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1129:, Calvin Bush wrote that the album proved that "you don't have to be a high bpm DJ to rock da crowd", highlighting the "breathtaking" variety of sounds as "one in the eye" for DJs who barely change tempos within a set, and writing that a "new wave of sound" emerges as the tracks begin blurring into "one delirious mindfuck of funk". He concluded that it was possibly "the best mix CD ever" and motivation to move to London to hear Coldcut's
680:, with segues seeming smooth "probably because there were at least two or three sounds continuing on at every transition", according to Cibula, who notes that new tracks are introduced just as the previous one has registered. The tracks are generally shortened, although some play to a longer length, as with Boogie Down Productions' "The Bridge Is Over", which plays at a faster tempo while being layered with ambient keyboards and
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489:, with computers only used for editing at the end of the process, while More says the act created alternate parts over two 40-minute ADATs which then had to be joined: "Kiss FM had got some computer editing software for radio and we copied the two sections from the ADAT and loaded them into the computer and joined it together. We did it up in the studios of Kiss." The album was mastered by David Turner.
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1147:", with a track selection that avoids genericism. He noted the inclusion of both seminal records and more unexpected choices which "demonstrate the vivaciousness of a little imagination", such as Junior Reid's "One Blood", Ron Grainer's "Theme from Doctor Who" and Jello Biafra's "A Message From Our Sponsor", believing the latter to be Biafra's first appearance on a dance compilation.
1169:(1995), albeit "far more focussed, the contrast of stunningly original melodies and rhythms with elegantly electric cut-up samples evolving into a riveting kind of dancefloor dialectic." He praised the album for exceeding expectations as a "kaleidoscopic summation" of Coldcut's career to date. Shane Danielson of
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said the album draws together "all manner of dub, hip hop and breakbeat styles. Mashed up dirty beats, bleepy noises, bits of soundtrack – it's all thrown in for an armchair rather than dancefloor experience." Gillett describes it as a "frenetic DJ mix", while ambient music historian Mark
Prendergast
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included the album in their 2007 list of "1,000 albums to hear before you die", one of four DJ mix albums to feature. The publication wrote that the album "seemed fresh and unique" among the saturated marketplace for DJ mix albums in the mid-1990s, and "still does", deeming it a "musical sum greater
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to 33rpm – that was one of my little club tricks to change the tempo." Black said that a competitive streak drove his contributions to the mix, believing that as audiences were satisfied "with so little", it was an opportunity to show them what could be achieved with a DJ mix and to exhibit "what DJ
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Coldcut and their collaborators pooled a list of records for inclusion, some of which they could not license. More and Black said they would mix first and only then seek permission, which effected the course of the production; the former commented that Sony refused to license
Coldcut their own song
450:
culture is actually about". Moreover, Black and Foakes commented that the mix was partly a reaction to the prevalence of house DJ mixes, with the former believing that house did not deserve to be "the only musical dish on the menu" and that the mix was an ideal opportunity to prove it. According to
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was "completely flummoxed and bewildered" by the mix, as, through the depth of its variety and excessive use of sampling, it "basically just rewrote the rules of the game." He praised the intensity of
Coldcut's sacrificing of "flow for diversity" which still did not leave listeners feeling "jerked
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mix through what More described as a set of "random consequences", commenting that each contributor created his own section of sequenced tracks for the mix, including some that were "little routines that been honed at the club nights we used to run." Foakes said he added several ideas that he had
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radio show that the duo had hosted since the late 1980s, which prioritised an improvised and diverse array of records and quick mixing; according to More, Coldcut sometimes persuaded Kiss's station manager to allow them into broadcasting DJ sets over two hours without advertisements, experiences
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named it an "Album Pick", commenting that although only some of the tracks are by
Coldcut, the mix amply demonstrates the "freestyle approach to composition" that the duo popularised, writing that they draw out connections between a diverse array of electronic genres "with first-rate mixing and
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reviewer Justin
Kleinfeld wrote that it blended hip-hop, funk, techno and drum and bass into "one rule-breaking (or rule-defining, depending on how you look at it) mix" that "helped revolutionize the DJ's role as music sculptor". He wrote that it "still manages to remain fresh" and praised the
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in 2015, saying that although the option remained open, the original "was an outpouring of creativity and energy that would be hard to replicate", while Black commented: "On one level it's like, we did it. We made the statement. We don't need to do it again." However, Black believes that
275:
On release, the album received wide critical acclaim for its diverse track selection, dextrous mixing and originality, becoming the best reviewed DJ mix album of the era. It has since been widely described as one of the greatest DJ mix albums ever released, featuring in lists compiled by
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demonstration LP, the sample continues that the journey "will bring to you new colour, new dimension, new values, and a new experience", before, as
Gillett describes, "his voice echoes away into nothingness, and the beat drops." The first track is Philorene's "Bola", mixed in with
428:." Black said that "Adventures" redefined his personal defections of what "what a song could be like", while describing "The Lessons" as "very important, because they were actual lessons. This is how you can go about taking a bunch of old stuff and making it into something new."
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series profiled a very diverse array of contributors, Coldcut's entry was the best for redefining "the art of the mix CD", fusing "funk, hip hop, breakbeats and hundreds of obscure samples into a cohesive audio landscape that still sounds great 18 years on". Similarly, in 2015,
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as the "greatest DJ mix album of all time" is widely shared among music fans, adding that "wildly inventive" mix "redefined what a DJ mix should be, perfectly capturing the cut & paste ethic of the mid-90s in the process, while arguably inventing what became the pop
727:, is sequenced between Hookian Mindz' ambient track "Freshmess" and the "beat freneticism" of Pressure Drop's "Unify". Some inclusions pay homage to Coldcut's 1980s hip hop roots, such as selections from Boogie Down Productions and Mantronix.
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wrote that it organises 35 disparate tracks into a "single, cohesive listening experience, with all the peaks and troughs, the rapid liner imperative, of a normal album." He expressed surprised that it works, calling the effect "dizzying, a
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included the album in their 2001 list of the "Greatest Mixes Your Money Can Buy"; contributor Jeff
Salamon wrote that Coldcut have a "cooler" record collection than "God's personal shop assistant. Let them teach you what they know".
1268:"redefined the DJ mixed CD with its unique blend of hip hop, drum'n'bass, techno and whatever else you can think of thrown into a tight coherent mix", and advised readers to buy a copy before it became deleted again. Matt Cibula of
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on the mix instead. The mix was created in parts, resulting in what Black called it a "kind of a comment on the interface between DJing, mixing and studio production"; Foakes commented that the multilayering was achieved using
783:, wrote that "all the buyers are after it and as a result the sell-in has been phenomenal and it should chart well." The re-release reached number 28 on the UK Compilation Chart. It also peaked at number two on the American
372:, the duo's entry to the series was a way to celebrate ownership of the name Coldcut returning to More and Black, as it had been in licensing limbo for several years following contractual problems with their former label
1406:." Kleinfeld contends that "truly remarkable" album is what the Journeys by DJ label is best remembered for but also believes that it may have had a negative effect on the label, saying that while Coldcut's mix put the
360:. It gave major DJs an opportunity to craft personalised set lists away from the pressure of one-take live club mixes, allowing them time to tweak their mixes. After seven volumes, all of which profiled popular
1368:"remains a model for many: with its style hopping and obvious edits and drop-ins, it develops like a canvas being painted. Indeed, it's regarded more highly than Coldcut's studio albums." American musician
615:", and the mix's rapid jumps between musical styles to draw connections "between hip-hop, jungle, techno, electro, ambient, and beyond". Music author Ed Gillett says it swerves deliriously "between jungle,
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writer
Michelangelo Matos contends that early 1990s DJ mix albums were often "snapshots" rather than "the kind of portraits more ambitious DJs began creating in the mid-90s", believing that Coldcut's
619:, breakbeats and ambient interludes, layered with vocal samples salvaged from the dustbins of twentieth-century cultural ephemera," while critic Matt Cibula wrote how "abstract and ambient stuff like
1120:, which Foakes attributes to there being "nothing else like it out there. It was existing at number one in a field of one." It has been described as the most acclaimed DJ mix album of its time.
