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675:. Their exhibition, titled "Fluent", was a multigenerational show, chosen "to highlight the spectrum of Aboriginal experience and artistic practice in Australia at the time." A contemporary review described the show as an "affirmation of the continuing influence of Aboriginal matriarchs in a society that is often defined as a patriarchy ... with interwoven concerns about the nature of the land and their connections to it."
311:(CAAMA), distributed 100 canvases and paints to the Utopia women, where they instructed the artists in the new medium. Over the summer holidays, (4 weeks) 80 painters completed 81 works. Rodney Gooch saw this as a new era for women. The Holmes à Court Collection purchased all 81 paintings and through their curator Anne Marie Brody, they were exhibited in April at the S.H. Ervin Gallery, Sydney.
467:, a moral code based on "ancestral heroes whose pioneering travels gave form, shape, and meaning to the land, seas, and skies in a long-ago creative era." These ceremonial marks are therefore more than basic visual designs. They are a "ritual re-enactment of the Ancestors' Dreamtime travelling (sic) which, in Aboriginal mythology, is synonymous with the creation of the world."
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I didn't want to continue with the hard work batik required – boiling the fabric over and over, lighting fires, and using up all the soap powder, over and over. That's why I gave up batik and changed over to canvas – it was easier. My eyesight deteriorated as I got older, and because of that I gave up batik on silk – it was better for me to just paint.
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275:, for example, had been replaced by brushes, which often produced broader, more animated patterns on the fabric. The introduction of batik marked a new era for Aboriginal women in the Northern Territories. Up to that point, their role had been to assist male painters, with only a few women ever creating their own works.
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I did batik at first, and then after doing that I learned more and more and then I changed over to painting for good...Then it was canvas. I gave up on...fabric to avoid all the boiling to get the wax out. I got a bit lazy – I gave it up because it was too much hard work. I finally got sick of it ...
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In 1978, Kngwarreye and other prominent
Aboriginal artists founded the Utopia Women's Batik Group, comprising around 21 women. Initially a communal project, the program evolved into a framework where artists could develop their own individual styles. Kngwarreye's batik work shows elements that recur
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named Yipati and instructors
Suzanne Bryce, Jenny Green and Julia Murray. According to Bryce, Aboriginal women in the region wanted to learn handcrafts because they were especially suited for a traditional lifestyle. Bryce and Green had imported the medium of batik to the Northern Territories from
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The rise in market demand in the 1990s for works by
Indigenous artists spurred the growth of inexperienced, and, in some cases, fraudulent art dealers. Utopia became particularly attractive to outsiders seeking fast money through the acquisition of Indigenous art without understanding the culture
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Her method was to place large sections of canvas on the ground and sit on them cross-legged. She applied paint using a long brush to reach across and into the creation. In one account, a dealer explained the presence of dog prints within a specific painting as a natural part of her ground-level
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was alleged to have copied
Kngwarreye's style for his "Veil" series. The artist claimed to have had no prior knowledge of her work, even though observers from the Utopia community viewed the similarities as too close to have been a coincidence. According to Hirst, the series was rooted in
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In 1992, Kngwarreye began to join her dots to form lines, creating multicoloured parallel horizontal and vertical stripes that suggested rivers and desert terrain. She also began to use larger brushes during this period, which produced heavier, less intricate dots on the canvas.
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for the
Aboriginal people of the desert. She painted many works on this theme; often her first actions at the start of a painting were to put down the yam tracking lines. This plant was especially significant for her: her middle name, Kame, means the yellow
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In 1989, Delmore
Gallery on the Delmore Downs homestead adjacent to Utopia commissioned 1,500 works from Kngwarreye. Delmore Downs operators Donald and Janet Holt sold Kngwarreye's work to elite galleries in Australia and gifted works to institutions.
231:. She is particularly notable also for being a female artist, for having only started painting in her 70s, and for her prolificacy: over her eight years as an artist, she produced more than 3,000 paintings – around one per day.
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By the time
Kngwarreye was introduced to the technique, Aboriginal artists had adapted key parts of the process to suit their own preferences. The Indonesian technique of applying wax with a pen-like instrument called a
870:, community, and ancestral knowledge in Kngwarreye's artworks. In consultation with the artists family and elders in the community, 89 works were selected to show the link between Kngwarray's paintings and her Country,
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Kngwarreye's earlier works with
Delmore Gallery provenance tend to perform best at auction, but her late-period works with Rodney Gooch have also demonstrated significant market potential.
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that produced them. She was later documented saying that those who sought a quick profit from
Indigenous art were employing a "strategy of producing bad quality paintings for bad people."
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and featured a commissioned work by
Kngwarreye for the opening. The exhibition was the first major national touring retrospective for an Indigenous artist in Australia, travelling to the
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of Utopia Art Sydney represented Kngwarreye from 1988 until her death in 1996. from 1988 - 1991 through CAAMA Shop and following that directly through Rodney Gooch (Mulga Bore Artists)
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482:, the school encouraged artists to develop their own ideas when painting on canvas. One familiar style was to overlap masses of tiny dots to create the optical effect of a
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Knight, Christopher. "AROUND THE GALLERIES; Sacred Beauty from 'Desert' Artists; Stunning Aboriginal Paintings at Gagosian Bring Summer Gallery Season to a Lively End."
1795:. Hilary Furlong, National Gallery of Victoria, National Gallery of Victoria. Ian Potter Centre (1st ed.). Melbourne: National Gallery of Victoria. p. 156.
