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256:"Art as a vehicle for invention and social change can be many things, it can be soft, hard, in-your-face confrontational, or subtle and discreet. I try and choose the latter approach for much of my work, a seductive beautiful exterior with a strong message like a deadly poison dart that insinuates itself into the consciousness of the viewer without them being aware of the package until it implodes and leaks its contents."
608:
Kngwarreye, Emily Kame; Perkins, Hetti; Watson, Judy; Koolmatrie, Yvonne; Art
Gallery of New South Wales; Australia Council; Australia. Aboriginal and Torres Strait Islander Commission; Boomalli Aboriginal Artists Cooperative; Biennale di Venezia 1997) (1997).
1517:, 31 May 2011. Artist Judy Watson talks to Louise Martin-Chew about her art practice, her family and the future of Aboriginal art in Australia. (6min, 29min and 1:05hr version available to view online).
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was known for nailing up the ears of his victims, after shooting numerous
Aboriginal people. For the work, the two artists cast 40 pairs of ears of volunteers and nailed them to a wall.
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Watson trained as a print-maker, and her work in painting, video and installation often relies upon the use of layers to create a sense of different realities co-existing. As an
530:'s James C Sourris AM Collection. In the interview Watson talks to writer Louise Martin-Chew about her art practice, her family and the future of Aboriginal art in Australia.
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2009 - 12 heron island, University of
Virginia, USA; grahame galleries + editions, Brisbane; and touring across Western Australia, New South Wales, and Queensland
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Watson's recent work can be understood as part of the archival turn in contemporary art. She examines
Indigenous Australian histories. For example,
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Fluent : Emily Kame
Kngwarreye, Yvonne Koolmatrie, Judy Watson : XLVII esposizione internazionale d'arte La Biennale di Venezia 1997
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about the way
Aboriginal people were precluded from voting. Before suffrage was granted in 1965, eligibility to vote was based on the
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A Gift to the World: The
Australian Indigenous Art Commission at the Musée du quai Branly, Australian Indigenous Art Commission, 2005
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are depicted. The title underscores the damage done to the land—the shadow, depression or blot on the landscape—removal has caused.
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Her work is often highly political, however it is rarely didactic. She describes her attitude to political art as follows:
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703:"Australian history put through the looking glass by Aboriginal artists Judy Watson and Yhonnie Scarce in new exhibition"
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Best, Susan (March 2018). "Anger and Repair: The art and politics of Judy Watson's the holes in the land (2015)".
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Fellowship in 1995, allowing her to travel to France and later exhibit there. She represented
Australia at the
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303:, bones, driftnet. The list indicates the range of natural and cultural forms that underpin her practice.
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This article is about the
Aboriginal Australian artist born in 1952. For the deceased Aboriginal artist (
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2011 heron island suite, Touring
Regional Galleries in Western Australia, New South Wales and Queensland
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2014 sacred ground beating heart / experimental beds / heron island suite, Noosa Regional Gallery
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Antipodean Currents: Ten Contemporary Artists from Australia, Guggenheim Museum, New York, 1995
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299:(2009), her practice is divided into a number of themes: water, skin, poison, dust and blood,
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Looking Glass: Judy Watson and Yhonnie Scarce: 28 November 2020 - 8 March 2021: Education kit
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2011 - 12 waterline, Tolarno Galleries, Melbourne and Embassy of Australia, Washington DC, US
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2015 the holes in the land; heron island suite, experimental beds, Toowoomba Regional Gallery
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2009 heron island, University of Queensland Art Museum; University of Queensland, Brisbane.
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Grisly secret of cattlemen who kept '40 pairs of ears' as trophies in outback horror house
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experimental beds, University of Virginia, USA and grahame galleries + editions, Brisbane
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histories, and she has received a number of high-profile commissions for public spaces.
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845:(Interview). The Art Show. Presented by Daniel Browning; features interview with Watson
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2024 mudunama kundana wandaraba jarribirri: Judy Watson, QAGOMA 23 Mar – 11 Aug 2024
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1195:"Judy Watson: Heron Island - UQ Art Museum - The University of Queensland, Australia"
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In 2011 Judy Watson was interviewed in a digital story and oral history for the
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Cultural Warriors, Indigenous Art Triennale, National Gallery of Australia, 2007
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artist, the depiction of the land has an ongoing significance in her practice.
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First Asia-Pacific Triennale of Contemporary Art, Queensland Art Gallery, 1993
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992:"Judy Watson review – pain and persecution in a lush and stunning landscape"
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2016 the names of places, Green Screen, Institute of Modern Art, Brisbane
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and forty years of Aboriginal suffrage. The work uses documents from the
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1991 Inspiration – Expiration, Australian Girls Own Gallery, Canberra
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to commemorate the escape of her great-great-grandmother Rosie from
1478:"Judy Watson digital story, educational interview and oral history"
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2015 the holes in the land, grahame galleries + editions, Brisbane
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Judy Watson digital story, educational interview and oral history
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Judy Watson digital story, educational interview and oral history
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2010 heron island suite, grahame galleries + editions, Brisbane.