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of immense diversity and power", and concluded: "With a sterling list of contributors, and some hard-to-find, well chosen material, this is exhilarating – like 70 minutes in the best club."
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in 1998 after the track licenses expired, by which point the album had become a "modern classic". Demand for a re-release followed but it took four years to renegotiate the track licenses.
1563:
magazine; the authors deemed it "the great album
Grandmaster Flash and Double D and Steinski never made." The album has been listed among the best or most classic releases from the
1358:
etc), nothing and nobody has come close. It is as distinctive in its sound as an artist album; a painstakingly created work of art, but sounding fresh, spontaneous and loose."
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called it the one DJ mix CD he could listen to "in pretty much any situation you care to name" and commented that twenty years after it release, "it's stell melting my head."
1246:
writer Will Hermes described it as
Coldcut's "seltzer-shpritizing 1995 manifesto, an information-highway pileup of jungle, electro, techno and stoner beats". Sean Cooper of
777:
was re-released by the label of the same name on 28 May 2002, following an event celebrating the reissue at London nightclub The End on 18 May. Laurence Windo, writing in
368:
and Jonathan More – to contribute a mix to the series. By this point, Coldcut were considered veterans, having four albums, numerous singles and multiple remixes. Dubbed
1398:, a genre pioneered by Coldcut. According to Cooper, the album was credited with helping increase attention to the style of freestyle mixing that Coldcut exhibited on
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said it "remains the standard by which all DJ mix albums are judged", while Tony Naylor of the same publication called it a "legendary", game-changing DJ mix and "a
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calls it Coldcut's best album and "easily the best commercially available mix compilation", recommending it to those who have "never experienced a DJ epiphany".
408:'s "Lessons 1–3" (1985), described by Foakes as "taking the best bits from everywhere and making them into something else. It didn't matter if there was some
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700:'s "Depth Charge", a piece of dub hip hop whose prominent beats and unusual effects set the tone for the album. Junior Reid's "One Blood" is played over
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series "on the map", subsequent editions did not match the "legendary status" of the duo's mix. In a review of Coldcut's subsequent album
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According to Clay, part of the record's stature is earned by a lack of comparable releases, saying that, "with the exception of the
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tended to be straightforward and linear, with records of the same genre and tempo mixed seamlessly, whereas Coldcut's approach on
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snippets to Mantronix electro-funk to Plastikman techno to Photek jungle to their own sample-heavy singles." In 1998, it topped
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some songs proved difficult, resulting in several last minute replacements. The final mix incorporates rapid changes in tempo,
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and Patrick Carpenter. The team were motivated to prove what could be achieved with a DJ mix and to exhibit true DJ culture.
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is not a particularly seamless mix; on some occasions, the tempo slows down for one or two short tracks and then returns to
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was released on 16 October 1995 through Journeys by DJ and its distributor Music Unites. It was the eighth edition in the
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1323:, a shocking illustration of just how boring mainstream, mid-90s dance music had become." Others, such as Andrew Club of
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music, Coldcut's mix profiles the act's 'freestyle' mixing approach, blending 35 tracks that span many genres, including
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1587:. Trip hop historian R.J. Wheaton names it one of ten essential albums in the fields of cut-ups and hip hop collage.
639:". Foakes highlights the mix's fair amount of contemporary material, such as music from Photek, which is mixed with
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The mix employs the technique of fusing unrelated songs to create new ones, described by Clay as early examples of
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flavours for an eclectic 'freestyle' mix that proves that "music needn't be bound by category." Less favourably,
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1306:, comment that many deem it to be the greatest DJ mix album ever released. Clay writes that the accolade of
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called it "more or less a compilation spanning the best part of a decade and effectively the changes that
1212:'s "The Dusk" as a "choice cut", indicating "a good song on an album that isn't worth your time or money".
647:". Commenting on the heavy amount of jungle and drum and bass, Foakes said that placing an a cappella from
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series of mix albums released by the label of the same name. Unlike previous editions, which focused on
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1240:" between tracks by Raphael Corderdos and Photek as the mix's greatest and most unexpectable moment.
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672:(1981) pioneered the technique and that its "DNA seeped into our work because we’re such big fans."
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said that it is "still (rightfully) held in high esteem by anyone who has ever attempted to mix."
766:, peaking at number 41 in October 1995 and initially making its final appearance in January 1996.
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wrote that DJ mixes spotlight "one of electronic's (and this century's) important art forms: the
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Harrison, Andrew; Bromwich, Kathryn; Fox, Killian; Jones, Corrine; Rogers, Jude (28 June 2015).
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than its parts – which included hip-hop, techno, Harold Budd and Jello Biafra". It features in
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1380:" through the late 1990s and early 2000s. Discussing the mix's impact in 2010, David Taylor of
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is widely considered to be one of the greatest DJ mix albums ever. Some publications, such as
723:(1963) plays besides the 1990s dub of the Moody Boys, while Biafra's piece, a protest against
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754:", which was subtitled "Seven Minutes of Madness". The liner notes dedicate the recording to
563:. The dense soundscape of the music is both layered and interrupted with an array of unusual
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series and some of the more accomplished deck technicians operating in the hip-hop sphere (
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420:, which generally I hated, but the fact that it was mixed in with all that other stuff...
8:
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included it in their 2014 list of the best-ever DJ mix albums, stating that although the
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included the re-release in their list of the ten best reissues of 2002. Peter Shapiro of
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The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age
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1535:", with Coldcut's record notable for profiling their own history of electronica, "from
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called it an eclectic mix of classic tracks that "whizzes along like a turbo-charged
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set comprising 35 tracks, the album incorporates a wide array of genres, including
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and club performances, a style which "later took off through clubs like Blech and
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2008:
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585:'s vitriolic tirade "Message from Our Sponsor" (1987). The mix also incorporates
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mix tapes on the black market but with all source material listed and officially
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128:
4118:"Keith Fullerton Whitman: Ten Nice Recordings and Their Corresponding Beverages"
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1999:
1989:
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mixes and in clubs to the mix, such as "where the record gets turned down from
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632:
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226:
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88:
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892:
770:
692:
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417:
349:
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was re-released in May 2002, allowing it to reach a new peak of number 28.
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278:
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around", and concluded that it was "probably the greatest mix disc ever".
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airplay chart for electronic music and ranked 28th in its year-end chart.
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Kiss FM shows and exhibits their 'freestyle' approach to mixing. A highly
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nightclub owner Tim Fielding and released via his label of the same name,
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Music writer Sean Cooper highlights the disparate artists, ranging "from
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361:
345:
302:
296:
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265:
214:
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68:
61:
4233:"The 25 Best Dance Albums Ever (+ The 10 Best DJ Mix Albums... Ever!)".
1492:
included the album in their list of "The 10 Best DJ Mix Albums...Ever!"
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series, and spelled the end of a long hiatus for Coldcut. The subtitle,
3355:"1000 albums to hear before you die: Artists beginning with C (part 1)"
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2003:
1993:
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featured it on their own list of the best DJ mix albums; contributor
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The album begins with the words "This is a journey." Spoken by actor
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remix of 2 Player's "Extreme Possibilities". Among later contrasts,
4066:"It was 20 years ago today: the year British dance music went wild"
3905:"How Shapeshifters' 'Lola's Theme' became an enduring house anthem"
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1975:
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207:, released on 16 October 1995. It was the eighth instalment in the
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Warwick, Neil; Kutner, Jon; Brown, Tony (2004). "Journeys by DJ".
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left off", citing his intention to make a complex, layered mix of
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frequently features in lists of classic DJ mix albums, alongside
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376:. Coldcut were assisted in creating the mix by their associates
3118:. Milton Park, Oxfordshire: Taylor & Francis. p. 481.