200:. In June 1934 she moved to the MacDonald Downs Homestead, located approximately 100 km (62 mi) east of Alhalkere, to work in the house and muster cattle.
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781:, presented "Remembering Forward: Painting by Australian Aborigines Since 1960". The show featured works by Kngwarreye and eight other Aboriginal artists, including
1021:, an Indigenous artist and Arts Law Centre board member, said: "You can't actually copyright style... in many ways it's what's called a moral copyright element".
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During her life, and after her death, authors and journalists reported that many of the works purportedly painted by Kngwarreye were, in fact, fakes. In 1997, the
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people, Kngwarreye had for decades painted for ceremonial purposes in the Utopia region. She became known for her precise and detailed approach she worked with
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Paris organised the first solo exhibition of her paintings in France, in collaboration with D'Lan Contemporary, Melbourne. The title of the exhibition was
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describes her subject matter as the "essence" of that region, with references to flora, fauna and Dreamtime figures from her environment. These include:
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Kngwarreye began to paint on canvas in the summer of 1988, with a painting project initiated by CAAMA Shop in association with Utopia Art Sydney. Titled
227:. She created more than 3,000 acrylic paintings over the next eight years, and became one of the most prominent and successful artists in the history of
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338:. A gallerist of Indigenous art in Sydney once described the period as an energetic push to create: "With no other materials, she dipped her one-inch
2709:"Desert Painters of Australia Part II: With Works from the Collection of Steve Martin and Anne Stringfield, Beverly Hills, July 26–September 6, 2019"
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In the mid-1990s, she started working with thick stripes of acrylic paint on paper and canvas, which look abstract but are actually derived from
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Kngwarreye once described her transition to acrylic painting as a less labor-intensive process that better suited her advancing years:
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193:). Kngwarreye's great niece is the painter Jeannie Pwerle. Her brother's children are Gloria Pitjana Mills and Dolly Pitjana Mills.
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In the 1970s, Kngwarreye undertook a short adult education course which it included various creative practices, including such as
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In the final two weeks of her life, Kngwarreye asked her nephew Fred Torres for materials to produce a series known today as
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In 1993, Kngwarreye added patches of colour along with the dots, which created the effect of coloured rings. An example is
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which then sponsored a program to allow Utopia artists to paint for a period of time unhindered by commercial imperatives.
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478:, where Kngwarreye first began to develop her skills as a painter. Formed by community elders in 1971 with the support of
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Green, Jenny (2007). "Holding the country: art from Utopia and the Sandover". In Hetti Perkins; Margie West (eds.).
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brush into a pot of paint. Over the next few days Emily painted 24 canvases like nothing she had ever done before."
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The first public exhibition of Kngwarreye's silk batiks was in 1980, alongside works of Mona Byrne, an artist from
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Ghosh, Rumela (2022). "The Grammar of Visual Design through the Prism of Australian Aboriginal Paintings."
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On 23 May 2007, Tim Jennings of Mbantua Gallery & Cultural Museum purchased Kngwarreye's 1994 painting
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Utopia Art Sydney organised a major survey of Kngwarreye's career in March 2020. The exhibition was titled
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Beverly Hills in 2019 alongside works by ten other Indigenous artists, most from the Northern Territory.
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Works by Kngwarreye are rooted in marks painted on sand and the body during Anmatyere experiences within
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1481:"The NGA's major retrospective of Emily Kam Kngwarray re-writes her story and brings it back to Country"
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comprising 22 canvases, depicting her Country after flooding and regeneration, in a style similar to
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In January 2023, a major retrospective at the NGA, co-curated by Aboriginal curators Kelli Cole and
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in what she called her "dump dump" style, using very bright colours. That technique also appears in
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in the Utopia Homelands, an Aboriginal community located approximately 250 kilometres north-east of
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3262:"Damien Hirst's latest spot paintings 'exactly like my people's story', says Australian artist."
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In 1992/3, Kngwarreye was awarded an Australian Artist's Creative Fellowship by prime minister
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2066:, edited by Lindsay Jones, 2nd ed., vol. 4, Macmillan Reference USA, 2005, pp. 2478-2482.
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2801:"Emily: Desert Painter of Australia, rue de Ponthieu, Paris, January 21–March 26, 2022"
1713:"Emily: Desert Painter of Australia, rue de Ponthieu, Paris, January 21–March 26, 2022"
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120:, Kngwarreye became one of the most prominent and successful artists in the history of
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1062:"Art world split over NGA name change for one of Australia's greatest female painters"
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3205:"Entangled Values: Construction of a Global Conception of Australian Indigenous Arts"
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Smee, Sebastian. "Aboriginal artists find a surprising new champion: Steve Martin."
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By 1991 she was producing a range of work for a variety of galleries, including the
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Works by Kngwarreye stem from a deep connection her tribal homeland, Alhalkere. The
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Kngwarreye was part of the Utopia Women's Batik. In 1987 Rodney Gooch , manager of
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method: "The dog walked across it," he said, "and she couldn't have cared less."
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communities. Prior to its opening in Canberra, the exhibit also traveled to the
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shop in Alice Springs was asked to represent them, and they did so until 1991.
