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Cotman returned to
Norwich in 1824, hoping to improve his financial position, and moved into a large house in St Martin's Plain, opposite the Bishop's Palace, where he built up a collection of prints, books, armour, and models of ships, to aid his compositions. He showed work from 1823 to 1825 at the
609:
From 1839, Cotman became severely depressed, a condition that lasted into 1841. That year, he resumed his correspondence with Dawson Turner. Granted a fortnight's leave from King's
College, he journeyed from London to Great Yarmouth by ship and then on to Norwich, ultimately staying in Norfolk for
586:
In 1834, Miles Edmund remained in
Norwich to work as an art teacher, when the rest of the Cotman family moved to London upon Cotman's appointment at King's College. A year after his move to London, Mile Edmund moved to London to be his father's assistant, after his brother John Joseph returned to
466:
parish church on 6 January 1809. The pair remained devoted throughout their married lives. Their eldest child Miles Edmund was born on 5 February the year after their marriage. Their daughter Ann was born in July 1812 after the family moved to Great
Yarmouth in April 1812, followed by three more
769:
noted that Cotman's reputation had improved over time, and described him as "one of the most original and versatile of
English artists of the first half of this century, a draughtsman and colourist of exceptional gifts, a water-colourist worthy to be ranked among the greater men, and excellent
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coast. A story survives that the boy's headmaster, Dr
Forster, disliked cats. When Forster saw a large realistic-looking cardboard cat on his desk, he held the silhouette up and said, "I know who is the only boy who could have drawn this." Smiling, he put the cat away.
715:
750:, by which the subjects appear, in several instances, of grander character than really belongs to them...In some Plates also, the human figures are evidently below the size of life, and so exaggerate the size of the buildings they are placed against.
988:
773:
The
Norwich Art Circle exhibited 100 of Cotman's works at Norwich in 1888, the first time his collected works had been shown in public. The exhibition led to a critical appraisal of his output and secured a second exhibition that year at the
923:
501:, and made drawings of buildings. Two years later he published a set of 100 etchings based on sketches made during his Normandy tour. After these visits, the character of his paintings changed, the later ones being more brightly coloured.
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he left everything to his wife Ann, and enabled her to receive a pension. His paintings and drawings were sold off from May 1843, fetching lower and lower prices for his financially-troubled family as the sales continued.
610:
two months before returning to the capital. He produced some chalk drawings of church interiors, and of the
Norfolk countryside, the dates of which allow his journey around the county to be traced: his sketches included
399:. He continued to exhibit at the Academy until 1806. He was based during the early 1800s in London, but is known to have advertised in Norwich—in September 1802 he advertised his services as a drawing teacher in the
458:
In late 1806, Cotman returned to live in
Norwich. He joined the recently-formed Norwich Society of Artists, exhibiting 149 works with the society between 1807 and 1810. He became President of the Society in 1811.
668:
from the collection of the
Norfolk industrialist Russell Colman. Some of Cotman's paintings, etchings, and drawings are on public display in Norwich, where well over 2,000 works are held. Other works are at the
871:
758:
Andrew Moore, describes the artists as "two of the most original talents in the history of early nineteenth century British art", and that they were rivalled only by Turner, Girtin, and the English artist
283:, and is recorded as starting there as a non-paying pupil on 3 August 1793. He showed a talent for art from an early age and would often go out on drawing trips into the countryside around Norwich and the
182:. He showed an early talent for art. It was intended that he followed his father into the family business but, intent on a career in art, he moved to London in 1798, where he met artists such as
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700:
Cotman was not thought to be important during his lifetime, and he made little money from sales of his paintings and drawings. The sale of his works and library took place over five days at
2109:
1748:
The Norwich school of painting: being a full account of the Norwich exhibitions, the lives of the painters, the lists of their respective exhibits and descriptions of the pictures
474:
As part of his teaching, Cotman operated his own version of a watercolour subscription library, so that his pupils could take home his drawings to copy. In 1810, Cotman began to
808:
Cotman's reputation has been hidden by misinformation, and by works that were in the past misattributed. Among his pupils, the most notable were Thirtle and Cotman's own sons.
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2176:
486:. All but one of the subjects were architectural, and were mostly of Yorkshire buildings. He later published a set of etchings of the ancient buildings of Norfolk (
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Cotman's depression returned, and by June 1842 he had become seriously ill, dying "of natural decay" on 24 July 1842. He was interred in the cemetery of
443:
2210:
Architectural Antiquities of Normandy, by John Sell Cotman; accompanied by historical and descriptive notices by Dawson Turner, Esq. F.R. and A.S
730:
Cotman and Crome were the two finest of the Norwich School of painters, who were both recognised by the public during their lives, with Cotman's
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His father intended him to go into the family business, but the boy was instead intent on a career in art. When asked for his advice, the artist
1786:
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704:. His drawings and pictures fetched £260, his collection of books and art was sold off for £300 and the sum total for his prints was £30.
