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277:. In a letter to Pergament in 1923, Atterberg writes: "I could not have dreamed that you would launch yourself as a Swedish composer So far, you are a purely Jewish composer for the sake of principle - why not in name as well?" The contradiction between the composers was rooted in their diametrically different artistic orientations and the fact that Atterberg was a leading personality in Swedish musical life and an advocate of the romantic national identity. Pergament on the other hand, belonged to a more modernist phalanx, together with
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symphonies. Atterberg never hesitated to pass on the German contacts he had made over the years to his
Swedish colleagues or to work to have Swedish works performed in Germany. In this way, Albert Henneberg could collaborate with Fritz Tutenberg, whom Atterberg had known since a music festival in
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Both before and during the Nazi era, Atterberg collaborated with German composers and music organizations with the aim of strengthening
Swedish-German musical relations. He sometimes conducted his own works with famous orchestras in Germany and several famous conductors also performed Atterberg's
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After the end of World War II, Atterberg was accused of being a Nazi sympathizer. At his own request, an investigation was set up by the Royal
Academy of Music. The investigation could neither confirm nor dismiss suspicions of Nazi sympathies. However, after the war, Atterberg seems to have been
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in 1926, and together with him write operas for the opera in
Chemnitz. From 1935â1938, Atterberg was also general secretary of the Permanent Council for the International Co-operation of Composers (StĂ€ndiger Rat fĂŒr die internationale Zusammenarbeit der Komponisten), founded by Richard Strauss.
376:. He was a proponent of the idea that romantic music should portray and strengthen national identity, while opponents defined the character of modern music as transnational and cosmopolitan. While his five operas have fallen into neglect, the nine symphonies (ten when including the 1953
207:. He earned his engineering diploma a year later, as well as being awarded a State Music Fellowship. He made his conducting debut at a concert in Gothenburg in 1912, premiering his first symphony and the Concert Overture in A minor, Op. 4.
402:) was, like Beethoven's, scored for orchestra and chorus with vocal soloists. His output also includes six concertante works (including his Rhapsody, Op. 1, and a cello concerto), nine orchestral suites, three string quartets, a
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Atterberg married twice, first Ella
Peterson, a pianist, in 1915; they divorced eight years later. His second marriage was to Margareta Dalsjö in 1925, which lasted until her death in 1962.
427:. Atterberg entered his Symphony No. 6 in C major, Op. 31, and was awarded first prize, winning $ 10,000. The symphony, which was later known as the "Dollar Symphony", was recorded by
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313:, which he also helped to found, and of which his presidency lasted until 1943. Other jobs taken on by Atterberg included his work as a music critic for the
188:, as well as publishing his first completed work, the Rhapsody for Piano and Orchestra, Op. 1. His String Quartet No. 1 in D major, Op. 2, soon followed.
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in 1910 with a score of his
Rhapsody and an incomplete version of his Symphony No. 1. There he studied composition and orchestration under the composer
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364:, Atterberg must be considered a leading composer of the second generation of Swedish late romantics and thus continued the tradition founded by
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Although continuing to compose and conduct, Atterberg enjoyed a fulfilling career in several different organisations. He accepted a post at the
309:. Six years later he was elected president of the society, maintaining the position until 1947. At a similar time, he became president of the
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746:[Kurt Atterberg (1887-1974). An Overview of his Life and Work. - Kurt Atterberg (1887-1974). Biographie et panorama de son Ćuvre]
559:
Jonsson Leif, Ă
strand Hans, red (1994). Musiken i
Sverige. 4, Konstmusik, folkmusik, populĂ€rmusik 1920â1990. Stockholm: Fischer, p. 312.
718:. Kortfattade lefnadsteckningar över framstÄende tonsÀttare (in Swedish). Vol. 9. Stockholm: Elkan & Schildknecht. p. 37.
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Atterberg composed in a romantic style that may be compared to that of the musicians of the Nordic nationalist current, in particular
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There are anti-Semitic streaks in
Atterberg's correspondence and use of language, particularly evident in disputes with the composer
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Atterberg co-founded the
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in 1912, going on to become a head of department in 1936, and working there until his retirement in 1968.
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released a complete box set of recordings of
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Musik och politik i skuggan av nazismen. Kurt Atterberg och de svensk-tyska musikrelationerna
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Musik och politik i skuggan av nazismen: Kurt Atterberg och de svensk-tyska musikrelationerna
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broadcast concert; Atterberg praised the performance upon hearing the recorded broadcast.
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Atterberg died on 15 February 1974 in Stockholm, aged 86, and was buried there in the
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in which composers were to write a symphony completing, or inspired by, Schubert's
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composer and engineer. He is best known for his symphonies, operas, and ballets.
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Booklet to: Kurt Atterberg, RSO Frankfurt, Ari Rasilainen: Symphonies 2 & 5
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marginalized and ostracized by at least some of his fellow Swedish composers.
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788:"âłWe Take Care of the Artistâł: The German Composers' Meeting in Berlin, 1934"
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169:. His mother, Elvira Uddman, was the daughter of a famous male opera singer.
165:. His father was Anders Johan Atterberg, engineer; his uncle was the chemist
771:. Södertörn doctoral dissertations (in Swedish). Vol. 19. Lund: Sekel.
658:"Classic Productions OsnabrĂŒck, Atterberg Symphonies Edition (Product page)"
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Haga kyrkogata 8, Gothenburg. Atterberg was born on the third floor.
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744:"Kurt Atterberg (1887-1974). Biographie und Werk im Ăberblick"
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Possibly Atterberg's greatest success was his triumph in the
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798:(2, Summer 2009). Translated from Swedish by Per F. Broman.