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3281:"'Uncanny similarity': new Damien Hirst works in spot of bother in Australia"
2856:"'Uncanny similarity': new Damien Hirst works in spot of bother in Australia"
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829:. Also in early 2020, D'Lan Contemporary staged an exhibition of her work in
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held the first retrospective of Kngwarreye's work in 1998. It was curated by
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490:. The influence of Desert Art also appears in her use of aerial perspective.
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suggested an organised "school" of painters had created works in her style.
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547:. The interwoven lines frequently reference the track lines of yams within
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Her early works of the late 1980s used traditional colours such as red and
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2127:"Journeying Beyond Western Time in Contemporary Aboriginal Australian Art"
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Women hold up half the sky: The orientation of art in the post-war Pacific
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International Journal of Latest Research in Humanities and Social Science
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The Dealer is the Devil: An Insiders History of the Aboriginal Art Trade
1662:"A story in wax: When batik connects Indonesia and indigenous Australia"
1637:"A story in wax: When batik connects Indonesia and indigenous Australia"
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Grishin, Sasha (15 April 2000). "Aboriginal art makes it to the top".
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Raiki Wara: Long Cloth from Aboriginal Australia and the Torres Strait
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Raiki Wara: Long Cloth from Aboriginal Australia and the Torres Strait
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2950:"Top 10 Most Collectable Contemporary Australian Indigenous Artists"
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1353:. Australian Broadcasting Corporation. 26 July 2009. Archived from
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2242:"At the gallery: Kngwarreye connects the dots to her own Dreaming"
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and the DACOU Aboriginal Gallery - Dreaming Art Centre of Utopia,
254:. In 1977, she began to learn batik under the early guidance of a
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2827:"Emily Kam Kngwarray: Major Exhibition, 2 Dec 2023 – 28 Apr 2024"
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951:. The sale set a record for an Australian female artist. In 2017
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Across the desert : Aboriginal batik from central Australia
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Across the desert : Aboriginal batik from central Australia
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Emily Kame Kngwarreye, also spelt Emily Kam Kngwarray, was born
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1915:"Explore the work of Australian artist, Emily Kame Kngwarreye"
2519:"reCollections - Utopia: The Genius of Emily Kame Kngwarreye"
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http://www.ijlrhss.com/paper/volume-5-issue-1/12-HSS-1239.pdf
1765:"Utopia Women's Batik Group, Northern Territory, 1970s-1980s"
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List of Indigenous Australian art movements and cooperatives
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Isaacs, J., Smith, T., Ryan, J., Holt, D., Holt, J. (1998),
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287:), emus, goannas, and other flora and fauna of her Country.
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3055:"Emily Kame Kngwarreye painting sells for $ 2.1m in Sydney"
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For many years, her varied style attracted labels from the
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National Aboriginal & Torres Strait Islander Art Award
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Across the Desert: Aboriginal Batik from Central Australia
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McCulloch's contemporary Aboriginal art the complete guide
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was held in 2008. Also curated by Neale, it opened at the
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Remote avant-garde : aboriginal art under occupation
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at a Cooee Art Gallery auction, breaking its own record.
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Earth's Creation: The Paintings of Emily Kame Kngwarreye
1437:"21 Indigenous Australian artists you should know about"
3415:, Craftsman House, Smith, T. (Ed.). North Ryde, Sydney.
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2000 Winter Auction were sold for a combined amount of
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Painting Culture: The Making of an Aboriginal High Art
1167:"Utopia: Emily Kame Kngwarreye - My Mothers Country I"
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Kngwarreye's work was included in the 2021 exhibition
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3084:"'Untitled (Alhalkere)', Emily Kame Kngwarreye, 1989"
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The Art Newspaper - International art news and events
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2735:"Emily Kame Kngwarreye by Utopia Art Sydney - Issuu"
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for 11 years until 1988, when she was introduced to
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Kngwarreye died in Alice Springs in September 1996.
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Emily Kam Ngwarray, Kngwarreye, Emily Kame Kngarreye
2469:Ryan, Judith; Healy, Robyn; Bennett, James (1998).
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Aboriginal Art in Modern Worlds: World of Dreamings
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474:were important parts of the Desert Art Movement at
327:In 1995, in the last year of her life, she painted
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2441:"Indigenous art for Venice a self-defining choice"
151:and painted in a special livery based on her work
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2190:"Johnny Warangkula Tjupurrula - Artist Biography"
1952:"'Outsider' releases Indigenous art to auction."
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719:, consisting of works by Kngwarreye, Nym Bandak,
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431:that resemble beans, was an important source of
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3406:Emily Kame Kngwarreye: Paintings from 1989–1995
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309:Central Australian Aboriginal Media Association
3441:, Macmillan Publishers, South Yarra, Victoria.
2758:Loos, Ted. "Ancient Traditions Reimagined: ."
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715:From June to November 2000, the NGA presented
650:Her work was included in a 1996 exhibition at
234:She lived and worked at various places in the
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3314:One Sun One Moon: Aboriginal Art in Australia
3002:"$ 1.05m painting of 'the lot' breaks record"
1861:"Lot 41: Emily Kame Kngwarreye, Awelye, 1989"
1688:"History of Utopia Art Movement - Early Days"
663:Kngwarreye represented Australia at the 1997
640:and the Alice Springs Craft Council in 1983.
