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L. Shankar

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and spent about a year and a half improving the design. According to Shankar, “It was not easy to get anyone to take my violin seriously until I crafted one myself putting it together piece by piece and then suddenly they responded”. He and Parker spent hours testing various materials and forms and he made sure that both necks were equally strong to avoid a tendency to predominantly play on only one. Also known as the LSD (L.Shankar's Double violin), the lower neck covers the double bass and cello range and the upper neck generates treble sounds; the violin and viola. In addition to providing a wide range of 5 ½ octaves, playing on one neck produces a sympathetic effect on the other. The horizontal rib can be positioned beneath the chin or supported against the chest (Indian style) while playing.
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Having a vocal range of 5 1/2 octaves Shankar often emphasizes the importance of vocal training in addition to learning an instrument to better grasp the ornamentation in Indian music. He said, "If you learn vocals and instruments and get an all-round education in music, it makes you a better performer". He received his first violin at the age of 5 and when he began playing the violin, the lines he practiced were vocal melodies he had learned. At the age of 7, he gave his first public concert during a festival at the Nallur Kandaswamy temple in Jaffna.
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performing regularly on national television and recorded several albums. His early success and his improvisational ingenuity is often credited to his consistent discipline and demanding practice routine for hours. He said "father used to get up around 4:00 AM and wake us up. He'd practiced with us for an hour or more. We went to school at 7:30 but when we returned at 1:30 father was waiting for us with another lesson. After dinner we'd all get together and have a kind of jam session.”
756:, pioneered the trend of sibling ensembles performing Carnatic music. Prior to that, Carnatic violin had been primarily a solo instrument or used as an accompaniment in vocal concerts. They began performing together as the "Violin Trio". Although this approach was initially criticized by traditionalists, their music gained immense popularity in India and ultimately spread worldwide during the 1970s. They recorded several albums as the Violin Trio. 36: 727:
classical performance as well as versatility in pop and jazz genres. Shankar stated that “I suppose what matters is not the violin but how you play it. Without that effort your violin will never learn to speak and 20 strings will make no difference”. To date, Shankar has commissioned four different versions of the double violin, with the latest edition crafted by luthier John Jordan and released in 2023.
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percussion and the second accompanied by Zakir Hussain on tabla and Vikku Vinayakram on ghatam. According to ECM Reviewer, Tyron Grillo describes Shankar's playing as “a language of the utmost depth and beauty” and that while traditionalists in the Carnatic music sphere may find Shankar's modern touches unconventional, “the music soars in ways that far outsoar its criticism.” In 1995, Shankar released
685:. He taught McLaughlin ragas, rhythms and ornamentation and in turn learnt about harmony and jazz Shakti received overwhelming critical acclaim. According to Naresh of Man's World magazine, Shankar's compositions in Shakti, were praised for their innovativeness and “for how effortlessly they projected his very own voice.” 915:. The album was produced in England, featuring a British rhythm section. Most of the compositions were Shankar's, while Zappa handled the arrangements and wrote the lyrics that were included in the album. According to Zappa, “it's got a lot of stuff that's' definitely going to hit the radio right where it lives.” 946:
In the 1980s, Shankar released several albums under the ECM label, his first being "Who’s To Know," featuring his double violin and accompanied by Umayalpuram K. Sivaraman on mridangam and Zakir Hussain on tabla. According to ECM reviewer, Tyran Grillo, the album “will ever remain an ECM jewel” owing
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that is reassuringly easy to listen to. According to J.D. Considine from The Washington Post, Shankar's “solo recordings avoid entirely the excesses of fusion jazz” and instead, “pursue a plangent serenity… that suggests a transcendence unheard in jazz.” ‘Song for Everyone’ was released in 1985 and
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Due to the instrument's greater angle, the bowing was different and Shankar incorporated new techniques including playing on both necks simultaneously. According to him, “It’s musically more satisfying”. The double violin is capable of replicating a full orchestra's effect, allowing for traditional
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was a renowned Carnatic vocalist and violinist and his mother L. Seetalakshmi was a trained singer and played the veena. Considered as a child prodigy, Shankar began vocal training with his father at the age of two. Within a year, he was able to hum complex lines of traditional Indian compositions.
