66:
676:
553:
777:
703:. Duveen wrote their names and slipped it on a piece of paper to his father, when the lady was almost finished she innocently asked "We are buying so many tapestries, you must be wondering why?" Duveen's father immediately beamed and said "Of course not, Lady Guinness, you have so many beautiful homes, you will need more than one tapestry to decorate them!" The Guinnesses were subsequently ennobled in the 1890s; Duveen had successfully flattered Mrs Guinness by addressing her as "Lady Guinness".
621:
784:
373:
128:
692:
collections. He went to great lengths to purchase great works of art and his network went well beyond
American millionaires, English royalty, and art critics. He also relied heavily on valets, maids and butlers of his own household and those of his clients. Because he was capable of making potentially generous payments to top-flight servants, he was often rewarded with information to which other art dealers never had access.
25:
261:
722:, and the Mellon and Kress collections now in the National Gallery of Art in Washington and elsewhere. Duveen exploited his American clients' wish for immortality through buying great works of art, an ambition in which they were successful: today only economic historians can name the rich partners of Frick, Mellon or Morgan. One of his later clients was
699:, illustrates this. When Duveen was still a young man in his father's employment, a well-to-do couple came into the store to buy tapestries. As the lady was choosing and picking up pieces generously, Duveen's father discreetly asked him to find out who these people were. Duveen went outside to the horseman and was told that the couple were
544:. The works that Duveen shipped across the Atlantic remain the core collections of many of the United States' most famous museums. Duveen played an important role in selling to self-made industrialists on the notion that buying art was also buying upper-class status. He greatly expanded the market, especially for
691:
Duveen greatly increased the trade in bringing great works of art from Europe to
America. He eventually became "the art dealer", through shrewd planning and his insight into human behaviour. If a great painting came onto the market, he always outbid the opposition and eventually acquired the finest
749:
Maastricht in 2006 for $ 95,000. Müller-Ury also painted a full-length standing portrait of his daughter
Dorothy as a girl in 1914, and in 1924, at the time of her engagement, a bust-length portrait, which was exhibited the following year at Müller-Ury's exhibition at Duveen Brothers as 'Miss X'.
662:
panel paintings by scraping off old varnish and giving the paintings a glossy finish. He was also personally responsible for the damaging restoration work done to the Elgin
Marbles. Unhappy with the remnants of ancient pigment on the Marbles, he asked his agents to scrub them with sharp tools in
548:
paintings with the help of
Bernard Berenson, who certified some questionable attributions, but whose ability to put an artistic personality behind paintings helped market them to purchasers whose dim perception of art history was as a series of biographies of "masters."
504:
His success is famously attributed to his observation that "Europe has a great deal of art, and
America has a great deal of money." He made his fortune by buying works of art from declining European aristocrats and selling them to the millionaires of the United States.
567:
Duveen quickly became enormously wealthy and made many philanthropic donations. He donated paintings to
British galleries and gave considerable sums to repair and expand several galleries and museums. He built the Duveen Gallery of the
484:
The Duveen brothers' firm became very successful and became involved in trading antiques. Duveen Senior died in 1908; Joseph took over the business, working in partnership with his late father's brother
604:
Duveen married Elsie (1881–1963), daughter of Gustav
Salomon of New York, on 31 July 1899. They had a daughter, Dorothy Rose (1903–1985). She married, firstly,
1682:
1652:
580:. He was also controversial, said to have damaged old masters by 'overcleaning' and his name is associated with the Parthenon marbles 'scouring' scandal.
596:
of
Millbank in the City of Westminster in 1927 and raised to the peerage as Baron Duveen of Millbank in the City of Westminster on 3 February 1933.