3439:Emily Kame Kngwarreye: Paintings from Utopia
2762:Late Edition (East Coast) ed., Mar 13 2020,
2101:"The History of the Aboriginal Art Movement"
1917:. Potter Museum of Art, Melbourne University
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756:Utopia: The Genius of Emily Kame Kngwarreye,
459:, painted about five months before her death
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3446:Utopia: The Genius of Emily Kame Kngwarreye
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2473:. Melbourne: National Gallery of Victoria.
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2387:"Emily Kame Kngwarreye | utopia art sydney"
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804:. It permanently closed three years later.
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3419:McDonald, Gay; Fisher, Laura (June 2015).
3378:magazine, issue 2, October – December 1997
3175:Coslovich, Gabriella (20 September 2003).
2268:"Kwementyay Kngwarreye's Big yam Dreaming"
601:were chosen to represent Australia at the
181:and the aunt of Pwerle's daughter, artist
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3146:"'Untitled', Emily Kame Kngwarreye, 1990"
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3115:"'Endunga', Emily Kame Kngwarreye, 1990"
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2415:"Australian Centre for Contemporary Art"
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678:In 1998, her batiks were on view at the
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58:3 September 1996 (aged 85–86)
16:Aboriginal Australian artist (1910–1996)
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2049:Butler, Rex. "The impossible painter."
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647:was held in 1990 at Utopia Art Sydney.
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3576:Contemporary Indigenous Australian art
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859:. It ran from 21 January to 26 March.
773:From November 2010 to March 2011, the
279:in her later paintings, including the
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3177:"Aboriginal works and artful dodgers"
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2336:"Artists Info - Emily Kame Kngwarrey"
2240:Hammond, Bradley (23 February 2017).
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1740:"Know My Name: Emily Kame Kngwarreye"
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3637:Pukatja (Ernabella), South Australia
3384:"Watching the price of spirituality"
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2974:Coslovich, Gabriella (8 July 2020).
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2885:Newstead, Adrian (1 February 2014).
2588:National Museum of Women in the Arts
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1533:. Phaidon Press. 2019. p. 218.
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116:. After only starting painting as a
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4032:Artists from the Northern Territory
3382:Coster, Peter (18 September 2009).
3229:Myers, Fred R. (16 December 2002).
2439:Mendelssohn, Joanna (17 May 1997).
2361:"Emily Kngwarreye Biography and CV"
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1971:"Untitled (Awelye) | MCA Australia"
1896:"Aboriginal art worthy of regard."
1685:
1558:"Emily Kngwarreye Biography and CV"
1377:"Emily Kngwarreye Biography and CV"
541:painted on Anmatyerr women's bodies
290:
13:
3360:
2976:"Artworks beat Melbourne lockdown"
2854:Wahlquist, Calla (29 March 2018).
2487:
2259:
1988:
1401:Biddle, Jennifer Loureide (2016).
1271:"Minnie Pwerle Archives - Art Mob"
1127:
857:Emily: Desert Painter of Australia
127:
14:
4068:
3612:Alice Springs, Northern Territory
3508:Portrait of Emily Kame Kngwarreye
3466:
2544:"Aboriginal Art in Modern Worlds"
2125:Dunne, Carey (6 September 2016).
1312:
1219:
1060:Burke, Kelly (22 December 2023).
922:Eight paintings by Kngwarreye in
833:at the High Line Nine gallery in
440:and the seeds of the pencil yam.
4042:20th-century Australian painters
3622:Haasts Bluff, Northern Territory
3143:
3112:
3081:
2921:"New York Exhibition Highlights"
2498:"Emily Kame Kngwarreye – Pwerle"
2318:"Victorian Honour Roll of Women"
2087:(1): 77. Accessed 28 June 2022.
1479:Fuss, Eloise (26 January 2024).
616:Exhibitions and gallery holdings
3788:Susie Bootja Bootja Napaltjarri
3421:"Emily KameKngwarreye in Japan"
3273:
3256:
3196:
3168:
3137:
3106:
3075:
3047:
3021:
2993:
2967:
2847:
2819:
2793:
2752:
2727:
2701:
2684:
2669:
2644:
2618:
2601:
2561:
2536:
2511:
2462:
2432:
2379:
2353:
2327:
2310:
2233:
2207:
2182:
2118:
2093:
2073:
2068:Gale In Context: World History.
2056:
2043:
2017:
1963:
1946:
1929:
1907:
1890:
1852:
1817:
1782:
1757:
1731:
1705:
1679:
1654:
1629:
1575:
1498:
1429:
1394:
1369:
1337:
901:Aboriginal Gallery of Dreamings
336:My Country - Final Series, 1996
215:and ancestral custodian of the
206:
3924:Long Jack Phillipus Tjakamarra
3486:Art Gallery of New South Wales
3320:Art Gallery of New South Wales
2062:Bell, Diane. "Dreaming, The."
1612:"Aboriginal Dreamings Gallery"
1263:
1184:
1159:
1053:
878:Representation and commissions
764:The National Art Center, Tokyo
702:Art Gallery of New South Wales
610:Victorian Honour Roll of Women
196:Kngwarreye grew up working on
187:assimilate mixed-race children
1:
4027:Australian Aboriginal artists
2832:National Gallery of Australia
2548:National Gallery of Australia
1744:National Gallery of Australia
1197:. McCulloch & McCulloch.
1041:
760:National Museum of Art, Osaka
706:National Gallery of Australia
427:with heart-shaped leaves and
159:
3949:Clifford Possum Tjapaltjarri
3647:Yuendumu, Northern Territory
3495:National Museum of Australia
3408:, Parliament House, Canberra
3343:National Gallery of Victoria
2891:. Brandl & Schlesinger.
