King of America - Knowledge

827:"Suit of Lights" has been widely interpreted as representing "the public burial" of the Elvis Costello persona, and a rebirth for the artist. In the song, Costello "dies" on stage and is dressed in a "suit of lights" that resurrect him as someone new. At the time, Costello said: "It's such an Attractions song. They are the only people on earth who could've played that tune. But that's just ironic, it wasn't deliberate." The closing track, "Sleep of the Just", is "a fragmented dreamlike vignette" concerning the sexual lust of a soldier. Costello said at the time: "It's about hypocrisy. It's just about a soldier whose sister is a porno model and he's standing there all proud and full of himself in his uniform and looking down on her, and all the time, it's her picture that's up on the barracks' wall. It's very simple." Perone argues the song's "almost deliberate unpopishness of the melody" foreshadowed Costello's art songs and 840:

which they believed captured the spirit of the material itself. According to Gouldstone, the cover was intended to be "absurd"—a "playful acknowledgement" of the album's title and the line in "I'll Wear It Proudly" in which Costello says he would be gratefully crowned the "king of fools". The author continued that the artwork destroys the preconceptions set by Costello's earlier album covers, which mostly attempted to possess a "great deal of ingenuity" in portraying the image of Elvis Costello: "You just can't take it seriously any longer having laughed at him in this ludicrous fancy-dress." The artwork was photographed in Los Angeles by Terry Donovan, while Costello's son Matthew acted as "sleeve consultant".

583:" and an outtake called "Baby's Got a Brand New Hairdo". Work with the Attractions was tense as Costello and the band were drifting apart. Upset at their sidelining, Costello later said: "I think put them on edge and made them defensive and hostile, which made me defensive and hostile. The sessions were a disaster." He scrapped any remaining plans to record with the Attractions and failed to inform them, leaving them to spend the remaining time waiting in their Los Angeles hotel for a call that never came. 363:. Its personal songs delve into themes of romance, betrayal, alcoholism and the American dream. The cover artwork features Costello wearing a crown and matching jacket, which commentators at the time found both "ridiculous" and "serious". Costello credited himself on the album sleeve under his real name, Declan MacManus; the album itself was credited to "the Costello Show featuring the Attractions and Confederates" in the UK and Europe and to "the Costello Show featuring Elvis Costello" in North America. 31: 391: 1936: 1898: 1644: 1506: 1038: 1931: 1926: 1921: 1916: 1893: 1888: 1883: 1878: 1860: 1855: 1850: 1845: 1840: 1810: 1805: 1800: 1795: 1639: 1634: 1629: 1624: 1606: 1601: 1596: 1591: 1586: 1568: 1563: 1558: 1553: 1548: 1501: 1496: 1491: 1486: 1456: 1451: 1446: 1441: 1423: 1418: 1413: 1408: 1403: 1385: 1380: 1375: 1370: 1365: 1033: 1028: 1023: 1018: 988: 983: 978: 973: 968: 505:". About half of the final album's songs were completed in three days. Costello's working relationship with the musicians was vastly different than the Attractions: he played the songs first and explained what they meant so the players could understand what Costello desired. Scheff later said: "In the studio kept control of everything. It was very much his deal and his visions." 729:"America is 'brilliant' because there's so much potential, but a 'mistake' because it's gone so horribly wrong." Perone argues the song could be interpreted as an abandonment of the Elvis Costello persona, which the songwriter possibly believed was a "brilliant mistake". "Lovable" is an up-tempo rockabilly and R&B number about the complexity of love. It features 797:. Costello's rendition of "Eisenhower Blues" offers a look into America during the 1950s from the point of view of a neglected individual. Gouldstone argues the song counterpoints the preceding track by implying that America has not changed in the last thirty years. Perone notes that similar to how Lenoir's original provided commentary on the administration of 749:"Worthless Thing", "Glitter Gulch" acts as an attack on the absurdity of television game shows. The narrator rebels against the host halfway through the song, choosing to be an "outlaw" rather than succumb to the show's silliness. Perone said it was reminiscent of Dylan with its "fast-paced country style" and images of "presumably fictional quirky characters". 468:(1984). Costello said at the time that he stripped the songs of the "musical kinks" and made the words clearer: "I started thinking more about the songs and much less about the records. It became clear to me that I had to write very, very simple songs." With the new material American centred, they wanted Americans musicians to play on the record. 1975:. The reissue featured new Costello-written liner notes, a new colourised version of the cover artwork and a bonus disc containing 21 tracks, 11 of which featured on the Rykodisc reissue. The ten new tracks included solo demos and early versions of tracks that would appear on later albums, such as "I Hope You're Happy Now" (released on 1985:). For its release, the reissue came with a promotional sticker that read "The album that fans, critics and Elvis Costello all agree on." The reissue received positive reviews. Commentators highlighted the live tracks by Costello and the Confederates and the solo demos. Sheffield called the reissue superior to the original album. 579:(no relation)—flew in from England in mid-August 1985, about two-thirds through the sessions. Costello had originally intended to use them on half of the album's songs to differentiate their style from the American musicians, but by the time they arrived half of the album was already completed. Together they recorded " 812:. In it, the narrator struggles to live both with and without his lover, being attracted by the beauty and repelled by the "poison". By the end, he learns to live with the pain. "The Big Light" presents a reflection on a hungover morning after a night of heavy drinking. Musically, it is a stylistic blend of 690:, I allowed the arrangements to run away with themselves. While on a solo tour last spring, I discovered that a lot of the songs on those records were stronger when played very simply. I vowed never again to fall into the trap of making records that try to sound like the year in which they were recorded. 1131:

is "not the place to start your Elvis Costello collection" and its enjoyment depends on listeners' familiarity with the artist. Tucker also doubted the record's commercial viability in the US, noting that "his music's combination of passion and fussiness is at odds with everything else on the radio".

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The front cover is a close-up of a bearded Costello, wearing round, wire-rimmed glasses, a crown speckled with rhinestones and a matching brocade jacket. The author Brian Hinton writes that he appears "sardonic and knowing". Commentators at the time found his look "ridiculous" and "serious", both of

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songs and covers. According to Costello, the Coward Brothers were on their final tour after the failure of the previous one. The solo shows were successful, leading Burnett to encourage Costello to record his next studio album with his voice and acoustic guitar as the main instruments, so the music

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The losing of my name is just a little device to remind people that there was always a human being behind the funny glasses. For the first few records it was such an effective guise, a smokescreen for insecurities and a cover for the public learning process that was forced on me. But then I found

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due to his tendency to frequently break guitar strings. His reversion to his real name was interpreted by Gouldstone as a dissatisfaction with the Elvis Costello persona of the past eight years, writing the artist instead wanted to release a project "without a distorting intermediary" and restart

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Costello and Burnett planned session dates and musical lineups, which would be tailored to each song, during the flights on their Coward Brothers tour of Australia and Japan in June 1985. Burnett later stated: "There was a tremendous amount of planning that went into that record. We had pages and

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ZL 70946), the album was credited to "the Costello Show, featuring the Attractions and the Confederates", while in North America (Columbia FC 40173), it was credited to "the Costello Show featuring Elvis Costello". The label reportedly refused to release the album without including the

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Costello described his rendition of "Don't Let Me Be Misunderstood" as "a slow violent version". Some commentators interpreted its inclusion as a possible restatement of the shedding of the Elvis Costello persona, as in the past, the artist felt misunderstood as a songwriter and performer. Like

1964:, including the Coward Brothers single, "The People's Limousine" and "They'll Never Take Her Love from Me", and new liner notes written by Costello himself. Early limited-edition pressings also included a six-track bonus disc of 1986 live recordings by Costello and the Confederates on Broadway. 1736:

primary flaw, writing that "the instruments and Costello's voice are rendered thin as sacrament wafers" and "the entire mix is doused in a questionable amount of reverb". Lundy ultimately called it "a collection of strong songs rendered in an unexciting manner". Perone argues that the fusion of

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to express their frustrations. According to Gouldstone, the "little palaces" refer to "the high-rise blocks of flats erected with such high hopes but which have since proved to be so highly disastrous", offering commentary on Britain in the 1980s. It features Costello on mandolin. "I'll Wear It

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The opening track, "Brilliant Mistake", is a slow piece that examines the goals and aspirations of pursuing the American dream and the reality of obtaining it. Its verses follow three individuals who, in the words of the author James E. Perone, "suffer from self-delusion". Gouldstone analyses:

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one of Costello's best works, praising its personal tone and the songwriter's growing maturity, and arguing the album anticipated Costello's various musical excursions and collaborations in the following decades. It received expanded reissues in 1995 and 2005, which were positively received.

752:"Indoor Fireworks" utilises thematic punning to describe a relationship falling apart, the "fireworks" representing the quarrels between the couple. Written by Costello as a "lament to the end of love", Gouldstone calls it the album's most depressing song. At the time, Mike Gardner of 377:", a UK top 40 single. Hailed as a return to form for Costello and his best record in years, the album was praised for its production, depth and vocal performances. Mixed reviews found the album too complex and lacking accessibility to attract new fans. Later reviewers call 698:, many of the album's 15 tracks concern America (United States), offering studies into the American dream from an outsider's point of view. Encompassing descriptions of rejection and isolation ("I'll Wear It Proudly") and confrontation ("Indoor Fireworks"), the songs on 710:. Costello had begun a relationship with her in 1984 following the collapse of his first marriage; O'Riordan co-wrote "Lovable". Other songs offer social commentary ("Little Palaces") and humour ("Glitter Gulch"). The author David Gouldstone notes that the narrators on 1162:

Sean O'Hagan wrote that after years of musical experiments and different personas, Costello had reached a point in his career where he wanted to be himself and sing with his own voice, concluding: "Maybe that's why the first Declan MacManus album is so straightforward

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and Sunset Sound studios in Los Angeles, with Costello and Burnett co-producing and Hirsch engineering. For the initial recording dates, the core band was assembled: the drummer Ron Tutt, the bassist Jerry Scheff and the guitarist James Burton, members of the

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Proudly" is a country-style song with ties to Anglo-American folk music. In it, the narrator describes his obsessive want to be with his lover and pain when she is absent, proclaiming that he would suffer ridicule by wearing the crown of the "king of fools".