390:
145:
38:
1031:
1672:
1657:
608:, DSC 2nd Bt. (1906–1993), on 23 July 1931 (div. 1937), and secondly, in 1938, Bryan Hartop Burns, B.A., B.Ch., F.R.C.S., Orthopædic Surgeon to
437:
192:
641:
In 1921, Duveen was sued by Andrée Hahn for $ 500,000 after making comments questioning the authenticity of a version of the
Leonardo painting
409:
164:
1692:
416:
171:
1096:
1562:
423:
178:
1199:
474:
405:
160:
892:
1193:
1082:
1618:
44:
953:"$ 500,000 Suit Hangs on da Vinci Fingers: Impressions on Canvas Said to Prove Master Painted Picture Denounced by Duveen"
1697:
1677:
700:
981:
647:
that she owned and had planned to sell. The case took seven years to come to trial and after the first jury returned an
706:
Duveen played a large part in forming many of the collections that are now in North American museums, for example the
1154:
456:
229:
211:
109:
87:
52:
80:
741:(1862–1947), who painted him three times, in 1923, 1929 and 1938. The 1923 portrait was reproduced on the cover of
1687:
1346:
430:
394:
185:
149:
737:
Duveen's portrait was painted by many artists, but his best painter-friend was the Swiss-born American artist
1442:
1264:
497:
and quickly became one of the world's leading art dealers due to his good eye, sharpened by his reliance on
1662:
1499:
1000:
683:, Washington. Photographs prove Duveen significantly altered the hair and headdress to make it look like a
1575:
982:"The Man of La Belle Ferronière: A fake Leonardo? The scandalous court case of art dealer Joseph Duveen"
952:
808:
On either side a Lion guardant Gules charged on the shoulder with a Plate thereon a Chinese Dragon Azure
1606:
1292:
1568:
1419:
758:
490:
1394:
74:
1389:
680:
609:
533:
513:
383:
355:, between 1927 and 1933, was a British art dealer who was considered one of the most influential
138:
643:
625:
1179:
715:
91:
1667:
751:
469:
Joseph Duveen was British by birth, the eldest of thirteen children of Rosetta (Barnett) and
908:
1647:
1642:
1589:
1430:
928:
537:
248:
1085:. Illustrated London News & Sketch Limited. 23 February 1926 – via Google Books.
738:
687:
of the 1440s. It is now catalogued as by an unknown "Franco-Flemish Master" of about 1410.
8:
839:
605:
517:
1252:
1243:
1234:
1225:
1216:
1207:
1339:
1117:
1001:"Working hard at giving it away: Lord Duveen, the British Museum and the Elgin marbles"
933:
913:
719:
637:, Paris; the authenticity of another version of this painting was questioned by Duveen.
478:
470:
340:
277:
1555:
1550:
1545:
1540:
1535:
1530:
1525:
1520:
1150:
1064:
1016:
888:
675:
630:
541:
1436:
1012:
731:
707:
509:
498:
663:
order to make them white. A number of the paintings he sold have turned out to be
1454:
1413:
726:, who, though he was less interested in paintings, bought from Duveen the second
655:
589:
521:
486:
1425:
1374:
1101:
829:
742:
727:
569:
561:
552:
1636:
1494:
1459:
1332:
1068:
1056:
855:
851:
776:
723:
711:
573:
557:
525:
620:
1515:
1448:
1384:
1369:
1277:
834:
648:
577:
529:
1194:
Finding Aid for the Duveen Brother Records at the Getty Research Institute
1379:
1032:"Meet Joseph Duveen, The Savvy Art Dealer Who Sold European Masterpieces"
664:
545:
1477:
1174:
796:
In front of a Garb Or banded Azure two Trefoils in saltire slipped Vert
659:
397: in this section. Unsourced material may be challenged and removed.
356:
1196:, contains listing of collection material and biographical information
493:. He moved the Duveen company into the risky, but lucrative, trade in
1612:
1582:
1483:
858:
was staged in 1962; the title character was clearly based on Duveen.
684:
783:
372:
127:
761:
in London. The baronetcy and barony became extinct upon his death.
494:
651:, Duveen agreed to settle, paying Hahn $ 60,000 plus court costs.
1305:
593:
1061:
Duveen: The Story of the Most Spectacular Art Dealer of All Time
654:
In recent years, Duveen's reputation has suffered considerably.
260:
1200:
Duveen Brother's stock documentations from the dealer's library
634:
746:
667:; it is uncertain whether he knew this when they were sold.
1355:
489:. He had received a thorough and stimulating education at
802:
Argent on a Bend Azure three Bees volant Or a Chief Gules
679:
The oldest Western panel portrait of a woman, now in the
477:
immigrant who had set up a prosperous import business in
1097:"A Look at Wes Anderson's New, New Yorker-Inspired Film"
1324:
757:
Lord Duveen died in May 1939 aged 69 and is buried in
1160:
Rachel Cohen: "Priceless – How Art Became Commerce".
152:. Unsourced material may be challenged and removed.
1251:
1242:
1233:
1224:
1215:
1206:
1634:
770:Coat of arms of Joseph Duveen, 1st Baron Duveen
1149:. (New edition: Hamish Hamilton, London, 1972.
