405:, authenticity, and individual obligation to culture. The play premiered at American Theatre Company on April 15, 2010, and was directed by Jaime Castañeda. The play tells the story of a Puerto Rican family living on the Lower East Side of Manhattan. The teenage daughter, Molly, commits herself to the graffiti elements of hip-hop culture, which causes a conflict in values between her and her brother. The play is narrated by a DJ and MC chorus, who incorporate elements of hip-hop and
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and commissioned to write a play for the
Department of Theater. DĂaz also collaborated directly with staff and the student body, "conducting master classes for students in the MFA playwriting program and observing the work of the MFA acting students". In 2017, DĂaz received a
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from 2011 to 2018. In addition, DĂaz co-founded the Unit
Collective and is a recipient of the Jerome Fellowship, the Future Aesthetics Artist Regrant, inaugural Gail Merrifield Papp Fellowship, and the Van Lier Fellowship.
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finalist. The play is Diaz's most well-known, and like many of his works is set in New York City, and deals with aspects of popular culture, in this case focusing on wrestling.
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was one of the plays that he showed virtually during COVID, and the State
Theatre had instructions and rules on how to find these plays and offered certain plays on a household
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Diaz has worked at New York
University's Tisch School of the Arts for almost ten years and has worked with many theaters throughout his time as a professor and director.
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Diaz has lived and worked in the New York City area, which has served as the setting for a number of his works. Diaz has credited a 1992 experience seeing
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in the 2014–2015 season. Later in 2015, DĂaz was the first recipient of the New
Playwright Residency Program Award from
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Banks, Daniel. Say Word!: Voices from Hip Hop
Theater: An Anthology. Ann Arbor: U of Michigan, 2011. Print.
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Also during COVID-19 shutdowns, in August 2020, Diaz collaborated on and directed a virtual reading of
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DĂaz has written short work for The 24 Hour Plays and The 24 Hour
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at the
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The theaters and theater companies with which Diaz has worked and produced various plays include
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During the time of COVID-19 lockdowns, Diaz was involved with initiatives in theatre to stage
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Diaz collaborated with Jon
Beavers, Casey Hurt, Ian Merrigan and Ramiz Monsef on the musical
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is an
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available for home audiences to cast and produce as part of the Play at Home project.
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Theatre Department's Playwright Residency Program, Diaz was commissioned to write
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Sloan Sports Analytics conference. He is recognized as an alumni playwright for
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DĂaz is a resident playwright for Teatro Vista, a nonprofit theater company in
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influenced comedy-drama about a Latinx family set in New York City's
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New York University Gallatin School of Individualized Study alumni
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Hispanic and Latino American dramatists and playwrights
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107:The Elaborate Entrance of Chad Deity
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823:"History & Mission"
572:Best New American Play
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429:The Upstairs Concierge
401:centered on themes of
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1464:Lucille Lortel Awards
1434:, by Kristoffer Diaz"
1245:"Welcome to Arroyo's"
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601:Guggenheim Fellowship
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841:"Production History"
623:Outstanding Musical
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391:Welcome to Arroyo's
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192:Notable involvement
162:New York University
33:New York University
1308:"The Unfortunates"
937:"About The Public"
584:The New York Times
463:The Public Theater
244:The Public Theater
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