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wrote: "It is the watershed moment where his lifelong fascination with America took on a larger swath of his artistic palette, an obsession that would continue to inform much of his work throughout the late '80s and '90s." The album's experimentations with

682:, brushes and rim-shots. The songs themselves, both musically and lyrically, are also simpler than earlier ones. According to the author Graeme Thomson, the artist's complex wordplay was replaced with "a compelling honesty". Costello stated at the time: 737:

on vocal harmonies. "Our Little Angel" is a country number that combines "poetic" lines such as "dress she wears like a question mark" with themes of family protection. It follows a woman in a bar, whom the narrator is protective and sympathetic of.

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In the album's liner notes, Costello is credited to Declan Patrick Aloysius MacManus for writing credits and as "the Little Hands of Concrete" for performance credits. The latter nickname was given to Costello by his former producer

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said the track "deftly rakes through the dying embers of a soured but still passionate romance with a pungent aftertaste of defeat and hope". Its arrangement and folk-country hybrid was likened by Perone to the early 1970s works of

824:. Costello described "Jack of All Parades" as "an unapologetic companion" to "I'll Wear It Proudly". A personal love song about "the redemptive power of romance", it contains a shuffle beat led by electric bass and Nieve on piano. 1296:. Deusner contended in 2005 that criticisms of Costello during this time, such as him having a "practiced delivery", "overly calculated songwriting" and an "obsession with backing musicians and collaborators", all originated on 4405: 5442: 849:

himself anew, showing audiences he was not the same man of his earlier records: an older and happier man compared to the young and angry man. Costello elaborated on the name change shortly after the album's release:

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The sessions overall lasted under three months. According to Costello, most of the songs were mixed at the end of each session. "Little Palaces" was recorded by Costello alone during a separate solo session, with

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In "American Without Tears", the narrator, during a visit to America, meets two middle-aged G.I. brides who departed England after the war and have lost their English identities. Gouldstone notes that unlike on

1097:. Some writers noted the production allowed better lyrical clarity compared to prior releases, giving the vocals more emotional intimacy. Costello's vocal performances were also highlighted. Stephen Holden of 1092:

as possibly "the most accessible, heartfelt songs he's yet written in a spare but rich framework", all 15 songs containing "remarkable depth", resulting in a "timeless" blend of rock, country, blues and

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Columbia issued "Don't Let Me Be Misunderstood" as the first single in January 1986, backed by the outtake "Baby's Got a Brand New Hairdo". It peaked at number 33 in the UK and failed to chart on the

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added later. Songs recorded included "Our Little Angel", "The Big Light", "American Without Tears", "Glitter Gulch" and "Shoes Without Heels"; the group also attempted versions of "Lovable" and "

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writer Stephen M. Deusner compared Costello's own "loneliness and alienation" to that of the G.I. brides. Perone describes the song as an "easy-going country-Cajun hybrid ballad". It features

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studios with Burnett and the engineer Larry Hirsch. The songs were musically straightforward and emphasised emotional honesty, a stylistic departure from Costello's two previous studio albums

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that people couldn't rid themselves of their preconceptions and kept looking for things on the later records that just weren't there. Elvis Costello became more and more a character I

3630: 908:. "Lovable" appeared in the US only and failed to chart. The album's poor commercial performance led Costello to write songs more akin to his early work with the Attractions, namely 1118:

enjoyed the collision of the "coldest" lyrics with the "warmest" musical styles combined with the minimalist arrangements, making for an "alternately brilliant and aggravating LP".

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are introspective and motivated by romance, with themes of alcoholism, betrayal and venality. "Jack of All Parades" and "I'll Wear It Proudly" were declarations of love for

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song called "Eisenhower Blues", which Costello said was only taped to " everyone a chance to relax and play a bit". Other musicians that contributed included the drummer

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In more mixed assessments, some critics believed the songs were too complex, lacking the accessibility to obtain new fans but would satisfy longtime ones. Ken Tucker of

5259: 4202: 5307: 1070:, highlighting Burnett's role as producer and deeming Costello "still this blighted isle's finest songwriter, a force, who at his best, is simply beyond peer". 308:, the album originated following a series of tours the two made under the name "the Coward Brothers". Recording took place in mid-1985 at various studios in 4683: 1737:

rockabilly, country and other genres make the songs timeless, but the album's "expansiveness" can be too much for listeners in one sitting. Scott Gordon of

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to miss the UK top 10. Elsewhere, the album reached number 12 in Sweden, 21 in New Zealand, 40 in the Netherlands, 41 in Japan and 67 in Australia.

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has received praise as one of Costello's finest works, being hailed for the artist's growing maturity, its personal tone, and strong performances.

5369: 5338: 437:, the sessions yielded a track called "The People's Limousine", written by Costello and Burnett during trips to Italy. The song was released as a 6089: 1234:

represented a turning point in Costello's career. In the decades following its release, the artist continued separating himself from the British

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called the album a "mess", containing eight of the artist's "meatiest songs" and seven others that range from "forced whimsy" to "self-parody".

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Other reviewers criticised the session players as inferior to the Attractions, acting as simply backup to Costello. Reviewers also criticised

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for lacking cohesiveness, being too slow-paced, and being "littered with dozens of memorable lines but only a handful of coherent songs".

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According to Thomson, critics praised the record's compassion and warmth, the instrumentation and the quality of the songs.

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pages of production notes." Burnett was responsible for selecting the musicians and experimenting with sounds and styles.

6743: 5251: 3962: 808:"Poisoned Rose" is a jazz, blues and country number that Perone compares to the late-1950s and early-1960s recordings of 5299: 6220: 5836: 3572: 1066: 611:. The album was completed around September 1985, after which Costello toured with the Pogues from October to December. 312:, California, with a group of American session musicians dubbed "the Confederates". Selected by Burnett, they included 6299: 5130: 4999: 4887: 4854: 4526: 4489: 1477: 1143:

as a transitional album, believing Costello was attempting different genres to see if they were successful, although

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argued: "If he persists in this new quest for straightforward, well-rooted songs, his best work is ahead of him."

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Scott Isler wrote that "these art-songs re-establish Elvis as a premier jongleur charting the heart of darkness."

6640: 6153: 4673: 1671:(1981), writing that it "now sounds lived-in and worn, bringing a new emotional depth to the music". Writers for 6733: 6320: 6213: 5983: 540:("Lovable", "I'll Wear It Proudly", "Sleep of the Just" and the outtake "King of Confidence") and the bassist 332:, were intended to appear on half of the album before poor sessions led to them appearing on only one track, " 6738: 6647: 5532: 4982: 4298: 2637: 1577: 6492: 6411: 5948: 5892: 5843: 5716: 5403: 1981: 1256: 1238:

and pub rock scene of the 1970s in favour of various musical excursions, experimenting with genres such as

6471: 2000: 1699:, Gouldstone wrote: "Content and form are in harmony, and the result is an extremely satisfying record." 720:(1977), and only three songs are negative ("Indoor Fireworks", "Little Palaces" and "Eisenhower Blues"). 3307: 6753: 6234: 5743: 5361: 5330: 5027: 1218:

were a big hit. It would encourage others to be more daring and to work outside of the straitjacket of

6773: 6341: 6313: 5637: 4714: 1123: 652: 528:. Costello was intimidated by Brown and Palmer at first, as he had not intended "off-the-peg 'legends 412:

undertook a series of solo tours during late 1984 and early 1985, sharing the bill with the musician

3415: 1695:(1982). Erlewine and Thomson also highlight the songwriting as some of Costello's best. In his book 6748: 6615: 6587: 6439: 6390: 5962: 5147: 5117: 4518: 2351: 1718: 1262: 541: 420:—the duo assumed the personas of Howard (Costello) and Henry Coward (Burnett), performing numerous 4591: 3008: 2325:(credited as "the Little Hands of Concrete") – lead vocal, acoustic guitar, electric guitar, 1743:

stated that without the Attractions, the songwriting appears "almost naked". In a 2005 review for

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was acclaimed by critics as a return to form for Costello and his best album in several years.

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itself would "shine through relatively unadorned". Trial sessions began in January 1985 at the

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in the 1970s. According to Costello, tracks were recorded "as 'live' as possible" with minor

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declared it one of Costello's masterpieces, comparing it to his previous country-excursion

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Jeff Nesin believed "give the tracks an amazing presence and immediacy". Chris Willman of

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1986 studio album by the Costello Show featuring the Attractions and the Confederates

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Recording for the album began in July 1985 immediately after Costello performed solo at

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I think...that pop music would be much healthier if from time to time a record like

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reached number 11 in the UK and number 39 in the US. It was supported by a cover of

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without the Attractions as his primary backing group. The same year, Zeth Lundy of

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wrote that "his passionate vocals have a terse, strangulated intensity", one that

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Costello's birth name minus 'Aloysius', which was added as a tribute to comedian

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In contrast to the studio-driven production of Costello's previous albums,

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called it Costello's most successful genre excursion in 2021. In his book

801:, Costello's cover could be viewed as commentary on the administration of 6355: 6241: 6160: 5850: 5783: 5754: 5528: 2455: – piano, Hammond organ ("Jack of All Parades" and "Suit of Lights") 2452: 2418: 2412: 2365: 2345: 1667: 809: 764: 663:. The album has received musical and lyrical comparisons to the works of 596: 588: 568: 537: 533: 521: 517: 498: 430: 370: 317: 309: 102: 6124: 1708:

Al Shipley argued in 2022 that the album's sound pointed to what became

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represented Costello's foray into roots music, exploring genres such as

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by The Costello Show featuring the Attractions & the Confederates"

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Torn, Luke (June 2005). "The Costello Show Featuring Elvis Costello:

3167: 2446: 1673: 1293: 1235: 1094: 1057: 845: 794: 734: 664: 648: 604: 4592:"How Elvis Costello Ended Several Eras with 'Blood & Chocolate'" 390: 6004: 5955: 5641: 5529:"British album certifications – Elvis Costello – King of America" 4792: 4481: 3311: 3277: 2424: 2326: 1957: 1658: 1357: 1250: 668: 490: 481: 325: 5424:"The Costello Show feat. the Attractions & the Confederates – 4710:"New album shows Elvis Costello to be an artist in transformation" 4433:"The Costello Show feat. the Attractions & the Confederates – 4387:"The Costello Show feat. the Attractions & the Confederates – 1712:. In 2000, it was voted number 540 in the third edition of writer 1315:

also anticipated his works in the 2000s. In 2021, Jeb Gottlieb of

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under the Coward Brothers name in July 1985, backed by a cover of

416:. Touring under the name "the Coward Brothers"—partially based on 5701: 5695: 4203:"The Costello Show Featuring the Attractions & Confederates: 2388: 608: 595:, who failed to hear a single, Costello taped a rendition of the 304:, released on 21 February 1986. Co-produced by Costello and 4096: 4094: 3840: 3838: 3139: 3137: 3135: 1991:

was reissued again on CD, with no bonus tracks, in June 2007 by

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was originally released on 21 February 1986 exclusively on

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except as noted; track timings taken from Rhino 2005 reissue.