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210:, showing scenes of the Welsh countryside there in 1801 and 1802. His drawing expeditions took him throughout southern Britain, and to
471:, (Francis) Walter, and Alfred Henry. who were born in 1814, 1816 and 1819 respectively. A sixth child, a daughter, was born in 1822.
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372:. Cotman was influenced by Girtin, and soon joined his sketching club. During the summer of 1799 the two artists went together to
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both wrote extensively about Cotman's oil paintings and watercolours. His oils were first exhibited when they were shown at the
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for the first time. He exhibited other Welsh scenes at the Royal Academy in 1801 and 1802. In 1800, he was awarded an honorary
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replied to Cotman's father: "let him rather black boots than follow the profession of an artist". A drawing from this period,
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1976:
1930:
1880:
1823:
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256:, on 16 May 1782, the first child of Edmund Cotman, hairdresser and his wife Ann (née Sell) living at 26 Bridge Street, in
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and was a frequent exhibitor there until 1839. However he was driven to despair by his constant financial struggles.
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1951:
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435:. Cotman's delicate paintings from these visits are among the finest produced by a European watercolourist.
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299:(1794), is considered to be the earliest surviving work by Cotman, produced when he was a boy of 12.
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513:, where he studied the shipping, and mastered depicting the form of sea waves. Some of his finest
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448:
John Sell Cotman, Mrs Edmund Miles and Ann Miles in the Miles family farmhouse, Felbrigg, Norfolk
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Cotman's architectural etchings have long been considered as a valuable record for historians.
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8:
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424:
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218:
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in 1922 According to his biographer Sydney Kitson, Cotman's reputation was enhanced by
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Norwich. Miles Edmund succeeded his father as drawing master at King's College in 1843.
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1944:
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30:
2007:
The Norwich Society of Artists, 1805–1833: a dictionary of contributors and their work
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1991:
1972:
1926:
1876:
1855:
1838:
1819:
1792:
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1711:
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689:, and other regional centres. In the United States, there are works by Cotman at the
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377:
337:
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214:, where he stayed with the Cholmeley family during the three summers of 1803–1805.
1909:
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on a drawing expedition. In 1800 (and again in 1802 with his landlord, the artist
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2198:
1764:
Hemingway, Andrew (1980). "The English Piranesi: Cotman's Architectural Prints".
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365:
183:
2009:. Norfolk Museums Service for the Paul Mellon Centre for Studies in British Art.
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was one of his pupils. In London, Cotman developed friendships with the artists
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1940:
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602:'s chalk drawing of his father, made during his last visit to Norfolk in 1841,
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In the three summers of 1803–1805, Cotman stayed with the Cholmeley family at
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in London, partly on the recommendation of J. M. W. Turner. In 1836, his son
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at St. Mary Coslany, Norwich, on 7 June 1782. The family name was written as
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Over 600 of Cotman's watercolours and drawings were bought by the Norwich
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Cotman moved to London, probably in 1798. He lived at 28 Gerrard Street,
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482:) was published, strongly influenced by the work of the Italian artist
203:
148:
626:. His last oil painting—dated 18 January 1842 and never completed—was
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In January 1834, Cotman was appointed Master of landscape drawing at
419:. On the last of these three visits from London, he made a series of
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211:
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Specimens of Norman and Gothic Architecture in the County of Norfolk
2038:, which includes a lecture about the artist by Timothy Wilcox, the
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622:, when he probably began preparatory work for a painting, entitled
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are drawn and etched in a masterly style, but with a good deal of
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in 1902; the remainder of Reeve's collection was acquired by the
657:
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58:
1955:. Vol. 12. London: Smith, Elder & Co. pp. 285–287.
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618:. During this period he was able to visit his elderly father at
194:, whose sketching club he joined, and whom he travelled with to
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In Fisher's Drawing Room Scrap Book, 1834, as illustration to
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and a meeting place for artists, that had included the young
195:
895:. Watercolour (10 cm x 15 cm), private collection.
2068:
329:
265:
261:
175:
171:
1890:
Moore, Andrew W. (2008). "Cotman, John Sell (1782–1842)".
1691:. Vol. 7 (11th ed.). Cambridge University Press.
1430:
1269:
1197:
697:, Connecticut, and in other galleries around the country.
1791:. New Haven, Connecticut; London: Yale University Press.
1788:
Cotman in the North: Watercolours of Durham and Yorkshire
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At this time his London address was 20, Woodstock Street.
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From 1812 to 1823, Cotman lived on the Norfolk coast at
2016:
John Sell Cotman, 1782–1842: early drawings (1798–1812)
1723:
Cundall, Herbert Minton (1920). Holme, Geoffrey (ed.).
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340:. His sketches at Rudulph Ackerman's print shop at 96
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Tower of the Village Church of Saint Maclou, Normandy
1986:
Moore, Andrew; Watt, Norma; Wilcok, Timothy (2005).