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The concept for the double violin originated in 1978, after producing his album by Zappa Records where Shankar had to overdub a wide range of string instruments as he was unable to find session musicians who could render the Indian ornaments and styles he wanted. He made a prototype with cardboard
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Shankar was encouraged by his father to absorb influences from the Northern Indian music traditions as well as Southern Indian traditions. According to Shankar "there is not one music that is superior to another – just different ways of expressing the beauty of our culture.” He was also advised to
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Apart from singing and playing the violin, he pursued professional mridangam playing until the age of 12. He said "my father really insisted that besides learning your melodic instrument, you also learn percussion". However, he had to discontinue at his father's suggestion when he began to develop
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peaked at No.9 on the Billboard top ten world music charts for three consecutive  months – making it the first traditional Indian record ever hit those charts. The album consists of two tracks, the first is the rendition of ragam “Sankarabharanam" on the double violin and vocal  without
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and learnt the music systems of different cultures. According to Shankar, “Music is universal, it connects all races, religions and ages. It's the only language everyone can understand and feel”. Shankar had always been open to experimentation in music. He said that from a young age, he perceived
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Shankar gained considerable reputation across India in his early youth as an accompanist and filled in for some of the most eminent names in Carnatic music often performing solo concerts that lasted between two and three hours. By the age of 17, Shankar had become a highly sought-after violinist,
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In spite of his early success as a musician, Shankar faced pressure from his family to have a fall back career as an engineer. He obtained a B.S. in physics from India and his father tried to acquire an engineering seat for him. Shankar, however, believed that music was his true calling. He even
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in 1978 while they were both working at a pop festival in Germany and during a casual jam session, Zappa extended an invitation for him to play with his band in New York. Following the dissolution of Shakti, Shankar toured briefly with Zappa, which resulted in him signing the violinist to his
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and the second annual World Peace Music Awards in San Francisco's Civic Center Plaza, to benefit all the orphans of war and terrorism. In September 2004, he received the World Peace Music Award and in that same year, he composed and performed vocals and double violins on Mel Gibson's
985:(1989) under the pop/rock group The Epidemics ( previously known as Sadhu, after his pet rabbit) In 1987, the three former members of Shakti - Shankar, Zakir, and Vikku undertook a brief tour as Peshkar with Larry Coryell in Britain. Concurrently, Shankar joined 578:
in 1958, their house was raided and set ablaze. The family fled Sri Lanka, leaving everything behind and returned to Madras, India. In that year, Shankar and his two older brothers formed the Violin Trio which "made history in 20th century Carnatic music" scene.
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in 1972. His understanding of the Western music system and having the “sensitivity, the control, the feeling, and the knowledge” of classical Indian enabled the representation of the East/West blend in music that led to the founding of the group
450:. Known for his innovative contributions to world music, he is often regarded as one of the pioneers of East- West fusion, blending the rich traditions of Indian classical with Western genres such as jazz, rock, and electronic music. 538:. As an acclaimed musician, Shankar is ranked amongst the greatest violinists of popular music by Digital Dream Door. His extensive body of work spans a wide spectrum of genres, encompassing vocal and instrumental compositions. 828:
The group disbanded in 1978 and as Shankar put it, ‘I felt enough time wasn’t given to rehearsals and I wanted to do it right’. During this period, Shankar took on the role of playing the electric violin and toured alongside
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music visually and often compared it to the colors in an artwork. He said “I’ve tried to combine different traditions…musical styles are like colors in painting: there are so many things you can do with them”.
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on guitar, R. Raghavan on mridangam, Mahalakshmi Eve McLaughlin (tamboura) and Tanima (shruti box). Before Shakti became known under this name, they were called Turiyananda Sangit, a name given to them by
64: 465:(known as the LSD - L.Shankar Double Violin), which covers the orchestral string family's range. In 1990, Shankar's talam-bending (time cycles of 9 3/4 & 6 3/4 beats) Pancha Nadai Pallavi 794:
was added on ghatam for the remainder of those Shakti days.  Shankar co-wrote all of the group's material with John McLaughlin, resulting in the release of three world music albums:
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was later added on tabla and the name was changed to Shakti as the band members wanted a name that “listeners in the West could relate to” Raghavan didn't stay with the project and
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shows in Spain and toured globally, performing in several humanitarian events including The Concert for Global Harmony, Fiddlefest (a benefit for the Harlem Center For Strings) and
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Shankar was among the early pioneers in the 70s who introduced South Indian music to a Western audience that was more accustomed to North Indian music at that time. He often merged
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Initially, Shankar had entered into a 10-album deal with Zappa Records. However, a conflict between the distributors and Zappa led to the eventual termination of the agreement.
