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Judith Jamison

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31: 305:. Alvin Ailey choreographed this sixteen-minute dance as a birthday present for his mother, Lula Cooper, and later dedicated it to "all-black women everywhere, especially our mothers." The solo is intensely physical and emotionally draining to perform. It celebrates the journey of a woman coming out of a troubled and painful world and finding the strength to overcome and conquer. Jamison never ran the full piece from start to finish until the premiere. 285:, and in 1966, she toured Europe and Africa with the company. Jamison had always had a strong interest in African identity; therefore, traveling to Africa with the company and having the opportunity to observe the culture first-hand was an exciting and valuable experience for her. Unfortunately, soon afterward, financial complications forced Ailey to put his company on a temporary hiatus. During this time, Jamison danced with 193:, Pennsylvania, with her parents and older brother. Her father taught her to play the piano, and violin. She was exposed to the prominent art culture in Philadelphia from a very early age. At the age of six, she began her dance training at Judimar School of Dance. There she studied with Marion Cuyjet who became one of Jamison's early mentors. Under Cuyjet's tutelage, Jamison studied 216:, founder of the Philadelphia Ballet Guild, and studied with Delores Brown Abelson, a graduate of Judimar who pursued a performance career in New York City before returning to Philadelphia to teach. Throughout high school, Jamison was also member of numerous sports organizations, the Glee Club, and the Philadelphia String Ensemble. She studied 289:
and served as an assistant to the artistic director. However, she immediately returned to Alvin Ailey Dance Theater when the company re-formed in 1967. Jamison spent the next thirteen years dancing with Alvin Ailey Dance Theater and learned over seventy ballets. "With Ailey`s troupe, Jamison did many
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In 1988, Jamison returned to Alvin Ailey Dance Theater as an artistic associate. Upon Ailey's death, on December 1, 1989, she assumed the role of artistic director and dedicated the next 21 years of her life to the company's success. Alvin Ailey Dance Theater continued to thrive as Jamison continued
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U.S. State Department tours of Europe, going behind the Iron Curtain as well as into Asia and Turkey. She danced quite a bit in Germany, which she says became her "second home". Throughout her performance career with the company she danced in many of Ailey's most renowned works, including
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becameher signature piece. The piece and Jamison's performance in it received standing ovations and overwhelming critical acclaim at the premiere, rewarding Jamison with great fame and recognition throughout the dance world. Today,
1442: 339:. It was Jamison's first stage experience outside the realm of concert dance, and she admits it was initially very challenging for her. It was a completely different performance atmosphere and required a variety of new skills. 201:. The Judimar studios were treated as a "holy place" and there was always a sense of performance and theatricality in Cuyjet's classes. By the age of eight, Jamison began dancing on pointe and started taking classes in 381:
to rehearse and restage classics from the company's repertory, as well as commission distinguished choreographers to create new works for the dancers. Jamison also continued to choreograph, and created dances such as
1807:"'THE BET HONORS' Kicks Off Inauguration Weekend with an Exhilarating Evening Dedicated to Mary J. Blige, Tyler Perry, Earvin 'Magic' Johnson, the Honorable Congressman James E. Clyburn, B. Smith and Judith Jamison" 266:. Jamison immediately accepted the offer and spent the next few months working with the company. When the performances ended and she found herself in New York without a job, Jamison attended an audition held by 995: 351:
in 1981 and soon began choreographing her own works. She later formed The Jamison Project with a group of dancers with a strong desire to work and learn. The Project premiered on November 15, 1988, at the
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Throughout her years with Alvin Ailey Dance Theater, Jamison continued to perform all over the world. Along with her work with Ailey's company, she also appeared as a guest artist with the
3162: 1806: 2074: 1905:"2018 BLACK GIRLS ROCK!™ Awards Hosted by Queen Latifah Returns to the New Jersey Performing Arts Center's Prudential Hall in Newark, New Jersey, Taping on Sunday, August 26" 1862: 1020: 755: 2091: 3871: 2700: 1130: 1270: 239:, and other dance studies. During this time, she also learned the Horton technique from Joan Kerr, which required great strength, balance, and concentration. 3906: 3155: 270:. She felt that she performed very poorly in the audition and claimed, "I felt as if I had two left feet." However, a few days later, a friend of McKayle's, 409:
Judith Jamison was married briefly to Miguel Godreau, a dancer with the Alvin Ailey Dance Theater, from 1972 to 1974, when the marriage was annulled.
