779:, and arguing that independence would damage classical music. He argued that "Classical and contemporary music surely flourish best in a multi-cultural, international, environment, one that is extraordinarily well provided within the UK (and which would be even better if more Scots were to reclaim some of their ownership of it)," decried the "insidious synecdochal reductionism of the independence cause," and concluded, "Such a simplistic attitude suggests that the risks of looking inwards and losing the dynamism of Scotland's own cultures are very real once we begin to live behind the
766:(the central character, he said, is "a bit of a weed in many respects, but what a complex, detailed and wonderfully ironic weed! No-one else captures so strikingly the paradoxes of consciousness and the little inconsistencies and delusions that we all try to hide from the world"). He also told the interviewer, "I feel that most of the things at which I am successful are only a matter of momentary luck!"
350:(Cambridge University Press, 1990; the book is based on Butt's doctoral thesis, and is described as the "first comprehensive assessment of J. S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources." In 1992, the book won the first William H. Scheide Prize of the American Bach Society.)
623:
completion of the
Requiem. The recording seeks to re-create the forces used at the first complete performance in January, 1793; it also includes a performance of Black's reconstruction of a December 1791 performance of the Introit and Kyrie sections. Also performed is Mozart's Misericordias Domini,
611:
where Bach wrote these concertos, "attempted to emulate French practice." He also mentions instruments from the time and place pitched to this standard. Still, he notes that "While Cöthen court pitch was likely to have been somewhere near this, it is unlikely that pitch was ever standardized as
606:
in the
Baroque Instrumental category. In this recording, the ensemble used the pitch standard of A=392 or "tief-Cammerton," a whole tone below the modern standard pitch and associated with the French royal court at the time; Butt notes that many German-speaking courts, including the one at
245:, at the 1992 Berkeley Festival and Exhibition; Butt later said that he had come to know Leonhardt "fairly well" and that "I learned a lot when preparing choirs for him back in my California days." In 1997, he gave what one critic calls "memorable readings" of
624:
K. 222. In May 2014, the disc was named "Recording of the Month" by
Gramophone. and in August 2014, it won the Gramophone Award for 2014 for Best Choral recording. In November 2014, it was listed among the nominees in the Choral category for the 2015
563:, which follows Bach's final version of the score from 1748 to 1750 exclusively from beginning to end. (Other editions have included elements from a 1733 version of the Kyrie and Gloria, and some posthumous changes by Bach's son,
260:
In autumn of 1997, Butt returned to the
University of Cambridge as University Lecturer, Director of Studies for Music at King's College, and Fellow of King's College. He also became the founding director of
288:. At the end of the 2013/14 academic session, Butt was also appointed Interim Director of Music of the Glasgow University Chapel Choir, after James Grossmith left that post to become chorus master of the
1873:
506:
sung by the U.C. Berkeley
Chamber Choir with viol accompaniment; for the disc, he also recorded keyboard works of Gibbons on the organ. Since 2005, Butt has conducted recordings of the
1519:
1878:
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284:; he also served as Head of the Music Department from 2001 to 2005. Since 2003 he has conducted the Dunedin Consort, a professional ensemble in Edinburgh for performances in
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in the first reconstructable version of the work, from 1720; Butt reconstructed the performing edition from Handel's autograph and three other historical sources.
1843:
1848:
1838:
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with the
Dunedin Consort. It was a Gramophone "Choice" in October 2013. and was a finalist in the Baroque Instrumental category for the 2014
585:, in a liturgical reconstruction based on Good Friday Vespers services in Leipzig. In March 2013 the disc was named "Record of the Month" by
499:, 1021 and 1023. In 2014, he recorded BWV 1014–19 again, this time with violinist Lucy Russell for the Linn label; it was released in 2015.
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John Butt and his wife Sally have five children He is the nephew of a professional musician, and son of the distinguished biochemist
230:; in 1992, he was promoted to associate professor, as well as director of the University Chamber Chorus. He prepared that choir for
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Butt has published numerous articles for scholarly publications and for general-audience publications. Books have included
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with the
Dunedin Consort. This is the first recording of David Black's new critical edition, published in 2012, of the
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1662:"John Butt awarded the Royal College of Organists Medal : Dunedin Consort, Scotland's leading baroque ensemble"
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and
Players for the Linn label, many featuring reconstructions of a specific historical performance. These include:
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at the
University of Cambridge. In 1989, he became university organist and assistant professor of music at the
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394:, and considering issues they raise with respect to artistic subjectivity, rhetoric and performance practice.)