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features a mostly acoustic sound emphasised by stand-up bass,

603:" with the Keltner, Scheff and Froom lineup; Michael Blair of 4334: 4091: 4052: 3908: 3850: 3835: 3815: 3662: 3660: 3658: 3656: 3654: 3652: 3650: 3648: 3132: 3040: 3038: 3036: 2967: 2965: 2963: 2938: 2936: 2934: 2932: 2930: 2917: 2915: 2913: 2911: 2909: 2397: 1105: 644: 532:" for the project. The lineup recorded "Poisoned Rose" and a 38: 4324: 4322: 4235: 4233: 4128: 4126: 4124: 3937: 3935: 3701: 3699: 3009:"How Elvis Costello Reinvented Himself on 'King of America'" 2896: 2894: 2892: 2890: 2820: 2818: 2816: 2764: 2762: 2433: – double bass ("Eisenhower Blues" and "Poisoned Rose") 6132:

The Very Best of Elvis Costello and The Attractions 1977–86

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was a departure from Costello's previous albums, exploring

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is the tenth studio album by the English singer-songwriter

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Complicated Shadows: The Life and Music of Elvis Costello

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Kelly, Danny (22 February 1986). "A date without Elvis".

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Matthew Patrick Declan MacManus – sleeve consultant

5034:. Vol. 24, no. 12. December 2008. p. 76. 4256: 4254: 4252: 4250: 4248: 4155: 4153: 4138: 4111: 4109: 4064: 3995: 3993: 3920: 3871: 3869: 3867: 3865: 3711: 3122: 3120: 3118: 2003:

followed in November 2015, again with no bonus tracks.

816:-styled rockabilly, the 1970s and 1980s country-pop of 6250:(What's So Funny 'Bout) Peace, Love, and Understanding 3103: 3086: 3050: 2948: 4361: 4266: 4165: 3893: 2801: 922:, was released in September, only seven months after 4797:"The Sounds Of Elvis, From San Francisco And Beyond" 4245: 4150: 4106: 3990: 3862: 3115: 5394:(LP liner notes). Elvis Costello. UK & Europe: 4478:

