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String Quartet No. 8 (Beethoven)

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258:, "It sounds as though Count Razumovsky had been tactless enough to hand Beethoven the tune, and Beethoven is pile-driving it into the ground by way of revenge." In an extremely unusual example of melodic setting prior to the 20th century, portions of the tune with strong tonic harmonic leanings are harmonized with the dominant, and vice versa; the harmonic clash is harsh, and many listeners have found this portion of the quartet to be quite amusing, especially as contrasted with the prosaic, almost "exercise-book" 46: 157: 189: 653: 281:(“Appassionata”), in that both have a start-to-finish darkness. The two pieces were composed around the same time and Biss notes that although Beethoven wrote many pieces that begin in tragic mode, there are surprisingly few that end there as well. Both compositions also have an opening phrase that is repeated a 1/2 step higher. 381: 430: 673: 254:
and Jan Prac; sheet music was published in 1790 (2nd ed., 1806), verses in the 1770s. However, Beethoven used it in an ungentle way. According to
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which precedes it (another example of Beethoven parodying a student counterpoint exercise can be found in the scherzo of the
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The scherzo movement of the quartet, the third movement (allegretto), uses a Russian theme also used by
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in his 6 Morceaux for Piano Duet, Op. 11. The original song, "Glory to the Sun", was collected by
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Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations
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Allegretto (with the second section marked "Maggiore – Thème russe"),
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and published in 1808. This work is the second of three of his "
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String quartet arrangement of Op. 14, No. 1 by Beethoven
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in "Orchestral Interlude: The Battle of Poltava" from
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Index

Rasumovsky quartet
Ludwig van Beethoven

E minor
Opus
E minor
Op.
Ludwig van Beethoven
Rasumovsky
movements
common time
E major
cut time
Carl Czerny
Thayer
Quartet Op. 132
Modest Mussorgsky
Boris Godunov
Anton Arensky
Pyotr Tchaikovsky
Mazeppa
Sergei Rachmaninoff
Nikolay Lvov
Joseph Kerman
counterpoint
Quartet No. 10
Jonathan Biss
Curtis Institute of Music
Piano Sonata No. 23 in F minor, Op. 57
Caryl Emerson

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