waiting
104:
28:
23:
22:
15:
12:
11:
5:
1464:
1454:
1453:
1448:
1443:
1438:
1433:
1428:
1411:
1410:
1408:
1407:
1396:
1395:
1392:
1388:
1385:
1384:
1382:
1381:
1373:
1366:
1361:
1356:
1348:
1340:
1335:
1330:
1324:
1322:
1318:
1317:
1315:
1314:
1309:
1304:
1303:
1302:
1291:
1289:
1285:
1284:
1282:
1281:
1276:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1236:
1231:
1226:
1220:
1218:
1212:
1211:
1209:
1208:
1203:
1198:
1193:
1188:
1183:
1178:
1173:
1168:
1163:
1158:
1153:
1148:
1140:
1134:
1132:
1131:Other projects
1128:
1127:
1125:
1124:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1081:
1079:
1075:
1074:
1071:
1070:
1068:
1067:
1060:
1053:
1046:
1039:
1032:
1029:Second cartoon
1026:
1017:
1015:
1006:
1005:
1003:
1002:
999:Head of Christ
994:
992:
985:
984:
982:
981:
974:
967:
959:
957:
947:
946:
939:
932:
925:
918:
911:
908:Head of a Bear
904:
896:
894:
893:Works on paper
890:
889:
887:
886:
878:
871:
868:Budapest Horse
863:
861:
857:
856:
853:
852:
850:
849:
842:
835:
828:
821:
813:
811:
810:Lost paintings
804:
803:
796:
793:La Scapigliata
789:
782:
775:
767:
763:Salvator Mundi
759:
751:
744:
737:
730:
723:
715:
708:
700:
693:
686:
683:Benois Madonna
679:
672:
665:
657:
649:
647:
643:
642:
640:
639:
634:
629:
623:
620:
619:
612:
611:
604:
597:
589:
583:
582:
572:
571:External links
569:
567:
566:
554:
531:
520:
510:
479:
449:
425:
404:
395:
379:
366:
357:
345:
333:
328:Dianne Hales:
320:
318:
315:
314:
313:
306:
303:
269:New York World
256:
253:
186:
183:
92:
91:
85:
81:
80:
77:
73:
72:
67:
63:
62:
59:
55:
54:
48:
44:
43:
35:
34:
26:
9:
6:
4:
3:
2:
1463:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1423:
1421:
1406:
1398:
1397:
1393:
1390:
1389:
1386:
1380:
1378:
1374:
1372:
1371:
1367:
1365:
1362:
1360:
1357:
1355:
1353:
1349:
1347:
1346:
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1325:
1323:
1319:
1313:
1310:
1308:
1305:
1301:
1298:
1297:
1296:
1293:
1292:
1290:
1286:
1280:
1279:Andrea Solari
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1221:
1219:
1217:
1213:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1146:
1145:
1141:
1139:
1138:Architonnerre
1136:
1135:
1133:
1129:
1123:
1122:
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1095:Codex Arundel
1093:
1091:
1090:Codex Windsor
1088:
1086:
1083:
1082:
1080:
1076:
1066:
1065:
1061:
1059:
1058:
1054:
1052:
1051:
1047:
1045:
1044:
1040:
1038:
1037:
1033:
1030:
1027:
1024:
1023:
1019:
1018:
1016:
1014:
1007:
1001:
1000:
996:
995:
993:
991:
986:
980:
979:
975:
973:
972:
968:
966:
965:
961:
960:
958:
956:
951:
945:
944:
940:
938:
937:
933:
931:
930:
926:
924:
923:
922:Vitruvian Man
919:
917:
916:
912:
910:
909:
905:
903:
902:
898:
897:
895:
891:
884:
883:
879:
877:
876:
872:
870:
869:
865:
864:
862:
858:
