125:
133:
42:
491:, March 26, 1914. Vaudeville Manager Stricken on 25th Anniversary of Opening of His Boston Theatre. On the twenty-fifth anniversary of the opening of his Boston house, which was being celebrated today in that city, B.F. Keith, owner of the theatre circuit bearing his name, dropped dead at midnight tonight in the Breakers Hotel, where he was stopping with his wife and Paul Keith, his son. ...
199:
Later that year, Keith expanded the museum to include a 123 seat theater. The theater hosted a variety of events, but vaudeville was the most popular and eventually replaced the museum. The theatre was one of the early adopters of the continuous variety show which ran from 10:00 in the morning until
196:. The establishment went by a number of names, including the Hub Museum, New York Museum, Gaiety Hall, and the Gaiety Museum. Its first attraction was an undersized 3 month old child known as "Baby Alice". After two weeks, Austin left the partnership and was replaced by Dan Gardner.
791:
Benjamin F. Keith of New York, owner of Keith's vaudeville circuit, and Miss Ethel Bird Chase of this city were married at 6 o'clock this evening on Mr. Keith's yacht
Nahmeyoka, anchored in the Potomac River. The bride is 26 years old and the bridegroom 67.
200:
11:00 at night, every day. Previously, shows ran at fixed intervals with several hours of downtime between shows. With the continuous show, you could enter the theatre at any time, and stay until you reached the point in the show where you arrived.
262:. The two sides maintained ownership of their respective theaters and agreed not to compete with each other. In 1909, Keith, Proctor, Williams, and Hammerstein formed the United Theatres Securities Co. with fellow theater owners Harry Davis of
350:
Keith withdrew from business in 1909 and married for a second time on
October 29, 1913, to Ethel Bird Chase (1887–1971). She was 26 years old and Keith was 67. Her father was P. B. Chase, owner of
219:. The following year, Keith took sole proprietorship of the theater and began running a continuous show. He quickly expanded his theater business, acquiring the Providence Museum in 1887 (
322:
Cinématographe. They had obtained the exclusive
American rights to the Lumière apparatus and their film output, and the first showing was on June 29, 1896. They then opened theatres in
207:
as an assistant. Albee later became Keith's general manager and business partner. In 1884, George G. Batcheller replaced
Gardner and the museum was expanded once again.
351:
404:
774:
913:
469:
440:
330:, and then smaller theatres in the East and Midwest of the United States, buying out rival smaller chains. They signed a contract with
17:
282:. This gave the United Booking Office control over 100 theaters. In 1911, the United Booking Office reached and agreement with
868:
804:
185:
829:
295:
254:
On
February 11, 1907, Keith and Proctor formed the United Booking Office of America with New York theater owners
918:
240:
419:
were named for his family in 1926. His son, A. Paul Keith died without an heir and left the family money to
319:
539:
412:
299:
161:
65:
420:
189:
248:
732:
923:
706:
665:
624:
563:
283:
220:
147:
theater owner, who played an important role in the evolution of variety theater into vaudeville.
775:"B.F. Keith Weds On Yacht. Vaudeville Manager, 67, Marries Miss Chase, 26. Bride's Brother Weds"
393:
216:
416:
286:, which gave the United Booking Office control of vaudeville theaters in the east and Beck's
124:
172:'s and then worked at Bunnell's Museum in New York City in the early 1860s. He later joined
908:
903:
361:
315:
228:
169:
83:
8:
488:
400:
389:
381:
365:
303:
275:
259:
87:
475:
236:
856:
Black Like You: Blackface, Whiteface, Insult and
Imitation in American Popular Culture
864:
255:
132:
355:
331:
271:
854:
385:
339:
287:
335:
808:
318:
in New York City, and it was the site of the first
American exhibition of the
41:
897:
860:
408:
397:
369:
291:
232:
165:
116:
441:"Benjamin Franklin Keith Bans The Word 'Pants,' Builds A Theatrical Empire"
323:
224:
204:
173:
884:
263:
144:
247:. In 1906, Keith merged his New York and New Jersey theatres with
267:
327:
290:
control of the west. In 1912, Keith purchased
Williams's eight
279:
244:
193:
168:. He joined the circus (as a "candy butcher") after attending
564:"Benjamin Franklin Keith Theatre Tribute By Edward F. Albee"
888:
609:"B. F. Keith's 30th Anniversary As Founder of Vaudeville".
334:
in 1896 which lasted until July 1905 when they switched to
215:
In 1886, Keith and
Batcheller obtained a lease on Boston's
143:(January 26, 1846 – March 26, 1914) was an American
294:
theaters (Bronx, Greenpoint, Gotham, Crescent, Bushwick,
372:, died in 1918, control of the company went to Albee.
223:), Low's Opera House (Providence) in 1888, the Bijou (
188:) opened a curiosity museum in a vacant storefront on
773:
468:
251:, but dissolved the partnership five years later.
895:
396:. In a few months, this organization became the
184:In 1883, Keith and William Austin (later of the
176:and then joined the Doris and Forepaugh Circus.
