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In 1960 Olitski abruptly moved away from the heavily encrusted abstract surfaces he had evolved and began to stain the canvas with large areas of thin, brightly colored dyes. These were shown at a second French & Co. exhibit, in April 1961, and he was asked to join the
Poindexter Gallery, where
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art critic
Roberta Smith says in her October 14, 2005 review that Olitski is "...an artist who, if he hasn't quite come full circle, has always combined a penchant for flash and visual drama with a keen interest in the physicality of paint, whether thin, as in his stained and spray-painted
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231:. In Paris he saw the European modern masters and engaged in severe self-analysis, which involved painting while blindfolded to remove himself from all of his customary habits and facility. Olitski presented his first one-man show in Paris in 1951.
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By 1965 Olitski had evolved a radically innovative technique of laying down atmospheric blankets of colored spray on the canvas, marked at first by barely discernible straight-edged value changes near the edge of the picture and later by
497:, The New Hampshire Exhibits, Autumn, 2003. Edited by Lauren Poster, pub. Jan 2005 by Four Forty, Marlboro VT 96 pages 115 color plates. Essay "Paths" by Jim Walsh and DVD interview for The Front Porch NH Public Radio with John Walters
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at
Knoedler and Company: "The intensity of Olitski's colors can feel jarring when each colored area is observed separately. But the artist is a master of unlikely clashes of intense and artificial-looking colors recalling
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by Norman L. Kleeblatt, The Susan and Elihu Rose Chief
Curator at The Jewish Museum, excerpt from essay "Jules Olitski The Late Paintings A Celebration" Nov 8, 2007-Jan 5, 2008 Knoedler & Company, New York
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Norman L. Kleeblatt The Susan and Elihu Rose Chief
Curator at The Jewish Museum, excerpt from essay "Jules Olitski The Late Paintings A Celebration" Nov 8, 2007-Jan 5, 2008 Knoedler & Company, New York
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art critic, Roberta Smith writes "The artist’s earliest Color Field paintings, with their indomitable colors, austere compositions and wild pictorial spaces, are among the movement’s signal achievements.
164:. His grandmother cared for him while his mother worked to support the family. In 1926 his mother married Hyman Olitsky (note "y" ending), a widower with two sons. A daughter was born in 1930.
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160:), a few months after his father, a commissar, was executed by the Soviet government. He emigrated to the United States in 1923 with his mother and grandmother and settled in
180:. He attended public schools in New York, winning an art prize upon his graduation from high school. At an exhibit of the work of some of the great masters at the
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dragged along portions of the edge. He exhibited internationally in the late 1960s and was selected as one of four artists to represent the United States at the
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pictures with empty centers. He divorced and began exhibiting in group shows, and by 1956 was remarried and had joined the faculty of
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surfaces that characterized his work in the 1950s but with innovative techniques that took advantage of the newly improved
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Olitski had over 150 one-person exhibitions in his lifetime and is represented in museums worldwide. He received
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After discharge from the Army in 1945, Olitski married and stayed with Leo and Alma
Gershenson in
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725:"Every Sound Is a Shape of Time: Selections from PAMM's Collection • Pérez Art Museum Miami"
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His late works from 2001 to 2007 are characterized by intensely colored orbs that can evoke
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he had several exhibitions. Thereafter he exhibited in numerous venues, won a prize at the
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1956. Marries Andrea Hill Pearce. They have one daughter, Lauren. Divorced circa 1974.
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The Great
Beginning of Jules Olitski Roberta Smith, New York Times January 28, 2021
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1945. Marries Gladys Katz. They have one daughter, Eve. Divorced circa 1955.
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Steinhardt School of
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124:(March 27, 1922 – February 4, 2007), known professionally as
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Every Sound Is a Shape of Time: Selections from PAMM's
Collection
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547:"Superb Irrelevance: Experiencing Jules Olitski’s Late Works"
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in 1966. In 1969 he was invited to exhibit large, aluminum,
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School, Academia de la Grande Chaumiere, New York University
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Having returned to New York in 1951, Olitski received his
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and gel acrylic mediums. In 1994 he was elected into the
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Beaux-Arts Institute of Design (New York City) alumni
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211:. After some time, on Leo's advice, he traveled to
770:Linde, Ulf: "Svar", Albert Bonniers förlag, 1999,
487:, 1989, Preface by Barrie Mowatt, Introduction by
176:and by 1935 was taking occasional art classes in
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534:Roberta Smith, New York Times January 28, 2021
451:1980. Marries Joan C. Gorby (a.k.a. Kristina).
365:Jules Olitski-The Late Paintings-A Celebration,
619:Past Academicians - National Academy of Design
433:and exhibited regularly until his death from
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402:, alongside modern and contemporary artists
758:"Jules Olitski in New York by Karen Wilkin"
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545:ArtsEditor.com, feature article 11-19-2013
340:In the 1970s Olitski returned to the thick
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555:mentions Olitski as an example of "visual
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200:in New York. His education continued at
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574:abstractions of the 1960s, or thick",
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672:"Jules Olitski - Artists - Yares Art"
565:About that which is awkwardly simple
528:The Great Beginning of Jules Olitski
242:in 1954 in art education, both from
150:Ukrainian Soviet Socialist Republic
48:Ukrainian Soviet Socialist Republic
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941:20th-century American male artists
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463:catalog for the exhibition at the
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576:accessed online November 26, 2007
389:Southern New Hampshire University
184:in 1939 he was very impressed by
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97:Painting, sculpture, printmaking
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229:Académie de la Grande Chaumière
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685:wgclients01 (2024-08-19).
491:, Essays by Jules Olitski.
350:National Academy of Design
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204:in New York from 1940-42.
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83:National Academy of Design
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209:Asheville, North Carolina
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196:and was admitted to the
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901:Pratt Institute alumni
846:American male painters
729:PĂ©rez Art Museum Miami
598:by Jules Olitski, 1994
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381:University of Hartford
298:Carnegie International
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114:Abstract Expressionism
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182:New York World's Fair
408:Helen Frankenthaler,
202:Beaux Arts Institute
106:Color Field painting
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561:Om det genant enkla
551:Swedish art critic
385:Keene State College
377:honorary doctorates
337:from 1963 to 1967.
244:New York University
110:Lyrical Abstraction
615:2014-05-06 at the
437:in 2007, aged 84.
335:Bennington College
278:C. W. Post College
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223:, studying at the
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288:Gallery, and met
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647:"Biography"
282:Long Island
67:Nationality
815:Categories
734:2024-09-06
696:2024-09-06
582:References
455:References
317:sculptures
136:Early life
130:printmaker
39:1922-03-27
553:Ulf Linde
516:Criticism
379:from the
370:Delacroix
357:landscape
221:G.I. Bill
190:portraits
186:Rembrandt
178:Manhattan
168:Education
75:Education
705:cite web
656:July 25,
613:Archived
361:skyscape
325:American
261:(1963),
162:Brooklyn
102:Movement
70:American
46:Snovsk,
431:Florida
398:at the
346:polymer
342:impasto
319:at the
259:Glow On
219:on the
174:drawing
158:Ukraine
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563:(Eng:
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441:Family
435:cancer
413:, and
387:, and
328:artist
250:Career
213:Mexico
146:Snovsk
557:muzak
217:Paris
152:(now
148:, in
772:ISBN
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658:2017
631:ISBN
506:ISBN
429:and
240:M.A.
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