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sacks hung suspended from the cranes, one just above the pavilion's roof, the other dipping in through a skylight in "The Tosca Room". "The Tosca Room" walls were covered in soot, while its floors were strewn with terra-cotta letters under plexiglass. A soundtrack played a whistled version of the
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objections, Neustein's work was "withdrawn" from
Documenta, after the German government advised the artist that his piece caused "consternation among specialists" about what they described as the "complicated relationship between West Berlin and the German Democratic Republic."
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in 1974, curated by Yona
Fischer and Meira Perry Lehmann. In 1977, the Tel Aviv Museum mounted a ten-year retrospective of Neustein's works on paper, curated by Sarah Breitberg. In 1992, the Albright Knox mounted a solo show of Carbon Copy Drawings which travelled to the
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were immersive, room-sized relief maps of cities, constructed out of packed ashes that rested on the floor of the exhibition space. They often included crystal chandeliers installed to hang low to the ground, so they nearly touched the ash-covered floor.
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Napoli, the Haifa Museum of Art, the Time Depot, and the
Chelsea Art Museum. During this time, Neustein permanently installed a life-size bronze cast of a tree with terra-cotta colored letters climbing its trunk in the lobby of the JCC in Manhattan.
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In the same period, Neustein began an extensive and innovative drawing practice that continues today, amassing a large body of work that grew to include torn and folded works on paper, erasure drawings, magnetic "drawings", and the
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bales, boots, pinecones, and rainwater, as well as monumental land art works. Neustein was among the first artists to introduce environmental and installation art into the
Israeli art scene. Notable examples include
345:" action in which loudspeakers installed across a desert valley played the looped recorded sound of a river—that earned him more widespread recognition. Photo documentation of the piece was shown at the
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Neustein has a diverse artistic practice that includes painting, drawings and works on paper, large-scale installation, film and video, performance, and monumental land art works.
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1969 (collaboration with Gerry Marx), in which piles of military boots from armies that passed through
Ottoman, Palestine and Israel, shown in Artists House, Jerusalem.
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Alongside his studio practice, Neustein has mounted large-scale installations throughout his career that often included quotidian objects such as
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In the past decade, Neustein has participated in numerous group exhibitions at museums and galleries, including the
Metropolitan Museum of Art (
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in which he showed reconstructed canvases. Between 1973 and 1977, Neustein showed at the Yodfat
Gallery and Naomi Givon Gallery, in Tel Aviv.
1182:"Joshua Neustein, Nancy Rubins : Paper into Sculpture, Nasher Sculpture Center, Installation View, October 14, 2017-February 4, 2018"
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series, in which formerly standard carbon copy paper is torn, folded, pressed, and scraped. Neustein participated in the landmark
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In recent years, Neustein's work has been included in several group exhibitions at museums and galleries, including the
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in which the life-size silhouette of an
Israeli war plane was singed into the turf on the Israel-Lebanon border with
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1971 (collaboration with Gerard Marx and
Georgette Batlle.) Sound sculpture of recorded water sounds played in a
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Pavilion, Venice Biennale. Soot, books, cranes, alphabet, glass, scaffolding, whistling soundtrack.
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In the 1990s, Neustein returned to large-scale installation, with a series of environmental works he called the
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In the mid-1980s, Neustein produced maps painted on canvas and cardboard, or etched into rusted metal.
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torn paper works, epistemic abstraction, deconstructed canvas works, and large-scale map paintings.
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1983. Life-size burned silhouette of airplane singed into turf at Lebanon/Israel Border.
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a solo exhibition at Untitled gallery on New York's Lower East Side, the same year.
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a historic show of works on paper curated by Marla Prather in 2011), the
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Jeremy Gilbert Rolfe essay Torn Grey Impermanent. Artforum Summer 1978
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an exhibition on Land Art curated by Philipp Kaiser and art historian
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In 1998, several of Neustein's environmental works were exhibited in
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New York: Farrar, Straus, and Giroux, 2005. pp. 303–320.
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Danto, Arthur (2005). "Two Installations by Joshua Neustein".
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between the Catholic and Protestant neighborhoods (1977); in
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Unnatural Wonders: Essays from the Gap Between Art and Life.
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In 1995, Neustein was selected to represent Israel in the
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Jewish emigrants from Nazi Germany to the United States
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1970 Erest Prize for Painting and Sculpture, Jerusalem
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1971 bales of hay and sound tapes of highway traffic,
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187:in the early 1950s. After studying history at
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272:, the Metropolitan Museum of Art, the
1209:"Ends of the Earth: Land Art to 1974"
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678:(1971) as part of "Ends of the Earth"
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527:, Cleveland, curated by Jill Snyder;
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1442:Information Center for Israeli Art
1349:"Neustein: Drawing in the Margins"
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590:(1998) at Bet Ariella Library.
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876:How History Became Geography,
813:Sound tapes and video pieces,
717:Land & Installation Works
597:Collection exhibition at the
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1463:. Retrieved {{{accessdate}}}
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922:1998; Ujazdowsky Palace CCA
870:Where Are the Miami Indians,
860:); Belfast, Northern Ireland
555:How History Became Geography
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255:Solomon R. Guggenheim Museum
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387:The Jerusalem River Project
359:Museum of Fine Arts, Boston
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882:Still Life on the Border
735:Jerusalem River Project,
383:Concept Plus Information
163:Early life and education
1517:Jewish American artists
1186:Nasher Sculpture Center
1083:"Search the Collection"
854:Territorial Imperative,
660:Nasher Sculpture Center
632:, Toronto commissioned
398:Drawing, Installation,
339:Jerusalem River Project
270:Nasher Sculpture Center
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1457:Art of Joshua Neustein
645:Drawing in the Margins
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519:, North Carolina; the
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143:. He is known for his
130:Guggenheim Fellow 1986
1433:at the Israel Museum.
1259:Gallery, Mary Boone.
969:Selected bibliography
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699:Painting and Drawings
672:David Zwirner Gallery
567:The Possessed Library
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543:was exhibited at the
482:(1977). Over curator
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263:Albright Knox Gallery
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171:(present day Gdańsk,
167:Neustein was born in
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1261:"Mary Boone Gallery"
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529:Bilder Sind Verboten
351:Yvon Lambert Gallery
296:Jeremy Gilbert-Rolfe
292:Robert Pincus-Witten
239:Museum of Modern Art
1374:"Selected Artworks"
834:1972, Goethe House
694:Selected works list
580:E Lucevan Le Stelle
495:and Venice Biennale
412:Carbon Copy Drawing
1353:The Israeli Museum
1265:Mary Boone Gallery
1155:"Neustein, Joshua"
1062:"Julie M. Gallery"
962:What Did I Forget,
912:Martin Gropius Bau
888:Possessed Library,
795:Camden Arts Centre
769:Camden Arts Centre
622:Palazzo Delle Arti
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533:Martin Gropius-bau
319:Mary Boone Gallery
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1438:"Joshua Neustein"
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1378:www.metmuseum.org
1292:museum.imj.org.il
1107:"Joshua Neustein"
1087:www.metmuseum.org
1015:Awards and prizes
984:978-0-231-14115-4
841:Mobile Landscape,
832:Sound Sculptures,
823:Listening to Hay,
761:Photo Strategies,
755:Dead Sea Journey,
588:The Blind Library
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