2297:National Museum of Australia
2272:National Gallery of Victoria
2266:Ryan, Judith (27 May 2014).
1769:Museums Victoria Collections
1046:
768:National Museum of Australia
680:National Gallery of Victoria
488:Johnny Warangkula Tjupurrula
7:
4057:20th-century women painters
3944:Billy Stockman Tjapaltjarri
3934:Yala Yala Gibbs Tjungurrayi
3632:Papunya, Northern Territory
3627:Kintore, Northern Territory
3493:, various resources at the
3268:Gale In Context: Biography.
3203:Le Roux, Geraldine (2014).
3000:Bibby, Paul (24 May 2007).
2980:Australian Financial Review
2607:"What's on Around Europe."
1941:Gale In Context: Biography.
1830:. Heytesbury Holdings Ltd.
1024:
634:Brisbane Commonwealth Games
470:Visual elements related to
10:
4073:
3954:Mick Namarari Tjapaltjarri
3642:Utopia, Northern Territory
3413:Emily Kngwarreye Paintings
3303:
2391:www.utopiaartsydney.com.au
1902:Gale In Context: Biography
762:, Japan, before moving to
754:Her second retrospective,
686:, in an exhibition titled
608:She was inducted into the
4052:People from Alice Springs
4037:Australian women painters
3972:
3959:Timmy Payungka Tjapangati
3886:
3808:Valerie Lynch Napaltjarri
3758:Ngoia Pollard Napaltjarri
3748:Molly Jugadai Napaltjarri
3738:Linda Syddick Napaltjarri
3718:Daisy Jugadai Napaltjarri
3655:
3604:
3571:Araluen Cultural Precinct
3563:
3516:National Portrait Gallery
3235:. Duke University Press.
3007:The Sydney Morning Herald
2157:Australian art: a history
1824:Brody, Annemarie (1990).
1407:. Duke University Press.
1191:McCulloch, Susan (2009).
1102:Australian art: a history
1036:Indigenous Australian art
652:Monash University Gallery
346:Subject matter and themes
229:Indigenous Australian art
122:Indigenous Australian art
81:
73:
54:
39:
30:
23:
3939:Turkey Tolson Tjupurrula
3914:Paddy Japaljarri Stewart
3873:Ruby Tjangawa Williamson
3803:Topsy Gibson Napaltjarri
3778:Peggy Rockman Napaljarri
3733:Kitty Pultara Napaljarri
3713:Biddy Rockman Napaljarri
3617:Balgo, Western Australia
3375:Australian Art Collector
2523:recollections.nma.gov.au
2340:Aboriginal Art Galleries
2064:Encyclopedia of Religion
2051:Australian Art Collector
1904:. Accessed 21 June 2022.
1900:, 24 Sept. 2013, p. 55.
1000:In 2018, British artist
638:Adelaide Festival Centre
630:Adelaide Festival Centre
626:Floating Forests of Silk
508:, which was made with a
443:
241:
3783:Sheila Brown Napaljarri
3768:Norah Nelson Napaljarri
3753:Mona Rockman Napaljarri
3728:Helen Nelson Napaljarri
3678:Lucy Napaljarri Kennedy
3668:Josepha Petrick Kemarre
3458:Cole, K., eds. (2023),
2584:"Emily Kame Kngwarreye"
2293:"Emily Kame Kngwarreye"
2216:"Emily Kame Kngwarreye"
2194:www.kateowengallery.com
2154:Grishin, Sasha (2015).
2025:"Emily Kame Kngwarreye"
1999:"Emily Kame Kngwarreye"
1956:, 20 Oct. 2020, p. 29.
1898:London Evening Standard
1827:Utopia: a picture story
1616:www.aboriginaldream.com
1506:"Emily Kame Kngwarreye"
1345:"Emily in Japan Part 1"
1299:"Barbara Weir – Pwerle"
1171:www.aboriginaldream.com
1140:"Emily Kame Kngwarreye"
1099:Grishin, Sasha (2015).
994:Northern Territory News
371:(mountain devil lizard)
3858:Maggie Napaljarri Ross
3688:Barbara Mbitjana Moore
3369:The Impossible Painter
2070:Accessed 26 June 2022.
1960:Accessed 22 June 2022.
1958:Gale Academic OneFile.
1943:Accessed 21 June 2022.
1686:Gallery, Utopia Lane.
1582:University, La Trobe.
1320:"Jeannie Mills Pwerle"
918:Sales and exploitation
694:Queensland Art Gallery
578:Recognition and awards
460:
321:
155:
144:Dreamliner VH-ZND, is
3763:Nora Andy Napaltjarri
3698:Doreen Reid Nakamarra
3683:Emily Kame Kngwarreye
3500:Emily Kame Kngwarreye
3337:Ryan, Judith (2008).
3270:Accessed 29 May 2022.
2656:Victorian Collections
2246:Central Western Daily
1789:Ryan, Judith (2009).
1235:Ryan, Judith (2009).
818:(1996) were shown at
808:Wild Yam and Emu Food
593:In 1993, Kngwarreye,
572:connection to Country
451:
316:
149:Emily Kame Kngwarreye
135:
106:Aboriginal Australian
98:Emily Kame Kngwarreye
25:Emily Kame Kngwarreye
3964:Yannima Tommy Watson
3813:Wintjiya Napaltjarri
3798:Tjunkiya Napaltjarri
3793:Takariya Napaltjarri
3708:Ada Andy Napaltjarri
3366:Butler, Rex (1997),
2777:Women in abstraction
1859:McLean, Ian (2022).