848:
847:
843:
841:
840:
836:
834:
833:
829:
827:
826:
822:
820:
819:
815:
814:
812:
808:
802:
801:
797:
795:
794:
790:
788:
787:
783:
781:
780:
776:
773:
772:
768:
765:
764:
760:
757:
756:
752:
750:
749:
745:
743:
742:
738:
736:
735:
731:
729:
728:
724:
721:
720:
716:
714:
713:
709:
706:
705:
704:Madonna Litta
701:
699:
698:
694:
692:
691:
687:
685:
684:
680:
678:
677:
673:
671:
670:
666:
663:
662:
658:
656:
655:
651:
650:
648:
644:
638:
637:Personal life
635:
633:
630:
628:
627:List of works
625:
624:
621:
617:
610:
605:
603:
598:
596:
591:
590:
587:
581:
579:
575:
574:
563:
558:
548:
544:
540:
535:
529:
524:
518:
514:
500:
493:
489:
483:
467:
463:
459:
453:
446:
442:
438:
434:
429:
422:
418:
414:
408:
399:
392:
389:
383:
376:
370:
361:
354:
349:
342:
337:
331:
325:
321:
312:
309:
308:
302:
300:
295:
289:
287:
283:
279:
275:
270:
266:
262:
252:
250:
246:
242:
238:
234:
230:
224:
220:
216:
212:
210:
206:
202:
198:
193:
182:
179:
178:
171:
166:
162:
158:
154:
150:
149:
143:
141:
137:
133:
128:
123:
119:
115:
110:
102:
100:
89:
86:
82:
78:
74:
71:
68:
64:
60:
56:
52:
49:
45:
41:
36:
31:
19:
1376:
1368:
1351:
1344:
1254:Cesare Magni
1239:Giampietrino
1216:Leonardeschi
1161:Aerial screw
1142:
1119:
1105:Codex Madrid
1062:
1055:
1048:
1041:
1036:Christ Child
1034:
1020:
1010:
997:
989:
976:
969:
962:
954:
941:
934:
927:
920:
913:
906:
899:
885:(unexecuted)
882:Sforza Horse
880:
873:
866:
844:
837:
830:
823:
816:
798:
791:
784:
777:
769:
761:
753:
746:
739:
733:
732:
725:
717:
710:
702:
695:
688:
681:
674:
667:
659:
652:
577:
557:
539:Base Joconde
534:
523:
513:
502:. Retrieved
498:
487:
482:
470:. Retrieved
466:the original
461:
452:
428:
420:
416:
407:
398:
390:
387:
382:
374:
369:
360:
348:
336:
324:
290:
277:
268:
258:
249:Herbert Cook
235:
231:
228:
218:
188:
160:
146:
144:
138:, a married
121:
96:
95:
1078:Manuscripts
990:Last Supper
551:(in French)
445:Rijksmuseum
185:Attribution
177:ferronnière
145:Leonardo's
70:Oil on wood
1420:Categories
1151:Great Kite
1011:Virgin and
860:Sculptures
564:, inv. 778
504:2014-02-08
472:2013-07-22
377:(1968:48).
373:Berenson,
353:Luke Syson
341:Luke Syson
203:, wife of
127:ferronnier
76:Dimensions
1352:Mona Lisa
1333:Namesakes
1206:World Map
786:Mona Lisa
646:Paintings
437:Roger Fry
330:Mona Lisa
286:art world
116:, in the
61:1490–1496
1405:Category
1166:Crossbow
462:Time.com
305:See also
84:Location
1321:Related
1288:Museums
90:, Paris
1031:(lost)
818:Medusa
443:, the
255:Copies
118:Louvre
88:Louvre
66:Medium
47:Artist
1274:Salaì
1196:Sonar
1176:Robot
495:(PDF)
317:Notes
58:Year
488:NYT
243:.
1422::
766:✻✻
722:✻✻
549:.
545:,
541::
497:.
460:.
435:,
415:,
774:✻
758:✻
707:✻
664:✻
608:e
601:t
594:v
507:.
475:.
391:5
103:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
