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the King, Matěj and his family are invited to the court. The king joins the company and prepares those present for a prank, where he has the coal miner and his family arrested and charged with treason. The king hides himself and the guards escort in Matěj and Anna. The "court" accuses Matěj and Anna of a conspiracy against a foreigner who barely escaped an armed attack during his stay at the coal mine. Matěj tries to explain, and Anna answers the judges' questions honestly. Liduška remains silent, until the court declares Jeník the main culprit and condemns him to death in absentia, after which she speaks in his defence. Jeník realises her love for him, and embraces her. King Matěj then emerges to greet the assembly. Matěj, Liduška and Anna admire the beauty of the feast, and the king invites them to dance and then to the table. Matěj still demands compensation from his host for the kiss that Matyáš imprinted on Liduška. The coal miner's family understands now that their then guest was the king himself. Liduška and Jeník sing of their happiness, and the company sings its praise to the benevolent king.
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that Liduška is the intended bride. Both lovers, and Matěj and Anna, are satisfied. However, Matěj is uncomfortable in the ostentatious environment, but Matyáš encourages him to be a guest with him, just as he was a guest with Matěj. During the festivities, Matěj asks additionally for the blessing of the marriage of Jindřich and Eva, in addition to the blessing of the marriage between Liduška and Jeník. The king is displeased, but the queen soothes him, and the company reminds him of his word. Matěj then threatens to leave, in reaction to the luxury that he sees. After Matyáš finally relents, the coal miner's family finally understands that Matyáš is the king. They are afraid that they have offended the king, but the king thanks them for the lessons that they have taught him. Everyone praises the king's wisdom.
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ceremony, and the king had them arrested at the gate, and has them brought in, blindfolded, before the throne. Still masquerading as Matyáš, the king accuses them of harboring a fugitive from the army. Finally, the blindfolds are removed. Matyáš invites them to a feast, but Matěj asks for acknowledgement directly from the "host", a request with which the queen will comply. The king asks Liduška about Jeník, but he is with the army and did not show up in his native village. Jindřich and Eva ask the king for permission to marry, but the king prevents this, because he wishes to treat Eva like a daughter.
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Matějs hut an unknown nobleman lost in the forest. Matěj offers the nobleman a meal, which he gratefully accepts. The nobleman, secretly the king with his identity concealed, introduces himself as Matyáš, and explains that he lost his way during that day's hunt with the king. At the sound of bagpipes in the distance, the coal miners bring the bagpiper to the table at the nobleman's request. The crowd celebrate in song and dance.
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nobleman and Liduška explain themselves, but Jeník is not satisfied. The royal hunting party, led by Jindřich, arrives, and recognises the king, who forbids them to reveal his identity. The nobleman thanks Matěj and Anna for his hospitality, and invites them to visit him in Prague. As the hunting party prepares to depart, Jeník is still indignant. Matěj and Anna cannot calm Jeník down, and Jeník decides to go to war.
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329:(and thus shifted the action from the 11th to the 17th century). As Matěj is the familiar form of Matthias in Czech, Dvořák gained two characters with the same names – one poor, one rich. The king mingles incognito among the common folk (a frequently recurring theme in Czech culture of that time), so the plot is based on the merging of the worlds of the aristocracy and the common folk.
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was first performed, in an abridged form, at the
National Theatre, Prague, under the baton of Otakar Ostrčil and directed by Ferdinand Pujman, for a run of six performances. The most recent performance of the original 1871 version, and the first known performance in recent times, was a concert performance in September 2019 at the Dvořák Prague International Music Festival.
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In the hall at Prague Castle, the courtiers dance a gavotte. Jeník, now a military officer with exemplary war service, is present, but does not take part in the dance, troubled by memories of Liduška. Jindřich comforts him and reminds him of the king's favour, stating that today, at a ceremony for
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The handcuffed Jeník is brought before the king. At first, Jeník was an exemplary soldier and earned a promotion, but recently tried to desert the army. The intention is to punish him by marrying him off against his will. Jeník rebels because he does not want to betray Liduška, until he finds out
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In 1916, the manuscript score of Acts I and III was found in the estate of Josef Aupěka. In 1928, other materials for the original performance were found in the archives of the
National Theatre, Prague. From these materials, the first version was reconstructed. On 28 May 1929, this first version
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At dawn, the nobleman is already awake. He sees Liduška sneaking into a secret meeting with Jeník. The nobleman surprises her, and admits his platonic affection for her, with a kiss. Jeník arrives, and in a moment of jealousy, he threatens the nobleman. The other coal miners restrain Jeník. The
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At the hall of Prague Castle, the court company dances. Only Eva is unhappy. Jindřich returns and greets Eva passionately. The king and queen are coming. The king encourages the gathering to enjoy themselves, and mentions a prank: today Matěj, Anna and Liduška have traveled to Prague for this
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At the hut where the coal miner Matěj lives with his wife Anna and daughter Liduška, the young coal miner Jeník asks to meet Liduška. Liduška reciprocates Jeník's love, but whilst her parents like Jeník, they consider Jeník too poor to be an acceptable suitor. Other coal miners then escort to
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Dvořák subsequently wrote entirely new music to the same libretto, without using any of the original material. He completed this new version in 1874. The
Provisional Theatre, under different artistic leadership after the departure of Smetana, gave the première on 24 November 1874. The opera
422:. (King Matyáš) René Tuček, (Matěj) Dalibor Jedlička, (Anna) Drahomíra Drobková, (Jindřich) Viktor Kočí, (Liduška) Jitka Svobodová, (Jeník) Miroslav Kopp, (1st Knight) Štěpán Buršík, (2nd Knight) Jaroslav Prodělal. Prague National Theatre Orchestra and Chorus, c. Josef Chaloupka.