Oricon Album Chart Book: Complete Edition 1970–2005

3161:Nelson, Elizabeth; Bracy, Timothy (24 March 2021). 2746: 2744: 2742: 2740: 2738: 2736: 6687:Bespoke Songs, Lost Dogs, Detours & Rendezvous 5608: 5558: 2849: 2847: 2845: 2734: 2732: 2730: 2728: 2726: 2724: 2722: 2720: 2718: 2716: 1956:. In August 1995, the album was reissued by Demon/ 4650:: The Costello Show (Featuring Elvis Costello)". 3793:: The Costello Show (Featuring Elvis Costello)". 2869: 2867: 2865: 2627: 714:are "nicer" compared to the ones on records like 6700: 4980:. In Brackett, Nathan; Hoard, Christian (eds.). 4346: 3956: 3954: 3952: 3950: 2492:Michael Sören Krage – design and typography 2480:Declan Patrick Aloysius MacManus – producer 5408:: CS1 maint: others in cite AV media (notes) ( 4833:"The Costello Show (Featuring Elvis Costello): 4624:Brown, Glyn (22 February 1986). "Crown study". 4193: 4191: 4189: 4187: 3813:Nesin, Jeff (June 1986). "Imperial margarine". 2842: 2713: 2653:Shipments figures based on certification alone. 445:'s "They'll Never Take Her Love Away from Me". 6168:The Best of Elvis Costello: The First 10 Years 6097:The Best of Elvis Costello and the Attractions 5611:Let Them All Talk: The Music of Elvis Costello 5293: 5291: 5289: 5229:Barnes, Mike (July 2005). "The Costello Show: 5043: 5041: 3409: 2862: 1362: 1325:was "the album opened him up to everything." 1015: 524:, the pianist Tom Canning and the keyboardist 214:The Best of Elvis Costello and the Attractions 6090:Ten Bloody Marys & Ten How's Your Fathers 5717: 4448:Recording Industry Association of New Zealand 3947: 3407: 3405: 3403: 3401: 3399: 3397: 3395: 3393: 3391: 3389: 448:Around the same time, Costello recorded solo 385: 5081:"Elvis Costello Albums Ranked Worst to Best" 4962:. No. 108. September 1995. p. 129. 4297:Heath, Chris (26 February – 11 March 1986). 4292: 4290: 4288: 4184: 3567: 3565: 3208: 3206: 3204: 3202: 3200: 3198: 3196: 3194: 3192: 3190: 3156: 3154: 3152: 1913: 1875: 1837: 1792: 1621: 1583: 1545: 1483: 1438: 1400: 965: 5556: 5286: 5280: 5254:King of America [Ryko Bonus Tracks] 5243: 5038: 4553: 4022: 3784: 3782: 3780: 3778: 3611: 3609: 3607: 3605: 3603: 3601: 3599: 3343:Hit Parade | Music History and Music Trivia 3260: 3258: 3256: 3254: 3252: 3250: 3248: 3246: 3160: 2836: 2795: 2486:David Brent Miner – associate producer 1729:, Lundy cited the "lifeless production" as 874:formats. In the United Kingdom and Europe ( 6769:Rhythm and blues albums by English artists 5724: 5710: 5583: 5302:King of America [Rhino Bonus Disc] 5183: 5181: 5179: 4503: 4501: 4427: 4425: 4423: 4381: 4379: 4340: 4328: 4239: 4132: 4100: 4085: 4058: 3941: 3914: 3887: 3856: 3844: 3705: 3455: 3453: 3451: 3449: 3447: 3386: 3308:"Elvis Costello | Biography & History" 3163:"Elvis Costello Albums from Worst to Best" 3143: 1328: 1197:. The album also placed at number five in 1064:as Costello's best work to date alongside 820:and the mid-1960s alcohol-centric work of 29: 6724:Albums recorded at Sunset Sound Recorders 6609:Lost on the River: The New Basement Tapes 5187: 4972: 4827: 4821: 4769: 4767: 4667: 4665: 4663: 4619: 4617: 4285: 3562: 3187: 3149: 2489:Terence Daniel Donovan – photography 2477:J. Henry (T Bone) Burnett – producer 1183:critics poll for the year's best albums, 619:In a departure from his previous albums, 591:added by Scheff later. At the request of 508:The second set of musicians included the 5491: 5457: 5416: 5224: 5222: 5139: 5078: 5072: 4590:Smith, Courtney E. (15 September 2021). 3808: 3806: 3775: 3677: 3675: 3596: 3487: 3373: 3336: 3243: 3006: 2853: 2750: 2467: – drums, sticks ("Suit of Lights") 2461: – electric bass ("Suit of Lights") 858:because people wouldn't let him grow up. 389: 6666:Unfaithful Music & Disappearing Ink 5658: 5176: 5047: 4671: 4641: 4639: 4637: 4577: 4498: 4475: 4471: 4469: 4420: 4376: 3960: 3829: 3737: 3735: 3733: 3666: 3459: 3444: 3369: 3367: 3365: 3363: 3212: 3109: 3097: 3072:(September 1995). "Elvis Costello: The 3068: 3062: 3056: 3044: 3002: 3000: 2971: 2954: 2942: 2921: 2824: 2807: 2768: 639:. Other commentators found elements of 394:Costello collaborated extensively with 6701: 5629: 5606: 5228: 5145: 5111: 5079:Gallucci, Michael (15 February 2022). 4881: 4787: 4785: 4764: 4742:"The 1986 Pazz & Jop Critics Poll" 4707: 4660: 4614: 4565: 4541: 4370: 4279: 4260: 4178: 4159: 4144: 4115: 4073: 4018: 4016: 4014: 4012: 4010: 4008: 3999: 3926: 3902: 3875: 3724: 3535: 3531: 3529: 3527: 3525: 3523: 3521: 3519: 3517: 3126: 2998: 2996: 2994: 2992: 2990: 2988: 2986: 2984: 2982: 2980: 2900: 2877:(1 March 1986). "Crown time is over". 2783: 894:chart. It was his first release since 6175:The Songs of Bacharach & Costello 5705: 5633:The Words and Music of Elvis Costello 5445:from the original on 17 December 2022 5219: 5093:from the original on 25 February 2022 5060:from the original on 19 February 2022 5008:from the original on 13 December 2020 4915: 4863:from the original on 14 December 2020 4809:from the original on 22 December 2015 4752:from the original on 24 November 2020 4703: 4701: 4645: 4623: 4589: 4454:from the original on 16 November 2022 4352: 4296: 3812: 3803: 3788: 3672: 3615: 3483: 3481: 3479: 3477: 3413: 3284:from the original on 14 December 2020 3231:from the original on 14 December 2020 3021:from the original on 24 February 2023 2873: 2296: 2278: 2260: 2246: 2232: 2216: 2202: 2163: 2149: 2131: 2117: 2089: 2075: 2058: 2040: 1771: 1343: 944: 929: 190: 6207:(The Angels Wanna Wear My) Red Shoes 5615:. London: Sanctuary Publishing Ltd. 5359: 5328: 5297: 5249: 5050:"Every Elvis Costello Album, Ranked" 4933:from the original on 21 October 2015 4634: 4507: 4466: 4408:from the original on 27 October 2022 4197: 3741: 3730: 3681: 3536:Holden, Stephen (19 February 1986). 3360: 3337:Molanphy, Chris (19 November 2022). 3302: 3264: 3175:from the original on 22 January 2022 5372:from the original on 10 August 2023 5341:from the original on 10 August 2023 5310:from the original on 10 August 2023 5262:from the original on 10 August 2023 4791: 4782: 4778:. 20 December 1986. pp. 40–41. 4005: 3514: 3460:Willman, Chris (16 February 1986). 2977: 2483:Larry Kalman Hirsch – engineer 2318:According to the 1995 liner notes: 1364: 1017: 614: 339:Featuring a mostly acoustic sound, 328:. Costello's regular backing band, 13: 5731: 5509:from the original on 23 March 2022 4842:Christgau's Record Guide: The '80s 4698: 4023:O'Hagan, Sean (22 February 1986). 3986:– via worldradiohistory.com. 3961:Gardner, Mike (22 February 1986). 3592:– via worldradiohistory.com. 3474: 3213:Deusner, Stephen M. (8 May 2005). 3007:Gottlieb, Jed (21 February 2021). 2674:Attributed to multiple references: 484:. The sessions took place between 14: 6785: 6759:Country albums by English artists 6719:Albums produced by T Bone Burnett 6714:Albums produced by Elvis Costello 6680:Now Ain't the Time for Your Tears 6272:I Can't Stand Up for Falling Down 5683: 5479:from the original on 14 July 2023 5164:from the original on 29 July 2023 4983:The New Rolling Stone Album Guide 4888:The Encyclopedia of Popular Music 4686:from the original on 29 July 2023 4602:from the original on 11 June 2023 4521:, N.S.W.: Australian Chart Book. 3633:from the original on 29 July 2023 3502:from the original on 19 June 2020 3318:from the original on 12 July 2021 2608: 2439: – harmony vocal ("Lovable") 1915: 1877: 1839: 1794: 1623: 1585: 1547: 1485: 1478:The Encyclopedia of Popular Music 1440: 1402: 967: 694:While the artist denied it was a 5384: 5353: 5322: 5146:Gordon, Scott (9 January 2007). 4891:(5th concise ed.). London: 3550:from the original on 24 May 2015 3432:from the original on 29 May 2023 2013:Declan MacManus (Elvis Costello) 2006: 1934: 1929: 1924: 1919: 1914: 1896: 1891: 1886: 1881: 1876: 1858: 1853: 1848: 1843: 1838: 1808: 1803: 1798: 1793: 1642: 1637: 1632: 1627: 1622: 1604: 1599: 1594: 1589: 1584: 1566: 1561: 1556: 1551: 1546: 1504: 1499: 1494: 1489: 1484: 1454: 1449: 1444: 1439: 1421: 1416: 1411: 1406: 1401: 1383: 1378: 1373: 1368: 1363: 1036: 1031: 1026: 1021: 1016: 986: 981: 976: 971: 966: 563:Costello's regular backing band 6221:(I Don't Want to Go to) Chelsea 6154:The Very Best of Elvis Costello 5984:Secret, Profane & Sugarcane 5105: 5048:Shipley, Al (30 January 2022). 5020: 4966: 4945: 4909: 4875: 4734: 4672:Coleman, Mark (27 March 1986). 4583: 4514:Australian Chart Book 1970–1992 4484:, Tokyo: Oricon Entertainment. 3330: 3296: 3082:. No. 193. pp. 38–44. 