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In Jataka No.504, we have the autobiography of a kinnara who describes the kinnara class as human-like the wild things deem us; huntsmen call us goblins still. The kinnaras can sing, play the flute and dance with soft movements of the body. Kalidasa in his Kumara
Sambhava describes them as dwelling in the Himalayas. kinnaras lived also over the hills of Pandaraka, Trikutaka, Mallangiri, Candapabbata, and Gandhamandana (Jataka No. 485). They were tender-hearted and Jataka No. 540 refers to the story of the kinnaras nursing a human baby whose parents have gone away to the woods. Yet, we find that they were looked upon as queer animals and were hunted, captured and presented to the kings as entertainment. Flowers formed their dress. Their food was flower pollen and their cosmetics were made of flower perfumes.
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906:), usually spelt 'kinnaree' as noted below, in Thai literature originates from India, but was modified to suit Thai culture. The Thai kinnari is depicted as a young woman wearing an angel-like costume. The lower part of the body is similar to a bird, and should enable her to fly between the human and the mystical worlds. The most popular portrayal of kinnaree in Thai art probably the golden figures of kinnaree adorned the
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garlands or trays containing flowers in their hands for the worship of the Stupas. Sometimes, the kinnaras appear in the sculptures holding garland in right hand and tray in the left hand. They also appear before Bodhi-Drumas, Dharmacakras, or playing a musical instrument. As such, the portrayal of kinnaras in early Indian sculpture art is very common.
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The
Jatakas describe the kinnaras as innocent and harmless, hop like birds, are fond of music and song, and with the female beating a drum and male playing on lute. Such harmless creatures are described in Jataka No.481 as being caught, put into cages, and thus presented to kings for their delight.
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We are everlasting lover and beloved. We never separate. We are eternally husband and wife; never do we become mother and father. No offspring is seen in our lap. We are lover and beloved ever-embracing. In between us we do not permit any third creature demanding affection. Our life is a life of
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Degener, Almuth. "MIGHTY ANIMALS AND POWERFUL WOMEN: On the
Function of Some Motifs from Folk Literature in the Khotanese Sudhanavadana." In Multilingualism and History of Knowledge: Vol. I: Buddhism among the Iranian Peoples of Central Asia, edited by JENS E. BRAARVIG, GELLER MARKHAM J., SADOVSKI
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in mythological texts. The figure of Yaksha with a horse head illustrated in Bodh Gaya sculptures in however a kinnari as the Jataka illustrating it treats her as a demi-god. According to the
Jatakas, kinnaras are fairies and are shown as going in pairs noted for mutual love and devotion. In the
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The depiction of kinnara in early Indian art is an oft-repeated theme. The ancient sculptures of Sanchi, Barhut, Amaravati, Nagarjunakonda, Mathura, and the paintings of Ajanta depict kinnaras invariably. Frequently, they are seen in the sculptures flanking the stupas. In this case, they hold
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In Hindu mythology, kinnara is described as half-man, half-horse, and half-bird. The
Vishnudharmottara describes Kinnara as half-man and half-horse, but the correct nature of kinnara as Buddhists understood is half-man and half-bird which is different from the
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In the pre-colonial
Philippines, the Kinnara or Kinnari are symbolic of androgynous beauty and of a lover's devotion, ethereal beauty, and one's undying devotion towards a lover. Pre-colonial gold pieces have been found depicting such otherworldly beauty.
825:, the tree of life, and sometimes guarding a jar of treasure. A pair of Kinnara-Kinnari bas-reliefs of Sari temple is unique, depicting Kinnara as celestial humans with birds' wings attached to their backs, very similar to popular image of
388:, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a traditional symbol of feminine beauty, grace and accomplishment.
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Jaini, Padmanabh S. "The Story of
Sudhana and Manoharā: An Analysis of the Texts and the Borobudur Reliefs." Bulletin of the School of Oriental and African Studies, University of London 29, no. 3 (1966): 533–58.
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at around 1981. It is a gold artefact that symbolises the feminine beauty for it is a half-woman, half- bird, and a religious significance for it encapsulates grace and accomplishment.
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Buddhadharma, the shang-shang symbolises 'enlightened activity' (Wylie: phrin las). The shang-shang is a celestial musician, and is often iconographically depicted with cymbals. A
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Chanda kinnara Jataka the devotion of the
Kinnarai to her wounded kinnara husband brings Indra on the scene to cure him from the wound. The kinnaras are noted for their long life.
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VELIZAR, SELZ GEBHARD, DE CHIARA MATTEO, MAGGI MAURO, and MARTINI GIULIANA, 103–30. Wien: Austrian
Academy of Sciences Press, 2013. www.jstor.org/stable/j.ctt1vw0pkz.8.
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temples. Usually, they are depicted as birds with human heads, or humans with lower limbs of birds. The pair of kinnara and kinnari usually is depicted guarding
575:), are depicted in Cambodian art and literature more often than the male counterparts. They are commonly seen carved into support figurines for the columns of
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believe that out of the 136 past animal lives of Buddha, four were kinnara. The kinnari is also one of the 108 symbols on the footprint of Buddha.
