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Lilian Pocock (1883-1974). Worked for a time as
Parsons’ assistant before starting out on her own. Joseph E.Nuttgens (1892-1982). A student at the Central School, Nuttgens carried out work for other artists as well as working independently. Herbert Hendrie (1887-1946) was Parsons’ pupil at Royal
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in south London on 23 January 1884, the 12th and youngest child of Arthur
William Parsons (1838–1901), a foreign language translator, and Emma Matilda Parsons, née Bergemann (1837–1914). He was christened with the names Charles Bergemann, though the family always called him Karl, the name he was to
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Both
Parsons and Edward Woore provided diagrams for the book and plant studies by Parsons were included in Plate XIV of the collotype illustrations. One of the diagrams (Figure 69) shows a special utensil for applying wax to the glass-painter’s easel, described by Whall as "the invention of one of
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who had asked Whall to take on the Cape Town windows and it was Baker’s associate
Fleming, who in later years was to invite Parsons to undertake other commissions in South Africa. Close connections with architects were important to people like Parsons and he was to have a similar relationship with
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He completed his apprenticeship in the 1900s and then worked as one of Whall’s assistants. In
September 1904 he began teaching at the Central School, initially as one of Whall’s assistants and then as principal teacher of stained glass. One pupil was
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John Duke
Coleridge (1879-1934) was taught by Walter Cave and Edwin Lutyens. He was the architect of St Alban’s Church in Hindhead and St John’s Church in Rudmore. Everard & Pick were architects for St Peter’s in Bardon Hill and St Philip’s in
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thus converting it into a larger purpose-built storage building and garage, giving access directly from Rivar Road. The house he lived in adjoined the site. His health deteriorated and finally, in 1933, he had to return to London, took a flat in
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my youngest "hands" (and heads)." This may well have been a reference to
Parsons as the diagram is signed with his initials and it is certainly known that he used the "waxing-up" tool for his own work and recommended its use to his pupils.
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Demobilised in 1918, he resumed work at the Glass House and went back to teaching at the
Central School. As a teacher, Parsons was, like Whall before him, to inspire several of his pupils to become stained glass artists, including
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Painting, sculpture, tapestry and every other craft we appreciate by the light that falls on it. But stained glass we can only see by the light coming through it. The glass worker, in fact, designs in coloured
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where, with his brother
Ambrose, he carried out a detailed study of medieval glass. Parsons wrote "So far as my knowledge goes, this world cannot show anything made by men so amazingly beautiful".
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Several parts of these biographical notes have been taken from the
William Morris Gallery Exhibition catalogue for their exhibition "Karl Parsons 1884-1934" held 24 October 1987 to 12 March 1988
739:(1889-1931) was the most renowned Irish stained glass artist . He and Parsons became close friends. At one stage they had it seems talked of going into partnership but nothing came of the idea
467:, also for Medici). Over the years Parsons had several of his poems published in anthologies and periodicals. In the same year he resigned from his teaching post at the Central School.
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and in that year set up his own studio at the Glass House in Fulham. In the same year he began work on his first independent commission, a series of windows for St Alban,
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in St Andrew’s Fife (a five-light Crucifixion window). It was Davis who had introduced Parsons to Robert Lorimer. In 1910, Parsons lived at 38 Gainsborough Road in
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After Parsons’ death Baker wrote a letter to The Times in which he praised the "purity and richness of colour harmony" of the Cape Town and Johannesburg windows.
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After the war there was a boom in demand for stained glass, particularly with many memorial windows being commissioned and Parsons appointed
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Sometimes the spelling "Bergmann" is used, but in various census records and other official papers the spelling "Bergemann" was recorded
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in Scotland which was to lead to his receiving important Scottish commissions. Other important contacts were John Duke Coleridge, and
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Edward Liddall Armitage subsequently set up his own studio and became principal stained glass designer for James Powell & Sons
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Throughout the 1900s he was to assist Whall on his major commissions and in 1905 drew some of the illustrations for Whall’s book
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In 1907 he married Grace Millicent Simmons. She too studied at the Central School and became an Arts and Crafts
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in Wiltshire. There he set up a studio at Ropewind Farm where he converted a mid-18th century
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saw many of the Glass House staff leave to do military service and in 1916 Parsons himself was
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in Chelsea, this under Whall’s supervision. He also attended Whall’s classes at the
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Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951
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The Collected Works of W.B. Yeats Vol. VI: Prefaces and Introductions, Volume 6
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on the Isle of Sheppey and in the next year his work was exhibited at the
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Garden party at Whall's house. Karl Parsons standing back row, first left.
