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John Rolland

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in 1575, may have been written before 1560. The latter was translated from a Scots prose version at the suggestion of an aunt ("ane proper wenche"), who had found his treatment of the courtly allegory involved and uninteresting.
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has been seen, can hardly be quoted without indecorum", that is, it has a sexual meaning. He adds that the poem displays a "peculiarly Scottish and medieval blend of gallantry, satire, fantasy, and pedantry".
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refers to Rolland as "a very minor poet" but credits him with "truly allegorical power", and particularly points to the tournament scene in Book 4 of
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was printed in 1578, and frequently during the earlier decades of the 17th century. It was reprinted by
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This article incorporates text from a publication now in the
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though no other evidence has been found to support this claim.
164:. Cambridge, UK ; New York: Cambridge University Press. 27: 117:(iii. 287), hinted that Rolland may be the author of the 140: 138: 136: 134: 131: 71:'s long list of corrections of that edition in the 30:, appears to have been a priest of the diocese of 224: 204: 144: 225: 156: 51:. The former, which was printed by 41:He is the author of two poems, the 13: 14: 249: 192: 107:for the Bannatyne Club (1837). 150: 1: 124: 115:Chronicle of Scottish Poetry 67:for the S.T.S. in 1884. See 34:, and to have been known in 7: 238:16th-century Scottish poets 10: 254: 233:16th-century male writers 73:Modern Language Quarterly 45:and a translation of the 119:Thrie Priestis of Peblis 215:Encyclopædia Britannica 92:which, "when once its 162:The Allegory of Love 81:The Allegory of Love 48:Seven Wise Masters 171:978-1-107-65943-8 245: 219: 198: 196: 195: 184: 183: 154: 148: 142: 253: 252: 248: 247: 246: 244: 243: 242: 223: 222: 208:, ed. (1911). " 193: 191: 188: 187: 172: 155: 151: 143: 132: 127: 101:The Seven Sages 12: 11: 5: 251: 241: 240: 235: 221: 220: 206:Chisholm, Hugh 186: 185: 170: 160:(2013-11-07). 149: 129: 128: 126: 123: 111:Robert Sibbald 90:Court of Venus 75:(March 1898). 63:was edited by 61:Court of Venus 43:Court of Venus 9: 6: 4: 3: 2: 250: 239: 236: 234: 231: 230: 228: 217: 216: 211: 210:Rolland, John 207: 202: 201:public domain 190: 189: 181: 177: 173: 167: 163: 159: 153: 146: 145:Chisholm 1911 141: 139: 137: 135: 130: 122: 120: 116: 112: 108: 106: 102: 98: 95: 91: 87: 83: 82: 76: 74: 70: 69:W. A. Craigie 66: 65:Walter Gregor 62: 57: 54: 50: 49: 44: 39: 37: 33: 29: 26: 22: 18: 213: 161: 158:Lewis, C. S. 152: 118: 114: 109: 100: 99: 94:significacio 93: 89: 79: 77: 72: 60: 58: 46: 42: 40: 17:John Rolland 16: 15: 105:David Laing 86:C. S. Lewis 227:Categories 125:References 180:856053290 113:, in his 38:in 1555. 84:(1936), 53:John Ros 36:Dalkeith 25:Scottish 203::  32:Glasgow 23:1560), 197:  178:  168:  176:OCLC 166:ISBN 59:The 28:poet 212:". 78:In 21:fl. 229:: 174:. 133:^ 182:. 147:. 19:(

Index

fl.
Scottish
poet
Glasgow
Dalkeith
Seven Wise Masters
John Ros
Walter Gregor
W. A. Craigie
The Allegory of Love
C. S. Lewis
David Laing
Robert Sibbald




Chisholm 1911
Lewis, C. S.
ISBN
978-1-107-65943-8
OCLC
856053290
public domain
Chisholm, Hugh
Rolland, John
Encyclopædia Britannica
Categories
16th-century male writers
16th-century Scottish poets

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