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667:"Nothing looks as if it is spent, worn out, or lost in barren routine. The force with which the work has invented itself over and over again during six or seven decades, and with which the painter even in his biblical age builds great picture architectures in resolute and highly concentrated gestures, is without comparison." ("Nichts wirkt verbraucht, erschöpft, in öder Routine versunken. Die Kraft, mit der sich das Werk sechs, sieben Jahrzehnte immer wieder neu erfunden hat, mit der der Maler noch im biblischen Alter aus entschlossenen, hoch konzentrierten Malgesten große Bildarchitekturen baut, ist ohne Vergleich.") See
428:. During the group's brief existence, before the divergence of its loosely associated members' artistic development led to its dissolution in 1954, Quadriga played an important pioneer role in introducing Art informel to Germany From then on, he became a leading figure in the German Art Informal and was showcased in major shows such as the Venice Biennale of 1958 and Documenta II exhibition in Kassel in 1959. That year, he was appointed professor of art at the
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192:, Götz began painting in secondary school in 1924. In 1930 he began painting abstracts. He attended the School of Applied Arts from 1932 to 1933. His early paintings were characterized by the modernist/avant-garde movements, surrealism and expressionism. Gӧtz was specifically influenced by artists such as
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As Götz moved away from clearly defined forms, his approach to painting became more dynamic. In a technique Götz has continued to use throughout his later painting career, the image is developed through a lengthy, intense process, often involving a large number of preliminary sketches and gouaches.
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During the war, Gӧtz worked with many ground-based radars. He began to manipulate these radars electronically in order to create moving abstract forms. His goal of creating the large rastered pictures was to create ‘electron paintings’ imitating the form animated television pictures. Gӧtz’s work and
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process. In 1997 the KO Götz and Rissa
Foundation was founded. Its purpose is to promote art and culture by making the works of KO Götz and Rissa’s work more available to the public. This will be accomplished by presentations of the works by both artists in museums and other art associations. Götz
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Television art can be defined as art made for or with broadcast television. Because of the medium’s electronic makeup, poor resolution, small scale images and various viewing conditions, television art began less related to avant-garde film and more closely related to abstract art. This medium was
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Ehingen/Donau, castle
Mochental, Galerie Ewald Karl Schrade, Karlsruhe/Mochental, together with Bernard Schultze, "Karl Otto Götz. Bernard Schultze - Works on Paper 1949-2003", King Winter, studio monkey, "Karl Otto Götz". Lithographs, Frankfurt, THE GALLERY, "Karl Otto Götz", Sindelfingen, City
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he became a signal officer in German-occupied Norway. Götz was able to continue to experiment with various media such as spray paint, photograms (created without the use of a camera by placing objects on photographic paper exposed then exposing it to light), and abstract cine-films. He moved to
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Starting in 1971, Götz began conducting experiments at the Düsseldorf
Academy on visual perception and personality. His research is recognized by international psychologists. From 1995 to 2001, Götz began to create ceramic pieces. Some of these ceramic works, such as his plates and vases, are
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Götz's early post-War work included extensive experimentation with techniques and imagery in prints and drawings that included drawings made using an airpump. He produced woodcuts and watercolours that featured fantastical plant forms and creatures, among them a series of
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decorated with his unique gestural and bold brushstrokes. In other instances, these brushstrokes take on three dimensional forms. Several of his low relief sculptures reflect the same fluid and dynamic movement that can be found in his unique painting technique.
212:, painting became difficult for Gӧtz. He was banned from painting and exhibiting due to the national disapproval of abstract and surrealist art. However, he was able to make a living by creating and selling landscape paintings. Götz was drafted into the
397:, a process similar to photograms. Gӧtz had his first one-man show in 1947. Two years later in 1949, Gӧtz completely moved away from figurative art altogether. That same year he became the first German to join the European avant-garde movement
401:. COBRA was an avant-garde movement based in Europe and was active from 1948–51. This group, though together very briefly, put together a series of publications and exhibitions. The work of the COBRA group contributed to the emergence of
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Once the preparation is complete, the artist applies dark paint onto a light background with a paintbrush, working in a fast and focused way. The paint is then "raked" - partially removed using a type of
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in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art
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Aachen, Gallery at
Elisengarten, "KO Götz - 100th Birthday", Kaiserslautern, Volksbank Kaiserslautern-Nordwestpfalz, "Karl Otto Götz's 100th birthday - works on paper from seven decades"
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of bird-humans. During the late 1940s he continued to producing abstract-figurative monotypes and surrealistic experimental photo works, but his painting became predominantly abstract.
