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born curator and public speaker. His visions about contemporary art made lasting contributions to the lives of countless artists and colleagues at the Museum of Modern Art in New York City where he worked from 1959 to 2008. He is said to be the first curator of color at a major
American museum and at
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In 1970, McShine curated an international survey of new conceptual art. The exhibition included 130 artists, filmmakers and collectives and was centered around the new influence of communication technologies and criticized the involvement of the US government in the war in
Vietnam. The exhibit was
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He held the position of associate curator in MoMA's
Department of Painting and Sculpture until 1971, after which he assumed the roles of Curator of Exhibitions from 1971 to 1984; Senior Curator, 1984–2001; Acting Chief Curator 2001-03, and Chief Curator at Large from 2003 until his retirement in
471:. The catalog for the exhibition featured a typewriter font and inexpensive stock, offering each artist space to do as they chose. In the catalog, McShine suggested painting might not be suited to tackle more contemporary issues that Conceptual art can.
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Born
Kynaston Leigh Gerard McShine to Leonora Pujadas and Austen Hutton McShine, Kynaston McShine was the elder of two children. Pujadas was president and founder of the League of Women Voters in Trinidad while his father was president of a bank.
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at MoMA. The exhibition purported to present the most notable recent work in contemporary art. Of 165 artists in the show, only 13 were women, spurring a group of women artists of the time to form
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as part of its fiftieth anniversary celebrations in 1979 was discarded by the museum sometime in the 1990s, a fact which was not disclosed to the artist until 2016.
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211:(MoMA)'s public information department. From there, he moved to its department of circulating exhibitions, where he organized a traveling exhibit of work by
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Juliff, Toby (2018). "A New
Generation of British Art: A Problem of Provincialism". Sydney: Australian and New Zealand Journal of Art. p. 125-145.
774:
Juliff, Toby (2018). "A New
Generation of British Art: A Problem of Provincialism". Sydney: Australian and New Zealand Journal of Art. p. 125-145.
525:. There were 182 works included of painting, video, printed brochure and installation art that ranged from critiquing the museum to celebrating it.
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before the term "Minimalism" was used to describe their work. The groundbreaking show was restaged by the Jewish Museum in their 2014 exhibition
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series that focuses on small scale experimental work by emerging artists. The first exhibition in the series was work by artist
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from 1965-68, and served as acting director there from 1967-68. While there, he organized the first museum survey of
489:, bringing together artists that use the museum as their subject matter. He brought together work from artists like
786:"Kynaston McShine, "Information" Exhibition Research in The Museum of Modern Art Archives Info Exhibition Records"
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632:"Remembering Kynaston McShine, the Visionary MoMA Curator Who Defined Radical Movements in Contemporary Art"
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251:"one of those exhibitions that defines a period and fixes it irrevocably in one's consciousness."
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389:. The show posited for the first time that artists may master design rather than a craft. Artist
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his retirement he had risen to the position of chief curator at large of painting and sculpture.
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in 1959. After a brief period of employment, he continued his graduate studies at
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in
Trinidad and Tobago. In 1958, McShine earned a bachelor of arts degree from
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After becoming associate curator at the MoMA in 1968, he initiated the
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Art, Politics, and
Dissent: Aspects of the Art Left in Sixties America
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591:"Kynaston McShine, Curator of Historic Art Exhibitions, Dies at 82"
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series, devoted to emerging, experimental art. Exhibitions in the
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People associated with the Museum of Modern Art (New York City)
912:"ART REVIEW; The Modern Looks at Artists Looking at Museums"
876:"10 Exhibitions That Changed the Course of Contemporary Art"
743:"'Other Primary Structures,' a Sequel, at the Jewish Museum"
191:, where he studied philosophy. He began graduate studies at
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949:. Manchester, UK: Manchester University Press. p.
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McShine was
Curator of Painting and Sculpture at the
393:called the exhibition "the key show of the 1960s."