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is depicted either with just the head or including the whole torso of a human including the arms with the lower body as that of a winged bird. In
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340:, they often watch over the well-being of humans in times of trouble or danger. An ancient Indian string instrument is known as the
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Buddhist monk and sage around AD 1450–1470. This is supposed to be a collection of 50 stories of the past lives of the
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and related tales of a mortal man who falls in love with a magical bird-woman, such as Prince
Sudhana and Manohara
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statue for Academy Award winners is of a kinnari. The kinnara and kinnari couple is considered the symbol of the
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This article is about the Hindu and Buddhist mythological creature. For the term for third genders, see
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1495:. London, K. Paul, Trench, Trübner & co. ltd. 1906. pp. xlviii-l and 44-74.
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Headley, Robert K. (1997). Modern Cambodian-English Dictionary, Dunwoody Press
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An illustration from an 1866 Japanese book. Kinnara, who is an incarnation of
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The Sutra of Druma, King of the Kinnara and the Buddhist Philosophy of Music
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Architecture of Thailand: A Guide to Tradition and Contemporary Forms
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In Burmese art, kinnari are depicted with covered breasts. The
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They are featured in a number of Buddhist texts, including the
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Love stories from the Mahabharata, transl. Pradip Bhattacharya
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play on words is evident which is a marker of oral lore: the '
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who was also the hero of the story and the husband of Manora.
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The Kenorei is a character archetype in the repertoire of the
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in Bangkok, which describe a half-maiden, half-goose figure.
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The most famous kinnari in Thailand is the figure known as
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The images of coupled kinnara and kinnari can be found in
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They are celestial musicians, whose music is said to fill
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The Golden Peaches of Samarkand: A Study of Tʻang Exotics
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which was decorated in the royal crematorium of Princess
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religious art, the kinnara is often confused with the
134:. Please help to ensure that disputed statements are
49:"Kinnari" redirects here. For the Thai typeface, see
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kinnari in front of the stupa in Wat Botum, Cambodia
496:(Karenni State) includes a depiction of the kinnara.
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National Library of Indonesia, Temples of Indonesia
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196:. Unsourced material may be challenged and removed.
436:). Female kinnara are called keinnayi or kinnayi (
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638:bodies and animal's heads that were featured in
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858:A golden image of Kinnari was excavated in
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425:), kinnara are called keinnaya or kinnaya (
101:Learn how and when to remove these messages
1493:Tibetan tales, derived from Indian sources
1465:Nithi Sthapitanond; Brian Mertens (2012).
1319:Kinnaur, a Restricted Land in the Himalaya
598:depicts kinnaris playing in a lotus pond.
1295:(2nd ed.). New York: Chelsea House.
347:Their character is also clarified in the
274:Learn how and when to remove this message
256:Learn how and when to remove this message
154:Learn how and when to remove this message
1437:Others - The Mind of Philippine Folklore
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1126:Sutra of Druma, King of the Kinnara
1122:Rambelli, Fabio (18 October 2021).
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1607:Non-human races in Hindu mythology
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1592:Indonesian legendary creatures
1353:. Abhinav Publications. 1985.
1350:Mythical Animals in Indian Art
1316:Bajpai, Shiva Chandra (1991).
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1533:"Mythical creatures, Kinnara"
1228:"2008 Myanmar Academy Awards"
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1577:Buddhist legendary creatures
1558:www.jstor.org/stable/611473.
1505:Reeja Radhakrishnan (2015).
1322:. Indus Publishing Company.
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1193:Ghosh, Subodh (2005).
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190:improve this article
123:factual accuracy is
572:[kennɑˈrəj]
556:[kennɑˈraː]
474:Shan pronunciation:
459:Shan pronunciation:
444:[kèɪɰ̃nəjì]
433:[kèɪɰ̃nəjà]
1539:. 2 November 2021.
1385:on 16 October 2018
1210:Schafer, Edward H.
938:tome written by a
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32:Hijra (South Asia)
1617:Tibetan mythology
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1260:on 22 August 2007
1254:"Myanmar legends"
1152:978-88-6969-528-5
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1264:1 September
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952:bodhisattva
884:Sanam Luang
844:Philippines
659:instruments
494:Kayah State
451:, they are
380:mythology,
374:Lotus Sutra
356:Mahabharata
246:August 2017
144:August 2017
1566:Categories
1199:p. 71
1109:References
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712:Gandharvas
683:Rameswaram
616:jinnalaluo
421:In Burma (
396:East Asian
318:Lý dynasty
216:newspapers
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1171:ignored (
1161:cite book
1048:Kalaviṅka
1012:homonymic
834:Borobudur
823:Kalpataru
819:Prambanan
807:Borobudur
780:Kalpataru
778:guarding
739:Indonesia
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338:Himalayas
320:, Vietnam
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132:talk page
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866:Thailand
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512:Cambodia
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382:kinnaris
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125:disputed
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1375:"Pawon"
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1000:chimera
984:Tibetan
968:Tibetan
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860:Surigao
724:Apsaras
720:Siddhas
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