259:, a Korean American artist who is considered the founder of video art. It is said that these experiments have led to Gӧtz making the decision to only create abstract works.
924:"Quadriga", in "A Dictionary of Twentieth-Century Art" by Ian Chilvers, pub. by Oxford University Press 1999, reproduced at www.encyclopedia.com], accessed 7 February 2011
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Duisburg, Küppersmühle, "KO Götz, A Retrospective on the 100th
Birthday", traveling exhibition, together with the Neue Nationalgalerie, Berlin, and the Museum Wiesbaden
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Berlin, Neue
Nationalgalerie, "KO Götz, A Retrospective on the 100th Birthday", Traveling exhibition, together with the Küppersmühle, Duisburg, and the Museum Wiesbaden
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and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like
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Aachen, Schürenberg - KUNSTHANDEL, "KO Götz - Retrospective", Düsseldorf, Museum Kunst Palast, "KO Götz 100th birthday pictures from the
Foundation collection Kemp"
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Wiesbaden, "KO Götz, A Retrospective on the 100th
Birthday", traveling exhibition, together with the Neue Nationalgalerie, Berlin, and the Küppersmühle, Duisburg
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Aachen, Suermondt Ludwig Museum, "Karl Otto Götz, painting and Byways, An exhibition on the 100th
Birthday", Wismar, St George's Church, "KO Götz: Lithography"
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Wolfgang Werner, "Karl Otto Götz: Works 1947-2012", Kronberg im Taunus, gallery Uwe Oppermann, "Karl Otto Götz: Lithographs 1983-2004"
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in the period after 1950 as a "universal language" for European artists involved in the development of European abstract expressionism and
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known as a "rake" - before the contrast between the light and dark areas of the still-moist surface is softened using a dry paintbrush.
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Apart from his artistic work, Götz was also successful as a teacher of art. From 1959-79, during his time as a professor at the
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Beaulieu/France, Association culturelle ABBAY DE BEAULIEU - Centre d'Art, "traits ... très noirs - Homage to Karl Otto Götz"
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1200:...Also für mich war Abstrakt ist schöner ein Programm... Antworten von Karl Otto Götz auf Fragen von Carolin Weber (2010)
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416:. The members in QUADRIGA were pioneers of Art Informel in Germany. These were a group of artists painting in a
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Königswinter, Siebengebirgsmuseum, "KO Götz - Retrospective .. at 100 - works from the Hennemann collection"
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Kleve, Museum Kurhaus Kleve, Götz room on the occasion of the 100th birthday of Koblenz, Galerie Eva Tent
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Dresden, Gallery ART EXHIBITION IN A COOL, "KO Götz's 100th birthday, surreal working group of the '40s"
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Hilden, Cultural Affairs Art Space Business Park South, "100 Years of Karl Otto Götz - the graphic work"
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Solingen, construction sites gallery, "KO Götz and his friends" (with Müller-Kraus, Master Man, Dahmen)
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primarily worked with artists who focused on non-figurative representations in other media.
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All-art.org website, History of the 20th Century, Art in the Post-War Era, 1952 - Quadriga
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Kunstakademie Düsseldorf: Hochschulnachrichten: Gotthard Graubner wird 80 Jahre.
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829:""Father of video art" Nam June Paik gets American Art Museum exhibit (Photos)"
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in 1945. Gӧtz returned from Norway after the end of the war and married artist
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Munich, gallery Maulberger, "Karl Otto Götz and the Quadriga A legend is 100"
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Saarbrücken, gallery Elitzer, KO Götz 100th - Graphics from its own holdings
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Officers Crosses of the Order of Merit of the Federal Republic of Germany
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anno RAK: Mitteilungen aus dem Rheinischen Archiv für Künstlernachlässe
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233:. Their marriage ended in 1965 and Götz remarried, to German artist
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movement. His works and teachings influenced future artists such as
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615:"Im Alter von 103 Jahren Jahrhundertmaler Karl Otto Götz gestorben"
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Gallery of Sindelfingen, "KO Götz - painters, poets and scientists"
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Hans-Joachim Müller, "K. O. Götz – Energie ist gleich Autonomie",
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K. O. Götz & Rissa Ausstellung Villa Wessel 2011 in Iserlohn
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and served his mandatory military service from 1936 to 1938. In
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in February 2014. He died on 19 August 2017 at the age of 103.