1340:
1683:People educated at University College School
1653:Barons in the Peerage of the United Kingdom
885:The Parthenon Marbles and International Law
730:. Duveen had always kept a number of grand
53:Learn how and when to remove these messages
1347:
1333:
351:(14 October 1869 – 25 May 1939), known as
259:
1563:List of Turner Prize winners and nominees
947:
861:
457:Learn how and when to remove this message
230:Learn how and when to remove this message
212:Learn how and when to remove this message
110:Learn how and when to remove this message
1029:
927:
907:
674:
619:
551:
73:This article includes a list of general
1204:
1115:
1055:
695:One incident from Behrman's biography,
606:Sir William Francis Cuthbert Garthwaite
1673:English people of Dutch-Jewish descent
1658:Businesspeople from Kingston upon Hull
1635:
1328:
998:
979:
822:
745:'s 2004 biography, and later sold at
1693:Burials at Willesden Jewish Cemetery
1205:Behrman, S. B. (29 September 1951).
1075:
882:
878:
876:
576:and funded a major extension of the
395:adding citations to reliable sources
366:
318:
150:adding citations to reliable sources
121:
59:
18:
1089:
658:working under his guidance damaged
612:, of Upper Wimpole Street, London.
13:
1116:Chapman, John (20 November 1962).
999:Kehoe, Elisabeth (November 2004).
782:
775:
362:
79:it lacks sufficient corresponding
14:
1709:
1187:
1164:, 8 October 2012. pp. 64–71.
917:. 18 February 1927. p. 1111.
873:
406:"Joseph Duveen, 1st Baron Duveen"
161:"Joseph Duveen, 1st Baron Duveen"
34:This article has multiple issues.
1293:Baronetage of the United Kingdom
1030:Stamberg, Susan (9 March 2015).
1017:10.1111/j.1468-2281.2004.00220.x
599:
371:
126:
64:
23:
1118:"'Lord Pengo' Gently Civilized"
1109:
980:Nanol, Emmabeth (23 May 2013).
937:. 7 February 1933. p. 825.
846:A popular Broadway play called
382:needs additional citations for
349:Joseph Duveen, 1st Baron Duveen
314:
137:needs additional citations for
42:or discuss these issues on the
1049:
1023:
992:
973:
941:
921:
901:
887:. Springer. pp. 148–152.
615:
16:British art dealer (1869–1939)
1:
1265:Peerage of the United Kingdom
1083:"The Illustrated London News"
588:For his philanthropy, he was
560:in the Duveen Gallery of the
1500:Outset Contemporary Art Fund
501:, and skilled salesmanship.
7:
1208:"Profile of Duveen: Part 1"
10:
1714:
1698:Barons created by George V
1678:Jewish British politicians
833:, the character played by
814:Honor Industriae Praemium
583:
353:Sir Joseph Duveen, Baronet
1599:
1508:
1469:
1405:
1362:
1303:
1298:
1291:
1275:
1270:
1263:
951:staff (5 November 1921).
759:Willesden Jewish Cemetery
734:and tapestries in stock.
670:
491:University College School
336:
328:
301:
285:
270:
258:
246:
1395:Palais de Danse, St Ives
1354:
883:Titi, Catharine (2023).
1390:Barbara Hepworth Museum
843:is inspired by Duveen.
764:
681:National Gallery of Art
534:John D. Rockefeller Sr.
514:William Randolph Hearst
94:more precise citations.
1489:Sir Joseph Duveen, Bt.
862:References and sources
787:
780:
754:also painted Dorothy.
716:Art Gallery of Ontario
688:
638:
564:
471:Sir Joseph Joel Duveen
1688:English Sephardi Jews
1169:Duveen: A Life in Art
786:
779:
752:Dorothy Elaine Vicaji
678:
623:
555:
701:Mr and Mrs. Guinness
644:La belle ferronnière
626:La belle ferronnière
610:St George's Hospital
538:Edward T. Stotesbury
391:improve this article
249:The Right Honourable
146:improve this article
1663:English art dealers
1607:Frankfurt Art Theft
1569:The Weather Project
1105:. 11 February 2020.
1005:Historical Research
840:The French Dispatch
771:
518:Henry E. Huntington
265:Duveen in the 1920s
1256:. 3 November 1951.
1247:. 27 October 1951.
