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Known as the "Poet of Prague", Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and
Communism, he kept a renowned record collection of classical music.
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introduces the reader to the city through the photographic lens of Joseph Sudek. Banville relates how he became enlisted to smuggle Sudek's photographs to the United States and through his tale and the story of Sudek muses on the history of
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style. Always pushing at the boundaries, a local camera club expelled him for arguing about the need to move forwards from 'painterly' photography. Despite only having one arm, he used large, bulky cameras with the aid of assistants.
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He first showed his work in "Five
Photographers" at the Sheldon Museum of Art at the University of Nebraska/Lincoln in 1968. Then he showed at the George Eastman House in 1974 and he published 16 books during his life.
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in 1915 and served on the
Italian Front until he was wounded in the right arm in 1916 which led to the limb being amputated at the shoulder. After the war he studied photography for two years in
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In recent years, his work has frequently been reproduced in books, making his work some of the most readily accessible to those interested in twentieth-century Czech photography.
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in its gravity and melancholy, torn by war and oppression. He re-creates the anxiety that must have faced the photographer in a city where, under
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459:'Photographs of the restored workshop of photographer Josef Sudek in Prague. The museum.'
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Josef Sudek: A View of a
Private World: Detailed Biography and Selection of Photographs
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and thus worked "in the style of the times". Primarily, his personal photography is
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In 2006 the Dutch poet Hans
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series). He went on to photograph the crowded interior of his studio (the
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His early work included many series of light falling in the interior of
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http://www.sudekproject.cz/sites/default/files/imce/clanekhb.pdf
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454:'Odyssey To Sudek: Meeting and Photographing Josef Sudek, 1975'
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Sudek was used as a symbolic presence in Howard Norman's novel
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Not to be confused with the fellow Czech photographer
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