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and hand-painted pieces based on a computer-generated random
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Munzinger Biographie: "HA Schult: deutscher Aktionskünstler"
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691:"Television Art's Abstract Starts: Europe circa 1944–1969"
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Götz's contemporary work (2010) features deeply colored
135:(22 February 1914 – 19 August 2017) often simply called
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Mittelrhein Museum Koblenz: K.O. Götz & Rissa Saal
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176:. He lived in Wolfenacker from 1975 until his death.
1056:"Abstract art pioneer Karl Otto Götz dies, aged 103"
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in Götz's house in Niederbreitbach-Wolfenacker 2013
1092:Karl Otto Götz: In Erwartung blitzschneller Wunder
973:Obvious website, "Karl Otto Götz", 4 February 2007
853:Karl Otto Götz im Gespräch: „Abstrakt ist schöner“
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151:. He was one of the oldest living and active
669:"K.O. Götz – Energie ist gleich Autonomie",
645:Büttner, Claudia (2003). "Götz, Karl-Otto".
946:Neuwied: Künstlerpaare: K.O. Götz und Rissa
775:Neuwied: Künstlerpaare: K.O. Götz und Rissa
741:. Samuelis Baumgart Galerie. Archived from
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655:10.1093/gao/9781884446054.article.T033799
357:Learn how and when to remove this message
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208:. After the takeover of Germany by the
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508:also studied under Götz. Furthermore,
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393:In 1946 he began experimenting with
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1240:Luftwaffe personnel of World War II
1029:Maus, Burkhard (22 February 2014).
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613:Bosetti, Annette (21 August 2017).
246:Experimentation with Television Art
153:artists older than 100 years of age
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827:Judkis, Maura (12 December 2012).
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139:, was a German artist, filmmaker,
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1031:"Karl Otto Götz – 100 Jahre"
936:, accessed 11 February 2011.
877:Stokvis, Willemijn Stokvis.
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867:, accessed 10 February 2011
689:Mehring, Christine (2008).
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456:K. O. Götz, Lezuk III, 2012
373:K. O. Götz, 27.5.1954, 1954
110:, writer, and art professor
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710:10.1162/octo.2008.125.1.29
881:. Oxford University Press
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149:Kunstakademie Düsseldorf
865:Tate Collection website
786:Maler K.O. Götz ist tot
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1035:ART Das Kunstmagazin
514:Franz Erhard Walther
420:style influenced by
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1285:German centenarians
1235:Artists from Aachen
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1186:, 12 December 2013.
833:The Washington Post
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403:Art Informel
395:solarization
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289:Please help
284:verification
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263:Early career
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166:Sigmar Polke
157:documenta II
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77:(2017-08-19)
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1230:2017 deaths
1225:1914 births
1193:Der Spiegel
1040:25 February
950:(in German)
790:Der Spiegel
621:(in German)
347:August 2017
141:draughtsman
104:draughtsman
39:Oliver Mark
1219:Categories
901:"Quadriga"
625:7 November
600:References
474:turned 100
469:pixelation
426:Automatism
317:newspapers
210:Nazi Party
145:printmaker
108:printmaker
53:1914-02-22
1153:K.O. Götz
704:: 29–64.
494:HA Schult
480:Influence
206:Paul Klee
198:Juan Gris
194:Max Ernst
137:K.O. Götz
94:K.O. Götz
85:, Germany
1158:10 March
1109:Die Welt
1000:13 April
910:15 March
812:15 March
718:57559722
671:Die Welt
588:See also
550:Chemnitz
524:Source:
465:collages
462:abstract
407:Tachisme
184:Born in
162:Informel
1134:compart
885:5 April
879:"Cobra"
838:9 April
749:2 April
698:October
438:spatula
418:Tachist
331:scholar
223:Dresden
190:Germany
115:Website
65:Germany
990:Kerber
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241:Career
186:Aachen
61:Aachen
714:S2CID
694:(PDF)
510:Rissa
399:COBRA
338:JSTOR
324:books
235:Rissa
1184:Welt
1160:2015
1042:2014
1002:2015
912:2015
887:2015
840:2015
814:2015
751:2015
627:2023
504:and
496:and
424:and
422:Wols
310:news
204:and
172:and
72:Died
47:Born
706:doi
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293:by
124:.de
120:www
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