1238:. 20 October 1951.
1229:. 13 October 1951.
960:The New York Times
934:The London Gazette
914:The London Gazette
837:in Wes Anderson's
823:In popular culture
788:
781:
769:
720:Huntington Library
714:collection at the
689:
639:
565:
540:, and a Canadian,
341:Joseph Joel Duveen
1630:
1629:
1323:
1322:
1220:. 6 October 1951.
894:978-3-031-26356-9
820:
819:
739:Adolfo Müller-Ury
710:in New York, the
631:Leonardo da Vinci
542:Frank Porter Wood
508:Clients included
467:
466:
459:
441:
346:
345:
240:
239:
232:
222:
221:
214:
196:
120:
119:
112:
57:
1705:
1437:John Rothenstein
1349:
1342:
1335:
1326:
1325:
1261:
1260:
1257:
1255:
1248:
1246:
1239:
1237:
1230:
1228:
1221:
1219:
1212:
1210:
1167:Meryle Secrest:
1133:
1132:
1130:
1128:
1113:
1107:
1106:
1093:
1087:
1086:
1079:
1073:
1072:
1053:
1047:
1046:
1044:
1042:
1027:
1021:
1020:
1011:(198): 503–519.
996:
990:
989:
977:
971:
970:
968:
966:
957:
945:
939:
938:
925:
919:
918:
905:
899:
898:
880:
772:
768:
732:French furniture
708:Frick Collection
592:in 1919, made a
510:Henry Clay Frick
499:Bernard Berenson
462:
455:
451:
448:
442:
440:
399:
375:
367:
322:
320:
316:
292:
263:
244:
243:
235:
228:
217:
210:
206:
203:
197:
195:
154:
130:
122:
115:
108:
104:
101:
95:
90:this article by
81:inline citations
68:
67:
60:
49:
27:
26:
19:
1713:
1712:
1708:
1707:
1706:
1704:
1703:
1702:
1633:
1632:
1631:
1626:
1595:
1504:
1465:
1455:Nicholas Serota
1414:Charles Holroyd
1401:
1358:
1353:
1313:
1308:
1281:
1250:
1241:
1232:
1223:
1214:
1190:
1180:The Old Masters
1137:
1136:
1126:
1124:
1114:
1110:
1095:
1094:
1090:
1081:
1080:
1076:
1054:
1050:
1040:
1038:
1028:
1024:
997:
993:
986:blogs.getty.edu
978:
974:
964:
962:
955:
946:
942:
926:
922:
906:
902:
895:
881:
874:
864:
825:
767:
673:
618:
602:
586:
522:Samuel H. Kress
487:Henry J. Duveen
463:
452:
446:
443:
400:
398:
388:
376:
365:
363:Life and career
324:
312:
308:
297:
296:London, England
294:
290:
281:
275:
274:14 October 1869
266:
254:
253:The Lord Duveen
251:
236:
225:
224:
223:
218:
207:
201:
198:
155:
153:
143:
131:
116:
105:
99:
96:
86:Please help to
85:
69:
65:
28:
24:
17:
12:
11:
5:
1711:
1701:
1700:
1695:
1690:
1685:
1680:
1675:
1670:
1665:
1660:
1655:
1650:
1645:
1628:
1627:
1625:
1624:
1621:The Upper Room
1616:
1609:
1603:
1601:
1597:
1596:
1594:
1593:
1586:
1579:
1572:
1565:
1560:
1559:
1558:
1553:
1548:
1543:
1538:
1533:
1528:
1523:
1512:
1510:
1506:
1505:
1503:
1502:
1497:
1491:
1486:
1480:
1473:
1471:
1467:
1466:
1464:
1463:
1462:(2017–present)
1457:
1451:
1445:
1439:
1433:
1428:
1426:Charles Aitken
1423:
1417:
1409:
1407:
1403:
1402:
1400:
1399:
1398:
1397:
1387:
1382:
1377:
1375:Tate Liverpool
1372:
1366:
1364:
1360:
1359:
1352:
1351:
1344:
1337:
1329:
1321:
1320:
1315:
1302:
1296:
1295:
1289:
1288:
1283:
1274:
1268:
1267:
1259:
1258:
1202:
1197:
1189:
1188:External links