516:Vaudeville: From the Honky-tonks to the Palace
27:American vaudeville theater owner (1846–1914)
278:, and James C. Duffield and James Dyment of
852:
502:
128:Keith Memorial Theatre, Boston (built 1928)
106:Mary Catherine Branley (m. 1873, died 1910)
589:
587:
585:
98:Vaudevillian theatre owner, film exhibitor
40:
131:
123:
914:People from Hillsborough, New Hampshire
582:
558:
556:
14:
896:
518:, New York: Henry Holt & Co., 1953
463:
461:
650:"Keith-Proctor Co. To Be Dissolved".
594:"B. F. Keith Drops Dead in Florida".
534:
532:
530:
528:
526:
524:
239:in Boston. In 1900, he purchased the
807:. Boston Opera House. Archived from
733:"Vaudeville Merger Now Assured Fact"
553:
540:"Vaudeville to Pay Honors to Keith"
458:
24:
846:
521:
309:
136:Keith's advertising wagon, ca.1894
25:
935:
878:
691:"United Theatres Securities Co".
625:"Keith and Proctor Come Together"
179:
822:
797:
766:
751:
725:
699:
684:
658:
643:
470:"B.F. Keith Dies at Palm Beach"
617:
602:
508:
496:
445:New England Historical Society
433:
235:) in 1893. In 1894, he opened
186:Austin and Stone's Dime Museum
155:
13:
1:
426:
345:
314:Albee and Keith operated the
210:
150:
7:
405:B.F. Keith Memorial Theatre
398:major motion picture studio
66:Hillsborough, New Hampshire
10:
940:
853:Strausbaugh, John (2006).
421:Cardinal William O'Connell
108:Ethel Bird Chase (m. 1913)
830:"Lowell Catholic - Keith"
670:Boston Evening Transcript
375:
249:Frederick Freeman Proctor
112:
102:
94:
72:
51:
39:
32:
758:"Incorporate Keith Co".
403:(RKO). Also in 1928 the
368:in 1914. After his son,
221:Providence, Rhode Island
18:Keith Vaudeville Circuit
885:Benjamin Franklin Keith
711:The Washington Observer
707:"Big Theater Syndicate"
693:The Wall Street Journal
666:"No Details Known Here"
141:Benjamin Franklin Keith
34:Benjamin Franklin Keith
394:Marysville, Washington
137:
129:
417:Lowell, Massachusetts
392:(KAO) corporation in
338:as their supplier of
203:In 1883, Keith hired
135:
127:
919:Vaudeville producers
613:. November 30, 1913.
549:. November 30, 1913.
316:Union Square Theatre
274:, James H. Moore of
229:Union Square Theatre
695:. November 9, 1909.
672:. February 13, 1907
489:Palm Beach, Florida
401:Radio-Keith-Orpheum
390:Keith-Albee-Orpheum
382:B. F. Keith Circuit
366:Palm Beach, Florida
276:Rochester, New York
88:Palm Beach, Florida
782:. October 30, 1913
780:The New York Times
760:The New York Times
713:. November 8, 1909
652:The New York Times
629:Newark Sunday Call
547:The New York Times
514:Laurie, Jr., Joe;
476:The New York Times
407:opened in Boston.
360:Keith died at the
266:, Michael Shea of
170:Van Amburgh Circus
160:Keith was born in
138:
130:
598:. March 27, 1914.
570:. August 28, 1927
270:, P. B. Chase of
260:Oscar Hammerstein
256:Percy G. Williams
190:Washington Street
122:
121:
16:(Redirected from
931:
874:
840:
839:
837:
836:
826:
820:
819:
817:
816:
801:
795:
794:
788:
787:
777:
770:
764:
763:
762:. June 29, 1912.
755:
749:
748:
746:
744:
737:The Norwalk Hour
729:
723:
722:
720:
718:
703:
697:
696:
688:
682:
681:
679:
677:
662:
656:
655:
654:. July 28, 1911.
647:
641:
640:
638:
636:
621:
615:
614:
611:The Boston Globe
606:
600:
599:
596:The Boston Globe
591:
580:
579:
577:
575:
560:
551:
550:
544:
536:
519:
512:
506:
503:Strausbaugh 2006
500:
494:
493:
485:
484:
479:. March 26, 1914
472:
465:
456:
455:
453:
451:
437:
384:merged with the
356:Washington, D.C.
332:Biograph Studios
272:Washington, D.C.
