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In 1865 he made his first attempt upon the
Academy, but was not successful till five years later. Meanwhile, he had not been content with his feuilletons, written persistently about all manner of things. No one was more in request with the Paris publishers for
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in a lottery), and wrote accounts of his travels. He wrote numerous tales and novels, and composed many other works, including
369:, though he continued to write books, he was most notable in France as a dramatic critic. Janin authored the text for the song
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Nadar's portrait of Jules Janin c. 1856, salt print from wet-collodion-on-glass negative, Clark Art
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Long before, however, he had made a literary reputation for himself, publishing novels such as
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For the most part his work was improvisation, noted for its light and vivid style. His
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in Paris. He involved himself in journalism from an early date, and worked on the
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514:. Vol. 15 (11th ed.). Cambridge University Press. pp. 150–151.
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Janin traveled (picking up in one of his journeys a country house at
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family. From the day when Janin became the theatrical critic of the
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This article incorporates text from a publication now in the
302:(16 February 1804 – 19 June 1874) was a French writer and critic.
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writing he collected some of his articles in the work called
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Histoire de la littérature dramatique en France (1853-1858)
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417:(1861), in which, under the guise of a sequel to
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182:but its sources remain unclear because it lacks
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92:introducing citations to additional sources
652:Charles Auguste de Beauvau, Prince of Craon
53:Learn how and when to remove these messages
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213:Learn how and when to remove this message
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82:Relevant discussion may be found on the
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379:, a composer and fellow critic at the
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434:(12 vols., 1875–1878) were edited by
414:Fin d'un monde et du neveu de Rameau
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355:(1830) followed, and then in
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386:After many years of
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88:improve this article
300:Jules Gabriel Janin
268:Gabriel-Jules Janin
589:Académie française
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442:in 1874. See also
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195:introducing
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483:References
476:Terry Hale
423:Felix Pyat
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547:LibriVox
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328:and the
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