251:, performing and giving workshops in the different communities they visit. The Cuban musicians’ fans are spread out all over the world. In 2021 they began working with Grammy nominated producer, Greg Landau on a new project that combines their Hip Hop roots with Afro-Cuban rhythms and an all star crew of San Francisco Bay rea musicians, including Karl Perrazp, Santana timbalero and Cuban pianist Omar Sosa.
178:, a Havana district known for its importance in the Cuban hip-hop movement, Odaymara, Olivia and Odalys decided to shift gear in their art activism. Krudas Cubensi emerged in 1999 as a response to what the group considered a huge lack of representation of women in the movement: The three artists wished to “incorporate a feminist discourse to the unrestrained posture of the masculine majority.”
181:
Their first non-Tropazancos performance took place in 2000 at a Havana hip-hop festival. Because of their artistic work in the previous years, the members of Krudas
Cubensi were already known by influential artists and producers in the underground hip-hop movement when they started rapping as Las
262:
The artists explain the name of the group by saying it means “the raw ones native from Cuba and the
Caribbean representing in the world.” The trio formed with the goal of adding “rawness” to Cuban hip-hop, inspired by natural sounds more than refined and harmonious beats.
161:
scene, Odaymara Cuesta and Olivia
Prendes started the street theatre group Tropazancos Cubensi in collaboration with other Cuban artists. Odaymara's sister, Odalys Cuesta, joined the collective in 1998. Mixing
336:
Their work centers on music but is also about sharing knowledge with the different audiences, groups and individuals they encounter while touring, for example regarding the acceptance of body and
488:
Rivera-Velázquez, Celiany (2008). "Brincando bordes, cuestionando el poder: Cuban Las Krudas' Migration
Experience and Their Rearticulation of Sacred Kinships and Hip Hop Feminism".
192:
As their popularity grew, Krudas
Cubensi members started receiving invitations to perform at music festivals abroad but their travel requests were always rejected by the
289:
First in Cuba and now as part of the Cuban diaspora in the United States, the group puts social issues at the heart of all lyrics and performances, speaking of
553:
278:, hip-hop artists in the U.S.,” the musicians root their work at the intersection of their identities, believing in the connection of art and
444:
684:
669:
340:, and addresses topics such as body hair and menstruation, as in the song “120 horas rojas,” an ode to women's periods.
228:
in other parts of the world, especially in terms of bringing awareness to the isolation of Black Latina and
Caribbean
325:, etc. The duo of poets produces what they call “conscious music,” seeking to promote and defend the experiences of “
140:
diaspora in the United States since 2006. They are now called Krudxs
Cubensi, to reflect their non-binary indentity.
217:
185:
In 2005, Krudas
Cubensi participated in the birth of the female rap collective Omega Kilay with artists such as
581:
674:
679:
520:
Saunders, Tanya (2009). "La Lucha
Mujerista: Krudas CUBENSI and Black Feminist Sexual Politics in Cuba".
221:
189:, wishing again to circumvent the lack of representation of women inside Havana's music scene.
337:
166:, rap, and visual arts, Tropazancos was an educational and experimental performance group.
8:
456:
163:
193:
554:"New Beat Rising: Krudas Cubensi's Revolutionary Sound Reaches Austin and Beyond"
451:
group supported by the state, Grupo OREMI. They were approached because of their
283:
240:
225:
121:
224:. The group's decision to leave Cuba was motivated by its desire to fight for
199:
663:
213:
158:
43:
186:
310:
59:
630:
611:
306:
294:
153:
The three original members of Krudas
Cubensi began working together in
248:
205:
137:
47:
589:
452:
318:
314:
298:
290:
279:
267:
244:
229:
117:
448:
447:(CENESEX) asked the group members to be co-founders of the first
652:
330:
302:
236:
175:
154:
103:
51:
29:
326:
322:
275:
271:
129:
125:
209:
200:
Immigration to the United States and touring (2006-present)
169:
133:
55:
33:
63:
270:
to music and performance. Identifying as “Afro-Latin,
157:
in the 1990s. In 1996, before officially joining the
575:
573:
571:
569:
567:
235:Since 2006, Krudas Cubensi has toured the U.S. and
254:Odaymara and Olivia live in Oakland, California.
661:
564:
487:
174:After performing at the annual rap festival of
148:
257:
635:Havana Times: Open-Minded Writing from Cuba
616:Havana Times: Open-Minded Writing from Cuba
579:
515:
513:
511:
509:
507:
505:
503:
547:
545:
543:
541:
539:
537:
535:
533:
531:
519:
483:
481:
479:
477:
475:
473:
471:
266:From the onset, Krudas Cubensi has tied
170:Early work as Krudas Cubensi (1999-2006)
500:
445:Cuban National Center for Sex Education
438:
662:
551:
528:
468:
628:
609:
212:more freely, the group moved to the
13:
629:Cano, Regina (November 16, 2014).
610:Cano, Regina (November 16, 2014).
522:Caribbean Review of Gender Studies
116:, also known as Las Krudas, is an
14:
696:
644:
631:"Krudas Cubensi in Havana - 2014"
612:"Krudas Cubensi in Havana - 2014"
355:Olivia Prendes (Pelusa Kruda) —
136:in the 1990s, it is part of the
349:Odaymara Cuesta (Pasa Kruda) —
622:
603:
552:Flores, Nancy (July 4, 2012).