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James Reeve, who sold more than half of them to the
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478:, and the following year his first set of etchings (
2014:Rajnai, Miklós; Allthorpe-Guyton, Marjorie (1979).
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1058:
1056:
1918:
1807:
1568:
1028:
910:. Sketched about 28 July 1820, private collection.
276:in the parish baptism record, which has survived.
1971:. Northallerton: North Yorkshire County Council.
1493:
579:. In 1838, all of his etchings were published by
555:was appointed to assist him. The poet and artist
3441:
1053:
532:Norwich Society of Artists' annual exhibitions.
1132:"Drawing (House at St Stephen's Road, Norwich)"
915:
878:Abbatial House of the Abbey of St Ouen at Rouen
575:. In 1836, he became an honorary member of the
406:
2245:
2106:Works by (or associated with) John Sell Cotman
2231:
1852:British Watercolours from the Oppé Collection
795:The Water-Colour Drawings of John Sell Cotman
1896:(online ed.). Oxford University Press.
505:Move to Great Yarmouth and return to Norwich
225:became notable painters in their own right.
147:(16 May 1782 – 24 July 1842) was an English
1849:
1206:
535:In 1825, Cotman became an Associate of the
159:, illustrator, and a leading member of the
2238:
2224:
1967:Holcomb, Adele M.; Ashcroft, M.Y. (1980).
1925:. Ithaca, N.Y.: Cornell University Press.
734:bringing him wider praise. The architect
720:House in the Place de la Pucelle, at Rouen
29:
2699:William Philip Barnes Freeman (1813–1897)
2195:Sepulchral brasses in Norfolk and Suffolk
1969:John Sell Cotman in the Cholmeley archive
1763:
1424:
801:, which appeared in a special edition of
542:
537:Royal Society of Painters in Watercolours
2170:Etchings of Ancient Buildings in England
2053:62 artworks by or after John Sell Cotman
1695:
1677:
1376:
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714:
710:
594:
519:
493:In 1817, 1818, and 1820, Cotman visited
442:
348:when a young man. Cotman came under the
306:
237:
2042:of the gallery's 2012 Cotman exhibition
1988:John Sell Cotman: Master of Watercolour
1939:
1893:Oxford Dictionary of National Biography
1805:
1722:
1614:
1562:
1487:
1475:
1388:
360:, whose house in Adelphi Terrace was a
16:English painter, illustrator and author
3442:
2005:Rajnai, Miklos; Stevens, Mary (1976).
1916:
1832:
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1638:
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1118:
1103:
1091:
770:whether as a painter of land or sea".
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1889:
1866:
1579:
1499:
1239:
1124:
1047:
732:Architectural Antiquities of Normandy
724:Architectural Antiquities of Normandy
524:Cotman's house in St Martin's Plain,
1990:. Norwich: Norfolk Museums Service.
1784:
1062:
488:Architectural Antiquities of Norfolk
438:
431:, the home of the English traveller
332:, initially making a living through
3426:other members of the Norwich School
2184:Excursions in the County of Norfolk
2018:. Norwich: Norfolk Museums Service.
1850:Lyles, Anne; Hamlyn, Robin (1997).
1751:. Norwich: Jarrold & Sons Ltd.
997:(1818), Yale Center for British Art
880:(1825), Norfolk Museums Collections
742:(1823), mixed praise and criticism
454:(1807), Norfolk Museums Collections
344:were studied by the Norwich artist
297:House at St Stephen's Road, Norwich
243:House at St Stephen's Road, Norwich
178:dealer, Cotman was educated at the
13:
2153:
2065:in the Norfolk Museums Collections
2046:
1960:
1698:Watercolours of the Norwich School
833:(1803), Victoria and Albert Museum
831:Ruins of Rievaulx Abbey, Yorkshire
14:
3531:
3520:18th-century English male artists
3515:19th-century English male artists
3500:People educated at Norwich School
2023:
1766:The Volume of the Walpole Society
652:List of works by John Sell Cotman
646:Paintings, drawings, and etchings
604:National Portrait Gallery, London
387:In 1800, Cotman exhibited at the
358:Bridewell and Bethlehem Hospitals
302:
2165:(produced between 1805 and 1814)
2129:
1952:Dictionary of National Biography
987:
973:Portrait of Mrs John Sell Cotman
965:
948:
922:
900:
885:
870:
855:
838:
823:
766:Dictionary of National Biography
740:Specimens of Gothic Architecture
624:From my Father's House at Thorpe
427:, after he was invited to visit
1873:His Majesty's Stationery Office
1833:Kitson, Sydney Decimus (1937).
1663:John Crome and John Sell Cotman
1647:
1585:
1009:
816:
577:Institute of British Architects
260:. Edmund Cotman later became a
3404:Stannard/Hodgson/Coppin family
1696:Clifford, Derek Plint (1965).