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critic Darren Parry considered it far superior to other recent
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2734:"New Colour: Coldcut's Journeys By DJ - 70 Minutes of Madness"
1692:"Jam on Revenge (The Wikki Wikki Song)" (produced by Joe Webb)
1557:(2007), a list of the 1,000 greatest albums ever as chosen by
4419:
Generation Ecstasy: Into the World of Techno and Rave Culture
3930:
3246:"Journeys by DJ: 70 Minutes of Madness Review by Sean Cooper"
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1125:
980:
446:
4307:"A Fine Blend: The Quietus Writers' Favourite DJ Mix Albums"
3557:
The Complete Guide to the British Charts: Singles and Albums
480:'s "Original (Jam)" could not be licensed so the act placed
2780:. Edinburgh, Scotland: Canongate Books. 2007. p. 851.
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525:
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300:. In 1998, it was named the best compilation album ever by
234:
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The Adventures of Grandmaster Flash on the Wheels of Steel
3157:
Party Lines: Dance Music and the Making of Modern Britain
746:, is a reference to Coldcut's 1987 genre-fusing remix of
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2170:"Friendly Pressure (Acapella)" (produced by Lee Hamblin)
322:
in 1998 following the expiration of the track licenses,
16:
1995 compilation album (DJ mix album) by Coldcut
3695:
Journeys by DJ: 70 Minutes of Madness (Special Release)
1969:"Mag" (produced by Sean Booth, Robert Brown, A Maddocs)
1821:"Manganese in Deep Violet" (produced by Bedouin Ascent)
1454:(1997) and cites it as the inspiration for DJ Ransom's
651:"over the top ... brings it out of just being jungle."
396:
mix. Two pivotal influences on Coldcut's approach were
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that "raised the bar again". Robotek writes that the
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More commented on the lack of a Coldcut follow-up to
704:-style beats and is in turn segued into a dub mix of
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mix inspired Coldcut to create their subsequent mix
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In their year-end lists of the best albums of 1995,
2886:"Best Of British Outstanding Contribution: Coldcut"
1878:"Beats and Pieces" (produced by Kickmaster Squeeze)
1159:wrote that the mix proceeds in a similar manner to
4421:. New York City: Routledge New York. p. 426.
3554:
3205:
2545:" as pivotal examples of 1995 British dance music.
1264:, DJ Robotek wrote that, on its original release,
4455:. London: Bloomsbury Publishing. pp. 43–50.
3272:"DJ Food: One Man's Weird Is Another Man's World"
1548:s list of the greatest compilations of all time.
4481:
3305:"Coldcut 70 Minutes Of Madness - Journeys By DJ"
3159:. Stuttgart, Germany: Pan Macmillan. p. 7.
3707:: CS1 maint: others in cite AV media (notes) (
3043:"Coldcut 70 Minutes of Madness (Album Reviews)"
2830:: CS1 maint: others in cite AV media (notes) (
1436:Coldcut Presents 2 Hours of Sanity Part 1: Love
169:Journeys By DJ: Coldcut - 70 Minutes of Madness
22:Journeys By DJ: Coldcut - 70 Minutes of Madness
1339:was a milestone in the history of mix albums.
4116:Whitman, Keith Fullerton (13 November 2002).
3384:"Journeys by DJ - Volume 8 - Various Artists"
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1929:"Find a Way (Acapella)" (produced by Coldcut)
708:' "Jam on It", which then switches to a hard
364:DJs, Journeys by DJ asked Coldcut – a duo of
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3116:Encyclopedia of Contemporary British Culture
3114:. In Storry, Michael; Childs, Peter (eds.).
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1799:"Mo Beats" (produced by Floormaster Squeeze)
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456:journalist Joe Clay, DJ mix albums prior to
314:music. Originally reaching number 41 on the
306:. It has also been cited as an influence on
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3584:"Speciality Charts 2002-The Year in Review"
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2061:(Acapella)" (produced by The Funky Ginger)
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3191:. New York, NY: Bloomsbury. p. 445.
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3754:Paul Oakenfold: The Authorised Biography
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2972:. No. 7. p. 86. Archived from
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1838:"African Drug" (produced by Bob Holroyd)
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4250:"The Greatest Mixes Your Money Can Buy"
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3928:
3866:
3697:(liner). Coldcut. Journeys by DJ. 2002.
3610:"Journeys by DJ: 70 Minutes of Madness"
3545:
3302:
3289:
3150:
3139:
2950:
2948:
2946:
2944:
2849:
2847:
2845:
2843:
2841:
2820:(liner). Coldcut. Journeys by DJ. 1995.
2812:
2810:
2808:
2806:
2804:
2727:
2725:
2723:
2721:
2719:
2717:
2715:
2566:
2564:
2562:
2412:David Turner @ Tape to Tape – mastering
4482:
4144:
4135:
4090:Matos, Michelangelo (11 August 2011).
3980:
3974:
3931:"Coldcut - One Half of a Sound Mirror"
3750:
3725:Christgau, Robert (20 February 1996).
3687:
3628:
3622:
3378:
3376:
3234:
3109:
3004:
2991:
2883:
2770:
2768:
2766:
2764:
2762:
2760:
2758:
2756:
2754:
2713:
2711:
2709:
2707:
2705:
2703:
2701:
2699:
2697:
2695:
2672:
2599:
2394:PC – performer ("aided & abetted")
2346:
2317:
2294:
2265:
2240:
2223:
2204:
2183:
2166:
2147:
2118:
2093:
2074:
2053:
2034:
2017:
1984:
1965:
1942:
1925:
1908:
1891:
1874:
1851:
1834:
1817:
392:which influenced the structure of the
4580:Compilation albums by English artists
4540:Dance music albums by English artists
4525:Electronica albums by English artists
4333:"Electronica 101: A 20-Album History"
4304:
4298:
4278:
4209:"Coldcut: Sound Mirrors Album Review"
4089:
4083:
4036:
4027:
3902:
3875:. London: Rough Guides. p. 256.
3784:
3559:(3rd ed.). London: Music Sales.
3495:
3410:
3401:
3187:Prendergast, Mark (2003). "Coldcut".
3083:Danielsen, Shane (11 December 1995).
2874:
2853:
2818:Journeys by DJ: 70 Minutes of Madness
2651:
2590:
2573:"The Life and Times of the DJ Mix CD"
2570:
2430:Journeys by DJ: 70 Minutes of Madness
2383:Journeys by DJ: 70 Minutes of Madness
2363:
1795:
1774:
1749:
1728:
1707:
1688:
1667:
1642:
1622:
1598:Journeys by DJ: 70 Minutes of Madness
1431:Journeys by DJ: 70 Minutes of Madness
1392:Journeys by DJ: 70 Minutes of Madness
1296:Journeys by DJ: 70 Minutes of Madness
1114:Journeys by DJ: 70 Minutes of Madness
803:
793:
736:Journeys by DJ: 70 Minutes of Madness
508:is structured similarly to Coldcut's
506:Journeys by DJ: 70 Minutes of Madness
501:Matt Black of Coldcut (pictured 2006)
476:' "Free". Similarly, Black said that
254:Journeys by DJ: 70 Minutes of Madness
192:Journeys by DJ: 70 Minutes of Madness
4386:
4281:"5 of the Best DJ Mixes of All Time"
4006:
3811:"1995: We've Never Had It So Good".
3471:"New Releases Week of May 26-June 1"
2954:
2941:
2838:
2801:
2731:
2571:Brown, Nick Gordon (30 April 2019).
2559:
2227:"Unify" (produced by Blood Brothers)
2151:"Dark Blood (MLO "Nu Blud Two" Mix)"
1466:As Nick Gordon Brown of online zine
1100:
627:were considered equal partners with
4147:"Two decades of mixes and mash-ups"
4145:Taylor, David (17 September 2010).
3957:"After 200bpm, your heart blows up"
3955:Lynskey, Dorian (18 January 2006).
3373:
3269:
3153:"Introduction: 'This is a journey'"
3089:The Sydney Morning Herald: CD Guide
2856:"Cut above others in DJ collection"
2751:
2692:
2400:– performer ("aided & abetted")
1972:Sean Booth, Robert Brown, A Maddocs
1912:"Music Maker" (produced by Coldcut)
13:
4172:Kleinfeld, Justin (14 July 2003).