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The tomb marker of Kurt Atterberg at the Northern Cemetery,
337:. Other important influences include (according to himself)
141:, 12 December 1887 – 15 February 1974) was a
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754:(in German, English, and French). GeorgsmarienhĂŒtte: CPO.
221:, organized to commemorate the 100-year anniversary of
683:"Chandos: Atterberg Symphonies, Vol. 5 (Product page)"
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398:, Op. 53, is included). His Ninth Symphony (entitled
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Arturo Toscanini: The NBC Years â Mortimer H. Frank
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1928 International Columbia Graphophone Competition
49:. Unsourced material may be challenged and removed.
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394:Atterberg composed nine symphonies (or ten if the
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1955:Members of the Royal Swedish Academy of Music
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311:Svenska TonsÀttares Internationella MusikbyrÄ
317:from 1919 to 1957, and as secretary of the
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645:Kurt Atterberg, Toscanini, Mortimer Frank.
411:For the 100th anniversary of the death of
345:, and several Russian composers including
832:International Music Score Library Project
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619:. Hal Leonard Corporation. 2002. p.
452:The River â From the Mountains to the Sea
109:Learn how and when to remove this message
1950:Royal College of Music, Stockholm alumni
1920:KTH Royal Institute of Technology alumni
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390:List of compositions by Kurt Atterberg
212:Swedish Patent and Registration Office
186:Royal Stockholm Philharmonic Orchestra
172:In 1902, Atterberg began learning the
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47:adding citations to reliable sources
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1960:Burials at Norra begravningsplatsen
1935:20th-century Swedish male musicians
1753:Tchaikovsky and the Belyayev circle
600:Historia de la Sinfonia: Atterberg.
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431:. The symphony was performed by
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448:Ălven â FrĂ„n FjĂ€llen till Havet
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727:(in Swedish). BorÄs: Norma.
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1737:Neue Zeitschrift fĂŒr Musik
912:List of Romantic composers
786:Garberding, Petra (2009).
767:Garberding, Petra (2007).
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742:Kube, Michael (2002).
602:Accessed 2 April 2023.
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315:Stockholms Tidningen
293:Organizer and critic
229:'s 3rd symphony and
182:String Quartet No. 8
138:[ÂČatËÉrbĂŠrj]
43:improve this article
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41:Please help
36:verification
33:
1890:1974 deaths
1885:1887 births
1786:Romanticism
1568:Tchaikovsky
1503:R. Schumann
1498:C. Schumann
1483:Saint-Saëns
1378:Niedermeyer
1268:Leoncavallo
1238:Kalkbrenner
1013:Bortkiewicz
499:Neeme JĂ€rvi
471: [
458:, Hamburg,
444:CPO Records
374:Hugo Alfvén
347:Tchaikovsky
307:Hugo Alfvén
1879:Categories
1774:Background
1675:Intermezzo
1608:Wieniawski
1588:Vieuxtemps
1553:R. Strauss
1478:Rubinstein
1403:Paderewski
1373:Mussorgsky
1368:Moszkowski
1343:Mercadante
734:9185846430
693:2020-06-10
668:2020-06-10
636:2013-08-01
533:References
356:Assessment
163:Gothenburg
69:newspapers
1388:Offenbach
1363:Moscheles
1358:Moniuszko
1353:Meyerbeer
1308:Marschner
1293:MacDowell
1108:Donizetti
1053:Cherubini
1043:Chaminade
968:Beethoven
953:Balakirev
943:Atterberg
921:musicians
854:Biography
814:1938-7687
760:314589031
523:Stockholm
178:Beethoven
149:Biography
99:June 2024
1854:Category
1831: â
1710:Symphony
1573:Thalberg
1538:Spontini
1513:Sibelius
1508:Scriabin
1493:Schubert
1488:Sarasate
1453:Respighi
1448:Reinecke
1408:Paganini
1318:Massenet
1313:Masarnau
1298:Madetoja
1243:Kreisler
1233:Kalivoda
1178:J. Gomis
1163:Glazunov
1158:Giuliani
1048:Chausson
1038:Chadwick
1028:Bruckner
714:(1925).
687:Archived
662:Archived
462:and the
413:Schubert
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1844:â
1806:Science
1685:Mazurka
1660:Ballade
1593:VoĆĂĆĄek
1563:TĂĄrrega
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1518:Smetana
1473:Rossini
1428:Puccini
1423:Prudent
1383:Nielsen
1348:MĂ©reaux
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1288:Lysenko
1258:Lachner
1223:Joachim
1203:Herbert
1123:Farrenc
1088:Delibes
1063:Crusell
1008:Borodin
998:Berwald
988:Berlioz
978:Bennett
973:Bellini
958:Bazzini
938:Arensky
840:Portals
834:(IMSLP)
830:at the
705:Sources
505:label.
503:Chandos
195:at the
143:Swedish
83:scholar
1864:Portal
1801:Poetry
1653:Genres
1598:Wagner
1578:Tobias
1443:Reicha
1418:Popper
1398:Pacini
1393:Onslow
1303:Mahler
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1248:Kuhlau
1228:Joplin
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1168:Glinka
1148:Franck
1143:Foster
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1128:Fauré
1118:Elgar
1098:Denza
1023:Bruch
1003:Bizet
963:Beach
948:Auber
933:Alkan
748:(PDF)
538:Notes
519:Solna
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384:Works
343:Reger
174:cello
90:JSTOR
76:books
1680:Lied
1618:Wolf
1468:Rode
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810:ISSN
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