982:), Norfolk Museums Collections
943:), Yale Center for British Art
590:
233:
1:
3460:19th-century English painters
3450:18th-century English painters
1869:The Norwich School of Artists
1837:. London: Faber & Faber.
1022:
976:
937:
677:, the British Museum and the
315:
252:John Sell Cotman was born in
39:, Norfolk Museums Collections
1910:UK public library membership
1835:The Life of John Sell Cotman
1700:. Cory, Adams & Mackay.
930:Drainage Mills in the Fens,
916:Oils, drawings, and etchings
462:Cotman married Ann Miles at
407:Yorkshire visits (1803–1805)
7:
2885:Maria Margitson (1832–1896)
1921:John Sell Cotman, 1782-1842
1665:. London: Seeley & Co.
691:Yale Center for British Art
628:A View of the Norwich River
497:with his friend the banker
323:Norfolk Museums Collections
10:
3536:
3169:Norwich Society of Artists
2712:Joseph Geldart (1808–1882)
2256:Norwich Society of Artists
2247:Norwich School of painters
2119:Metropolitan Museum of Art
1875:/Norwich Museums Service.
1806:Holcomb, Adele M. (1978).
1729:. London: The Studio Ltd.
811:
763:. The 1887 edition of the
679:Victoria and Albert Museum
649:
312:Devil's Elbow, Rokeby Park
161:Norwich School of painters
114:Norwich School of painters
3470:English landscape artists
3187:
2317:
2263:
2253:
2135:The Zenana – Kishen Kower
2115:Works by John Sell Cotman
1946:"Cotman, John Sell"
1867:Moore, Andrew W. (1985).
1743:Dickes, William Frederick
776:Burlington Fine Arts Club
119:
109:
101:
93:
85:
66:
44:
28:
21:
2524:Victoria Susanna Colkett
2147:, engraved by W LePetit.
2126:Letitia Elizabeth Landon
2031:2012: Cotman in Normandy
1854:. London: Tate Gallery.
1002:
612:Itteringham, 12 November
3465:English watercolourists
3040:Eloise Harriet Stannard
2930:John Ninham (1754–1817)
2572:Frederick George Cotman
2100:Cleveland Museum of Art
2036:Dulwich Picture Gallery
1917:Rajnai, Miklós (1982).
1688:Encyclopædia Britannica
1207:Lyles & Hamlyn 1997
726:(Vol. II), Pl. 64, 1821
380:), Cotman travelled to
279:Cotman was educated at
228:
3485:British marine artists
865:(1810), British Museum
850:(1805), British Museum
752:
727:
606:
557:Dante Gabriel Rossetti
543:King's College, London
528:
517:date from this time.
480:Miscellaneous Etchings
455:
325:
281:Norwich Grammar School
268:dealer. Their son was
249:
180:Norwich Grammar School
3455:English male painters
3338:Cotman/Thirtle family
2806:John Berney Ladbrooke
2668:Edward Thomas Daniell
2092:plates from Cotman's
2069:The Cotman Collection
1902:10.1093/ref:odnb/6390
744:
718:
711:Reputation and legacy
635:St John's Wood Chapel
598:
549:King's College School
523:
446:
310:
241:
3495:Artists from Norwich
3475:English illustrators
2508:Samuel David Colkett
1785:Hill, David (2005).
1439:, pp. 355, 358.
1278:, pp. 159, 164.
791:Tate Gallery, London
35:Undated portrait by
3490:English printmakers
2790:Frederick Ladbrooke
2620:Miles Edmund Cotman
1641:, pp. 372–373.
1526:, pp. 367–368.
1514:, pp. 363–366.
1415:, pp. 354–355.
1182:, pp. 249–250.
781:The art historians
356:, physician to the
127:Miles Edmund Cotman
3088:Arthur James Stark
2870:Horace Beevor Love
2588:John Joseph Cotman
1726:The Norwich School
1659:"John Sell Cotman"
1476:Cundall & 1920
1362:, pp. 85, 92.
728:
683:Fitzwilliam Museum
607:
600:John Joseph Cotman
529:
469:John Joseph Cotman
456:
326:
258:St George's parish
250:
223:John Joseph Cotman
132:John Joseph Cotman
97:Landscape painting
3437:
3436:
2758:John Cantiloe Joy
2652:John Berney Crome
2073:Leeds Art Gallery
1997:978-0-903101-78-3
1978:978-0-906035-12-2
1932:978-0-8014-1520-3
1908:(Subscription or
1882:978-0-903101-48-6
1825:978-07141-8-005-2
1798:978-0-300-10704-3
1707:978-0-239-00015-6
1683:Cotman, John Sell
1617:, pp. 22–23.