421:"“They/them, les elles” (2023)
368:
361:Odalys Cuesta (Wanda Kruda) —
1:
462:
89:Olivia Prendes (Pelusa Kruda)
87:Odaymara Cuesta (Pasa Kruda)
7:
685:LGBTQ-themed musical groups
670:Cuban LGBT rights activists
218:Mexico–United States border
149:Group formation (1996-1999)
10:
701:
343:
258:Musical style and activism
143:
222:Wet feet, dry feet policy
97:
93:
83:
79:
69:
39:
25:
18:
216:in 2006 by crossing the
333:and people of color.”
204:Wishing to share with
374:Krudas Cubensi albums
675:Cuban hip hop groups
439:Other project: OREMI
432:Power in the Margins
338:gender nonconformity
282:in the struggle for
457:LGBT rights in Cuba
239:, as well as other
120:hip-hop group with
680:Feminist musicians
398:Krudas CompilaciĂłn
243:countries such as
132:politics. Born in
364:
358:
352:
164:community theatre
111:
110:
692:
656:
655:
653:Official website
639:
638:
626:
620:
619:
607:
601:
600:
598:
597:
588:. Archived from
580:Krudas Cubensi.
577:
562:
561:
549:
526:
525:
517:
498:
497:
490:Letras Femeninas
485:
426:Outerspaces Crew
416:Highly Addictive
362:
356:
350:
194:Cuban government
107:
106:
104:Official website
72:
16:
15:
700:
699:
695:
694:
693:
691:
690:
689:
660:
659:
651:
650:
647:
642:
627:
623:
608:
604:
595:
593:
578:
565:
550:
529:
518:
501:
486:
469:
465:
441:
380:Cubensi Hip Hop
371:
346:
260:
202:
172:
151:
146:
102:
101:
88:
70:
21:
12:
11:
5:
698:
688:
687:
682:
677:
672:
658:
657:
646:
645:External links
643:
641:
640:
621:
602:
586:Krudas Cubensi
563:
527:
499:
466:
464:
461:
440:
437:
436:
435:
428:
427:
423:
422:
419:
413:
407:
401:
395:
389:
383:
376:
375:
370:
367:
366:
365:
359:
357:(1999–present)
353:
351:(1999–present)
345:
342:
329:, immigrants,
284:social justice
259:
256:
241:Latin American
226:social justice
201:
198:
171:
168:
150:
147:
145:
142:
122:black feminist
114:Krudas Cubensi
109:
108:
99:
95:
94:
91:
90:
85:
81:
80:
77:
76:
73:
67:
66:
41:
37:
36:
27:
23:
22:
20:Krudas Cubensi
19:
9:
6:
4:
3:
2:
697:
686:
683:
681:
678:
676:
673:
671:
668:
667:
665:
654:
649:
648:
636:
632:
625:
617:
613:
606:
592:on 2015-10-26
591:
587:
583:
576:
574:
572:
570:
568:
559:
555:
548:
546:
544:
542:
540:
538:
536:
534:
532:
523:
516:
514:
512:
510:
508:
506:
504:
495:
491:
484:
482:
480:
478:
476:
474:
472:
467:
460:
458:
454:
450:
446:
443:In 2005, the
433:
430:
429:
425:
424:
420:
417:
414:
411:
408:
405:
402:
399:
396:
393:
390:
387:
384:
381:
378:
377:
373:
372:
360:
354:
348:
347:
341:
339:
334:
332:
328:
324:
320:
316:
312:
308:
304:
300:
296:
292:
287:
285:
281:
277:
273:
269:
264:
255:
252:
250:
246:
242:
238:
233:
231:
227:
223:
219:
215:
214:United States
211:
207:
197:
195:
190:
188:
183:
179:
177:
167:
165:
160:
159:Cuban hip hop
156:
141:
139:
135:
131:
127:
123:
119:
115:
105:
100:
96:
92:
86:
82:
78:
74:
68:
65:
61:
57:
53:
49:
45:
44:Hip-hop music
42:
38:
35:
31:
28:
24:
17:
634:
624:
615:
605:
594:. Retrieved
590:the original
585:
557:
521:
496:(1): 97–123.
493:
489:
442:
431:
415:
409:
403:
397:
391:
385:
379:
335:
288:
265:
261:
253:
234:
203:
191:
187:Danay Suarez
184:
180:
173:
152:
113:
112:
75:1999–present
71:Years active
392:Resistiendo
369:Discography
363:(1999–2010)
311:lesbophobia
208:outside of
60:spoken word
664:Categories
596:2015-10-16
558:Austin 360
463:References
307:homophobia
295:patriarchy
220:using the
410:Poderosxs
404:Levántate
249:Guatemala
206:activists
138:Caribbean
48:dancehall
453:activism
319:veganism
315:classism
299:machismo
291:feminism
280:activism
268:activism
245:Colombia
230:lesbians
182:Krudas.
118:activist
449:lesbian
386:Kandela
344:Members
144:History
98:Website
84:Members
434:(2014)
418:(2016)
412:(2014)
406:(2012)
400:(2009)
394:(2007)
388:(2005)
382:(2003)
331:queers
303:racism
237:Mexico
176:Alamar
155:Havana
52:cumbia
40:Genres
30:Havana
26:Origin
582:"Bio"
327:womyn
323:agism
276:vegan
272:queer
130:vegan
126:queer
524:(3).
455:for
309:and
297:and
247:and
210:Cuba
134:Cuba
128:and
56:funk
34:Cuba
64:rap
666::
633:.
614:.
584:.
566:^
556:.
530:^
502:^
494:34
492:.
470:^
459:.
321:,
317:,
313:,
305:,
301:,
293:,
286:.
274:,
232:.
196:.
124:,
62:,
58:,
54:,
50:,
46:,
32:,
637:.
618:.
599:.
560:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.