2690: 2677: 2668: 2334: – guitars, backing vocals 1971:was remastered and expanded by 1187:finished at number two, behind 6764:Folk albums by English artists 6658:Other works / related articles 6419:The Other End of the Telescope 5499:"Elvis Costello Chart History" 5364:King of America [2015] 5333:King of America [2007] 3374:Staunton, Terry (June 2005). " 2696:Costello's second 1986 album, 2415: – drums, sticks, brushes 2187: 2025: 831:works of the 1990s and 2000s. 1: 6363:Don't Let Me Be Misunderstood 5533:British Phonographic Industry 4708:Tucker, Ken (16 March 1986). 4222:– via Rock's Backpages 4044:– via Rock's Backpages 2707: 2095:Don't Let Me Be Misunderstood 1578:The Rolling Stone Album Guide 879:Costello name. Commercially, 601:Don't Let Me Be Misunderstood 375:Don't Let Me Be Misunderstood 267:Don't Let Me Be Misunderstood 5028:"Discography Elvis Costello" 3789:Isler, Scott (April 1986). " 2601: 2587: 2577: 2565: 2553: 2541: 2529: 2313: 1685:Costello's finest alongside 834: 475: 7: 6472:Welcome to the Working Week 5586:Elvis Costello: God's Comic 5561:Elvis Costello: A Biography 4885:(2011). "Costello, Elvis". 4726:– via Newspapers.com 3692:. No. 97. p. 132. 3414:Lundy, Zeth (2 June 2005). 1756: 771: 723: 10: 6790: 6744:Rhino Entertainment albums 6300:From a Whisper to a Scream 5584:Gouldstone, David (1989). 5557:Clayton-Lea, Tony (1999). 5549: 5360:Erlewine, Stephen Thomas. 5329:Erlewine, Stephen Thomas. 5298:Erlewine, Stephen Thomas. 5250:Erlewine, Stephen Thomas. 3799:. No. 90. p. 86. 3584:. 8 March 1986. p. 84 3488:Young, Jon; Robbins, Ira. 3470:. No. 97. p. 63. 3462:"Elvis Roots into America" 2449:("American Without Tears") 862: 386:Background and development 59:21 February 1986 6657: 6625: 6588:Terror & Magnificence 6579: 6463: 6412:London's Brilliant Parade 6342:Everyday I Write the Book 6314:A Good Year for the Roses 6184: 6074: 6028: 5807: 5739: 5638:Santa Barbara, California 5630:Perone, James E. (2015). 4921:"Elvis Costello's albums" 4715:The Philadelphia Inquirer 4646:Smith, R.J. (May 1986). " 4476:Okamoto, Satoshi (2006). 3339:"Angry Young Men Edition" 2856:King of America (reissue) 2753:King of America (reissue) 2700:, placed at number three. 2650: 2635: 2624: 2621: 2614:Sales certifications for 2592: 2582: 2570: 2558: 2546: 2534: 2522: 2515: 2512: 2499: 2396: – electric guitar, 2354: – electric guitar, 2197: 2194: 2191: 2186: 2035: 2032: 2029: 2024: 1779: 1776: 1766: 1351: 1348: 1338: 1207: 1124:The Philadelphia Inquirer 952: 949: 939: 883:reached number 11 on the 289: 259: 248: 244: 207: 199: 183:J. Henry (T Bone) Burnett 174: 153: 137: 101: 78: 70: 55: 37: 28: 23: 6616:The Resurrection of Rust 6391:The Other Side of Summer 5659:Thomson, Graeme (2004). 5121:(3rd ed.). London: 5118:All Time Top 1000 Albums 4986:(4th ed.). London: 3304:Erlewine, Stephen Thomas 3266:Erlewine, Stephen Thomas 2854:Costello, Elvis (2005). 2751:Costello, Elvis (1995). 2661: 2403:Tom Canning – piano 2374: – brushes, drums, 2206:"American Without Tears" 1719:All Time Top 1000 Albums 1466:Christgau's Record Guide 1300:, his first album since 1204:album of the year list. 887:and number 39 on the US 6729:Columbia Records albums 6563:I Hope You're Happy Now 6214:Watching the Detectives 5928:All This Useless Beauty 5473:Official Charts Company 4728:(subscription required) 4224:(subscription required) 4046:(subscription required) 2348:, organ, doctored piano 1663:Stephen Thomas Erlewine 1329:Retrospective appraisal 6349:The Only Flame in Town 6065:Live at Hollywood High 6037:Live at the El Mocambo 5607:Hinton, Brian (1999). 4774:"Albums of the Year". 3378:: The Costello Show". 2505:Chart performance for 2427: – drums, brushes 2421: – drums, brushes 2167:"I'll Wear It Proudly" 2011:All tracks written by 1948:was first reissued on 1223: 1139:Other reviewers noted 860: 692: 406: 320:and former members of 272:Released: January 1986 6734:Elvis Costello albums 6493:Stranger in the House 6265:Accidents Will Happen 5886:Blood & Chocolate 5086:Ultimate Classic Rock 4596:Ultimate Classic Rock 3014:Ultimate Classic Rock 2698:Blood & Chocolate 2387:Michael Blair – 1997:Universal Music Group 1977:Blood & Chocolate 1339:Retrospective reviews 1318:Ultimate Classic Rock 1226:—Elvis Costello, 1986 1212: 920:Blood & Chocolate 851: 684: 393: 232:Blood & Chocolate 193:(The Coward Brothers) 6739:Hip-O Records albums 6051:Costello & Nieve 5970:The River in Reverse 4926:Entertainment Weekly 4303:: The Costello Show" 4201:(22 February 1986). 3963:"The Costello Show: 3619:(27 February 1986). 2559:New Zealand Albums ( 2382:Additional personnel 1762:Professional ratings 1681:, Thomson considers 1516:Entertainment Weekly 1334:Professional ratings 1290:Anne Sofie von Otter 935:Professional ratings 799:Dwight D. Eisenhower 765:abuse their children 50:and the Confederates 6648:A Face in the Crown 6549:Jack of All Parades 6454:Complicated Shadows 6058:My Flame Burns Blue 5935:Painted from Memory 5872:Goodbye Cruel World 5404:cite AV media notes 4580:, pp. 232–235. 4568:, pp. 293–294. 4544:, pp. 430–431. 4343:, pp. 136–138. 4103:, pp. 143–144. 4061:, pp. 142–143. 3917:, pp. 141–142. 3859:, pp. 140–141. 3847:, pp. 139–140. 3832:, pp. 211–212. 3669:, pp. 231–232. 3626:The Washington Post 3146:, pp. 147–148. 3047:, pp. 223–225. 2974:, pp. 222–223. 2945:, pp. 221–222. 2924:, pp. 220–221. 2903:, pp. 292–293. 2827:, pp. 217–218. 2786:, pp. 290–291. 2771:, pp. 208–209. 2618: 2523:Australian Albums ( 2509: 2300:"Sleep of the Just" 2266:Jack of All Parades 2183: 2021: 1999:. An LP reissue by 1763: 1679:Complicated Shadows 1335: 1278:the Brodsky Quartet 1273:Painted from Memory 1150:The Washington Post 936: 744:Goodbye Cruel World 688:Goodbye Cruel World 556:" and the outtake " 550:Jack of All Parades 465:Goodbye Cruel World 452:of new material at 418:the Everly Brothers 281:Released: 1986 (US) 74:July–September 1985 6595:The Sweetest Punch 6405:13 Steps Lead Down 5907:The Juliet Letters 5900:Mighty Like a Rose 5698:(list of releases) 5590:St. Martin's Press 5207:on 5 November 2007 3763:on 4 February 2005 3543:The New York Times 2613: 2504: 2220:"Eisenhower Blues" 2181: 2079:"Our Little Angel" 2019: 1761: 1333: 1245:The Juliet Letters 1100:The New York Times 934: 930:Critical reception 607:' band overdubbed 407: 399:(pictured in 2007) 6754:Roots rock albums 6696: 6695: 6447:Brilliant Mistake 6118:Girls Girls Girls 5823:This Year's Model 5674:978-1-84195-796-8 5651:978-1-44083-216-1 5622:978-1-86074-196-8 5599:978-0-312-04309-4 5588:. New York City: 5576:978-0-233-99339-3 5567:Andre Deutsch Ltd 5398:. 1986. ZL 70946. 5366:– Elvis Costello" 5335:– Elvis Costello" 5304:– Elvis Costello" 5256:– Elvis Costello" 5197:: Elvis Costello" 5148:"Elvis Costello: 4952:"Elvis Costello: 4902:978-0-85712-595-8 4845:. New York City: 4829:Christgau, Robert 4746:The Village Voice 4674:"King Of America" 4402:Sverigetopplistan 4398:swedishcharts.com 4147:, pp. 73–74. 4076:, pp. 72–73. 4025:"Elvis Costello: 3929:, pp. 71–72. 3747:"Elvis Costello: 3727:, pp. 69–70. 3467:Los Angeles Times 3416:"Elvis Costello: 3274:– Elvis Costello" 3215:"Elvis Costello: 2883:. pp. 16–17. 2659: 2658: 2654: 2606: 2605: 2573:Sverigetopplistan 2535:Japanese Albums ( 2525:Kent Music Report 2409: – saxophone 2400:, acoustic guitar 2352:Tom "T-Bone" Wolk 2310: 2309: 2177: 2176: 2046:Brilliant Mistake 1943: 1942: 1653:Retrospectively, 1651: 1650: 1173:The Village Voice 1115:Los Angeles Times 1045: 1044: 911:This Year's Model 706:, the bassist of 567:—the keyboardist 554:Brilliant Mistake 293: 292: 240: 239: 44:the Costello Show 6781: 6774:Americana albums 6673:Live Stiffs Live 6542:Indoor Fireworks 6514:New Lace Sleeves 6252: 6235:This Year's Girl 6111:Out of Our Idiot 6083:Taking Liberties 6019:The Boy Named If 5963:The Delivery Man 5942:When I Was Cruel 5858:Imperial Bedroom 5726: 5719: 5712: 5703: 5702: 5678: 5655: 5626: 5614: 5603: 5580: 5564: 5544: 5543: 5541: 5539: 5525: 5519: 5518: 5516: 5514: 5495: 5489: 5488: 5486: 5484: 5461: 5455: 5454: 5452: 5450: 5432: 5420: 5414: 5413: 5407: 5399: 5388: 5382: 5381: 5379: 5377: 5357: 5351: 5350: 5348: 5346: 5326: 5320: 5319: 5317: 5315: 5295: 5284: 5281:Clayton-Lea 1999 5278: 5272: 5271: 5269: 5267: 5247: 5241: 5240: 5226: 5217: 5216: 5214: 5212: 5203:. Archived from 5185: 5174: 5173: 5171: 5169: 5143: 5137: 5136: 5109: 5103: 5102: 5100: 5098: 5076: 5070: 5069: 5067: 5065: 5045: 5036: 5035: 5024: 5018: 5017: 5015: 5013: 4978:"Elvis Costello" 4970: 4964: 4963: 4949: 4943: 4942: 4940: 4938: 4913: 4907: 4906: 4879: 4873: 4872: 4870: 4868: 4825: 4819: 4818: 4816: 4814: 4789: 4780: 4779: 4771: 4762: 4761: 4759: 4757: 4748:. 3 March 1987. 