1738:Cole, Kelli (2020).
974:Untitled (Alhalkere)
866:, puts its focus on
842:Women in Abstraction
802:Cheltenham, Victoria
3919:Anatjari Tjakamarra
3581:Hermannsburg School
3460:Emily Kam Kngwarray
3451:Thomas, D. (1988),
2766:Web. 17 June 2022 .
2698:Web. 17 June 2022 .
2615:Web. 18 June 2022 .
2609:Wall Street Journal
2450:. pp. ARTS, 11
1692:Utopia Lane Gallery
1531:Great Women Artists
735:, and artists from
704:, the NGV, and the
643:Kngwarreye's first
522:The Alhalkere Suite
329:Anwerlarr anganenty
102:Emily Kam Kngwarray
3929:Kaapa Tjampitjinpa
3823:Dorothy Napangardi
3818:Makinti Napanangka
3773:Parara Napaltjarri
3723:Eileen Napaltjarri
3605:Significant places
3482:Emily Kam Ngwarray
3444:Neale, M. (2008),
3437:Neale, M. (1998),
3156:on 2 November 2023
3125:on 1 November 2023
3094:on 2 November 2023
3063:. 17 November 2017
3035:. 17 November 2017
2954:D'Lan Contemporary
2925:D'Lan Contemporary
2807:. 19 December 2021
2692:Los Angeles Times,
2652:"The Emily Museum"
2626:"The Emily Museum"
2570:The Canberra Times
2003:The Women's Studio
1719:. 19 December 2021
1588:www.latrobe.edu.au
1015:Post-Impressionism
954:Earth's Creation I
944:Earth's Creation I
890:Christopher Hodges
791:Dorothy Napangardi
766:, and then to the
524:(1993) was a huge
514:My Mothers Country
461:
191:Stolen Generations
156:
114:Northern Territory
66:Northern Territory
4004:
4003:
3843:Kathleen Petyarre
3743:Louisa Napaljarri
3404:Hart, D. (1995),
3352:978-0-7241-0299-0
3329:978-0-7347-6360-0
2948:Davidson, D'Lan.
2919:Davidson, D'Lan.
2835:. 2 December 2023
2367:. 8 February 2021
2167:978-0-522-86936-1
2105:Kate Owen Gallery
1802:978-0-7241-0299-0
1414:978-0-8223-6055-1
1357:on 14 August 2009
1248:978-0-7241-0299-0
1204:978-0-9804494-2-6
1112:978-0-522-86936-1
934:(1989) going for
669:Yvonne Koolmatrie
628:premiered at the
624:. The next year,
595:Yvonne Koolmatrie
588:Australia Council
530:Expressionist art
506:Alaqura Profusion
383:(a Dreamtime pup)
307:, manager of the
95:
94:
4064:
3981:Earth's Creation
3899:Albert Namatjira
3833:Naata Nungurrayi
3828:Pansy Napangardi
3703:Narputta Nangala
3545:
3538:
3531:
3522:
3521:
3491:Emily Kngwarreye
3473:Emily Kngwarreye
3434:
3401:
3399:
3397:
3356:
3333:
3317:
3297:
3296:
3294:
3292:
3277:
3271:
3266:, 29 Mar. 2018.
3264:Telegraph Online
3260:
3254:
3253:
3251:
3249:
3226:
3217:
3216:
3200:
3194:
3193:
3191:
3189:
3172:
3166:
3165:
3163:
3161:
3152:. Archived from
3141:
3135:
3134:
3132:
3130:
3121:. Archived from
3110:
3104:
3103:
3101:
3099:
3090:. Archived from
3079:
3073:
3072:
3070:
3068:
3051:
3045:
3044:
3042:
3040:
3025:
3019:
3018:
3016:
3014:
2997:
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2988:
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2910:
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2749:
2747:
2745:
2731:
2725:
2724:
2722:
2720:
2705:
2699:
2688:
2682:
2676:The Emily Museum
2673:
2667:
2666:
2664:
2662:
2648:
2642:
2641:
2639:
2637:
2628:. Archived from
2622:
2616:
2605:
2599:
2598:
2596:
2594:
2580:
2574:
2573:
2565:
2559:
2558:
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2540:
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2515:
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2411:
2402:
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2303:
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2278:
2263:
2257:
2256:
2254:
2252:
2237:
2231:
2230:
2228:
2226:
2214:Caruana, Wally.