956:The Mouth of the
908:Etretat, Normandy
893:Windmill, Norfolk
671:Leeds Art Gallery
637:, London. In his
581:Henry George Bohn
565:George Cattermole
439:Return to Norwich
202:. By 1800 he was
153:landscape painter
140:
139:
3527:
3371:Ladbrooke family
3183:
3178:
3171:
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3159:
3154:
2976:Frederick Sandys
2822:Robert Ladbrooke
2604:John Sell Cotman
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2019:
2010:
2001:
1982:
1956:
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1936:
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1810:John Sell Cotman
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1655:Binyon, Laurence
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981:
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952:
942:
939:
926:
904:
889:
874:
859:
842:
827:
620:Thorpe St Andrew
616:Storm off Cromer
573:Cornelius Varley
378:Paul Sandby Munn
320:
317:
145:John Sell Cotman
73:
54:
52:
33:
23:John Sell Cotman
19:
18:
3535:
3534:
3530:
3529:
3528:
3526:
3525:
3524:
3480:English etchers
3440:
3439:
3438:
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3430:
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3161:
3160:
3155:
3152:
3148:
3147:
3145:
3142:
3141:
3140:
3139:
3138:(1796 – c.1832)
3131:
3129:
3126:
3125:
3124:
3123:
3115:
3113:
3110:
3109:
3108:
3107:
3099:
3097:
3094:
3093:
3092:
3091:
3083:
3081:
3078:
3077:
3076:
3075:
3072:Joseph Stannard
3067:
3065:
3062:
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3060:
3059:
3051:
3049:
3046:
3045:
3044:
3043:
3035:
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3024:Alfred Stannard
3019:
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3011:
3003:
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2998:
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2726:Charles Hodgson
2721:
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2316:
2315:
2314:
2309:
2306:
2303:
2302:
2297:
2294:
2291:
2290:
2287:Norwich Society
2285:
2282:
2279:
2278:
2273:
2270:
2259:
2249:
2244:
2162:Liber Studiorum
2156:
2154:Published works
2094:Liber Studiorum
2088:Works by Cotman
2078:Works by Cotman
2063:Works by Cotman
2049:
2047:Artistic output
2026:
2013:
2004:
1998:
1985:
1979:
1966:
1963:
1961:Further reading
1941:Stephen, Leslie
1933:
1907:
1883:
1871:. Norwich, UK:
1826:
1799:
1708:
1681:, ed. (1911). "
1650:
1645:
1637:
1633:
1629:, pp. 372.
1625:
1621:
1613:
1609:
1601:
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1569:
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1110:
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1098:
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1069:
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940:
927:
918:
911:
905:
896:
890:
881:
875:
866:
863:Mousehold Heath
860:
851:
843:
834:
828:
819:
814:
783:Lawrence Binyon
713:
654:
648:
593:
545:
507:
441:
409:
401:Norwich Mercury
397:Society of Arts
366:J. M. W. Turner
318:
305:
264:merchant and a
236:
231:
184:J. M. W. Turner
170:, the son of a
136:
81:
75:
71:
62:
56:
50:
48:
40:
24:
17:
12:
11:
5:
3533:
3523:
3522:
3517:
3512:
3507:
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3472:
3467:
3462:
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3355:
3354:
3348:
3347:
3346:
3344:
3343:
3337:
3336:
3335:
3333:
3332:
3327:Colkett family
3326:
3325:
3324:
3322:
3321:
3316:
3314:
3310:
3308:
3304:
3302:
3298:
3296:
3292:
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3286:
3284:
3280:
3278:
3274:
3272:
3268:
3266:
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3250:
3248:
3244:
3242:
3238:
3236:
3232:
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3202:
3200:
3196:
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3190:
3188:
3175:
3174:
3163:
3162:
3151:
3150:
3149:
3146:
3144:
3143:
3136:George Vincent
3134:
3133:
3132:
3130:
3128:
3127:
3118:
3117:
3116:
3114:
3112:
3111:
3102:
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3096:
3095:
3086:
3085:
3084:
3082:
3080:
3079:
3070:
3069:
3068:
3066:
3064:
3063:
3056:Emily Stannard
3054:
3053:
3052:
3050:
3048:
3047:
3038:
3037:
3036:
3034:
3032:
3031:
3022:
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3002:
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2999:
2990:
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2911:
2909:
2907:
2906:
2899:John Middleton
2897:
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2890:
2884:
2883:
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2880:
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2269:
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2254:
2251:
2250:
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2205:
2191:
2180:
2172:
2166:
2155:
2152:
2151:
2150:
2149:
2148:
2139:
2138:
2122:
2112:
2110:National Trust
2103:
2085:
2082:British Museum
2075:
2066:
2060:
2048:
2045:
2044:
2043:
2025:
2024:External links
2022:
2021:
2020:
2011:
2002:
1996:
1983:
1977:
1962:
1959:
1958:
1957:
1943:, ed. (1887).
1937:
1931:
1914:
1887:
1881:
1864:
1847:
1830:
1824:
1816:British Museum
1803:
1797:
1782:
1761:
1739:
1720:
1706:
1693:
1679:Chisholm, Hugh
1675:
1649:
1646:
1644:
1643:
1631:
1619:
1607:
1605:, p. 371.