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become familiar with Western classical music and had been exposed to various Western genres such as rock and pop music since his early teens. At Wesleyan University, he studied
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Shankar was born in Madras, India, on 26 April 1950 as the sixth child into a family of musicians. His three sisters studied vocal music whereas Shankar and his two brothers -
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styles in his performances and collaborated with jazz musicians to bridge the gap between Eastern and Western music traditions. His early American recording sessions were on
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Since 1980, Shankar has been using a 10-string, stereophonic double-necked electric violin for all his performances and recordings which he designed and had it made by
951:’, accompanied by saxophonist Jan Garbarek and trumpeter Palle Mikkelborg. In an AllMusic review, Richard S. Ginell describes the album as "an ethereal tour-de-force” 864: 2086: 1992: 955:
remains the most memorable among his ECM releases. According to Shankar, “It is a highlight that stays with me, the melodies keep coming up in my playing”.
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and recorded eight songs of which five were picked for the movie. Additionally, he collaborated on the original score for NBC's hit TV series
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top ten world music chart for three months becoming the first traditional Indian record to reach those heights. His 1995
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in the position. The experience led to Zappa producing and contributing lyrics for his debut 1979 American solo album,
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label. As per Zappa, “The reason I wanted to sign him is because I like the way he plays”. In 1979, they released '
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standard to gauge the playing and composing abilities of any world musician following in Shakti's expansive wake
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to Shankar's signature style and melodic sensibility. In 1984, Shankar released his second ECM album, ‘
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In 1982 during the brief Shakti Reunion tour in India, Shankar (on the double violin) performed with
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L.Shankar & Ramnad V. Raghavan performed South Indian Classical music in Summergarden, NY 1975
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Violin Trio: L Vaidyanathan, L Subramaniam and L Shankar with Palghat Mani Iyer on mridangam.
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Turiyananda Sangit - performed on March 16, 1975, at St. Thomas Episcopal Church in New York
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Frank Zappa & L Shankar during the production of "Touch Me There" by Zappa Records
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Years given are for the recording(s), not first release, unless stated otherwise.
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in order not to secure admission and was delighted when the results favored him.
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and moved to the US. He performed regularly on campus while pursuing a PhD in
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From left: Zakir Hussain, Manfred Eicher, L.Shankar, Umayalpuram K. Sivaraman
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of Stuyvesant Sound in New York. The instrument made its debut in 1981 on
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L. Shankar (aged 13) recorded in 1963 by Films Division for a documentary.
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Shankar released several Indian classical albums in the 1990s including
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were trained in both vocal music as well as violin playing. His father
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The original line-up, formed in 1973 consisted of Shankar on violin,
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on keyboards, and Tony Smith on drums, to record the studio album,
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from the article and its talk page, especially if potentially
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1980 - 1985: Who’s To Know, Vision & Song For Everyone
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will stand tall in recorded history for decades to come.”