2211:
2205:
2204:
2202:
2200:
2186:
2180:
2179:
2151:
2142:
2141:
2139:
2137:
2122:
2116:
2115:
2113:
2111:
2097:
2091:
2077:
2071:
2060:
2054:
2047:
2041:
2040:
2038:
2036:
2021:
2015:
2014:
2012:
2010:
1995:
1986:
1985:
1983:
1981:
1967:
1961:
1950:
1944:
1933:
1927:
1926:
1924:
1922:
1911:
1905:
1894:
1888:
1882:
1876:
1875:
1873:
1871:
1856:
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1849:
1821:
1815:
1814:
1786:
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1775:
1761:
1755:
1754:
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1735:
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1726:
1724:
1709:
1703:
1702:
1700:
1698:
1683:
1677:
1676:
1674:
1672:
1666:The Jakarta Post
1658:
1652:
1651:
1649:
1647:
1641:The Jakarta Post
1633:
1627:
1626:
1624:
1622:
1608:
1599:
1598:
1596:
1594:
1579:
1573:
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1179:
1177:
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1157:
1156:
1154:
1152:
1136:
1125:
1124:
1096:
1085:
1084:
1082:
1080:
1057:
1019:Bronwyn Bancroft
960:
950:
937:
929:
798:The Emily Museum
787:Queenie McKenzie
779:Cologne, Germany
749:Saint Petersburg
745:Hermitage Museum
297:A Summer Project
291:Acrylic painting
161:
110:Utopia community
108:artist from the
74:Other names
50:
48:
35:
21:
20:
4072:
4071:
4067:
4066:
4065:
4063:
4062:
4061:
4007:
4006:
4005:
4000:
3968:
3909:Wenten Rubuntja
3882:
3863:Margaret Scobie
3838:Gloria Petyarre
3663:Wawiriya Burton
3651:
3600:
3559:
3549:
3469:
3395:
3393:
3363:
3361:Further reading
3353:
3330:
3306:
3301:
3300:
3290:
3288:
3287:. 29 March 2018
3279:
3278:
3274:
3261:
3257:
3247:
3245:
3243:
3227:
3220:
3201:
3197:
3187:
3185:
3173:
3169:
3159:
3157:
3142:
3138:
3128:
3126:
3111:
3107:
3097:
3095:
3080:
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3064:
3053:
3052:
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3027:
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2984:
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2825:
2824:
2820:
2810:
2808:
2799:
2798:
2794:
2787:
2775:
2774:
2770:
2760:New York Times,
2757:
2753:
2743:
2741:
2733:
2732:
2728:
2718:
2716:
2707:
2706:
2702:
2689:
2685:
2674:
2670:
2660:
2658:
2650:
2649:
2645:
2635:
2633:
2632:on 24 July 2018
2624:
2623:
2619:
2611:, Nov 18 2010,
2606:
2602:
2592:
2590:
2582:
2581:
2577:
2566:
2562:
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2550:
2542:
2541:
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2527:
2525:
2517:
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2512:
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2500:
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2495:
2488:
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2463:
2453:
2451:
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2437:
2433:
2423:
2421:
2413:
2412:
2405:
2395:
2393:
2385:
2384:
2380:
2370:
2368:
2365:Delmore Gallery
2359:
2358:
2354:
2344:
2342:
2334:Preston, Katy.
2332:
2328:
2320:
2316:
2315:
2311:
2301:
2299:
2291:
2290:
2286:
2276:
2274:
2264:
2260:
2250:
2248:
2238:
2234:
2224:
2222:
2212:
2208:
2198:
2196:
2188:
2187:
2183:
2168:
2160:. p. 456.
2152:
2145:
2135:
2133:
2123:
2119:
2109:
2107:
2099:
2098:
2094:
2078:
2074:
2061:
2057:
2048:
2044:
2034:
2032:
2023:
2022:
2018:
2008:
2006:
2005:. 30 April 2018
1997:
1996:
1989:
1979:
1977:
1969:
1968:
1964:
1951:
1947:
1939:, 16 May 2019.
1937:Washington Post
1934:
1930:
1920:
1918:
1913:
1912:
1908:
1895:
1891:
1883:
1879:
1869:
1867:
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1635:
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1620:
1618:
1610:
1609:
1602:
1592:
1590:
1584:"Suzanne Bryce"
1580:
1576:
1566:
1564:
1562:Delmore Gallery
1556:
1555:
1548:
1541:
1529:
1528:
1524:
1514:
1512:
1504:
1503:
1499:
1489:
1487:
1477:
1450:
1442:Vogue Australia
1435:
1434:
1430:
1415:
1399:
1395:
1385:
1383:
1381:Delmore Gallery
1375:
1374:
1370:
1360:
1358:
1343:
1342:
1338:
1328:
1326:
1324:Mbantua Gallery
1318:
1317:
1313:
1303:
1301:
1297:
1296:
1289:
1279:
1277:
1269:
1268:
1264:
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1220:
1205:
1189:
1185:
1175:
1173:
1165:
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1160:
1150:
1148:
1138:
1137:
1128:
1113:
1105:. p. 455.