3243:
2634:"Coldcut Biography by Sean Cooper"
2631:
1646:"Street Beats Vol 2" (produced by
14:
4601:
4570:Electro albums by English artists
4387:Kara, Scott (25 September 2006).
4037:Mugan, Chris (15 February 2006).
4007:Mast, Andrew (19 February 1999).
3981:Naylor, Tony (11 February 2010).
3041:Kleinfeld, Justin (27 May 2002).
2884:McGraw, Euan (13 December 2017).
2854:Parry, Darren (1 February 1996).
2418:Suzi Green – original photography
1946:"King of the Beats" (produced by
1736:Mix)" (produced by Funki Porcini)
1116:received widespread acclaim from
1064:
1026:
988:
950:
900:
862:
824:
464:presented a break from the norm.
4560:Techno albums by English artists
4248:Salamon, Jeff (September 2001).
2675:"Coldcut: 70 Minutes Of Madness"
2600:Mathur, Paul (21 October 1995).
2521:listed it alongside Leftfield's
2415:Openmind – design, artwork remix
2381:Adapted from the liner notes of
2353:Matt Black, Jonathan More, Brook
2191:Mix)" (produced by Remi Adelaja)
1988:"Justa "Lil" Dope" (produced by
1895:"Greedy Beat" (produced by Cold)
1590:
1101:
1083:
1078:
1073:
1068:
1063:
1045:
1040:
1035:
1030:
1025:
1007:
1002:
997:
992:
987:
969:
964:
959:
954:
949:
919:
914:
909:
904:
899:
881:
876:
871:
866:
861:
843:
838:
833:
828:
823:
472:", which Patrick had mixed with
4585:Remix albums by English artists
4575:Jungle music compilation albums
4442:
4406:
4380:
4355:
4272:
4241:
4226:
4207:Harvell, Jess (12 March 2006).
4200:
4165:
4109:
4057:
4000:
3983:"The art of the perfect mix CD"
3948:
3896:
3860:
3834:
3819:
3804:
3778:
3744:
3602:
3519:
3489:
3463:
3434:
3411:Windo, Laurence (1 June 2002).
3327:
3303:Robotek, DJ (28 October 2002).
3263:
3180:
3103:
2510:
2493:
2059:First Time Ever I Saw Your Face
1932:Matt Black, Jonathan More, Owen
1483:Renaissance: The Mix Collection
1376:was his favourite "dance music
1238:First Time Ever I Saw Your Face
4530:Dance music compilation albums
4515:Electronica compilation albums
4331:Strauss, Neil (October 1996).
3929:Hogwood, Ben (12 April 2006).
3873:Drum 'n' Bass: The Rough Guide
3757:. London: Corgi. p. 311.
3270:Woo, Rob (14 September 2009).
2955:Bush, Calvin (December 1995).
1855:"Stratus Static" (produced by
1604:
492:
352:, inspired by the plethora of
1:
3903:Loben, Carl (25 April 2023).
3638:Encyclopedia of Popular Music
2673:Cibula, Matt (15 July 2002).
2552:
2097:"Into the '90s" (produced by
1715:Remix)" (produced by Jon Tye)
855:Encyclopedia of Popular Music
669:My Life in the Bush of Ghosts
329:
2860:The North Wales Weekly News1
2507:has taken during that time."
2376:
2126:" (produced by Dwayne Sumal)
1629:David Barratt, Elliott Sharp
1461:
1229:. Reviewing the 2002 issue,
725:fascism in the United States
431:
383:Coldcut's mix was rooted in
177:Tone Tales from Tomorrow Too
7:
4305:Doran, John (20 May 2015).
1236:placement of Joanna Law's "
1183:The North Wales Weekly News
600:of various DJ recordings".
10:
4606:
4565:Electro compilation albums
3005:Hermes, Will (July 2002).
2208:"Message from Our Sponsor"
2078:"Balthus Bemused by Color"
1404:the Heavenly Sunday Social
1190:editions, eschewing their
1161:the Future Sound of London
730:
4550:Techno compilation albums
3826:"Top 50 Albums of 1995".
2920:"Hot Vinyl - Albums Xtra"
2732:Clay, Joe (19 May 2015).
2438:
2435:
2422:
2244:"Again Son" (produced by
2154:Matt Black, Jonathan More
1915:Matt Black, Jonathan More
1898:Matt Black, Jonathan More
1881:Matt Black, Jonathan More
1718:Jon Tye, Daniel Pemberton
1617:
1614:
1611:
1608:
1603:
1290:
1172:The Sydney Morning Herald
1057:The Sydney Morning Herald
811:
808:
436:Coldcut approached their
155:
147:
139:
127:
117:
101:
60:
52:
35:
26:
21:
4535:Dance music remix albums
4520:Electronica remix albums
4413:Reynolds, Simon (1999).
4176:Desert Island Mix, Pt. 2
3751:Norris, Richard (2008).
3216:"The Fall & Coldcut"
2486:
2403:Jo Beckett – coordinator
1711:"Extreme Possibilities (
1416:(2006), Jess Harvell of
1394:as a major influence on
567:samples, including from
161:Tone Tales from Tomorrow
4495:1995 compilation albums
4389:"Their only way was up"
3867:Shapiro, Peter (1999).
3642:Oxford University Press
3496:Kwaku (27 April 2002).
3085:"Masterpiece of fusion"
2230:Blood Brothers, B. Amos
2045:Luke Slater's 7th Plain
1438:(2013) "picks up where
1370:Keith Fullerton Whitman
1141:Chitty Chitty Bang Bang
691:and lifted from a 1958
641:Boogie Down Productions
406:Double Dee and Steinski
380:and Patrick Carpenter.
4449:Wheaton, R.J. (2022).
4039:"A cut above the rest"
3590:: 20. 30 December 2002
3451:(763): 31. 20 May 2002
3110:Bottom, Simon (2012).
2428:Chart performance for
1478:Sasha and John Digweed
502:
4279:Admin (16 May 2014).
4182:CMJ New Music Monthly
3675:: 19. 27 October 1995
3588:CMJ New Music Monthly
3449:CMJ New Music Monthly
3047:CMJ New Music Monthly
2929:: 37. 28 October 1995
2273:Remix)" (produced by
2021:"Parp 1 / Rock Creak"
1626:"Bola / Depth Charge"
1337:70 Minutes of Madness
1315:." Dorian Lynskey of
1308:70 Minutes of Madness
1300:CMJ New Music Monthly
1266:70 Minutes of Madness
1232:CMJ New Music Monthly
1219:was ranked eighth by
1133:show. Paul Mathur of
744:70 Minutes of Madness
658:; More believes that
500:
458:70 Minutes of Madness
370:70 Minutes of Madness
4545:Sound collage albums
4505:1990s mixtape albums
3338:: 44. November 1995.
3151:Gillett, Ed (2023).
2602:"The Slice Is Right"
2473:UK Compilation Chart
2463:UK Compilation Chart
2321:"Free" (produced by
2173:Jhelisa, Lee Hamblin
1456:Physics of Freestyle
799:Professional ratings
764:UK Compilation Chart
623:and Harold Budd and
611:, Joanna Law to the
334:Launched in 1993 by
316:UK Compilation Chart
272:and heavy layering.
4555:Techno remix albums
3830:. 23 December 1995.
3785:Christgau, Robert.