1595:
1584:
1567:
1552:
1550:, p. 370.
1540:
1538:, p. 369.
1528:
1516:
1504:
1492:
1480:
1465:
1463:, p. 360.
1453:
1451:, p. 362.
1441:
1429:
1427:, p. 213.
1425:Hemingway 1980
1417:
1405:
1403:, p. 352.
1393:
1381:
1364:
1352:
1340:
1328:
1316:
1304:
1292:
1280:
1268:
1266:, p. 132.
1256:
1254:, p. 128.
1244:
1223:
1211:
1209:, p. 206.
1196:
1184:
1172:
1160:
1158:, p. 249.
1148:
1136:British Museum
1123:
1121:, p. 248.
1108:
1096:
1067:
1052:
1026:
1024:
1021:
1018:
1017:
1007:
1006:
1004:
1001:
1000:
999:
993:
986:
984:
971:
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962:
954:
947:
945:
934:, Lincolnshire
928:
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876:
869:
867:
861:
854:
852:
844:
837:
835:
829:
822:
818:
815:
813:
810:
787:William Dickes
761:John Constable
736:Augustus Pugin
712:
709:
666:Norwich Castle
662:British Museum
650:Main article:
647:
644:
592:
589:
544:
541:
511:Great Yarmouth
506:
503:
440:
437:
408:
405:
304:
303:Move to London
301:
247:British Museum
235:
232:
230:
227:
138:
137:
135:
134:
129:
123:
121:
117:
116:
111:
107:
106:
103:
99:
98:
95:
94:Known for
91:
90:
87:
83:
82:
76:
74:(aged 60)
68:
64:
63:
57:
46:
42:
41:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
3532:
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3513:
3511:
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3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3447:
3445:
3393:Sandys family
3382:Ninham family
3182:
3170:
3158:
3137:
3121:
3105:
3089:
3073:
3057:
3041:
3025:
3009:
3008:James Sillett
2993:
2992:Obadiah Short
2977:
2961:
2960:Anthony Sands
2945:
2944:Alfred Priest
2916:
2900:
2871:
2855:
2839:
2823:
2807:
2791:
2775:
2759:
2743:
2742:David Hodgson
2728:(c.1770–1856)
2727:
2685:
2669:
2653:
2637:
2621:
2605:
2589:
2573:
2557:
2556:Daniel Coppin
2541:
2525:
2509:
2493:
2492:Joseph Clover
2477:
2461:
2312:
2300:
2288:
2276:
2262:
2257:
2252:
2248:
2241:
2236:
2234:
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2200:
2196:
2192:
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2185:
2181:
2179:
2178:
2173:
2171:
2167:
2164:
2163:
2158:
2157:
2146:
2145:Perawa, Malwa
2143:
2142:
2141:
2140:
2136:
2132:
2127:
2123:
2120:
2116:
2113:
2111:
2107:
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2041:
2037:
2033:
2032:
2028:
2027:
2017:
2012:
2008:
2003:
1999:
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1965:
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1928:
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1911:
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1592:Vol. 2, p. xv
1588:
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1557:
1549:
1544:
1537:
1532:
1525:
1520:
1513:
1508:
1501:
1496:
1490:, p. 17.
1489:
1484:
1478:, p. 23.
1477:
1472:
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1462:
1457:
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1438:
1433:
1426:
1421:
1414:
1409:
1402:
1397:
1391:, p. 16.
1390:
1385:
1378:
1377:Chisholm 1911
1373:
1371:
1369:
1361:
1356:
1350:, p. 76.
1349:
1344:
1338:, p. 75.
1337:
1332:
1326:, p. 72.
1325:
1320:
1314:, p. 71.
1313:
1308:
1302:, p. 64.
1301:
1296:
1290:, p. 60.
1289:
1284:
1277:
1272:
1265:
1260:
1253:
1248:
1242:, p. 68.
1241:
1236:
1234:
1232:
1230:
1228:
1221:, p. 52.
1220:
1215:
1208:
1203:
1201:
1194:, p. 50.
1193:
1188:
1181:
1176:
1170:, p. 24.
1169:
1168:Clifford 1965
1164:
1157:
1152:
1137:
1133:
1127:
1120:
1115:
1113:
1106:, p. 49.
1105:
1100:
1094:, p. 30.
1093:
1088:
1086:
1084:
1082:
1080:
1078:
1076:
1074:
1072:
1064:
1059:
1057:
1050:, p. 67.