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From the BBC documentary, Bombay and All that Jazz, 1992
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Shankar’s band collaborated in Peter Gabriel's 1995
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Shakti performing with Larry Coryell, in India, 1982
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1990 - 1995: Classical solo albums & Raga Aberi
541: 2430:"BBC World Service - The Documentary, Bombay Jazz" 971:Between 1986 and 1989, Shankar released 3 albums: 644:L Shankar with McLaughlin's One Truth Band in 1978 2812: 1651: 627: 602:In 1969, he was offered a teaching position at 2142:"Grammy winner returns to his 'best' audience" 2625: 2505: 959:1986 - 1989: The Epidemics and other ventures 882:. However, the new line-up excluded Shankar. 844:In 1979, Shankar briefly joined McLaughlin's 1425: 824:Frank Zappa & L. Shankar in Berlin, 1978 735: 441:, singer and composer who also goes by the 19:For the Hindustani classical vocalist, see 2632: 2618: 2512: 2498: 2359:"SHANKAR: PANCHA NADAI PALLAVI (ECM 1407)" 1628:"The Greatest Violinists of Popular Music" 514:for Instrumental Album of the Year at the 502:(1988), and wrote and performed vocals on 481:, in the Best World Music Album category. 162: 67:about living persons that is unsourced or 2327: 1688: 1505: 1419: 1044:1995 - 2006: WOMAD & Special projects 138:Learn how and when to remove this message 2275:"L. Shankar's World of Violin and Voice" 2087:"L.Shankar: A violinist of rare quality" 1964: 1878:"A journey that began with 108 coconuts" 1817: 1715: 1713: 1711: 1464: 962: 937: 889: 863: 819: 766: 739: 717: 639: 631: 581: 561: 488:, he worked on the Grammy winning album 2246: 2050: 1990: 1652:Sankaranarayanan, S (6 November 2014). 762:(formerly known as Turiyananda Sangeet) 722:L.Shankar in Milano (Teatre Ciak), 1990 2813: 2455:"Bombay and Jazz – A documentary 1992" 2356: 2352: 2350: 2323: 2321: 2298: 2191: 2165: 2110: 2016: 1960: 1958: 1780: 1776: 1774: 1721:"WBTG - Reviews: Dr. L. Shankar Talks" 1390:(1994) (double violin, backing vocals) 688: 431:(born 26 April 1950), better known as 2613: 2493: 2220: 2216: 2214: 2166:Kusnur, Narendra (24 February 2017). 2135: 2133: 2084: 2080: 2078: 2076: 2046: 2044: 2042: 2040: 1931: 1929: 1927: 1925: 1923: 1875: 1871: 1869: 1867: 1865: 1813: 1811: 1809: 1807: 1805: 1803: 1747: 1745: 1743: 1741: 1708: 1596: 1594: 1501: 1499: 1497: 1495: 1493: 1491: 1489: 1487: 1460: 1458: 1456: 886:1979: Touch Me There by Zappa Records 707:, as well as on Shankar's own album, 461:”. He is credited with inventing the 453:His world music albums with the band 16:Indian violinist, singer and composer 2301:"Shankar: Who's to Know' (ECM 1195)" 2272: 2139: 1991:Limnios, Michael (14 October 2021). 1684: 1682: 1680: 1678: 1676: 1674: 1542: 1540: 1538: 1536: 1534: 1532: 1530: 1528: 1526: 1524: 1465:Ferreira, Verus (14 November 2014). 29: 2347: 2318: 2247:Branton, Michael (5 October 1979). 1955: 1771: 1751: 1689:Fernandes, Naresh (20 March 2018). 1148:For a more comprehensive list, see 595:vowed to break 108 coconuts at the 13: 2891:Jonathan Davis and the SFA members 2299:Grillo, Tyran (11 February 2010). 2211: 2130: 2111:Sarkar, Avijit (6 December 2004). 2073: 2037: 1920: 1862: 1800: 1738: 1591: 1506:Underwood, Lee (2 November 1978). 1484: 1453: 1029:(1990) and Raga Aberi (1995). His 14: 2912: 2469: 1935: 1671: 1521: 1060:(2001) and the world music album 748:Shankar, along with his brothers 492:(1989), the soundtrack album for 2085:Menon, Raghava (30 April 1984). 2017:Palmer, Robert (11 April 1979). 1845:"Shankar - Ultimate Eurythmics:" 1781:Dongre, Archana (1 March 2001). 1084:Shankar has also performed with 542:Early life, family and education 34: 2447: 2422: 2402: 2376: 2328:Considine, J.D (25 July 1984). 2292: 2273:Lint, Mark (19 February 2022). 2266: 2240: 2185: 2159: 2104: 2010: 1984: 1895: 1837: 1408:(2006–2009, TV series) (vocals) 1384:Bombay Jazz (1992, documentary) 457:during the mid-70s became the ‘ 346:XDot25/Orchard/Sony Music Group 2519: 2357:Grillo, Tyran (4 April 2012). 