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In addition to performing, Jamison wanted the opportunity to explore working with her own group of dancers. She began teaching master classes at
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A few years later, Cuyjet began sending Jamison to other teachers to advance her dance education. She learned the Cechetti method from
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Image of Judith Jamison at Elon University where she speaks to Nancy Midgette's leadership class in the International Pavilion.
788: 3876: 3512: 517: 228: 81: 2125: 602: 2063: 1156: 3911: 3861: 3258: 2009: 1969: 1947: 1830: 978: 738: 333:, choreographed by Alvin Ailey in 1976. Finally, in 1980, she left Ailey's company to perform in the Broadway musical, 178: 1549: 1511: 1707: 941: 3886: 3866: 3856: 3851: 173:(pronounced JAM-ih-son) (born May 10, 1943) is an American dancer and choreographer. She is the artistic director 3881: 3558: 2651: 2429: 2118: 1579: 2327: 2286: 2084: 281:
Jamison made her premiere with Alvin Ailey Dance Theater at Chicago's Harper Theater Dance Festival in 1965 in
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for the company. In July 2011, Jamison transitioned into the role of artistic director emerita and appointed
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Judith Jamison was born in 1943 to Tessie Brown Jamison and John Jamison Sr. and grew up in
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invited her to come to New York to perform in a new work that she was choreographing for
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At the age of 17, Jamison graduated from Judimar and began her collegiate studies at
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Archival footage of Judith Jamison performing Scene Seen in 1988 at Jacob's Pillow
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Return to Alvin Ailey Dance Theater as Artistic Associate and Artistic Director
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remains a crowd favorite and is still featured in the company's repertoire.
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Bessie Award for her commitment to development in dance and the arts (2007)
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Jamison represents women as strong and self-reliant in her choreography.
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Judith Jamison and Members of the Alvin Ailey American Dance Theater,
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Interviews on February 21, 1992, December 10, 1998 and July 3, 2008
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for her work on the PBS Documentary "A Hymn for Alvin Ailey" (1999)
174: 2026: 821:"Great Performances: Free To Dance - Biographies - Judith Jamison" 591:– a tribute to the achievement of leading African Americans (2009) 2046: 1755: 1329:"DANCE REVIEW; Mystery, Spunk and Sass In Echoes From the Past" 209:, and Dunham technique (which was referred to as "primitive"). 1572:"Golden Plate Awardees of the American Academy of Achievement" 503:, Jamison's autobiography, was published by Doubleday in 1993. 478:(in collaboration with Robert Battle and Rennie Harris) (2004) 3170: 1684:"President Bush Announces 2001 Arts and Humanities Medalists" 539:
for her contribution to American culture through dance (1999)
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Jim Moore, George Pinney and Jon Vanderkolff / Doug Jack,
1394:"Judith Jamison: The Human Body as Song | Performing Arts" 530:
Youngest person ever to receive The Dance USA Award (1998)
1595:"TBT: How Judith Jamison Started Dancing for Alvin Ailey" 1190:"Review/Dance; Mystic Aura in Jamison's 'Forgotten Time'" 825: 368:. Jamison later invited guest choreographers, including 1304:"Marsalis' Jazz Score Drives Jamison's 'Sweet Release'" 274:, called Jamison to offer her a place in his company – 994:
WRITER, Chanel Hill TRIBUNE STAFF (9 February 2021).