1049:
1044:
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1038:
1036:
1034:
1032:
1027:
1012:
1008:
996:
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832:
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809:
806:
804:
800:
796:
792:
788:
784:
779:
777:
771:
768:
767:
762:
757:
756:art historian
751:
749:
743:
741:
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733:
725:
721:
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698:
696:
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574:
570:
566:
562:
558:
554:
550:
540:
538:
533:
527:
522:
518:
516:
515:marine pieces
512:
502:
500:
499:Dawson Turner
496:
491:
489:
485:
481:
477:
472:
470:
465:
460:
453:
449:
445:
436:
434:
430:
426:
422:
418:
414:
413:Brandsby Hall
404:
402:
398:
394:
390:
389:Royal Academy
385:
383:
379:
375:
371:
370:Thomas Girtin
367:
363:
359:
355:
351:
347:
343:
339:
338:print-sellers
335:
331:
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285:North Norfolk
282:
277:
275:
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248:
244:
240:
226:
224:
220:
215:
213:
209:
208:Royal Academy
205:
201:
197:
193:
192:Thomas Girtin
189:
188:Peter de Wint
185:
181:
177:
174:merchant and
173:
169:
164:
162:
158:
154:
150:
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142:
133:
130:
128:
125:
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100:
96:
92:
88:
84:
79:
69:
65:
60:
47:
43:
38:
32:
27:
20:
3415:Stark family
3360:Joy brothers
3349:Crome family
3180:
3168:
3156:
3120:John Thirtle
2915:Henry Ninham
2854:Thomas Lound
2838:Robert Leman
2684:Robert Dixon
2603:
2540:Edwin Cooper
2476:James Bulwer
2460:Henry Bright
2310:
2298:
2286:
2274:
2255:
2208:
2194:
2183:
2175:
2169:
2160:
2144:
2108:held by the
2093:
2055: at the
2030:
2015:
2006:
1987:
1968:
1950:
1920:
1891:
1868:
1851:
1834:
1809:
1787:
1769:
1765:
1747:
1725:
1697:
1686:
1662:
1648:Bibliography
1634:
1622:
1615:Cundall 1920
1610:
1598:
1587:
1582:, p. 9.
1563:Stephen 1887
1543:
1531:
1519:
1507:
1495:
1488:Holcomb 1978
1483:
1456:
1444:
1432:
1420:
1408:
1396:
1389:Holcomb 1978
1384:
1355:
1343:
1331:
1319:
1307:
1295:
1283:
1271:
1259:
1247:
1214:
1187:
1175:
1163:
1151:
1139:. Retrieved
1126:
1099:
1065:, p. 3.
1011:
994:
972:
955:
929:
907:
892:
877:
862:
847:Greta Bridge
845:
830:
817:Watercolours
807:
802:
794:
780:
772:
764:
753:
747:
745:
739:
731:
729:
723:
719:
706:
699:
675:Tate Gallery
655:
632:
627:
623:
615:
611:
608:
585:
569:Samuel Prout
553:Miles Edmund
546:
534:
530:
508:
492:
487:
479:
473:
461:
457:
452:John Thirtle
447:
433:John Morritt
421:watercolours
410:
400:
386:
384:to sketch.
354:Thomas Munro
346:John Thirtle
327:
311:
296:
290:
278:
273:
251:
242:
219:Miles Edmund
216:
165:
144:
143:
141:
72:(1842-05-24)
37:Alfred Clint
3510:1842 deaths
3505:1782 births
3122:(1777–1839)
3106:(1794-1859)
3104:James Stark
3090:(1831-1902)
3074:(1797-1830)
3058:(1802-1885)
3042:(1829–1915)
3026:(1806–1889)
3010:(1764–1840)
2994:(1803–1886)
2978:(1829–1904)
2962:(1806–1883)
2946:(1810–1850)
2917:(1796–1874)
2901:(1827–1856)
2872:(1800–1838)
2856:(1801–1861)
2840:(1799–1869)
2824:(1768-1842)
2808:(1803-1879)
2792:(1810–1865)
2776:(1803-1865)
2774:William Joy
2760:(1805–1859)
2744:(1798–1864)
2686:(1780–1815)
2670:(1804–1842)
2654:(1794–1842)
2638:(1768–1821)
2622:(1810–1858)
2606:(1782–1842)
2590:(1814–1878)
2574:(1850–1920)
2558:(1771–1822)
2542:(1785–1833)
2526:(1840–1926)
2510:(1806–1863)
2494:(1779–1853)
2478:(1797-1879)
2462:(1810–1873)
2203:2 (Suffolk)
2199:1 (Norfolk)
1772:: 210–244.
1639:Kitson 1937
1627:Kitson 1937
1603:Kitson 1937
1548:Kitson 1937
1536:Kitson 1937
1524:Kitson 1937
1512:Kitson 1937
1461:Kitson 1937
1449:Kitson 1937
1437:Kitson 1937
1413:Kitson 1937
1401:Kitson 1937
1360:Binyon 1897
1348:Binyon 1897
1336:Binyon 1897
1324:Binyon 1897
1312:Binyon 1897
1300:Binyon 1897
1288:Binyon 1897
1276:Kitson 1937
1264:Kitson 1937
1252:Kitson 1937
1219:Binyon 1897
1192:Binyon 1897
1180:Dickes 1905
1156:Dickes 1905
1119:Dickes 1905
1104:Binyon 1897
1092:Rajnai 1982
980: 1808
941: 1835
722:, etching,
591:Final years
561:James Stark
429:Rokeby Park
425:River Greta
334:commissions
319: 1806
234:Early years
86:Nationality
70:24 May 1842
55:16 May 1782
3444:Categories
2636:John Crome
2311:......1833
2299:of Artists
2275:1803......