3703:cite AV media notes
3673:The Guardian: Music
3498:"Words & Deeds"
2826:cite AV media notes
2777:The Mojo Collection
2432:
1732:"King Ashabanapal (
1600:
1555:The Mojo Collection
1329:and Chris Mugan of
800:
748:Eric B. & Rakim
387:, the London-based
256:with collaborators
4393:New Zealand Herald
3361:. 17 November 2007
3222:: 20. 20 June 1996
3220:Marylebone Mercury
2501:Marylebone Mercury
2436:Chart (1995–2002)
2427:
2271:Sabres of Paradise
2124:The Bridge Is Over
1596:
1580:Generation Ecstasy
1574:New Zealand Herald
1472:writes, Coldcut's
1444:experimental music
798:
794:Critical reception
645:The Bridge Is Over
503:
252:, Coldcut created
244:Inspired by their
4500:1995 remix albums
4178:(Journeys by DJ)"
3731:The Village Voice
3533:: 32. 16 May 2002
3007:"Back in the Day"
2484:
2483:
2477:
2454:
2373:
2372:
2300:Theme from Dr Who
2027:Raphael Corderdos
1486:(1994). In 1997,
1201:The Village Voice
1110:
1109:
1095:The Village Voice
756:William Burroughs
589:. A reviewer for
441:practiced in the
398:Grandmaster Flash
344:were a series of
188:
187:
184:
183:
37:Compilation album
4597:
4474:
4473:
4471:
4469:
4446:
4440:
4439:
4437:
4435:
4410:
4404:
4403:
4401:
4399:
4384:
4378:
4377:
4375:
4373:
4359:
4353:
4352:
4350:
4348:
4328:
4322:
4321:
4319:
4317:
4302:
4296:
4295:
4293:
4291:
4276:
4270:
4269:
4267:
4265:
4245:
4239:
4238:
4230:
4224:
4223:
4221:
4219:
4204:
4198:
4197:
4195:
4193:
4169:
4163:
4162:
4160:
4158:
4142:
4133:
4132:
4130:
4128:
4113:
4107:
4106:
4104:
4102:
4092:"Mixed messages"
4087:
4081:
4080:
4078:
4076:
4061:
4055:
4054:
4052:
4050:
4034:
4025:
4024:
4022:
4020:
4004:
3998:
3997:
3995:
3993:
3978:
3972:
3971:
3969:
3967:
3952:
3946:
3945:
3943:
3941:
3935:Resident Advisor
3926:
3920:
3919:
3917:
3915:
3900:
3894:
3893:
3891:
3889:
3864:
3858:
3857:
3855:
3853:
3838:
3832:
3831:
3823:
3817:
3816:
3808:
3802:
3801:
3799:
3797:
3791:Robert Christgau
3782:
3776:
3775:
3773:
3771:
3748:
3742:
3741:
3739:
3737:
3727:"Consumer Guide"
3722:
3713:
3712:
3706:
3698:
3691:
3685:
3684:
3682:
3680:
3665:
3656:
3655:
3626:
3620:
3619:
3606:
3600:
3599:
3597:
3595:
3580:
3571:
3570:
3552:
3543:
3542:
3540:
3538:
3531:Evening Standard
3523:
3517:
3516:
3514:
3512:
3502:
3493:
3487:
3486:
3484:
3482:
3467:
3461:
3460:
3458:
3456:
3446:
3438:
3432:
3431:
3429:
3427:
3417:
3408:
3399:
3398:
3396:
3394:
3380:
3371:
3370:
3368:
3366:
3351:
3340:
3339:
3331:
3325:
3324:
3322:
3320:
3311:. Archived from
3309:Resident Advisor
3300:
3287:
3286:
3284:
3282:
3267:
3261:
3260:
3258:
3256:
3241:
3232:
3231:
3229:
3227:
3212:
3203:
3202:
3184:
3178:
3177:
3175:
3173:
3148:
3137:
3136:
3134:
3132:
3107:
3101:
3100:
3098:
3096:
3080:
3063:
3062:
3060:
3058:
3038:
3027:
3026:
3024:
3022:
3002:
2989:
2988:
2986:
2984:
2978:
2965:
2952:
2939:
2938:
2936:
2934:
2924:
2916:
2901:
2900:
2898:
2896:
2881:
2872:
2871:
2869:
2867:
2851:
2836:
2835:
2829:
2821:
2814:
2799:
2798:
2796:
2794:
2772:
2749:
2748:
2746:
2744:
2729:
2690:
2689:
2687:
2685:
2670:
2649:
2648:
2646:
2644:
2629:
2618:
2617:
2615:
2613:
2597:
2588:
2587:
2585:
2583:
2568:
2546:
2514:
2508:
2497:
2475:
2452:
2433:
2426:
2366:
1606:
1601:
1595:
1547:
1321:Damascene moment
1304:Resident Advisor
1261:Resident Advisor
1206:Robert Christgau
1106:
1105:
1088:
1087:
1086:
1082:
1081:
1077:
1076:
1072:
1071:
1067:
1066:
1050:
1049:
1048:
1044:
1043:
1039:
1038:
1034:
1033:
1029:
1028:
1019:Resident Advisor
1012:
1011:
1010:
1006:
1005:
1001:
1000:
996:
995:
991:
990:
974:
973:
972:
968:
967:
963:
962:
958:
957:
953:
952:
924:
923:
922:
918:
917:
913:
912:
908:
907:
903:
902:
886:
885:
884:
880:
879:
875:
874:
870:
869:
865:
864:
848:
847:
846:
842:
841:
837:
836:
832:
831:
827:
826:
801:
797:
157:
156:
113:
112:
108:
31:
19:
18:
4605:
4604:
4600:
4599:
4598:
4596:
4595:
4594:
4480:
4479:
4478:
4477:
4467:
4465:
4463:
4447:
4443:
4433:
4431:
4429:
4411:
4407:
4397:
4395:
4385:
4381:
4371:
4369:
4361:
4360:
4356:
4346:
4344:
4329:
4325:
4315:
4313:
4303:
4299:
4289:
4287:
4277:
4273:
4263:
4261:
4246:
4242:
4237:. October 1997.
4232:
4231:
4227:
4217:
4215:
4205:
4201:
4191:
4189:
4170:
4166:
4156:
4154:
4151:The Independent
4143:
4136:
4126:
4124:
4114:
4110:
4100:
4098:
4088:
4084:
4074:
4072:
4062:
4058:
4048:
4046:
4043:The Independent
4035:
4028:
4018:
4016:
4005:
4001:
3991:
3989:
3979:
3975:
3965:
3963:
3953:
3949:
3939:
3937:
3927:
3923:
3913:
3911:
3901:
3897:
3887:
3885:
3883:
3865:
3861:
3851:
3849:
3848:. December 2007
3840:
3839:
3835:
3825:
3824:
3820:
3815:. January 1996.
3810:
3809:
3805:
3795:
3793:
3783:
3779:
3769:
3767:
3765:
3749:
3745:
3735:
3733:
3723:
3716:
3700:
3699:
3693:
3692:
3688:
3678:
3676:
3667:
3666:
3659:
3652:
3644:. p. 239.
3640:. Vol. 4.
3627:
3623:
3608:
3607:
3603:
3593:
3591:
3582:
3581:
3574:
3567:
3553:
3546:
3536:
3534:
3525:
3524:
3520:
3510:
3508:
3500:
3494:
3490:
3480:
3478:
3469:
3468:
3464:
3454:
3452:
3444:
3440:
3439:
3435:
3425:
3423:
3415:
3409:
3402:
3392:
3390:
3388:Official Charts
3382:
3381:
3374:
3364:
3362:
3353:
3352:
3343:
3333:
3332:
3328:
3318:
3316:
3301:
3290:
3280:
3278:
3268:
3264:
3254:
3252:
3242:
3235:
3225:
3223:
3214:
3213:
3206:
3199:
3185:
3181:
3171:
3169:
3167:
3149:
3140:
3130:
3128:
3126:
3108:
3104:
3094:
3092:
3081:
3066:
3056:
3054:
3039:
3030:
3020:
3018:
3003:
2992:
2982:
2980:
2979:on 3 April 2022
2976:
2963:
2953:
2942:
2932:
2930:
2922:
2918:
2917:
2904:
2894:
2892:
2882:
2875:
2865:
2863:
2852:
2839:
2823:
2822:
2816:
2815:
2802:
2792:
2790:
2788:
2774:
2773:
2752:
2742:
2740:
2730:
2693:
2683:
2681:
2671:
2652:
2642:
2640:
2630:
2621:
2611:
2609:
2598:
2591:
2581:
2579:
2569:
2560:
2555:
2550:
2549:
2543:Inner City Life
2515:
2511:
2498:
2494:
2489:
2440:
2425:
2379:
2374:
2364:
2130:Lawrence Parker
2009:Masters at Work
1805:, Jonathan More
1593:
1569:The Independent
1545:
1537:science-fiction
1464:
1452:Cold Krush Cuts
1390:have described
1388:The Independent
1382:The Independent
1332:The Independent
1293:
1084:
1079:
1074:
1069:
1046:
1041:
1036:
1031:
1008:
1003:
998:
993:
970:
965:
960:
955:
920:
915:
910:
905:
882:
877:
872:
867:
844:
839:
834:
829:
796:
733:
689:Geoffrey Sumner
682:birdlike sounds
637:Masters at Work
578:The Jungle Book
495:
434:
412:in there, like
332:
179:
172:
163:
110:
106:
105:
56:16 October 1995
48:
17:
12:
11:
5:
4603:
4593:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4490:Coldcut albums
4476:
4475:
4461:
4441:
4427:
4405:
4379:
4354:
4323:
4297:
4271:
4240:
4225:
4199:
4164:
4134:
4108:
4096:Chicago Reader
4082:
4056:
4026:
3999:
3973:
3947:
3921:
3895:
3881:
3859:
3833:
3818:
3803:
3787:"Key to Icons"
3777:
3763:
3743:
3714:
3686:
3657:
3650:
3621:
3601:
3572:
3565:
3544:
3518:
3488:
3462:
3433:
3400:
3372:
3341:
3334:"JDJ advert".