1636:"'Kennedy Center Honors': A Salute Without the Snap" 2708: 705:"Great Performances: Judith Jamison, Free To Dance" 301:On May 4, 1971, Jamison premiered the famous solo, 1997: 1935: 966: 726: 2142:Primetime Emmy Award for Outstanding Choreography 789:"Classic Dance and Race: A Story Still Unfolding" 254:In 1964, after seeing Jamison in a master class, 220:, a system that teaches rhythm through movement. 3833: 401:to the position of artistic director designate. 3872:United States National Medal of Arts recipients 1984:, Alvin Ailey Dance Foundation, 9 February 2010 908:. Alvin Ailey Dance Foundation. 9 February 2010 698: 696: 3156: 2694: 2126: 2102: 1938:Revelations: The Autobiography of Alvin Ailey 1157:"DANCE: AILEY TROUPE IN JAMISON'S 'DIVINING'" 720: 718: 716: 714: 635: 633: 16:American dancer and choreographer (born 1943) 3907:University of the Arts (Philadelphia) alumni 2027:Alvin Ailey American Dance Theater biography 1550:"CANDACE AWARD RECIPIENTS 1982-1990, Page 2" 1222:"Ailey Company Gets New Judith Jamison Work" 598:: The World's Most Influential People (2009) 2037:Meet the Masters: Judith Jamison, 1/23/2011 693: 533:New York State Governor's Arts Award (1998) 356:in New York City, performing works such as 3163: 3149: 2701: 2687: 2133: 2119: 1534:: CS1 maint: location missing publisher ( 1359: 1326: 882:"Judith Jamison: Dancer and Choreographer" 711: 630: 412: 29: 1688:The National Endowment for the Humanities 1418:"Judith Jamison talks about Love Stories" 1708:"Bodacious Women of God: JUDITH JAMISON" 1187: 1154: 930:, Encyclopædia Britannica, 14 Dec. 2021. 702: 488:Among Us (Private Spaces: Public Places) 2312:, Dean Barlow and Michael Darrin (1990) 1592: 1499: 1268: 1128: 1122: 1103:Dunning, Jennifer (September 2, 1996). 1102: 1079:"Dance: Judith Jamison and Alvin Ailey" 1021:"THE JAMISON'S JUMPING JOLTS OF ENERGY" 879: 786: 753: 724: 639: 3834: 1995: 1503:Dancing spirit : an autobiography 993: 851: 703:DeFrantz, Thomas (November 11, 2011). 342: 3513:Pennsylvania Academy of the Fine Arts 3144: 2682: 2114: 2101: 1933: 1554:National Coalition of 100 Black Women 1542: 1466: 1301: 969:The Black Tradition in American Dance 939: 875: 873: 658: 642:"Jamison: On Her Toes in the Kitchen" 518:National Coalition of 100 Black Women 249: 3927:20th-century African-American people 3917:21st-century African-American people 2092:Revelations from a Lifetime of Dance 1956: 1129:Kelemen, Carolyn (5 February 2020). 1018: 964: 3932:20th-century African-American women 3922:21st-century African-American women 973:. New York: Rizzoli International. 242:In 1992, Jamison was inducted into 13: 2032:PBS "Great Performances" biography 1926: 1736:Alvin Ailey American Dance Theater 870: 179:Alvin Ailey American Dance Theater 109:5 ft 10 in (1.78 m) 14: 3943: 3172:National Medal of Arts recipients 2066:collected news and commentary at 2020: 442:(a tribute to Alvin Ailey) (1993) 184: 1593:Escoyne, Courtney (2023-05-04). 1467:Rocco, Claudia La (2009-12-06). 787:Dunning, Jennifer (1996-02-24). 404: 246:sorority as an honorary member. 3902:African-American choreographers 3897:African-American ballet dancers 3892:African-American female dancers 3559:Interlochen Center for the Arts 3224:, cultural programming division 1897: 1880: 1855: 1823: 1799: 1772: 1748: 1724: 1700: 1676: 1652: 1628: 1611: 1586: 1580:American Academy of Achievement 1564: 1493: 1460: 1435: 1422:KCUR - Kansas City news and NPR 1410: 1386: 1353: 1327:Kisselgoff, Anna (1999-12-09). 1320: 1295: 1262: 1238: 1214: 1181: 1148: 1096: 1071: 1045: 1012: 987: 958: 933: 920: 898: 756:"JUDITH JAMISON, BRANCHING OUT" 640:Daniels, Mary (July 19, 1987). 525:American Academy of Achievement 372:, to set work for the company. 2607:Variety or Reality Programming 2085:Makers: Women Who Make America 2039:Kennedy Center video interview 1942:. New York: Birch Lane Press. 1360:Wertheimer, Ron (2000-07-25). 1269:Sommers, Pamela (1996-02-15). 845: 813: 780: 754:Sommers, Pamela (1990-05-06). 