241:Princess Theatre
162:Hillsboro Bridge
79:
62:January 26, 1846
61:
59:
46:Keith circa 1909
44:
30:
29:
21:
939:
938:
934:
933:
932:
930:
929:
928:
924:Film exhibitors
894:
893:
881:
871:
849:
847:Further reading
844:
843:
834:
832:
828:
827:
823:
814:
812:
803:
802:
798:
785:
783:
772:
771:
767:
757:
756:
752:
742:
740:
731:
730:
726:
716:
714:
705:
704:
700:
690:
689:
685:
675:
673:
664:
663:
659:
649:
648:
644:
634:
632:
623:
622:
618:
608:
607:
603:
593:
592:
583:
573:
571:
568:Evening Tribune
562:
561:
554:
542:
538:
537:
522:
513:
509:
501:
497:
482:
480:
467:
466:
459:
449:
447:
439:
438:
434:
429:
386:Orpheum Circuit
378:
352:Chase's Theater
348:
340:motion pictures
312:
310:Moving pictures
288:Orpheum Circuit
237:Keith's Theatre
227:) in 1888, and
213:
182:
158:
153:
107:
90:
86:
81:
77:
68:
63:
57:
55:
47:
35:
28:
23:
22:
15:
12:
11:
5:
937:
927:
926:
921:
916:
911:
906:
892:
891:
880:
879:External links
877:
876:
875:
869:
848:
845:
842:
841:
821:
796:
765:
750:
724:
698:
683:
657:
642:
631:. May 13, 1906
616:
601:
581:
552:
520:
507:
495:
457:
431:
430:
428:
425:
377:
374:
362:Breakers Hotel
347:
344:
336:Edison Studios
311:
308:
212:
209:
181:
178:
157:
154:
152:
149:
120:
119:
114:
110:
109:
104:
100:
99:
96:
92:
91:
84:Breakers Hotel
82:
80:(aged 68)
76:March 26, 1914
74:
70:
69:
64:
53:
49:
48:
45:
37:
36:
33:
26:
9:
6:
4:
3:
2:
936:
925:
922:
920:
917:
915:
912:
910:
907:
905:
902:
901:
899:
890:
886:
883:
882:
872:
870:1-58542-498-6
866:
862:
858:
857:
851:
850:
831:
825:
811:on 2015-08-10
810:
806:
800:
793:
781:
776:
769:
761:
754:
739:. May 9, 1911
738:
734:
728:
712:
708:
702:
694:
687:
671:
667:
661:
653:
646:
630:
626:
620:
612:
605:
597:
590:
588:
586:
569:
565:
559:
557:
548:
541:
535:
533:
531:
529:
527:
525:
517:
511:
505:, p. 127
504:
499:
492:
490:
478:
477:
471:
464:
462:
446:
442:
436:
432:
424:
422:
418:
414:
410:
409:Keith Academy
406:
402:
399:
395:
391:
387:
383:
380:In 1928, the
373:
371:
370:A. Paul Keith
367:
363:
358:
357:
353:
343:
341:
337:
333:
329:
325:
321:
317:
307:
305:
301:
297:
293:
292:New York City
289:
285:
281:
277:
273:
269:
265:
261:
257:
252:
250:
246:
242:
238:
234:
233:New York City
230:
226:
222:
218:
217:Bijou Theatre
208:
206:
201:
197:
195:
191:
187:
180:Gaiety Museum
177:
175:
171:
167:
166:New Hampshire
163:
148:
146:
142:
134:
126:
118:
117:A. Paul Keith
115:
111:
105:
101:
97:
95:Occupation(s)
93:
89:
85:
75:
71:
67:
54:
50:
43:
38:
31:
19:
855:
833:. Retrieved
824:
813:. Retrieved
809:the original
799:
790:
784:. Retrieved
779:
768:
759:
753:
741:. Retrieved
736:
727:
715:. Retrieved
710:
701:
692:
686:
674:. Retrieved
669:
660:
651:
645:
633:. Retrieved
628:
619:
610:
604:
595:
572:. Retrieved
567:
546:
515:
510:
498:
487:
481:. Retrieved
474:
448:. Retrieved
444:
435:
388:to form the
379:
359:
349:
324:Philadelphia
313:
253:
225:Philadelphia
214:
202:
198:
183:
159:
140:
139:
78:(1914-03-26)
909:1914 deaths
904:1846 births
284:Martin Beck
205:E. F. Albee
174:P.T. Barnum
156:Early years
898:Categories
835:2019-12-31
815:2015-07-28
786:2015-01-25
483:2008-04-05
427:References
413:Keith Hall
346:Later life
264:Pittsburgh
211:Vaudeville
145:vaudeville
58:1846-01-26
805:"History"
151:Biography
103:Spouse(s)
304:Alhambra
296:Colonial
113:Children
861:Penguin
320:Lumière
300:Orpheum
268:Toronto
867:
743:19 May
717:19 May
676:19 May
635:19 May
574:19 May
450:19 May
376:Legacy
328:Boston
326:, and
302:, and
280:Canada
245:London
194:Boston
543:(PDF)
889:IMDb
865:ISBN
745:2024
719:2024
678:2024
637:2024
576:2024
452:2024
411:and
258:and
73:Died
52:Born
887:at
792:...
415:in
364:in
354:in
306:).
243:in
192:in
900::
863:.
859:.
789:.
778:.
735:.
709:.
668:.
627:.
584:^
566:.
555:^
545:.
523:^
486:.
473:.
460:^
443:.
423:.
342:.
298:,
164:,
873:.
838:.
818:.
747:.
721:.
680:.
639:.
578:.
454:.
231:(
60:)
56:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