4738: 4732: 4731: 4729: 4725: 4723: 4705: 4696: 4695: 4693: 4691: 4669: 4658: 4657: 4643: 4632: 4631: 4621: 4612: 4611: 4609: 4607: 4587: 4581: 4575: 4569: 4563: 4557: 4554:Clayton-Lea 1999 4551: 4545: 4539: 4533: 4532: 4505: 4496: 4495: 4473: 4464: 4463: 4461: 4459: 4441: 4429: 4418: 4417: 4415: 4413: 4395: 4383: 4374: 4368: 4359: 4358: 4350: 4344: 4338: 4332: 4326: 4317: 4316: 4294: 4283: 4277: 4264: 4258: 4243: 4237: 4228: 4227: 4225: 4221: 4219: 4195: 4182: 4176: 4163: 4157: 4148: 4142: 4136: 4130: 4119: 4113: 4104: 4098: 4089: 4083: 4077: 4071: 4062: 4056: 4050: 4049: 4047: 4043: 4041: 4020: 4003: 3997: 3988: 3987: 3985: 3983: 3971: 3958: 3945: 3939: 3930: 3924: 3918: 3912: 3906: 3900: 3891: 3885: 3879: 3873: 3860: 3854: 3848: 3842: 3833: 3827: 3821: 3820: 3810: 3801: 3800: 3786: 3773: 3772: 3770: 3768: 3759:. Archived from 3739: 3728: 3722: 3709: 3703: 3694: 3693: 3679: 3670: 3664: 3643: 3642: 3640: 3638: 3613: 3594: 3593: 3591: 3589: 3577: 3569: 3560: 3559: 3557: 3555: 3533: 3512: 3511: 3509: 3507: 3490:"Elvis Costello" 3485: 3472: 3471: 3457: 3442: 3441: 3439: 3437: 3411: 3384: 3383: 3380:Record Collector 3371: 3358: 3357: 3355: 3353: 3334: 3328: 3327: 3325: 3323: 3300: 3294: 3293: 3291: 3289: 3262: 3241: 3240: 3238: 3236: 3210: 3185: 3184: 3182: 3180: 3158: 3147: 3141: 3130: 3124: 3113: 3107: 3101: 3095: 3084: 3083: 3079:Record Collector 3074:Record Collector 3066: 3060: 3054: 3048: 3042: 3031: 3030: 3028: 3026: 3004: 2975: 2969: 2958: 2952: 2946: 2940: 2925: 2919: 2904: 2898: 2885: 2884: 2871: 2860: 2859: 2851: 2840: 2837:Clayton-Lea 1999 2834: 2828: 2822: 2811: 2805: 2799: 2796:Clayton-Lea 1999 2793: 2787: 2781: 2772: 2766: 2757: 2756: 2748: 2701: 2694: 2688: 2681: 2675: 2672: 2652: 2636:United Kingdom ( 2619: 2612: 2571:Swedish Albums ( 2510: 2503: 2189: 2184: 2180: 2153:"Little Palaces" 2137:Indoor Fireworks 2027: 2022: 2018: 1939: 1938: 1937: 1933: 1932: 1928: 1927: 1923: 1922: 1918: 1917: 1901: 1900: 1899: 1895: 1894: 1890: 1889: 1885: 1884: 1880: 1879: 1863: 1862: 1861: 1857: 1856: 1852: 1851: 1847: 1846: 1842: 1841: 1832:Record Collector 1813: 1812: 1811: 1807: 1806: 1802: 1801: 1797: 1796: 1764: 1760: 1735: 1707: 1692:Imperial Bedroom 1647: 1646: 1645: 1641: 1640: 1636: 1635: 1631: 1630: 1626: 1625: 1609: 1608: 1607: 1603: 1602: 1598: 1597: 1593: 1592: 1588: 1587: 1571: 1570: 1569: 1565: 1564: 1560: 1559: 1555: 1554: 1550: 1549: 1509: 1508: 1507: 1503: 1502: 1498: 1497: 1493: 1492: 1488: 1487: 1459: 1458: 1457: 1453: 1452: 1448: 1447: 1443: 1442: 1426: 1425: 1424: 1420: 1419: 1415: 1414: 1410: 1409: 1405: 1404: 1388: 1387: 1386: 1382: 1381: 1377: 1376: 1372: 1371: 1367: 1366: 1336: 1332: 1263:The Delivery Man 1254:), lounge jazz ( 1227: 1221: 1203: 1178: 1161: 1111: 1088:magazine hailed 1078: 1056: 1041: 1040: 1039: 1035: 1034: 1030: 1029: 1025: 1024: 1020: 1019: 991: 990: 989: 985: 984: 980: 979: 975: 974: 970: 969: 937: 933: 748: 615:Music and lyrics 593:Columbia Records 575:and the drummer 544:and the drummer 531: 503:Indoor Fireworks 282: 279: 273: 270: 254:King of America 209: 208: 192: 149: 148: 144: 66: 64: 33: 21: 20: 6789: 6788: 6784: 6783: 6782: 6780: 6779: 6778: 6749:Rykodisc albums 6699: 6698: 6697: 6692: 6653: 6641:Jake's Progress 6621: 6575: 6570:Next Time Round 6459: 6335:Man Out of Time 6328:You Little Fool 6307:Watch Your Step 6248: 6180: 6070: 6024: 5991:National Ransom 5879:King of America 5865:Punch the Clock 5803: 5778:The Attractions 5735: 5730: 5691:King of America 5686: 5681: 5675: 5665:Canongate Books 5652: 5623: 5600: 5577: 5552: 5547: 5537: 5535: 5527: 5526: 5522: 5512: 5510: 5497: 5496: 5492: 5482: 5480: 5467:King of America 5463: 5462: 5458: 5448: 5446: 5430: 5426:King of America 5422: 5421: 5417: 5401: 5400: 5392:King of America 5390: 5389: 5385: 5375: 5373: 5358: 5354: 5344: 5342: 5327: 5323: 5313: 5311: 5296: 5287: 5279: 5275: 5265: 5263: 5248: 5244: 5239:. No. 140. 5231:King of America 5227: 5220: 5210: 5208: 5195:King Of America 5191:(19 May 2005). 5186: 5177: 5167: 5165: 5150:King of America 5144: 5140: 5133: 5125:. p. 185. 5110: 5106: 5096: 5094: 5077: 5073: 5063: 5061: 5046: 5039: 5026: 5025: 5021: 5011: 5009: 5002: 4971: 4967: 4954:King of America 4951: 4950: 4946: 4936: 4934: 4919:(10 May 1991). 4914: 4910: 4903: 4880: 4876: 4866: 4864: 4857: 4835:King of America 4826: 4822: 4812: 4810: 4802:Chicago Tribune 4795:(2 June 1991). 4790: 4783: 4773: 4772: 4765: 4755: 4753: 4740: 4739: 4735: 4727: 4721: 4719: 4706: 4699: 4689: 4687: 4670: 4661: 4648:King of America 4644: 4635: 4622: 4615: 4605: 4603: 4588: 4584: 4576: 4572: 4564: 4560: 4552: 4548: 4540: 4536: 4529: 4506: 4499: 4492: 4474: 4467: 4457: 4455: 4439: 4435:King of America 4431: 4430: 4421: 4411: 4409: 4393: 4389:King of America 4385: 4384: 4377: 4369: 4362: 4351: 4347: 4341:Gouldstone 1989 4339: 4335: 4329:Gouldstone 1989 4327: 4320: 4301:King Of America 4295: 4286: 4278: 4267: 4259: 4246: 4240:Gouldstone 1989 4238: 4231: 4223: 4217: 4215: 4205:King Of America 4196: 4185: 4177: 4166: 4158: 4151: 4143: 4139: 4133:Gouldstone 1989 4131: 4122: 4114: 4107: 4101:Gouldstone 1989 4099: 4092: 4086:Gouldstone 1989 4084: 4080: 4072: 4065: 4059:Gouldstone 1989 4057: 4053: 4045: 4039: 4037: 4027:King Of America 4021: 4006: 3998: 3991: 3981: 3979: 3969: 3965:King of America 3959: 3948: 3942:Gouldstone 1989 3940: 3933: 3925: 3921: 3915:Gouldstone 1989 3913: 3909: 3901: 3894: 3888:Gouldstone 1989 3886: 3882: 3874: 3863: 3857:Gouldstone 1989 3855: 3851: 3845:Gouldstone 1989 3843: 3836: 3828: 3824: 3811: 3804: 3791:King Of America 3787: 3776: 3766: 3764: 3749:King of America 3740: 3731: 3723: 3712: 3706:Gouldstone 1989 3704: 3697: 3684:King of America 3680: 3673: 3665: 3646: 3636: 3634: 3617:Himes, Geoffrey 3614: 3597: 3587: 3585: 3575: 3573:"Album Reviews" 3571: 3570: 3563: 3553: 3551: 3534: 3515: 3505: 3503: 3486: 3475: 3458: 3445: 3435: 3433: 3418:King of America 3412: 3387: 3382:. No. 311. 3376:King of America 3372: 3361: 3351: 3349: 3335: 3331: 3321: 3319: 3301: 3297: 3287: 3285: 3272:King of America 3263: 3244: 3234: 3232: 3217:King of America 3211: 3188: 3178: 3176: 3159: 3150: 3144:Gouldstone 1989 3142: 3133: 3125: 3116: 3108: 3104: 3096: 3087: 3067: 3063: 3055: 3051: 3043: 3034: 3024: 3022: 3005: 2978: 2970: 2961: 2953: 2949: 2941: 2928: 2920: 2907: 2899: 2888: 2872: 2863: 2852: 2843: 2835: 2831: 2823: 2814: 2806: 2802: 2794: 2790: 2782: 2775: 2767: 2760: 2749: 2714: 2710: 2705: 2704: 2695: 2691: 2682: 2678: 2673: 2669: 2664: 2629:Certified units 2616:King of America 2611: 2584:UK Albums Chart 2517: 2507:King of America 2502: 2445: – French 2368:, electric bass 2358:, electric bass 2356:piano accordion 2316: 2311: 2250:"The Big Light" 2236:"Poisoned Rose" 2178: 2121:"Glitter Gulch" 2109:Gloria Caldwell 2101:Bennie Benjamin 2009: 1989:King of America 1969:King of America 1967:In April 2005, 1946:King of America 1935: 1930: 1925: 1920: 1897: 1892: 1887: 1882: 1859: 1854: 1849: 1844: 1809: 1804: 1799: 1759: 1733: 1731:King of America 1705: 1683:King of America 1655:King of America 1643: 1638: 1633: 1628: 1605: 1600: 1595: 1590: 1567: 1562: 1557: 1552: 1505: 1500: 1495: 1490: 1455: 1450: 1445: 1433:Chicago Tribune 1422: 1417: 1412: 1407: 1384: 1379: 1374: 1369: 1331: 1323:King of America 1298:King of America 1232:King of America 1229: 1225: 1219: 1216:King of America 1210: 1201: 1185:King of America 1176: 1159: 1141:King of America 1134:King of America 1129:King of America 1109: 1090:King of America 1076: 1062:King of America 1054: 1048:King of America 1037: 1032: 1027: 1022: 987: 982: 977: 972: 940:Initial reviews 932: 924:King of America 885:UK Albums Chart 881:King of America 868:King of America 865: 837: 774: 746: 726: 712:King of America 700:King of America 676:King of America 659:and late-1950s 621:King of America 617: 565:the Attractions 529: 493:who had backed 478: 459:Punch the Clock 435:King of America 403:King of America 388: 379:King of America 367:King of America 341:King of America 330:the Attractions 297:King of America 285: 280: 277: 276: 271: 264: 263: 235: 226: 223:King of America 217: 188:Declan MacManus 146: 142: 141: 62: 60: 51: 48:the Attractions 24:King of America 19: 12: 11: 5: 6787: 6777: 6776: 6771: 6766: 6761: 6756: 6751: 6746: 6741: 6736: 6731: 6726: 6721: 6716: 6711: 6694: 6693: 6691: 6690: 6683: 6676: 6669: 6661: 6659: 6655: 6654: 6652: 6651: 6644: 6637: 6629: 6627: 6623: 6622: 6620: 6619: 6612: 6605: 6598: 6591: 6583: 6581: 6580:Collaborations 6577: 6576: 6574: 6573: 6566: 6559: 6556:Suit of Lights 6552: 6545: 6538: 6531: 6524: 6517: 6510: 6503: 6496: 6489: 6486:Senior Service 6482: 6479:Lipstick Vogue 6475: 6467: 6465: 6461: 6460: 6458: 6457: 6450: 6443: 6436: 6429: 6426:You Bowed Down 6422: 6415: 6408: 6401: 6394: 6387: 6380: 6373: 6366: 6359: 6352: 6345: 6338: 6331: 6324: 6317: 6310: 6303: 6296: 6289: 6282: 6275: 6268: 6261: 6254: 6245: 6238: 6231: 6224: 6217: 6210: 6203: 6196: 6193:Less Than Zero 6188: 6186: 6182: 6181: 6179: 6178: 6171: 6164: 6157: 6150: 6146:Costello Album 6142: 6135: 6128: 6121: 6114: 6107: 6100: 6093: 6086: 6078: 6076: 6072: 6071: 6069: 6068: 6061: 6054: 6047: 6044:Deep Dead Blue 6040: 6032: 6030: 6026: 6025: 6023: 6022: 6015: 6008: 6001: 5994: 5987: 5980: 5973: 5966: 5959: 5952: 5945: 5938: 5931: 5924: 5917: 5910: 5903: 5896: 5889: 5882: 5875: 5868: 5861: 5854: 5847: 5840: 5833: 5826: 5819: 5816:My Aim Is True 5811: 5809: 5805: 5804: 5802: 5801: 5794: 5787: 5773: 5772: 5769:Davey Faragher 5765: 5758: 5751:The Imposters: 5747: 5746: 5740: 5737: 5736: 5733:Elvis Costello 5729: 5728: 5721: 5714: 5706: 5700: 5699: 5685: 5684:External links 5682: 5680: 5679: 5673: 5656: 5650: 5627: 5621: 5604: 5598: 5581: 5575: 5553: 5551: 5548: 5546: 5545: 5520: 5490: 5456: 5435:dutchcharts.nl 5415: 5396:F-Beat Records 5383: 5352: 5321: 5285: 5283:, p. 227. 