2221:Forte, Dan (1 November 1979). 1936:R, Varadarajan (1 July 1984). 1818:Schaefar, John (August 1985). 1645: 1620: 1566: 1432:The Guinness Who's Who of Jazz 1402:(2004) (vocals, double violin) 1372: 1143: 610:, which he completed in 1974. 1: 2871:20th-century Indian composers 2140:Basu, Rith (6 January 2019). 1876:Menon, Priya (14 July 2019). 1412: 1396:(film) (2002) (double violin) 1379:The Last Temptation of Christ 924:BAM Magazine, October 5, 1979 628:Cross-cultural Collaborations 613: 566:Young L. Shankar on mridangam 499:The Last Temptation of Christ 2051:Pietaro, John (April 2022). 1849:Ultimate Eurythmics Archives 1752:Sai, Veejai (23 July 2016). 194:L. Shankar, Shankar, Shenkar 45:biography of a living person 7: 2886:21st-century male musicians 2881:20th-century male musicians 2053:"Artist Feature: L.Shankar" 1654:"A Birth Centenary Tribute" 1574:"38th Annual GRAMMY Awards" 797:Shakti with John McLaughlin 508:'The Passion of the Christ' 463:stereophonic double violin 72:must be removed immediately 10: 2917: 2856:Wesleyan University alumni 2639: 2192:Denyer, Ralph (May 1979). 2060:Robert Browning Associates 1147: 477:album was nominated for a 382:Jonathan Davis and the SFA 18: 2762: 2743: 2710: 2647: 2586: 2527: 2168:"Farewell, Larry Coryell" 1965:WebIndia (6 March 2015). 1400:The Passion of the Christ 1071:The Passion of the Christ 922:— Frank Zappa, 730: 409: 405: 374: 338: 328: 308: 282: 231: 221: 198: 188: 178: 173: 161: 154: 2794:Saturday Night in Bombay 2459:Bluerhythm.wordpress.com 1820:"New Sounds: L. Shankar" 736:1960s - 1975 Violin Trio 701:' acclaimed solo album, 2876:21st-century violinists 2249:"Frank Zappa Interview" 2223:"Frank Zappa interview" 2113:"Shankar & Gingger" 2019:"Violinist: L. Shankar" 1073:, along with composers 571:calluses on his hands. 429:Shankar Lakshminarayana 184:Shankar Lakshminarayana 2279:Nakedly Examined Music 1691:"Shankar's New Avatar" 1548:"Bowing Into Infinity" 1381:(1988) (double violin) 1150:L. Shankar discography 999:Ronald Shannon Jackson 968: 943: 928: 895: 869: 848:, which also included 825: 772: 745: 723: 645: 637: 587: 567: 174:Background information 59:Please help by adding 23:. For other uses, see 2896:Shakti (band) members 2866:Indian rock musicians 2841:Jazz fusion musicians 2831:Indian male composers 2384:"Shankar and Gingger" 2330:"Jazz With an Accent" 1783:"Visionary Violinist" 1196:Violin Ecstasy (1978) 966: 941: 917: 893: 867: 823: 770: 743: 721: 673:Communication Network 643: 635: 585: 565: 1632:digitaldreamdoor.com 1508:"Profile: L.Shankar" 1366:Christmas from India 1258:Pancha Nadai Pallavi 1031:Pancha Nadai Pallavi 1023:Pancha Nadai Pallavi 792:TH Vikku Vinayakaram 760:1973 - 1978: Shakti 516:36th GMA Dove Awards 156:L. Shankar (Shenkar) 65:Contentious material 2861:ECM Records artists 2826:Carnatic violinists 2718:A Handful of Beauty 2334:The Washington Post 2198:Sound International 2146:The Telegraph India 1437:Guinness Publishing 1394:Queen of the damned 1174:A Handful of Beauty 803:A Handful of Beauty 689:Double Violin (LSD) 604:Wesleyan University 597:Luz Pillayar Temple 520:Queen of the Damned 510:(2004) which won a 168:L Shankar (Shenkar) 2901:SXL (band) members 2677:Ganesh Rajagopalan 2023:The New York Times 1882:The Times Of India 1435:(First ed.). 969: 944: 896: 870: 826: 773: 746: 724: 646: 638: 588: 568: 556:V. Lakshminarayana 292:electric violinist 2836:Indian violinists 2808: 2807: 2800: 2788: 2663:Shankar Mahadevan 2607: 2606: 2587:Related articles: 2560:Song for Everyone 2390:. 6 December 2004 1388:Secret World Live 1313: 1225:Song for Everyone 1192: 1180: 1168: 1098:Bruce Springsteen 1066:Secret World Tour 1007:SXL Live in Japan 850:Fernando Saunders 815:Handful of Beauty 668:Clifford Thornton 469:album was on the 423: 422: 148: 147: 140: 122: 48:needs additional 2908: 2798: 2786: 2726:Natural Elements 2702:T. H. 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