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European stages at the time (Eight
Inventions for percussions). In the 1960s, which gave him wide recognition in the form of the State Prize and Foreign Orders, he received a number of stimuli from foreign avant-garde, which he had organically incorporated into his compositional morphology. He also excelled in pedagogical activities and interest in non-European cultures. He was one of the first promoters of
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opuses (Wind Sextet, Sonata for cello and piano, Two pieces for violin and piano) and
Symphonic (1st and 2nd symphonies). Over time, work with large occupation (8th symphony, Mysterium of Time, Reflections), which are his most significant works - along with songs for drums that have already come on
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and the consistent architecture of both small and large compositions are typical. His utmost expression was his conscious work with the intervals in which he emerged from non-European musical cultures. Kabeláč used here, for example, artificially numbered scale - modеs whose internal course has a
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146:. In 1932–54 Kabeláč was employed by Prague Radio. From 1957 to 1968 he worked as a teacher at the Prague Conservatory. During his life Kabeláč was active in
122:'s. In the communist period, his work was on the periphery of official attention and was performed sporadically and in a limited choice of compositions.
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Miloslav Kabeláč belongs to the most distinguished Czech composers of the 20th century. He soon created a distinctive style for which the auspicious
467:. Cantata for male voice choir, wind and percussion instruments on folk texts and the words of the chorale "Ye Warriors of God", Op. 7 (1939)
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and other practices brought to the music by the so-called 2nd
Viennese school. The first mature compositions of this style include the
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Six
Lullabies on text folk poetry for alto solo, small female choir and instrumental ensemble, or for alto and piano, Op. 29 (1955)
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Numerous choreographers have also taken up his work "Eight
Inventions for Percussion Instruments. ", Alvin Ailey with the
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of the oldest Czech chorale for mixed choir, solo baritone, male voice choir and solo higher female voice), Op. 57 (1979)
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Three
Melodramas to accompany the play Kuo Mo-jo "Master of Nine Songs" for reciter and chamber orchestra, Op. 34b (1957)
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Fated Dramas of Man. Sonata for trumpet, piano and percussion instruments with recitation, Op. 56 (1975–76)
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are the most prominent among them, his choreography titled
Streams, was performed in Prague too in 1979.
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Symphony No. 7 for orchestra and reciter on the composer's text after the Bible, Op. 52 (1967–68)
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In the 1960s he tried to revive contacts with
Western modern music and composers, but after the 1968
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Symphony No. 5 in B flat minor, "Dramatic", for soprano without text, and orchestra, Op. 41 (1960)
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473:(Mystery of Silence), for soprano and chamber orchestra to Greek words, Op. 50 (1964–65)
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Moravian
Lullabies for soprano and chamber orchestra, on texts from folk poetry, Op. 20 (1951)
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music, especially for the musical theoretical justification of his economical melody. In the
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454:. Cycle of children's choruses on the words of folk poetry, Op. 35 (1957–58)
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Symphony No. 6 "Concertante", for clarinet and orchestra, Op. 44 (1961–62)
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Symphony No. 3 in F for organ, brass and timpani, Op. 33 (1948–57)
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Symphony No. 1 in D for strings and percussion, Op. 11 (1941–42)
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structure, he also explored the possibilities of so-called interval
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he was silenced. His works were performed only abroad from then on.
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Lamenti e risolini 8 bagatelles, for flute and harp, Op. 53 (1969)
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Otto ricercari, for percussion instruments, Op. 51 (1966–67)
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Fantasies for organ in G minor and D minor, Op. 32 (1957–58)
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Hunters' Songs for baritone and 4 horns, Op. 37 (1958–59)
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8 Invenzioni for percussion instruments, Op. 45 (1962–63)
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Symphony No. 4 in A, "Chamber
Symphony", Op. 36 (1954–58)
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Symphony No. 2 in C for large orchestra, Op. 15 (1942–46)
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At the beginning and in the years of war, Kabeláč focused on
420:. 5 songs for alto and piano, without words, Op. 47 (1963)
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Love Songs for soprano, baritone and piano, Op. 25 (1955)
302:. Passacaglia for large orchestra, Op. 31 (1953–57)
103:(1 August 1908 – 17 September 1979) was a distinguished
492:(6 tableaux from Czech annals), Op. 55 (1965–72)
317:. Nine miniatures for orchestra, Op. 49 (1963–64)
142:, simultaneously (in 1930–31) he was a pupil of
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for alto, female choir and orchestra, Op. 28a (1956)
277:Overture No. 2 for large orchestra, Op. 17 (1947)
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336:7 compositions for piano, Op. 14 (1944–47)
400:Compositions for solo voice with accompaniment
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383:Suite for saxophone and piano, Op. 39 (1959)
351:Small Suite for piano 4 hands, Op. 42 (1960)
342:8 preludes for piano, Op. 30 (1955–56)
311:for large orchestra, Op. 46 (1962–63)
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380:Ballad for violin and piano, Op. 27 (1956)
377:Sonatina for oboe and piano, Op. 24 (1955)
613:Academic staff of the Prague Conservatory
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80:Learn how and when to remove this message
323:, for piano and orchestra, Op. 58 (1979)
283:. Little orchestral suite, Op. 22 (1955)
188:. He also denounced the term artificial
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43:This article includes a list of general
440:. Children's choruses on the poetry by
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430:6 choruses for male choir on words by
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134:. In 1928–31 he studied at the
154:Federation of Czechoslovak Composers
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364:4 preludes for organ, Op. 48 (1963)
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490:E fontibus Bohemicis. Visiones sex
49:it lacks sufficient corresponding
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628:20th-century Czech male musicians
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161:Soviet invasion of Czechoslovakia
623:20th-century classical composers
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618:20th-century conductors (music)
535:Hudební slovník pro každého II.
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603:Czech male conductors (music)
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333:Passacaglia TGM, Op. 3 (1937)
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339:Easy Preludes, Op. 26 (1955)
265:Symphony No. 8 "Antiphonies"
96:Portrait of Miloslav Kabeláč
27:Czech composer and conductor
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369:Other chamber compositions
588:Czech classical composers
374:Wind Sextet, Op. 8 (1940)
156:and other organisations.
598:Czech conductors (music)
434:, Op. 10 (1939–40)
286:Suite from the music to
272:Further orchestral works
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64:more precise citations.
517:(in Czech). 2012-04-24
484:Electro-acoustic music
232:American Dance Theater
225:electro-acoustic music
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583:Composers from Prague
184:larger range than an
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418:Echoes from Far Away
309:Hamlet Improvisation
140:Karel Boleslav Jirák
130:Kabeláč was born in
558:Extensive biography
227:in Czechoslovakia.
136:Prague Conservatory
511:"Miloslav Kabeláč"
471:Eufemias mysterion
356:Organ compositions
328:Piano compositions
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300:Mystery of Time
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213:Do not retreat!
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578:1979 deaths
573:1908 births
446:Josef Čapek
432:Jiří Wolker
315:Reflections
62:introducing
567:Categories
521:2020-04-10
497:References
238:Symphonies
202:diminution
144:Alois Hába
70:March 2015
45:references
452:To Nature
288:Sophocles
206:inversion
181:polyphony
152:, in the
112:conductor
538:Vizovice
459:Cantatas
438:Blue Sky
425:Choruses
194:interval
108:composer
293:Electra
220:chamber
177:harmony
118:'s and
58:improve
18:Kabelac
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515:Vltava
186:octave
173:melody
132:Prague
47:, but
190:tonal
167:Works
105:Czech
542:ISBN
200:and
175:and
126:Life
110:and
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