5273: 5242: 5218: 5189:Sheffield, Rob 5175: 5138: 5131: 5104: 5071: 5037: 5019: 5000: 4988:Fireside Books 4974:Sheffield, Rob 4965: 4944: 4908: 4901: 4874: 4855: 4847:Pantheon Books 4820: 4781: 4763: 4733: 4697: 4659: 4633: 4613: 4582: 4570: 4558: 4556:, p. 226. 4546: 4534: 4527: 4497: 4490: 4465: 4419: 4400:(in Swedish). 4375: 4373:, p. 165. 4360: 4345: 4333: 4331:, p. 138. 4318: 4284: 4282:, p. 294. 4265: 4244: 4242:, p. 145. 4229: 4183: 4181:, p. 297. 4164: 4149: 4137: 4135:, p. 144. 4120: 4105: 4090: 4088:, p. 143. 4078: 4063: 4051: 4004: 3989: 3946: 3944:, p. 142. 3931: 3919: 3907: 3905:, p. 295. 3892: 3890:, p. 141. 3880: 3861: 3849: 3834: 3822: 3802: 3774: 3745:(March 2005). 3729: 3710: 3708:, p. 139. 3695: 3671: 3644: 3595: 3561: 3513: 3473: 3443: 3385: 3359: 3329: 3295: 3242: 3186: 3148: 3131: 3114: 3112:, p. 227. 3102: 3100:, p. 226. 3085: 3070:Doggett, Peter 3061: 3059:, p. 220. 3049: 3032: 2976: 2959: 2957:, p. 221. 2947: 2926: 2905: 2886: 2861: 2841: 2839:, p. 118. 2829: 2812: 2810:, p. 217. 2800: 2798:, p. 114. 2788: 2773: 2758: 2711: 2709: 2706: 2703: 2702: 2689: 2676: 2666: 2665: 2663: 2660: 2657: 2656: 2648: 2647: 2644: 2641: 2633: 2632: 2626: 2623: 2610: 2609:Certifications 2607: 2604: 2603: 2600: 2598:Top Pop Albums 2590: 2589: 2586: 2580: 2579: 2576: 2568: 2567: 2564: 2556: 2555: 2552: 2547:Dutch Albums ( 2544: 2543: 2540: 2532: 2531: 2528: 2520: 2519: 2514: 2501: 2498: 2497: 2496: 2493: 2490: 2487: 2484: 2481: 2478: 2469: 2468: 2462: 2456: 2450: 2440: 2434: 2428: 2422: 2416: 2410: 2404: 2401: 2391: 2379: 2378: 2369: 2359: 2349: 2338:Mitchell Froom 2335: 2332:T Bone Burnett 2329: 2323:Elvis Costello 2315: 2312: 2308: 2307: 2304: 2301: 2298: 2294: 2293: 2290: 2287: 2284:Suit of Lights 2280: 2276: 2275: 2272: 2269: 2262: 2258: 2257: 2254: 2251: 2248: 2244: 2243: 2240: 2237: 2234: 2230: 2229: 2226: 2221: 2218: 2214: 2213: 2210: 2207: 2204: 2200: 2199: 2196: 2193: 2190: 2179: 2175: 2174: 2171: 2168: 2165: 2161: 2160: 2157: 2154: 2151: 2147: 2146: 2143: 2140: 2133: 2129: 2128: 2125: 2122: 2119: 2115: 2114: 2111: 2098: 2091: 2087: 2086: 2083: 2080: 2077: 2073: 2072: 2069: 2067:Cait O'Riordan 2063: 2060: 2056: 2055: 2052: 2049: 2042: 2038: 2037: 2034: 2031: 2028: 2017: 2008: 2005: 1941: 1940: 1911: 1903: 1902: 1873: 1865: 1864: 1835: 1827: 1826: 1823: 1815: 1814: 1790: 1782: 1781: 1778: 1774: 1773: 1769: 1768: 1758: 1755: 1649: 1648: 1619: 1611: 1610: 1581: 1573: 1572: 1543: 1535: 1534: 1531: 1523: 1522: 1519: 1511: 1510: 1481: 1473: 1472: 1469: 1461: 1460: 1436: 1428: 1427: 1398: 1390: 1389: 1360: 1354: 1353: 1350: 1346: 1345: 1341: 1340: 1330: 1327: 1313:song structure 1302:My Aim Is True 1286:Paul McCartney 1282:Burt Bacharach 1268:Brill Building 1211: 1209: 1206: 1181:Pazz & Jop 1145:Geoffrey Himes 1043: 1042: 1013: 1005: 1004: 1001: 993: 992: 963: 955: 954: 951: 947: 946: 942: 941: 931: 928: 896:My Aim Is True 892:Top Pop Albums 864: 861: 836: 833: 773: 770: 725: 722: 717:My Aim Is True 704:Cait O'Riordan 686:Especially on 616: 613: 581:Suit of Lights 571:, the bassist 526:Mitchell Froom 477: 474: 414:T Bone Burnett 410:Elvis Costello 396:T Bone Burnett 387: 384: 334:Suit of Lights 306:T Bone Burnett 302:Elvis Costello 291: 290: 287: 286: 284: 283: 274: 260: 257: 256: 246: 245: 242: 241: 238: 237: 228: 219: 205: 204: 201:Elvis Costello 197: 196: 195: 194: 185: 178: 172: 171: 170: 169: 164: 157: 151: 150: 139: 135: 134: 133: 132: 127: 122: 117: 112: 105: 99: 98: 97: 96: 80: 76: 75: 72: 68: 67: 57: 53: 52: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 6786: 6775: 6772: 6770: 6767: 6765: 6762: 6760: 6757: 6755: 6752: 6750: 6747: 6745: 6742: 6740: 6737: 6735: 6732: 6730: 6727: 6725: 6722: 6720: 6717: 6715: 6712: 6710: 6707: 6706: 6704: 6689: 6688: 6684: 6682: 6681: 6677: 6675: 6674: 6670: 6668: 6667: 6663: 6662: 6660: 6656: 6650: 6649: 6645: 6643: 6642: 6638: 6636: 6635: 6631: 6630: 6628: 6624: 6618: 6617: 6613: 6611: 6610: 6606: 6604: 6603: 6602:For the Stars 6599: 6597: 6596: 6592: 6590: 6589: 6585: 6584: 6582: 6578: 6571: 6567: 6564: 6560: 6557: 6553: 6550: 6546: 6543: 6539: 6536: 6532: 6529: 6525: 6522: 6521:Beyond Belief 6518: 6515: 6511: 6508: 6504: 6501: 6497: 6494: 6490: 6487: 6483: 6480: 6476: 6473: 6469: 6468: 6466: 6462: 6455: 6451: 6448: 6444: 6441: 6437: 6434: 6430: 6427: 6423: 6420: 6416: 6413: 6409: 6406: 6402: 6399: 6395: 6392: 6388: 6385: 6381: 6378: 6374: 6371: 6367: 6364: 6360: 6357: 6353: 6350: 6346: 6343: 6339: 6336: 6332: 6329: 6325: 6322: 6318: 6315: 6311: 6308: 6304: 6301: 6297: 6294: 6290: 6287: 6286:New Amsterdam 6283: 6280: 6279:High Fidelity 6276: 6273: 6269: 6266: 6262: 6259: 6258:Oliver's Army 6255: 6251: 6246: 6243: 6239: 6236: 6232: 6229: 6225: 6222: 6218: 6215: 6211: 6208: 6204: 6201: 6197: 6194: 6190: 6189: 6187: 6183: 6177: 6176: 6172: 6170: 6169: 6165: 6163: 6162: 6158: 6156: 6155: 6151: 6148: 6147: 6143: 6141: 6140: 6139:Extreme Honey 6136: 6134: 6133: 6129: 6127: 6126: 6122: 6120: 6119: 6115: 6113: 6112: 6108: 6106: 6105: 6101: 6099: 6098: 6094: 6092: 6091: 6087: 6085: 6084: 6080: 6079: 6077: 6073: 6067: 6066: 6062: 6060: 6059: 6055: 6053: 6052: 6048: 6046: 6045: 6041: 6039: 6038: 6034: 6033: 6031: 6027: 6021: 6020: 6016: 6014: 6013: 6012:Hey Clockface 6009: 6007: 6006: 6002: 6000: 5999: 5998:Wise Up Ghost 5995: 5993: 5992: 5988: 5986: 5985: 5981: 5979: 5978: 5974: 5972: 5971: 5967: 5965: 5964: 5960: 5958: 5957: 5953: 5951: 5950: 5946: 5944: 5943: 5939: 5937: 5936: 5932: 5930: 5929: 5925: 5923: 5922: 5921:Kojak Variety 5918: 5916: 5915: 5911: 5909: 5908: 5904: 5902: 5901: 5897: 5895: 5894: 5890: 5888: 5887: 5883: 5881: 5880: 5876: 5874: 5873: 5869: 5867: 5866: 5862: 5860: 5859: 5855: 5853: 5852: 5848: 5846: 5845: 5841: 5839: 5838: 5834: 5832: 5831: 5827: 5825: 5824: 5820: 5818: 5817: 5813: 5812: 5810: 5808:Studio albums 5806: 5800: 5799: 5795: 5793: 5792: 5788: 5786: 5785: 5781: 5779: 5775: 5774: 5771: 5770: 5766: 5764: 5763: 5759: 5757: 5756: 5752: 5749: 5748: 5745: 5742: 5741: 5738: 5734: 5727: 5722: 5720: 5715: 5713: 5708: 5707: 5704: 5697: 5693: 5692: 5688: 5687: 5676: 5670: 5666: 5663:. Edinburgh: 5662: 5657: 5653: 5647: 5643: 5639: 5635: 5634: 5628: 5624: 5618: 5613: 5612: 5605: 5601: 5595: 5591: 5587: 5582: 5578: 5572: 5568: 5563: 5562: 5555: 5554: 5534: 5530: 5524: 5508: 5504: 5500: 5494: 5478: 5474: 5470: 5468: 5460: 5444: 5440: 5436: 5429: 5427: 5419: 5411: 5405: 5397: 5393: 5387: 5371: 5367: 5365: 5356: 5340: 5336: 5334: 5325: 5309: 5305: 5303: 5294: 5292: 5290: 5282: 5277: 5261: 5257: 5255: 5246: 5238: 5237: 5232: 5225: 5223: 5206: 5202: 5201:Rolling Stone 5198: 5196: 5190: 5184: 5182: 5180: 5163: 5159: 5158: 5157:The A.V. Club 5153: 5151: 5142: 5134: 5132:0-7535-0493-6 5128: 5124: 5120: 5119: 5114: 5113:Larkin, Colin 5108: 5092: 5088: 5087: 5082: 5075: 5059: 5055: 5051: 5044: 5042: 5033: 5029: 5023: 5007: 5003: 5001:0-7432-0169-8 4997: 4993: 4989: 4985: 4984: 4979: 4975: 4969: 4961: 4960: 4955: 4948: 4932: 4928: 4927: 4922: 4918: 4917:White, Armond 4912: 4904: 4898: 4894: 4893:Omnibus Press 4890: 4889: 4884: 4883:Larkin, Colin 4878: 4862: 4858: 4856:0-679-73015-X 4852: 4848: 4844: 4843: 4838: 4836: 4830: 4824: 4808: 4804: 4803: 4798: 4794: 4788: 4786: 4777: 4770: 4768: 4751: 4747: 4743: 4737: 4718:. p. 8-J 4717: 4716: 4711: 4704: 4702: 4685: 4681: 4680: 4679:Rolling Stone 4675: 4668: 4666: 4664: 4656:. p. 32. 4655: 4654: 4649: 4642: 4640: 4638: 4630:. p. 26. 