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1911 saw the birth of his second daughter, Jacynth Mary, who became a
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Karl Parsons, 1884-1934: Stained Glass Artist - Exhibition Catalogue
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as an assistant and later Leonard Potter. Both were ex-pupils.
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and most of his stained glass work was carried out in Scotland
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Regional characteristics of European cathedral architecture
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1924 saw Parsons make what was to prove a seminal visit to
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Military personnel from the London Borough of Hillingdon
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Military personnel from the London Borough of Southwark
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College of Art. Was appointed Head of Design at the
785:. London: William Morris Gallery. 1887. p. 30.
362:. It was in 1913 that Parsons met the Irish artist
125:(23 January 1884 – 30 September 1934) was a British
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857:Yeats, William Butler (2008).
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806:Cormack, Peter (2015).
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810:. Paul Mellon Centre.
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2011:Studio glass
1951:Glassblowing
1870:Fleur-de-lis
1831:
1827:York Minster
1732:Harry Clarke
1663:Edward Woore
1544:Sarah Purser
1505:Karl Parsons
1504:
1490:Mary Lowndes
1409:Mabel Esplin
1404:Alfred Drury
1367:Harry Clarke
1362:Brian Clarke
1262:Hogarth Club
1041:Mabel Esplin
1016:Karl Parsons
1015:
991:Edward Woore
874:. Retrieved
859:
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840:. Retrieved
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465:W. H. Davies
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364:Harry Clarke
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338:Holy Trinity
331:
327:Henry Wilson
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293:windows for
288:
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249:Edward Woore
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230:Mabel Esplin
220:, cousin of
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122:
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63:(1934-09-30)
25:Karl Parsons
18:
2068:1934 deaths
2063:1884 births
1991:Rose window
1936:Float glass
1899:Terminology
1701:John Ruskin
1549:Ethel Rhind
1517:Henry Payne
1456:Joan Howson
1387:Louis Davis
1342:Hugh Arnold
1241:Romanticism
1031:Louis Davis
1011:Hugh Arnold
1001:Henry Payne
401:conscripted
370:1914 – 1930
334:Louis Davis
284:embroiderer
187:Hammersmith
77:Nationality
2057:Categories
1986:Quatrefoil
1534:John Piper
1216:Classicism
1182:Influences
876:29 October
842:29 October
769:References
727:Leicester.
598:Eastchurch
576:Pangbourne
481:Shalbourne
457:Ann’s Book
403:into the
356:Eastchurch
226:Fulleylove
209:St Cecilia
1966:Leadlight
1956:Grisaille
1941:Glass art
1911:Art glass
1451:Evie Hone
1424:Jane Gray
1382:Trena Cox
1226:Exoticism
974:Followers
580:Berkshire
557:Edinburgh
477:Northwood
269:Ashbourne
155:New Cross
85:Education
2033:Commons:
1971:Mandorla
1875:Heraldry
1860:Biblical
1855:Apostles
1805:Examples
493:staddles
435:Chartres
299:Hindhead
238:Khartoum
234:Anglican
183:sketches
103:Movement
71:, London
52:, London
2042:Ireland
2016:Tracery
1996:Roundel
1976:Mullion
1890:Virtues
1880:Prophet
1850:Admiral
1689:Critics
1318:Artists
1146:History
602:Sheppey
535:Gallery
530:Parsons
528:light".
489:granary
277:Burford
273:Ledbury
143:Peckham
80:British
50:Peckham
1981:Pontil
1865:Bishop
1843:Images
1280:People
867:
814:
789:
660:(1931)
641:(1929)
559:(1915)
498:Putney
391:Fulham
195:L.C.C.
113:Spouse
69:Putney
1885:Saint
1668:works
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1605:works
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1392:works
1330:works
1085:works
1075:works
1060:works
1035:works
1020:works
1005:works
995:works
938:Works
666:Notes
516:Works
449:poems
878:2018
865:ISBN
844:2018
812:ISBN
787:ISBN
606:Kent
508:and
419:and
405:Army
325:and
291:apse
275:and
58:Died
43:Born
463:by
153:at
2059::
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