1065:Trinidad and Tobago emigrants to the United States
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455:alongside more familiar American artists like
183:As a child, McShine and his brother attended
166:(February 20, 1935 – January 8, 2018) was a
997:"Ars Longa, Except When MoMA Throws It Out"
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661:"'Primary Structures' - The New Anonymity"
412:, and continued with work by artists like
313:In 2003, McShine was the recipient of the
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1075:Alumni of Queen's Royal College, Trinidad
718:"'Primary Structures'--The New Anonymity"
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157:CCS Bard Award for Curatorial Excellence
49:of all important aspects of the article.
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357:. It included work by artists such as
346:Younger American and British Sculptors
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233:Younger American and British Sculptors
45:Please consider expanding the lead to
16:Trinidadian curator and public speaker
1030:Artforum, Kynaston Mcshine, 1935-2018
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832:"CCS Bard | Kynaston McShine: 2003"
688:McShine, Kynaston (February 1989).
290:The Museum as Muse: Artists Reflect
270:in 1970, as well as exhibitions of
262:series included an early survey of
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207:In 1959, McShine was hired in the
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317:Award for Curatorial Excellence.
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353:was the first museum survey of
37:may be too short to adequately
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690:"Andy Warhol: A Retrospective"
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659:Kramer, Hilton (May 1, 1966).
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47:provide an accessible overview
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1070:University of Michigan alumni
910:Smith, Roberta (1999-03-12).
741:Smith, Roberta (2014-04-10).
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297:: The Modern Life of the Soul
164:Kynaston Leigh Gerard McShine
92:Kynaston Leigh Gerard McShine
553:McShine was photographed by
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339:McShine's 1966 exhibition,
239:In his review of the show,
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943:Frascina, Francis (1999).
1080:People from Port of Spain
533:In 1984, McShine curated
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481:In his 1999 exhibition,
387:Other Primary Structures
175:Early life and education
589:Smith, Roberta (2018).
487:institutional critique
485:, McShine re-examined
441:institutional critique
304:Sculpture: Forty Years
193:University of Michigan
1055:American art curators
404:McShine began MoMA's
185:Queen's Royal College
697:Museum of Modern Art
209:Museum of Modern Art
555:Robert Mapplethorpe
328:Notable exhibitions
197:New York University
1001:The New York Times
916:The New York Times
860:has generic name (
747:The New York Times
722:The New York Times
595:The New York Times
342:Primary Structures
334:Primary Structures
249:Primary Structures
229:Primary Structures
414:Jonathan Borofsky
213:Robert Motherwell
189:Dartmouth College
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102:February 20, 1935
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445:Hélio Oiticica
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391:Mark di Suvero
355:minimalist art
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264:Conceptual art
241:New York Times
226:, the seminal
224:Minimalist art
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34:lead section
1050:2018 deaths
1045:1935 births
1006:February 5,
980:February 5,
791:February 5,
636:artnet News
511:Fred Wilson
499:Hans Haacke
433:Information
418:Sam Gilliam
375:Donald Judd
359:Anne Truitt
299:(2006) and
285:Andy Warhol
268:Information
243:art critic
168:Trinidadian
136:Trinidadian
132:Nationality
1039:Categories
929:2018-02-10
885:2018-02-10
841:2018-02-10
816:2018-02-10
760:2018-02-10
727:2018-02-10
642:2018-02-10
608:2018-02-10
561:References
383:Sol LeWitt
371:Carl Andre
363:Tony Smith
108:, Trinidad
98:1935-02-20
924:0362-4331
755:0362-4331
603:0362-4331
557:in 1988.
543:Pat Lasch
503:Ed Ruscha
453:Group OHO
349:, at the
266:, titled
125:Manhattan
55:June 2018
39:summarize
880:Artspace
850:cite web
702:28 April
673:28 April
406:Projects
398:Projects
315:CCS Bard
306:(2007).
292:(1999),
288:(1989),
282:(1980),
276:(1973),
260:Projects
256:Projects
149:curating
140:American
247:called
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467:, and
400:series
381:, and
310:2008.
203:Career
154:Awards
693:(PDF)
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1008:2017
982:2017
955:ISBN
920:ISSN
862:help
793:2017
751:ISSN
704:2021
675:2021
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521:and
451:and
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114:Died
88:Born
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