747: 667: 652: 1: 3777:Oberlin Conservatory of Music 1271:"ALVIN AILEY: AN ACT OF LOVE" 1188:Anderson, Jack (1990-01-25). 1155:Anderson, Jack (1985-12-25). 623: 3877:Primetime Emmy Award winners 3635:Lionel Hampton Jazz Festival 3259:Alvin Ailey Dance Foundation 2004:. Boston: Houghton Mifflin. 1964:. New York: Dance Horizons. 1057:Alvin Ailey Dance Foundation 1019:Levy, Suzanne (1990-05-14). 852:Craige, Brent (2022-05-11). 619:- Living Legend Award (2018) 601:Congressional Black Caucus' 7: 3706:JosĂ© LimĂłn Dance Foundation 3569:Preservation Hall Jazz Band 3427:Andrew W. Mellon Foundation 1712:archive.constantcontact.com 1506:. Howard Kaplan. 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(1989). 561:National Theater of Ghana 507: 276:Alvin Ailey Dance Theater 164: 150: 128: 124:Alvin Ailey Dance Theater 120: 113: 105: 97: 87: 73: 65: 40: 28: 21: 2639:Karla Puno Garcia (2024) 2000:Watching the Dance Go By 1500:Jamison, Judith (1993). 1246:"A HYMN FOR ALVIN AILEY" 1000:The Philadelphia Tribune 725:Jamison, Judith (1993). 321:, Swedish Royal Ballet, 3887:Kennedy Center honorees 3867:American choreographers 3857:Harkness Ballet dancers 3852:American female dancers 2710:Kennedy Center Honorees 2615:Tessandra Chavez (2019) 2529:and Tessandra Chavez / 886:Smithsonian Institution 733:. New York: Doubleday. 659:Keogh, Annette (2010). 413:Choreography by Jamison 260:American Ballet Theatre 143:American Ballet Theatre 3882:Fisk University alumni 3711:The Presser Foundation 3691:Ford's Theatre Society 3320:Philippe de Montebello 3310:Florence Knoll Bassett 2539:/ Kathryn Burns (2016) 2507:Joshua Bergasse (2012) 2472:and John DeLuca (2007) 2183:Ernest O. Flatt (1971) 1640:www.washingtonpost.com 554:National Medal of Arts 229:University of the Arts 82:University of the Arts 3767:Michael Tilson Thomas 3222:National Public Radio 2824:Mstislav Rostropovich 2283:Walter Painter (1986) 2256:Walter Painter (1981) 2247:Kevin Carlisle (1979) 1934:Ailey, Alvin (1995). 1732:"Explore Our History" 1135:DC Metro Theater Arts 679:History Makers Online 537:Kennedy Center Honors 329:, in a duet entitled 3696:Fisk Jubilee Singers 3579:Viktor Schreckengost 3051:Shirley Temple Black 2618:Al Blackstone (2020) 2575:Kathryn Burns (2019) 2567:Scripted Programming 2333:Linda Talcott (1994) 1909:www.businesswire.com 1811:www.betpressroom.com 544:Primetime Emmy Award 336:Sophisticated Ladies 323:San Francisco Ballet 218:Dalcroze Eurhythmics 3757:Joseph P. 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Sherman 3366:Austin City Limits 2428:, Jamie Isley and 2418:Debra Brown (2002) 2082:Video produced by 2069:The New York Times 1780:"Honorary Degrees" 1664:Television Academy 1560:on March 14, 2003. 1473:The New York Times 1398:www.noirguides.com 1366:The New York Times 1333:The New York Times 1194:The New York Times 1161:The New York Times 940:Pressroom, Ailey. 926:"Judith Jamison." 793:The New York Times 568:Paul Robeson Award 283:Congo Tango Palace 250:Performance career 171:Judith Ann Jamison 129:Former groups 121:Current group 3829: 3828: 3823: 3822: 3671:Robert B. Sherman 3625:Henry Z. Steinway 3478:Louis Auchincloss 3138: 3137: 2917:Jacques d'Amboise 2730:Katharine Hepburn 2676: 2675: 2562: 2561: 2392: 2391: 2302:Walter Painter / 2214: 2213: 1962:To Dance, To Live 1308:Los Angeles Times 1059:. 9 February 2010 681:. August 30, 2016 244:Delta Sigma Theta 168: 167: 98:Years active 3939: 3605:N. 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Index


Philadelphia
Fisk University
University of the Arts
Harkness Ballet
emerita
Alvin Ailey American Dance Theater
Philadelphia
classical ballet
modern dance
tap
acrobatics
Antony Tudor
Dalcroze Eurhythmics
Fisk University
University of the Arts
Labanotation
kinesiology
Delta Sigma Theta
Agnes de Mille
American Ballet Theatre
Donald McKayle
Alvin Ailey
Alvin Ailey Dance Theater
Harkness Ballet
Cullberg Ballet
San Francisco Ballet
Mikhail Baryshnikov
Sophisticated Ladies
Jacob's Pillow

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