2197:, volumes
2186:, volumes
2121:, New York
1912:required.)
1843:1017287302
1814:. London:
1580:Moore 1985
1500:Moore 2008
1240:Moore 1985
1048:Moore 1985
1023:References
803:The Studio
748:management
702:Christie's
342:The Strand
204:exhibiting
51:1782-05-16
2258:1803-1833
1757:558218061
1735:472125860
1141:1 January
1063:Hill 2005
805:in 1923.
799:Paul Oppé
738:, in his
695:New Haven
687:Cambridge
417:Yorkshire
350:patronage
293:John Opie
217:His sons
212:Yorkshire
80:, England
61:, England
2128:'s poem
1860:39887257
1778:41827699
1745:(1905).
1671:10012634
1657:(1897).
932:Croyland
495:Normandy
490:(1818).
484:Piranesi
464:Felbrigg
270:baptised
245:(1794),
166:Born in
120:Children
110:Movement
105:Romantic
2117:at the
2098:at the
2080:at the
2040:curator
1716:1624701
812:Gallery
658:curator
526:Norwich
423:of the
395:by the
393:palette
274:Cottman
254:Norwich
206:at the
168:Norwich
89:British
59:Norwich
2207:1822:
2193:1819:
2182:1818:
2174:1817:
2168:1818:
2159:1838:
2096:(1838)
2057:Art UK
1994:
1975:
1929:
1906:
1879:
1858:
1841:
1822:
1795:
1776:
1755:
1733:
1714:
1704:
1669:
681:, the
673:, the
571:, and
467:sons,
374:Surrey
362:studio
200:Surrey
157:etcher
149:marine
78:London
2190:and 2
2034:from
1774:JSTOR
1003:Notes
382:Wales
336:from
196:Wales
102:Style
3317:1960
3311:1950
3305:1940
3299:1930
3293:1920
3287:1910
3281:1900
3275:1890
3269:1880
3263:1870
3257:1860
3251:1850
3245:1840
3239:1830
3233:1820
3227:1810
3221:1800
3215:1790
3209:1780
3203:1770
3197:1760
3191:1750
3181:1833
3157:1803
2447:1960
2441:1950
2435:1940
2429:1930
2423:1920
2417:1910
2411:1900
2405:1890
2399:1880
2393:1870
2387:1860
2381:1850
2375:1840
2369:1830
2363:1820
2357:1810
2351:1800
2345:1790
2339:1780
2333:1770
2327:1760
2321:1750
2201:and
2090:and
2059:site
1992:ISBN
1973:ISBN
1927:ISBN
1877:ISBN
1856:OCLC
1839:OCLC
1820:ISBN
1793:ISBN
1753:OCLC
1731:OCLC
1712:OCLC
1702:ISBN
1667:LCCN
1143:2023
958:Yare
785:and
754:The
639:will
614:and
476:etch
368:and
330:Soho
266:lace
262:silk
229:Life
221:and
198:and
190:and
176:lace
172:silk
151:and
67:Died
45:Born
2071:at
1898:doi
1685:".
797:by
693:in
685:in
450:by
415:in
352:of
3446::
2137:.:
1949:.
1818:.
1770:48
1768:.
1710:.
1661:.
1570:^
1555:^
1468:^
1367:^
1226:^
1199:^
1134:.
1111:^
1070:^
1055:^
1030:^
977:c.
938:c.
778:.
630:.
583:.
567:,
563:,
403:.
321:,
316:c.
186:,
163:.
155:,
3315:│
3309:│
3303:│
3297:│
3291:│
3285:│
3279:│
3273:│
3267:│
3261:│
3255:│
3249:│
3243:│
3237:│
3231:│
3225:│
3219:│
3213:│
3207:│
3201:│
3195:│
3189:│
3177:↓
3165:↓
3153:↓
2445:│
2439:│
2433:│
2427:│
2421:│
2415:│
2409:│
2403:│
2397:│
2391:│
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2373:│
2367:│
2361:│
2355:│
2349:│
2343:│
2337:│
2331:│
2325:│
2319:│
2307:↓
2295:↓
2283:↓
2271:↓
2239:e
2232:t
2225:v
2188:1
2102:.
2084:.
2000:.
1981:.
1935:.
1904:.
1900::
1885:.
1862:.
1845:.
1828:.
1801:.
1780:.
1759:.
1737:.
1718:.
1673:.
1565:.
1502:.
1379:.
1145:.
975:(
936:(
314:(
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