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1435:"Collections Online - Museum of New Zealand Te Papa Tongarewa"
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1309:"Judy Watson :: The Collection :: Art Gallery NSW"
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for their Eora Journey arts program. The sculpture, titled
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in 2020. The installation consists of a representation of
910:"Print titled 'the holes in the land #1', by Judy Watson"
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where she received a bachelor's degree (1980–82); and at
1070:"Judy Watson | experimental beds 3 | Brenda May Gallery"
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Creaghe, Emily Caroline; Monteath, Peter, 1961- (2004),
1145:"judy watson – heron island suite | Grahame Galleries"
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2009 bad and doubtful debts, Milani Gallery, Brisbane.
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in north-west Queensland, where the notoriously cruel
1120:"judy watson – experimental beds | Grahame Galleries"
946:. Compiled by Shannon Lyons. TarraWarra Museum of Art
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National Aboriginal and Torres Strait Islander Awards
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The diary of Emily Caroline Creaghe : explorer
443:Frames of Reference: Aspects of Feminism and Art,
399:2013 experimental beds, Brenda May Gallery, Sydney
1410:"Untitled | Judy Watson~Waanyi | NGV | View Work"
615:. Sydney, N.S.W: Art Gallery of New South Wales.
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1019:"Green Screen: Judy Watson: the names of places"
189:, which has influenced her entire body of work.
1276:"ART REVIEW; Antidotes for a Cartoonish Image"
1044:"Judy Watson exhibition the holes in the land"
169:-based Waanyi artist. She was educated at the
366:Looking Glass: Judy Watson and Yhonnie Scarce
171:Darling Downs Institute of Advanced Education
754:: CS1 maint: multiple names: authors list (
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758:) CS1 maint: numeric names: authors list (
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1170:"Bad and doubtful debts | Milani Gallery"
1074:MAY SPACE Judy Watson experimental beds 3
966:"Judy Watson: 4 March — 6 September 2020"
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314:to celebrate the Queensland centenary of
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337:(2015) is about the loss of Aboriginal
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402:2012 shell, Milani Gallery, Brisbane.
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333:A series of six engravings entitled
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681:Australian Broadcasting Corporation
308:a preponderance of aboriginal blood
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478:Museum of Contemporary Art, Sydney
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1506:Collection of Judy Watson's works
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990:Clugston, Hannah (5 March 2020).
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701:Reich, Hannah (5 December 2020).
512:Works on Paper Award at the 23rd
426:1993 Dropping into Water Slowly,
238:In 2008 Watson collaborated with
503:Moet and Chandon Fellowship 1995
141:multi-media artist who works in
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324:percentage of Aboriginal blood
295:In the book on Watson's work,
223:In 2005, for French architect
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1576:University of Tasmania alumni
1546:Australian Aboriginal artists
1274:Karmel, Pepe (23 June 1995).
1068:Australia, May Space Sydney.
888:10.1080/09528822.2018.1442191
683:. 4 June 2007. Archived from
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472:National Gallery of Australia
137:(born 1959) is an Australian
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1048:grahame galleries + editions
914:National Museum of Australia
793:Martin-Chew, Louise (2009).
507:National Gallery of Victoria
428:Australian Girls Own Gallery
259:She was commissioned by the
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1515:State Library of Queensland
1464:State Library of Queensland
1227:australianartnetwork.com.au
1149:www.grahamegalleries.com.au
1124:www.grahamegalleries.com.au
795:Judy Watson: blood language
528:State Library of Queensland
509:'s Clemenger Art Award 2006
312:State Library of Queensland
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1439:collections.tepapa.govt.nz
376:in collaboration with the
149:. Her work often examines
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320:Queensland State Archives
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52:(2007) by Judy Watson at
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1571:Monash University alumni
1229:. Australian Art Network
1174:www.milanigallery.com.au
1099:www.milanigallery.com.au
1095:"SHELL | Milani Gallery"
809:"bara - City Art Sydney"
380:in Victoria and curator
378:TarraWarra Museum of Art
271:would be located at the
161:Judy Watson was born in
157:Early life and education
1541:Artists from Queensland
1199:www.artmuseum.uq.edu.au
1023:Institute of Modern Art
677:"The French Connection"
438:Major group exhibitions
348:
1581:Australian printmakers
1513:. John Oxley Library,
863:: CS1 maint: others (
498:Awards and nominations
475:Queensland Art Gallery
179:University of Tasmania
163:Mundubbera, Queensland
145:, painting, video and
95:University of Tasmania
73:Mundubbera, Queensland
25:Judy Napangardi Watson
1364:www.qagoma.qld.gov.au
1254:www.qagoma.qld.gov.au
679:. The Message Stick.
335:the holes in the land
273:Royal Botanic Gardens
233:The French Connection
218:Emily Kame Kngwarreye
199:Aboriginal Australian
151:Indigenous Australian
651:"Naturally In Paris"
354:Solo/duo exhibitions
229:Musée du quai Branly
212:in 1997, along with
54:Reconciliation Place
559:on 27 November 2018
481:Tate Modern, London
368:, organised by the
1414:www.ngv.vic.gov.au
1280:The New York Times
842:ABC Radio National
797:. Miegunyah Press.
735:, Corkwood Press,
657:. 1 September 2006
464:Public collections
339:cultural patrimony
265:public work of art
263:to create a major
206:Moët & Chandon
165:in 1959. She is a
742:978-1-876247-14-0
687:on 22 April 2010.
244:Lawn Hill Station
214:Yvonne Koolmatrie
183:Monash University
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100:Monash University
16:Australian artist
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