1186:
1185:
1184:
1172:
1165:
1162:The New Yorker
1158:
1145:S.N. Behrman:
1135:
1134:
1108:
1102:The New Yorker
1088:
1074:
1048:
1022:
991:
972:
940:
920:
900:
893:
871:
870:
863:
860:
830:The New Yorker
824:
821:
818:
817:
816:
815:
812:
809:
806:
803:
800:
797:
794:
789:
766:
763:
743:Meryle Secrest
728:Ardabil Carpet
672:
669:
617:
614:
601:
598:
585:
582:
570:British Museum
562:British Museum
465:
464:
379:
377:
370:
364:
361:
344:
343:
338:
334:
333:
330:
326:
325:
310:
306:
305:
303:
299:
298:
295:
293:(aged 69)
287:
283:
282:
276:
272:
268:
267:
264:
256:
255:
252:
247:
238:
237:
220:
219:
134:
132:
125:
118:
117:
72:
70:
63:
58:
32:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1710:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1640:
1638:
1623:
1622:
1617:
1615:
1614:
1610:
1608:
1605:
1604:
1602:
1598:
1592:
1591:
1587:
1585:
1584:
1580:
1578:
1577:
1573:
1571:
1570:
1566:
1564:
1561:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1518:
1517:
1514:
1513:
1511:
1507:
1501:
1498:
1496:
1495:Charles Clore
1492:
1490:
1487:
1485:
1481:
1479:
1475:
1474:
1472:
1468:
1461:
1460:Maria Balshaw
1458:
1456:
1452:
1450:
1446:
1444:
1440:
1438:
1434:
1432:
1429:
1427:
1424:
1421:
1420:D. S. MacColl
1418:
1415:
1411:
1410:
1408:
1404:
1396:
1393:
1392:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1367:
1365:
1361:
1357:
1350:
1345:
1343:
1338:
1336:
1331:
1330:
1327:
1319:
1316:
1312:
1310:(of Millbank)
1309:
1307:
1301:
1297:
1294:
1290:
1287:
1284:
1280:
1279:
1273:
1269:
1266:
1262:
1254:
1245:
1236:
1227:
1218:
1209:
1203:
1201:
1198:
1195:
1192:
1191:
1182:
1181:
1176:
1173:
1170:
1166:
1163:
1159:
1156:
1155:0-241-02179-0
1152:
1148:
1144:
1143:
1142:
1141:
1123:
1119:
1112:
1104:
1103:
1098:
1092:
1084:
1078:
1070:
1066:
1062:
1058:
1057:Behrman, S.N.
1052:
1037:
1033:
1026:
1018:
1014:
1010:
1006:
1002:
995:
987:
983:
976:
961:
954:
950:
944:
936:
935:
930:
924:
916:
915:
910:
904:
896:
890:
886:
879:
877:
872:
869:
868:
859:
857:
856:Charles Boyer
854:and starring
853:
852:S. N. Behrman
849:
844:
842:
841:
836:
832:
831:
827:According to
813:
810:
807:
804:
801:
798:
795:
792:
791:
790:
785:
778:
774:
773:
762:
760:
755:
753:
748:
744:
740:
735:
733:
729:
725:
724:J. Paul Getty
721:
717:
713:
712:Frank P. Wood
709:
704:
702:
698:
693:
686:
682:
677:
668:
666:
661:
657:
652:
650:
646:
645:
636:
632:
628:
627:
622:
613:
611:
607:
600:Personal life
597:
595:
591:
581:
579:
575:
574:Elgin Marbles
572:to house the
571:
563:
559:
558:Elgin Marbles
554:
550:
547:
543:
539:
535:
531:
527:
526:Andrew Mellon
523:
519:
515:
511:
506:
502:
500:
496:
492:
488:
482:
480:
476:
472:
461:
458:
450:
439:
436:
432:
429:
425:
422:
418:
415:
411:
408: –
407:
403:
402:Find sources:
396:
392:
386:
385:
380:This section
378:
374:
369:
368:
360:
359:of all time.