3326:
3315:on 29 May 2015
3288:
3262:
3244:Cooper, Sean.
3233:
3204:
3197:
3179:
3165:
3138:
3124:
3102:
3064:
3028:
2990:
2940:
2902:
2873:
2837:
2800:
2786:
2750:
2691:
2650:
2632:Cooper, Sean.
2619:
2589:
2557:
2556:
2554:
2551:
2548:
2547:
2509:
2491:
2490:
2488:
2485:
2482:
2481:
2478:
2476:(2002 reissue)
2469:
2468:
2465:
2459:
2458:
2455:
2453:(2002 reissue)
2443:
2442:
2437:
2424:
2421:
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2413:
2410:
2404:
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2209:
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2136:
2127:
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2087:
2082:
2079:
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2068:
2065:
2062:
2055:
2051:
2050:
2047:
2042:
2039:
2036:
2032:
2031:
2028:
2025:
2022:
2019:
2015:
2014:
2011:
2006:
2000:Kenny Gonzalez
1997:
1990:Kenny Gonzalez
1986:
1982:
1981:
1978:
1973:
1970:
1967:
1963:
1962:
1959:
1954:
1951:
1944:
1940:
1939:
1936:
1933:
1930:
1927:
1923:
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1916:
1913:
1910:
1906:
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1902:
1899:
1896:
1893:
1889:
1888:
1885:
1882:
1879:
1876:
1872:
1871:
1868:
1863:
1862:M.S. Applegate
1860:
1853:
1849:
1848:
1845:
1842:
1839:
1836:
1832:
1831:
1828:
1827:Bedouin Ascent
1825:
1824:Kingsuk Biswas
1822:
1819:
1815:
1814:
1811:
1806:
1800:
1797:
1793:
1792:
1789:
1784:
1779:
1776:
1772:
1771:
1768:
1763:
1757:Mark Pritchard
1754:
1753:"Noddy Holder"
1751:
1747:
1746:
1743:
1740:
1737:
1730:
1726:
1725:
1722:
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1627:
1624:
1620:
1619:
1616:
1613:
1610:
1607:
1594:
1592:
1589:
1585:Simon Reynolds
1527:; contributor
1505:Journeys By DJ
1474:Journeys by DJ
1463:
1460:
1458:mixes (2000).
1448:Journeys by DJ
1440:Journeys by DJ
1424:Journeys by DJ
1408:Journeys by DJ
1374:Journeys by DJ
1366:Journeys by DJ
1361:Chicago Reader
1292:
1289:
1225:, and 35th by
1217:Journeys by DJ
1188:Journeys by DJ
1108:
1107:
1098:
1090:
1089:
1060:
1052:
1051:
1022:
1014:
1013:
984:
976:
975:
946:
938:
937:
934:
926:
925:
896:
888:
887:
858:
850:
849:
820:
814:
813:
810:
806:
805:
795:
792:
775:Journeys by DJ
769:The album was
760:Journeys by DJ
740:Journeys by DJ
732:
729:
674:Journeys by DJ
494:
491:
474:the Moody Boys
470:People Hold On
462:Journeys by DJ
438:Journeys by DJ
433:
430:
426:Clint Eastwood
394:Journeys by DJ
374:Arista Records
341:Journeys by DJ
331:
328:
324:Journeys by DJ
210:Journeys by DJ
186:
185:
182:
181:
174:
165:
153:
152:
145:
144:
141:
137:
136:
131:
125:
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121:
115:
114:
103:
99:
98:
97:
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86:
81:
76:
71:
64:
58:
57:
54:
50:
49:
44:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
4602:
4591:
4590:Mashup albums
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4513:
4511:
4510:DJ mix albums
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4487:
4485:
4464:
4462:9781501373626
4458:
4454:
4453:
4445:
4430:
4428:9781136783166
4424:
4420:
4416:
4415:"Discography"
4409:
4394:
4390:
4383:
4368:
4364:
4358:
4342:
4338:
4334:
4327:
4312:
4308:
4301:
4286:
4282:
4275:
4259:
4255:
4251:
4244:
4236:
4229:
4214:
4210:
4203:
4187:
4183:
4179:
4177:
4168:
4152:
4148:
4141:
4139:
4123:
4119:
4112:
4097:
4093:
4086:
4071:
4067:
4060:
4044:
4040:
4033:
4031:
4014:
4010:
4003:
3988:
3984:
3977:
3962:
3958:
3951:
3936:
3932:
3925:
3910:
3906:
3899:
3884:
3882:9781858284330
3878:
3874:
3870:
3863:
3847:
3843:
3842:"2002 Rewind"
3837:
3829:
3822:
3814:
3807:
3792:
3788:
3781:
3766:
3764:9780552155847
3760:
3756:
3755:
3747:
3732:
3728:
3721:
3719:
3710:
3704:
3696:
3690:
3674:
3670:
3664:
3662:
3653:
3651:0-19-531373-9
3647:
3643:
3639:
3635:
3631:
3630:Larkin, Colin
3625:
3617:
3616:
3611:
3605:
3589:
3585:
3579:
3577:
3568:
3562:
3558:
3551:
3549:
3532:
3528:
3522:
3506:
3499:
3492:
3476:
3472:
3466:
3450:
3443:
3437:
3421:
3414:
3413:"On the Road"
3407:
3405:
3389:
3385:
3379:
3377:
3360:
3356:
3350:
3348:
3346:
3337:
3330:
3314:
3310:
3306:
3299:
3297:
3295:
3293:
3277:
3273:
3266:
3251:
3247:
3240:
3238:
3221:
3217:
3211:
3209:
3200:
3198:1-58234-323-3
3194:
3190:
3183:
3168:
3166:9781529070620
3162:
3158:
3154:
3147:
3145:
3143:
3127:
3125:9781134755547
3121:
3117:
3113:
3106:
3090:
3086:
3079:
3077:
3075:
3073:
3071:
3069:
3052:
3048:
3044:
3037:
3035:
3033:
3016:
3012:
3008:
3001:
2999:
2997:
2995:
2975:
2971:
2970:
2962:
2960:
2959:Journey By DJ
2951:
2949:
2947:
2945:
2928:
2921:
2915:
2913:
2911:
2909:
2907:
2891:
2887:
2880:
2878:
2861:
2857:
2850:
2848:
2846:
2844:
2842:
2833:
2827:
2819:
2813:
2811:
2809:
2807:
2805:
2789:
2787:9781841959733
2783:
2779:
2778:
2771:
2769:
2767:
2765:
2763:
2761:
2759:
2757:
2755:
2739:
2735:
2728:
2726:
2724:
2722:
2720:
2718:
2716:
2714:
2712:
2710:
2708:
2706:
2704:
2702:
2700:
2698:
2696:
2680:
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2669:
2667:
2665:
2663:
2661:
2659:
2657:
2655:
2639:
2635:
2628:
2626:
2624:
2607:
2603:
2596:
2594:
2578:
2574:
2567:
2565:
2563:
2558:
2544:
2540:
2536:
2535:
2530:
2526:
2525:
2520:
2519:
2513:
2506:
2502:
2499:A writer for
2496:
2492:
2479:
2474:
2471:
2470:
2466:
2464:
2461:
2460:
2456:
2451:
2449:
2445:
2444:
2434:
2431:
2417:
2414:
2411:
2409:– coordinator
2408:
2405:
2402:
2399:
2396:
2393:
2390:
2387:
2386:
2385:
2384:
2368:
2365:Total length:
2362:
2358:
2355:
2352:
2349:
2345:
2341:
2339:
2336:
2334:
2331:
2328:
2324:
2320:
2316:
2312:
2310:
2307:
2304:
2301:
2297:
2293:
2289:
2287:
2284:
2282:
2279:
2276:
2272:
2268:
2264:
2260:
2258:
2255:
2253:
2250:
2247:
2243:
2239:
2235:
2233:Pressure Drop
2232:
2229:
2226:
2222:
2218:
2216:
2213:
2210:
2207:
2203:
2199:
2197:Hookian Minds
2196:
2193:
2190:
2186:
2182:
2178:
2175:
2172:
2169:
2165:
2161:
2159:
2156:
2153:
2150:
2146:
2142:
2140:
2137:
2135:
2134:Scott La Rock
2131:
2128:
2125:
2121:
2117:
2113:
2111:
2108:
2106:
2103:
2100:
2096:
2092:
2088:
2086:
2083:
2080:
2077:
2073:
2069:
2066:
2063:
2060:
2056:
2052:
2048:
2046:
2043:
2040:
2037:
2033:
2029:
2026:
2023:
2020:
2016:
2012:
2010:
2007:
2005:
2001:
1998:
1995:
1991:
1987:
1983:
1979:
1977:
1974:
1971:
1968:
1964:
1960:
1958:
1955:
1952:
1949:
1945:
1941:
1937:
1934:
1931:
1928:
1924:
1920:
1917:
1914:
1911:
1907:
1903:
1900:
1897:
1894:
1890:
1886:
1883:
1880:
1877:
1873:
1869:
1867:
1864:
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1816:
1812:
1810:
1807:
1804:
1801:
1798:
1794:
1790:
1788:
1785:
1783:
1782:Richie Hawtin
1780:
1777:
1773:
1769:
1767:
1764:
1762:
1761:Tom Middleton
1758:
1755:
1752:
1748:
1744:
1742:Funky Porcini
1741:
1739:Funky Porcini
1738:
1735:
1731:
1727:
1723:
1720:
1717:
1714:
1710:
1706:
1702:
1700:
1697:
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1691:
1687:
1683:
1681:
1678:
1676:
1673:
1670:
1666:
1662:
1660:
1657:
1655:
1654:Rupert Parkes
1652:
1649:
1648:Rupert Parkes
1645:
1641:
1637:
1635:
1631:
1628:
1625:
1621:
1602:
1599:
1591:Track listing
1588:
1586:
1582:
1581:
1576:
1575:
1570:
1566:
1562:
1561:
1556:
1551:
1544:
1543:
1538:
1534:
1530:
1526:
1522:
1517:
1515:
1511:
1506:
1502:
1501:
1495:
1491:
1490:
1485:
1484:
1479:
1475:
1471:
1470:
1459:
1457:
1453:
1449:
1445:
1441:
1437:
1432:
1427:
1425:
1421:
1420:
1415:
1414:
1413:Sound Mirrors
1409:
1405:
1401:
1397:
1393:
1389:
1385:
1383:
1379:
1375:
1371:
1367:
1363:
1362:
1357:
1353:
1349:
1345:
1344:Radio Soulwax
1340:
1338:
1335:comment that
1334:
1333:
1328:
1327:
1322:
1318:
1314:
1309:
1305:
1301:
1297:
1288:
1286:
1285:
1280:
1279:
1273:
1272:
1267:
1263:
1262:
1256:
1254:
1249:
1245:
1244:
1239:
1234:
1233:
1228:
1224:
1223:
1218:
1213:
1211:
1207:
1203:
1202:
1197:
1193:
1189:
1185:
1184:
1179:
1178:sound collage
1174:
1173:
1168:
1167:
1162:
1158:
1157:Adam Sweeting
1154:
1153:
1148:
1146:
1142:
1138:
1137:
1132:
1128:
1127:
1121:
1119:
1118:music critics
1115:
1104:
1099:
1097:
1096:
1092:
1091:
1061:
1059:
1058:
1054:
1053:
1023:
1021:
1020:
1016:
1015:
985:
983:
982:
978:
977:
947:
945:
944:
940:
939:
935:
933:
932:
928:
927:
897:
895:
894:
890:
889:
859:
857:
856:
852:
851:
821:
819:
816:
815:
807:
804:Review scores
802:
791:
789:
787:
782:
781:
776:
772:
767:
765:
761:
757:
753:
749:
745:
741:
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728:
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711:
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699:
694:
690:
685:
683:
679:
675:
671:
670:
665:
661:
657:
652:
650:
646:
642:
638:
634:
633:Queen Latifah
630:
626:
622:
618:
614:
610:
606:
601:
599:
594:
593:
588:
584:
580:
579:
574:
570:
566:
562:
558:
554:
551:
547:
543:
542:drum and bass
539:
535:
531:
527:
523:
519:
515:
511:
507:
499:
490:
488:
483:
479:
475:
471:
465:
463:
459:
455:
454:
448:
444:
439:
429:
427:
423:
419:
415:
411:
407:
404:" (1981) and
403:
399:
395:
390:
386:
381:
379:
375:
371:
367:
363:
359:
355:
351:
350:DJ mix albums
347:
343:
342:
337:
327:
325:
321:
317:
313:
309:
305:
304:
299:
298:
293:
292:
287:
286:
281:
280:
273:
271:
267:
263:
259:
255:
251:
248:radio series
247:
242:
240:
236:
232:
228:
224:
220:
216:
212:
211:
206:
202:
198:
194:
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159:
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116:
104:
100:
95:
92:
90:
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70:
67:
66:
65:
63:
59:
55:
51:
47:
42:
38:
34:
30:
25:
20:
4466:. Retrieved
4451:
4444:
4432:. Retrieved
4418:
4408:
4396:. Retrieved
4392:
4382:
4370:. Retrieved
4366:
4357:
4345:. Retrieved
4340:
4336:
4326:
4314:. Retrieved
4310:
4300:
4288:. Retrieved
4284:
4274:
4262:. Retrieved
4260:(9): 156–157
4257:
4253:
4243:
4234:
4228:
4216:. Retrieved
4212:
4202:
4190:. Retrieved
4185:
4181:
4175:
4174:"Norman Jay
4167:
4155:. Retrieved
4150:
4125:. Retrieved
4121:
4111:
4099:. Retrieved
4095:
4085:
4073:. Retrieved
4070:The Observer
4069:
4059:
4047:. Retrieved
4042:
4017:. Retrieved
4012:
4002:
3990:. Retrieved
3987:The Guardian
3986:
3976:
3964:. Retrieved
3961:The Guardian
3960:
3950:
3938:. Retrieved
3934:
3924:
3912:. Retrieved
3908:
3898:
3886:. Retrieved
3872:
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3845:
3836:
3828:Melody Maker
3827:
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3507:. p. 36
3504:
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3359:The Guardian
3358:
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3317:. Retrieved
3313:the original
3308:
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3249:
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3156:
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3115:
3112:"Scratching"
3105:
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3088:
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3050:
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3014:
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2981:. Retrieved
2974:the original
2967:
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2606:Melody Maker
2605:
2580:. Retrieved
2576:
2532:
2522:
2518:The Observer
2516:
2512:
2500:
2495:
2447:
2429:
2407:Tim Fielding
2382:
2380:
2269:"Hot Flush (
2215:Jello Biafra
2194:Remi Adelaja
2187:"Freshmess (
1766:Jedi Knights
1713:Wagon Christ
1634:Depth Charge
1632:Philomera /
1597:
1578:
1572:
1568:
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1550:The Guardian
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1529:Neil Strauss
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1136:Melody Maker
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1112:On release,
1111:
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752:Paid in Full
743:
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698:Depth Charge
693:stereo sound
686:
673:
667:
653:
613:Jedi Knights
602:
598:beat collage
596:calls it "a
590:
583:Jello Biafra
581:(1967), and
576:
573:martial arts
505:
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451:
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435:
418:Culture Club
393:
384:
382:
378:Kevin Foakes
369:
339:
333:
323:
320:out of print
318:and falling
301:
295:
289:
283:
277:
274:
258:Kevin Foakes
253:
249:
243:
208:
197:DJ mix album
191:
190:
189:
176:
168:
167:
160:
123:Music Unites
41:DJ mix album
4311:The Quietus
3527:"Nightlife"
3475:Brainwashed
2738:The Quietus
2505:dance music
2327:Jimmy Cauty
2323:Tony Thorpe
2309:Ron Grainer
2286:Red Snapper
2281:Red Snapper
2275:Red Snapper
2085:Harold Budd
1866:Air Liquide
1857:Air Liquide
1844:Bob Holroyd
1841:Bob Holroyd
1680:Junior Reid
1675:Junior Reid
1671:"One Blood"
1542:Jockey Slut
1525:electronica
1510:The Quietus
1500:DJ Magazine
1400:Solid Steel
1352:Cut Chemist
1131:Solid Steel
721:theme music
714:Ron Grainer
664:David Byrne
649:Junior Reid
617:acid techno
605:Harold Budd
565:spoken word
493:Composition
482:Air Liquide
453:The Quietus
443:Solid Steel
385:Solid Steel
303:Jockey Slut
297:DJ Magazine
291:The Quietus
266:spoken word
250:Solid Steel
199:by English
69:Electronica
4484:Categories
3566:1844490580
3477:. May 2002
3442:"Upcoming"
3420:Music Week
2957:"Coldcut:
2927:Music Week
2679:PopMatters
2553:References
2534:Maxinquaye
2350:"The Dusk"
2338:Moody Boys
2333:Moody Boys
2067:Joanna Law
2004:Louie Vega
1994:Louie Vega
1803:Matt Black
1787:Plastikman
1659:The Truper
1567:stable by
1565:Ninja Tune
1514:John Doran
1372:said that
1271:PopMatters
1208:described
1196:hard house
943:Music Week
780:Music Week
719:Doctor Who
621:Plastikman
592:Music Week
587:scratching
422:Bugs Bunny
366:Matt Black
348:-oriented
330:Background
270:scratching
237:, into an
201:electronic
151:chronology
4363:"Coldcut"
4213:Pitchfork
4122:Pitchfork
3869:"Coldcut"
3634:"Coldcut"
3505:Billboard
3053:(764): 10
2441:position
2377:Personnel
1957:Mantronix
1948:Mantronix
1695:M B Canac
1612:Writer(s)
1519:In 1996,
1462:Accolades
1419:Pitchfork
1253:turntable
1204:reviewer
702:Roni Size
660:Brian Eno
629:Mantronix
555:, house,
553:chill-out
538:breakbeat
478:Leftfield
432:Recording
268:samples,
262:Licensing
43:) by
4452:Trip-Hop
4316:11 March
4218:11 March
4157:11 March
4049:11 March
4019:11 March
3846:The Wire
3796:11 March
3736:11 March
3679:11 March
3632:(2006).
3615:AllMusic
3594:12 March
3537:12 March
3511:11 March
3455:11 March
3426:11 March
3393:11 March
3276:Exclaim!
3250:AllMusic
3226:12 March
3095:11 March
3017:(7): 113
2933:11 March
2866:11 March
2793:11 March
2638:AllMusic
2577:Defected
2398:Strictly
2391:– DJ mix
2257:Love Lee
1734:Dillinja
1721:2 Player
1699:Newcleus
1469:Defected
1396:big beat
1378:mix-tape
1278:The Wire
1248:AllMusic
818:AllMusic
706:Newcleus
609:Dillinja
514:eclectic
358:licensed
308:big beat
239:eclectic
140:Compiler
129:Producer
53:Released
4468:6 March
4434:6 March
4398:5 March
4372:6 March
4367:M-Audio
4347:6 March
4343:(7): 76
4290:6 March
4264:6 March
4192:5 March
4188:(7): 31
4127:7 March
4101:5 March
4075:5 March
4013:The Age
3992:6 March
3966:6 March
3940:6 March
3914:6 March
3888:6 March
3852:6 March
3770:6 March
3669:"Dance"
3481:5 March
3365:7 March
3319:5 March
3281:5 March
3255:5 March
3172:6 March
3131:6 March
3057:5 March
3021:5 March
2983:14 July
2895:6 March
2743:5 March
2684:5 March
2643:5 March
2612:5 March
2582:6 March
2524:Leftism
2389:Coldcut
2356:DJ Food
2252:Tim Lee
2246:Tim Lee
2189:Bandulu
2176:Jhelisa
2158:DJ Food
2038:"Grace"
1935:Coldcut
1918:Coldcut
1901:Coldcut
1884:Coldcut
1809:Coldcut
1583:author
1533:collage
1326:The Age
1313:mash-up
1255:work".
1210:DJ Food
1192:handbag
1163:'s set
1155:critic
771:deleted
731:Release
656:mashups
575:films,
569:kung fu
550:ambient
522:electro
518:hip hop
389:Kiss FM
354:bootleg
246:Kiss FM
227:electro
223:hip hop
205:Coldcut
180:(1996)
173:(1995)
164:(1994)
149:Coldcut
143:Coldcut
134:Coldcut
89:electro
79:collage
46:Coldcut
4459:
4425:
4285:DJ Mag
4009:"Club"
3909:DJ Mag
3879:
3813:Mixmag
3761:
3648:
3563:
3195:
3163:
3122:
2890:DJ Mag
2784:
2539:Goldie
2529:Tricky
2423:Charts
2305:
2211:
2110:Photek
2105:Photek
2099:Photek
2081:
2064:
2041:
2024:
1976:Gescom
1953:
1618:Length
1615:Artist
1356:Shadow
1348:Format
1291:Legacy
1222:Mixmag
931:Mixmag
812:Rating
809:Source
710:glitch
678:120bpm
625:Photek
557:reggae
546:jungle
530:techno
414:Junior
336:London
312:mashup
231:jungle
219:techno
102:Length
94:techno
84:jungle
39: (
3501:(PDF)
3445:(PDF)
3416:(PDF)
3336:Muzik
2977:(PDF)
2969:Muzik
2964:(PDF)
2923:(PDF)
2487:Notes
2369:71:06
1778:"Fuk"
1609:Title
1546:'
1126:Muzik
981:Muzik
936:10/10
447:45rpm
362:house
346:dance
241:set.
215:house
195:is a
119:Label
74:dance
62:Genre
4470:2024
4457:ISBN
4436:2024
4423:ISBN
4400:2024
4374:2024
4349:2024
4337:Spin
4318:2024
4292:2024
4266:2024
4254:Spin
4220:2024
4194:2024
4159:2024
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4129:2024
4103:2024
4077:2024
4051:2024
4045:: 43
4021:2024
4015:: 44
3994:2024
3968:2024
3942:2024
3916:2024
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3877:ISBN
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3798:2024
3772:2024
3759:ISBN
3738:2024
3709:link
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3646:ISBN
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3561:ISBN
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3513:2024
3483:2024
3457:2024
3428:2024
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3395:2024
3367:2024
3321:2024
3283:2024
3257:2024
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3193:ISBN
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3120:ISBN
3097:2024
3091:: 13
3059:2024
3023:2024
3011:Spin
2985:2022
2935:2024
2897:2024
2868:2024
2862:: 27
2832:link
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2782:ISBN
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2686:2024
2645:2024
2614:2024
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2537:and
2439:Peak
2359:5:19
2342:2:27
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561:jazz
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