1097:
1088:
1078:
1076:
1058:
1054:
1049:
1044:
1027:
958:
957:sold again for
948:
947:at auction for
935:
927:
920:
880:
846:Centre Pompidou
812:Kame Yam Awelye
725:John Mawurndjul
665:Venice Biennale
645:solo exhibition
618:
603:Venice Biennale
580:
446:
348:
293:
244:
209:
198:cattle stations
173:Her family was
130:
128:Life and family
69:
59:
46:
44:
26:
17:
12:
11:
5:
4070:
4060:
4059:
4054:
4049:
4044:
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57:
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29:
22:
19:
3993:
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3887:Artists: men
3868:Barbara Weir
3682:
3596:Papunya Tula
3564:Institutions
3459:
3452:
3445:
3438:
3430:
3424:
3412:
3405:
3394:. Retrieved
3387:
3373:
3367:
3338:
3313:
3289:. Retrieved
3285:the Guardian
3284:
3275:
3267:
3263:
3258:
3246:. Retrieved
3231:
3212:
3208:
3198:
3186:. Retrieved
3180:
3170:
3158:. Retrieved
3154:the original
3149:
3139:
3127:. Retrieved
3123:the original
3118:
3108:
3096:. Retrieved
3092:the original
3087:
3077:
3067:10 September
3065:. Retrieved
3060:The Guardian
3058:
3049:
3037:. Retrieved
3032:
3023:
3011:. Retrieved
3005:
2995:
2983:. Retrieved
2979:
2969:
2957:. Retrieved
2953:
2928:. Retrieved
2924:
2914:
2902:. Retrieved
2887:
2865:. Retrieved
2861:The Guardian
2859:
2849:
2837:. Retrieved
2830:
2821:
2809:. Retrieved
2804:
2795:
2776:
2771:
2763:
2759:
2754:
2742:. Retrieved
2738:
2729:
2717:. Retrieved
2712:
2703:
2695:
2691:
2686:
2671:
2659:. Retrieved
2655:
2646:
2634:. Retrieved
2630:the original
2620:
2612:
2608:
2603:
2591:. Retrieved
2587:
2578:
2569:
2563:
2551:. Retrieved
2547:
2538:
2526:. Retrieved
2522:
2513:
2501:. Retrieved
2470:
2464:
2452:. Retrieved
2447:
2434:
2422:. Retrieved
2418:
2394:. Retrieved
2390:
2381:
2369:. Retrieved
2364:
2355:
2343:. Retrieved
2339:
2329:
2312:
2300:. Retrieved
2296:
2287:
2275:. Retrieved
2271:
2261:
2249:. Retrieved
2245:
2235:
2223:. Retrieved
2219:
2209:
2197:. Retrieved
2193:
2184:
2156:
2134:. Retrieved
2130:
2120:
2108:. Retrieved
2104:
2095:
2084:
2080:
2075:
2067:
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2058:
2050:
2045:
2033:. Retrieved
2028:
2019:
2007:. Retrieved
2002:
1978:. Retrieved
1974:
1965:
1957:
1953:
1948:
1940:
1936:
1931:
1919:. Retrieved
1909:
1901:
1897:
1892:
1880:
1868:. Retrieved
1864:
1854:
1826:
1819:
1791:
1784:
1772:. Retrieved
1768:
1759:
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1743:
1733:
1721:. Retrieved
1716:
1707:
1695:. Retrieved
1691:
1681:
1669:. Retrieved
1665:
1656:
1644:. Retrieved
1640:
1631:
1619:. Retrieved
1615:
1591:. Retrieved
1587:
1577:
1565:. Retrieved
1561:
1530:
1525:
1513:. Retrieved
1509:
1500:
1488:. Retrieved
1484:
1440:
1431:
1403:
1396:
1384:. Retrieved
1380:
1371:
1359:. Retrieved
1355:the original
1348:
1339:
1327:. Retrieved
1323:
1314:
1302:. Retrieved
1278:. Retrieved
1274:
1265:
1237:
1193:
1186:
1174:. Retrieved
1170:
1161:
1151:25 September
1149:. Retrieved
1143:
1101:
1077:. Retrieved
1066:The Guardian
1065:
1055:
1002:Damien Hirst
999:
992:
990:
986:
981:
980:(1990), and
977:
973:
966:Tate Gallery
964:In 2019 the
963:
959:A$ 2,100,000
952:
949:A$ 1,056,000
942:
940:
931:
921:
913:
898:
894:
888:
881:
861:
856:
850:
841:
839:
826:
824:
815:
814:(1996), and
811:
807:
806:
795:
772:
770:, Canberra.
755:
753:
721:Rover Thomas
716:
714:
692:
687:
677:
662:
655:
649:
642:
625:
622:Hermannsberg
619:
607:
592:
584:Paul Keating
581:
553:
536:
534:
526:installation
521:
517:
513:
505:
503:
499:
495:yellow ochre
492:
484:heat shimmer
476:Papunya Tula
472:The Dreaming
469:
465:The Dreaming
462:
456:
452:
420:
414:
408:
405:(green bean)
402:
396:
386:
380:
377:(grass seed)
374:
368:
358:
349:
335:
333:
328:
326:
322:
317:
313:
305:Rodney Gooch
296:
294:
280:
277:
269:
258:artist from
245:
233:
210:
207:Art practice
202:
195:
183:Barbara Weir
172:
170:(Mparntwe).
157:
153:Yam Dreaming
152:
148:
142:Boeing 787-9
101:
100:(also spelt
97:
96:
18:
4022:1996 deaths
4017:1910 births
3995:Warlugulong
3973:Major works
3512:Jenny Sages
3433:(2): 48–51.
3392:. Melbourne
3188:28 November
3039:16 February
2661:16 February
2593:26 December
2503:16 February
2345:16 February
2302:26 December
2277:16 February
2251:16 February
2009:16 February
1007:Pointillism
737:Ramingining
729:Fiona Foley
698:Margo Neale
673:Judy Watson
599:Judy Watson
568:Western art
564:abstraction
518:Emu Country
68:, Australia
4011:Categories
3389:Herald Sun
3318:. Sydney:
3248:22 January
3242:0822329492
2985:22 January
2959:22 January
2930:23 January
2904:22 January
2839:3 February
2636:4 February
2371:30 January
1885:Green 2007
1490:1 February
1042:References
972:purchased
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