358:
354:
350:
342:
339:
335:
331:
327:
307:Elsie Duveen
304:
300:
288:
284:
279:
273:
269:
262:
257:
250:
245:
242:
234:
231:
216:
213:
205:
194:
191:
187:
184:
180:
177:
173:
170:
166:
163: –
162:
158:
157:Find sources:
151:
147:
141:
140:
135:This article
133:
129:
124:
123:
114:
111:
103:
93:
89:
83:
82:
76:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1668:English Jews
1620:
1619:Purchase of
1611:
1588:
1581:
1574:
1567:
1516:Turner Prize
1488:
1449:Alan Bowness
1431:J. B. Manson
1385:Tate St Ives
1370:Tate Britain
1317:
1311:
1304:
1300:New creation
1299:
1285:
1278:Baron Duveen
1276:
1272:New creation
1271:
1178:
1168:
1161:
1146:
1139:
1138:
1125:. Retrieved
1121:
1111:
1100:
1091:
1077:
1060:
1051:
1039:. Retrieved
1035:
1025:
1008:
1004:
994:
985:
975:
963:. Retrieved
959:
948:
943:
932:
923:
912:
903:
884:
866:
865:
847:
845:
838:
835:Adrien Brody
828:
826:
756:
736:
705:
696:
694:
690:
653:
649:open verdict
642:
640:
624:
603:
587:
578:Tate Gallery
566:
530:J. P. Morgan
507:
503:
483:
475:Dutch-Jewish
468:
453:
447:January 2023
444:
434:
427:
420:
413:
401:
389:Please help
384:verification
381:
352:
348:
347:
291:(1939-05-25)
241:
226:
208:
199:
189:
182:
175:
168:
156:
144:Please help
139:verification
136:
106:
97:
78:
50:
43:
37:
36:Please help
33:
1648:1939 deaths
1643:1869 births
1509:Exhibitions
1470:Benefactors
1443:Norman Reid
1380:Tate Modern
929:"No. 33909"
909:"No. 33249"
616:Controversy
546:Renaissance
357:art dealers
289:25 May 1939
92:introducing
1637:Categories
1590:Shibboleth
1576:Embankment
1478:Henry Tate
1314:1927–1939
1282:1933–1939
1175:Simon Gray
1122:Daily News
965:8 February
867:References
848:Lord Pengo
805:Supporters
799:Escutcheon
660:Old Master
417:newspapers
332:1 daughter
202:April 2014
172:newspapers
100:April 2014
75:references
39:improve it
1613:Tate Etc.
1583:Test Site
1484:Hugh Lane
1406:Directors
1363:Galleries
1069:907006708
685:Pisanello
656:Restorers
633:, in the
495:paintings
280:, England
45:talk page
1422:(Keeper)
1416:(Keeper)
1318:Extinct
1286:Extinct
1253:"Part 6"
1244:"Part 5"
1235:"Part 4"
1226:"Part 3"
1217:"Part 2"
1177:'s play
1059:(1952).
1041:13 March
590:knighted
329:Children
1306:Baronet
1183:. 2004.
1171:. 2004.
1140:Sources
1127:14 July
594:Baronet
584:Honours
431:scholar
323:
311:
186:scholar
88:improve
1153:
1147:Duveen
1067:
891:
718:, the
697:Duveen
671:Legacy
635:Louvre
433:
426:
419:
412:
404:
337:Father
317:
302:Spouse
188:
181:
174:
167:
159:
77:, but
1600:Other
956:(PDF)
811:Motto
793:Crest
747:TEFAF
665:fakes
629:, by
438:JSTOR
424:books
321:)
313:(
309:
193:JSTOR
179:books
1556:2013
1551:2012
1546:2011
1541:2010
1536:2009
1531:2008
1526:2007
1521:2006
1493:Sir
1482:Sir
1476:Sir
1453:Sir
1447:Sir
1441:Sir
1435:Sir
1412:Sir
1356:Tate
1151:ISBN
1129:2021
1065:OCLC
1043:2020
967:2014
889:ISBN
765:Arms
556:The
479:Hull
473:, a
410:news
319:1899
286:Died
278:Hull
271:Born
165:news
1036:NPR
1013:doi
949:NYT
850:by
481:.
393:by
148:by
1639::
1249:,
1240:,
1231:,
1222:,
1213:,
1157:).
1120:.
1099:.
1063:.
1034:.
1009:77
1007:.
1003:.
984:.
958:.
931:.
911:.
875:^
536:,
532:,
528:,
524:,
520:,
516:,
512:,
315:m.
48:.
1348:e
1341:t
1334:v
1211:.
1131:.
1071:.
1045:.
1019:.
1015::
988:.
969:.
897:.
460:)
454:(
449:)
445:(
435:·
428:·
421:·
414:·
387:.
233:)
227:(
215:)
209:(
204:)
200:(
190:·
183:·
176:·
169:·
142:.
113:)
107:(
102:)
98:(
84:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