4629: 4628: 4620: 4618: 4601: 4597: 4593: 4586: 4579: 4574: 4567: 4562: 4555: 4550: 4543: 4538: 4530: 4528:0-646-11917-6 4524: 4520: 4516: 4515: 4510: 4504: 4502: 4493: 4491:4-87131-077-9 4487: 4483: 4479: 4472: 4470: 4453: 4449: 4445: 4438: 4436: 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Club 1732: 1728: 1723: 1721: 1720: 1715: 1711: 1704: 1703: 1698: 1694: 1693: 1688: 1684: 1680: 1676: 1675: 1670: 1669: 1664: 1660: 1656: 1620: 1618: 1617: 1613: 1612: 1582: 1580: 1579: 1575: 1574: 1544: 1542: 1541: 1537: 1536: 1532: 1530: 1529: 1525: 1524: 1520: 1518: 1517: 1513: 1512: 1482: 1480: 1479: 1475: 1474: 1470: 1468: 1467: 1463: 1462: 1437: 1435: 1434: 1430: 1429: 1399: 1397: 1396: 1392: 1391: 1361: 1359: 1356: 1355: 1347: 1344:Review scores 1342: 1337: 1326: 1324: 1320: 1319: 1314: 1309: 1308: 1303: 1299: 1295: 1291: 1287: 1283: 1279: 1275: 1274: 1269: 1265: 1264: 1259: 1258: 1253: 1252: 1247: 1246: 1241: 1237: 1233: 1228: 1222: 1217: 1205: 1200: 1196: 1195: 1190: 1186: 1182: 1175: 1174: 1168: 1167:so complex." 1166: 1158: 1157: 1152: 1151: 1146: 1142: 1137: 1135: 1130: 1126: 1125: 1119: 1117: 1116: 1108: 1107: 1102: 1101: 1096: 1091: 1087: 1086: 1080: 1075: 1074: 1069: 1068: 1063: 1059: 1053: 1049: 1014: 1012: 1011: 1007: 1006: 1002: 1000: 999: 995: 994: 964: 962: 961: 960:Record Mirror 957: 956: 948: 945:Review scores 943: 938: 927: 925: 921: 917: 913: 912: 907: 905: 899: 897: 893: 891: 886: 882: 877: 873: 869: 859: 857: 850: 847: 841: 832: 830: 829:chamber music 825: 823: 822:Merle Haggard 819: 818:Eddie Rabbitt 815: 814:Elvis Presley 811: 806: 804: 803:Ronald Reagan 800: 796: 792: 791:Jo-El Sonnier 788: 787: 782: 781: 769: 766: 762: 757: 756: 755:Record Mirror 750: 745: 739: 736: 732: 731:David Hidalgo 721: 719: 718: 713: 709: 705: 701: 697: 696:concept album 691: 689: 683: 681: 680:Hammond organ 677: 672: 670: 666: 662: 658: 654: 650: 646: 642: 638: 634: 630: 626: 622: 612: 610: 606: 602: 598: 594: 590: 584: 582: 578: 574: 570: 566: 561: 559: 555: 551: 547: 543: 539: 535: 527: 523: 519: 515: 511: 506: 504: 500: 496: 495:Elvis Presley 492: 487: 483: 473: 469: 467: 466: 461: 460: 455: 451: 446: 444: 440: 436: 432: 428: 427:Sound Factory 423: 419: 415: 411: 404: 400: 397: 392: 383: 380: 376: 372: 368: 364: 362: 358: 354: 350: 346: 342: 337: 335: 331: 327: 323: 322:Elvis Presley 319: 315: 311: 307: 303: 299: 298: 288: 275: 268: 262: 261: 258: 255: 251: 247: 243: 234: 233: 229: 225: 224: 220: 216: 215: 211: 210: 206: 202: 198: 189: 186: 184: 181: 180: 179: 177: 173: 168: 165: 163: 160: 159: 158: 156: 152: 140: 136: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 107: 106: 104: 100: 95:(Los Angeles) 94: 93:Sound Factory 90: 86: 83: 82: 81: 77: 73: 69: 58: 54: 49: 45: 40: 36: 32: 27: 22: 16: 6685: 6678: 6671: 6664: 6646: 6639: 6632: 6614: 6607: 6600: 6593: 6586: 6535:Shipbuilding 6321:Sweet Dreams 6173: 6166: 6159: 6152: 6144: 6137: 6130: 6123: 6116: 6109: 6102: 6095: 6088: 6081: 6075:Compilations 6063: 6056: 6049: 6042: 6035: 6017: 6010: 6003: 5996: 5989: 5982: 5975: 5968: 5961: 5954: 5947: 5940: 5933: 5926: 5919: 5914:Brutal Youth 5912: 5905: 5898: 5891: 5884: 5878: 5877: 5870: 5863: 5856: 5849: 5842: 5835: 5830:Armed Forces 5828: 5821: 5814: 5798:Bruce Thomas 5796: 5789: 5782: 5776: 5767: 5760: 5753: 5750: 5689: 5660: 5632: 5610: 5585: 5560: 5536:. 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Lenoir 2010: 1988: 1987: 1980: 1976: 1968: 1966: 1962:bonus tracks 1945: 1944: 1906: 1868: 1830: 1818: 1785: 1767:2005 reissue 1744: 1738: 1730: 1726: 1724: 1717: 1714:Colin Larkin 1700: 1696: 1690: 1686: 1682: 1678: 1672: 1666: 1654: 1652: 1614: 1576: 1538: 1526: 1514: 1476: 1464: 1431: 1393: 1322: 1316: 1305: 1301: 1297: 1271: 1261: 1260:), country ( 1255: 1249: 1243: 1231: 1230: 1224: 1215: 1213: 1199:Melody Maker 1198: 1192: 1184: 1171: 1169: 1164: 1154: 1148: 1140: 1138: 1133: 1128: 1122: 1120: 1113: 1104: 1098: 1089: 1083: 1081: 1071: 1065: 1061: 1052:Melody Maker 1051: 1047: 1046: 1008: 996: 958: 923: 919: 916:Armed Forces 915: 909: 903: 900: 895: 889: 880: 867: 866: 855: 852: 842: 838: 826: 807: 784: 780:Armed Forces 778: 775: 761:Gram Parsons 753: 751: 743: 740: 727: 715: 711: 699: 693: 687: 685: 675: 673: 629:country folk 620: 618: 585: 573:Bruce Thomas 562: 546:Mickey Curry 507: 479: 470: 463: 457: 454:Sunset Sound 447: 434: 408: 402: 398: 378: 366: 365: 340: 338: 296: 295: 294: 253: 230: 222: 221: 212: 89:Sunset Sound 39:Studio album 15: 6709:1986 albums 6528:Almost Blue 6464:Other songs 6356:Green Shirt 6242:Radio Radio 6161:Cruel Smile 6029:Live albums 5851:Almost Blue 5837:Get Happy!! 5791:Pete Thomas 5784:Steve Nieve 5762:Pete Thomas 5755:Steve Nieve 5744:Discography 5538:3 September 5012:30 November 4990:. pp. 4756:12 November 4566:Hinton 1999 4542:Hinton 1999 4509:Kent, David 4371:Perone 2015 4280:Hinton 1999 4261:Perone 2015 4179:Hinton 1999 4160:Perone 2015 4145:Perone 2015 4116:Perone 2015 4074:Perone 2015 4000:Perone 2015 3927:Perone 2015 3903:Hinton 1999 3876:Perone 2015 3725:Perone 2015 3352:26 February 3345:(Podcast). 3127:Perone 2015 2901:Hinton 1999 2784:Hinton 1999 2465:Pete Thomas 2453:Steve Nieve 2419:Earl Palmer 2413:Jim Keltner 2366:string bass 2346:harpsichord 1952:in 1987 by 1710:alt-country 1697:God's Comic 1687:Get Happy!! 1668:Almost Blue 1067:Get Happy!! 914:(1978) and 810:Patsy Cline 657:lounge jazz 627:, country, 597:Nina Simone 589:string bass 577:Pete Thomas 569:Steve Nieve 542:T-Bone Wolk 538:Jim Keltner 534:J.B. 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London: 5439:MegaCharts 4813:7 December 4308:Smash Hits 4199:Kent, Nick 3425:PopMatters 2708:References 2549:MegaCharts 2105:Sol Marcus 2065:MacManus, 1960:with five 1820:PopMatters 1727:PopMatters 1307:PopMatters 1189:Paul Simon 998:Smash Hits 708:the Pogues 661:rockabilly 625:roots rock 558:Blue Chair 443:Leon Payne 345:roots rock 203:chronology 110:Roots rock 63:1986-02-21 46:featuring 6149:(bootleg) 5503:Billboard 5376:10 August 5345:10 August 5314:10 August 5266:10 August 4793:Kot, Greg 4606:10 August 4444:charts.nz 4207:(F-Beat)" 3621:"Records" 3581:Billboard 3224:Pitchfork 3168:Stereogum 2596:Billboard 2518:Position 2472:Technical 2447:accordion 2431:Ray Brown 2314:Personnel 2195:Writer(s) 2062:"Lovable" 2033:Writer(s) 1674:Stereogum 1528:Pitchfork 1294:the Roots 1240:classical 1194:Graceland 1179:s annual 1085:Billboard 1060:welcomed 1058:Nick Kent 904:Billboard 890:Billboard 846:Nick Lowe 835:Packaging 795:accordion 786:Pitchfork 735:Los Lobos 665:Bob Dylan 649:folk rock 637:Americana 605:Tom Waits 514:Ray Brown 486:Ocean Way 476:Recording 361:Americana 314:Ray Brown 278:"Lovable" 130:americana 85:Ocean Way 6507:Riot Act 6384:Veronica 6293:Clubland 6125:2½ Years 6005:Look Now 5977:Momofuku 5956:Il Sogno 5642:ABC-Clio 5513:19 March 5507:Archived 5477:Archived 5443:Archived 5370:Archived 5339:Archived 5308:Archived 5260:Archived 5162:Archived 5115:(2000). 5097:10 March 5091:Archived 5064:10 March 5058:Archived 5006:Archived 4976:(2004). 4931:Archived 4861:Archived 4831:(1990). 4807:Archived 4750:Archived 4722:6 August 4684:Archived 4600:Archived 4511:(1993). 4482:Roppongi 4452:Archived 4406:Archived 4315:(5): 59. 3796:Musician 3631:Archived 3548:Archived 3500:Archived 3430:Archived 3322:27 March 3316:Archived 3312:AllMusic 3282:Archived 3278:AllMusic 3229:Archived 3179:10 March 3173:Archived 3019:Archived 2425:Ron Tutt 2364: – 2340: – 2327:mandolin 2182:Side two 2020:Side one 1958:Rykodisc 1757:Reissues 1716:'s book 1659:AllMusic 1358:AllMusic 1251:Il Sogno 1220:formats. 1073:Musician 772:Side two 724:Side one 669:the Band 653:pub rock 520:drummer 516:and the 512:bassist 499:overdubs 491:TCB Band 482:Live Aid 326:TCB Band 176:Producer 167:Columbia 71:Recorded 56:Released 41: by 6185:Singles 6104:The Man 5696:Discogs 5550:Sources 5483:29 July 5449:29 July 5211:16 June 5168:29 July 4992:193–195 4867:16 June 4690:29 July 4519:St Ives 4458:29 July 4412:29 July 4218:29 July 4040:29 July 3982:29 July 3767:16 June 3756:Blender 3637:29 July 3588:29 July 3554:29 July 3506:18 June 3436:29 July 3288:16 June 3025:29 July 2646:60,000 2643:Silver 2631:/sales 2622:Region 2389:marimba 1661:editor 1395:Blender 1127:argued 906:Hot 100 863:Release 633:R&B 609:marimba 422:country 357:R&B 349:country 250:Singles 236:(1986) 227:(1986) 218:(1985) 125:R&B 115:country 61: ( 6634:G.B.H. 6626:Scores 6200:Alison 5671: 5648: 5619: 5596: 5573: 5129: 4998: 4899: 4853: 4627:Sounds 4525: 4488: 3235:3 July 2537:Oricon 2500:Charts 2376:sticks 2303: 2289: 2271: 2253: 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