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received a good critical and audience reception, but was withdrawn after four performances. Dvořák made another substantial revision in 1887, with modifications to the libretto by Václav Juda Novotný. This version received its premiere on 15 June 1887, conducted by Mořic Anger.
402:. (King Matyáš) Jindřich Jindrák, (Matěj) Eduard Haken, (Anna) Ivana Mixová, (Jindřich) Milan Karpíšek, (Liduška) Libuše Domanínská, (Jeník) Oldřich Spisar, (1st Knight) Jiří Joran, (2nd Knight) Rudolf Vonásek. Prague Radio Symphony Orchestra and Chorus, c. František Dyk
392:. (King Matyáš) Bořek Rujan, (Matěj) Karel Kalaš, (Anna) Ludmila Hanzalíková, (Jindřich) Oldřich Kovář, (Liduška) Štefa Petrová, (Jeník) Antonín Votava, (1st Knight) Bohuš Holubář, (2nd Knight) Jan Soumar. Prague Radio Symphony Orchestra and Chorus, c. František Dyk
412:. (King Matyáš) Dalibor Jenis, (Matěj) Peter Mikuláš, (Liduška) Lívia Ághová, (Anna) Michelle Breedt, (Jeník) Michal Lehotsky, (Jindřich) Markus Schäfer. WDR Sinfonieorchester Köln, WDR Rundfunkchor Köln, Prague Chamber Choir, c. Gerd Albrecht.
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Dvořák composed the music for the first version of the opera in 1871 to a libretto by
Bernard J. Lobeský (pseudonym of Bernard Guldener). In 1871, Dvořák offered the finished opera to the Czech
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produced a heavily reworked and cut edition of Dvořák's 1887 version. This version was staged in 1915 and in 1956. This edition forms the basis of most currently available recordings.
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During a hunt, the burgrave Jindřich arrives and asks about the king, who has not yet returned. At Henry's instruction, the hunters set out to look for the king.
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Page on the 2nd setting of King and
Charcoal Burner (King and Collier), from the Antonín Dvořák website www.antonin-dvorak.cz
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Page on the 1st setting of King and
Charcoal Burner (King and Collier), from the Antonín Dvořák website www.antonin-dvorak.cz
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435:. Marie Tauberová. CD release 2015 on Prague Radioservis 2-CD "Czech Romantic Opera" (CR0782-2).
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Prague
Experience, English-language page on Prague Festival 2019
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420:(Highlights – released 1996, Supraphon SU 3078-2 611)
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in three acts, divided into 23 scenes, with music by
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559:, Cambridge University Press, pp. 81–82.
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1495:1874 operas
1442:(1988 film)
1384:Humoresques
1377:Piano music
1224:Piano trios
1166:No. 14 in A
1127:No. 10 in E
1005:Vocal music
842:Czech Suite
712:The Jacobin
557:Czech Opera
219:Karel Čech
184:King Matyáš
130:in Prague.
112:comic opera
32:Comic opera
1474:Categories
1332:Bagatelles
1277:No. 2 in E
1231:No. 1 in B
1205:No. 3 in E
1076:No. 2 in B
754:Symphonies
647:(by genre)
499:2020-11-27
474:2020-11-27
445:References
376:Recordings
193:Josef Lev
176:Adolf Čech
164:Voice type
78:1874-11-24
54:Librettist
1178:Cypresses
1019:Psalm 149
966:Concertos
555:, 1988,
316:Křivoklát
228:contralto
206:Jan Šára
172:Conductor
141:In 1914,
1459:Category
1405:American
1280:♭
1234:♭
1213:American
1208:♭
1169:♭
1154:American
1135:Slavonic
1130:♭
1079:♭
909:American
704:Dimitrij
493:Aktuálně
298:Synopsis
268:soprano
189:baritone
87:, Prague
70:Premiere
62:Language
1416:Related
1390:Legends
1364:Ballade
1211:major (
1133:major (
1036:Requiem
877:My Home
870:Legends
728:Rusalka
511:Sources
322:Hudlice
306:of the
243:soprano
122:History
76: (
1490:Operas
739:(1904)
736:Armida
731:(1901)
723:(1898)
715:(1887)
707:(1882)
699:(1877)
691:(1875)
683:(1874)
675:(1874)
667:(1870)
664:Alfred
656:Operas
563:
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279:tenor
1313:Other
1283:major
1254:Dumky
1237:major
1172:major
1082:major
820:Other
688:Vanda
367:Act 3
354:Act 3
345:Act 2
333:Act 1
289:bass
256:tenor
202:tenor
160:Role
153:Roles
102:Czech
65:Czech
561:ISBN
544:ISBN
525:ISBN
439:2019
429:1951
416:1989
406:2005
396:1960
386:1948
265:Eva
215:bass
34:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