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520:. This was the first recording of a reconstruction of the work in its first performance, which took place in
163:, England) is an English orchestral and choral conductor, organist, harpsichordist and scholar. He holds the
155:
37:
545:. This was the first recording of the version from Bach's final performance, which also took place in 1742.
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1134:"Help us bring Bach's Harpsichord to Scotland : Dunedin Consort, Scotland's leading baroque ensemble"
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402:(1997) – for which he contributed two articles on Bach's metaphysics – was consultant editor for the
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In addition to awards for his books and recordings, Butt has won awards and fellowships including:
635:
October, 2015: A musical reconstruction of Bach's first
Christmas service in Leipzig, including the
1883:
738:– who was, Butt says, "a keen amateur" musician and was at one time a member of the chorus of the
628:. In December 2014, it was listed as one of the five nominees for "Best Choral Performance" in the
495:. In 1991–92, for Harmonia mundi, he and Baroque violinist Elizabeth Blumenstock recorded the Bach
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2014 Bach's Violin Concertos with the group's first violinist, Cecilia Bernardini, as soloist;
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in the original performing version of 1718. This release was nominated for a Gramophone Award.
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Butt's first recording as a conductor, made in 1994 for the Centaur label, featured music of
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1081:"Organs in Glasgow – John Butt, John Kitchen – Songs, Reviews, Credits, Awards – AllMusic"
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As a solo harpsichordist, organist, or clavichordist, Butt made eleven recordings for the
368:(Cambridge University Press, 2002; shortlisted for the book prize of the British Academy);
8:
383:
289:
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1314:"John Passion – J. S. Bach : Dunedin Consort, Scotland's leading baroque ensemble"
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654:
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1779:"The BBC SSO will be better off in the ramshackle, multi-cultural, multi-national UK"
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1364:"Linn Records – Dunedin Consort – J. S. Bach: Six Brandenburg Concertos – Gramophone"
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asked John Butt about his preferences, he expressed enthusiasm for the practice of
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for "organ playing, organ- and choral-related scholarship, and choral conducting,"
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mixed chorus. Musicians that he inspired during this time include the organist
1289:"Linn Records – Handel: Esther, First reconstructable version (Cannons), 1720"
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for organ, BWV 590, for the Delphian label in Glasgow. In July 2013, using a
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English orchestral and choral conductor, organist, harpsichordist and scholar
1182:
735:
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1006:"Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach"
1564:"Dunedin Consort: Approaching Classical Music with an Inquisitive Spirit"
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195:
on a music scholarship. In 1979 he began his undergraduate education at
704:
1455:"Linn Records – Mozart: Requiem (Reconstruction of first performance)"
366:
Playing with History – the historical approach to musical performance
348:
Bach Interpretation: Articulation Marks in Primary Sources of J.S.Bach
443:
391:
331:, the Halle, and orchestras at the Berkeley Early Music Festival and
867:"Speed Interview: John Butt – Orchestra of the Age of Enlightenment"
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809:
160:
62:
1874:
Winners of the Royal Academy of Music/ Kohn Foundation Bach Prize
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559:. This is the first recording to use the new critical edition by
725:(OBE) in the New Year Honours for services to music in Scotland.
360:
Music Education and the Art of Performance in the German Baroque
179:. He is a prolific scholar, conductor and performer of works by
1415:
John Butt, liner notes to the Dunedin Consort recording of the
521:
1708:
Bach’s Dialogue with Modernity: Perspectives on the Passions,
1615:"RMA Awards: Recipients of the Dent Medal (2007 and earlier)"
1338:
1056:"John Butt (Harpsichord, Organ, conductor) – Short Biography"
832:"Review/Music - Heralded in Celebration, A Maturing Movement"
529:
487:
player, Butt has recorded with many ensembles, including the
390:
in detail, situating them with respect to pre-modernity and
372:
Bach's Dialogue with Modernity: Perspectives on the Passions
207:
from 1979 to 1982. His organ teachers at Cambridge included
687:
Major Research Fellowship for research on the Bach Passions
1234:"Anthems And Instrumental Works By Orlando Gibbons / Butt"
1031:"Research Grants & Prizes – The American Bach Society"
1879:
Recipients of the Medal of the Royal College of Organists
1536:"GRAMMY.com – The Official Site of Music's Biggest Night"
1109:"Linn Records – J. S. Bach: Das wohltemperierte Klavier"
1558:
1556:
1481:, Recording of the Month Gramophone, May 2014, pp. 28–9
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for the Linn label; it was released in November 2014.
1183:"John Butt – Bach's Instrumental Works – Discography"
406:, and joint editor (together with Tim Carter) of the
249:'s organ concertos. as guest organ soloist with the
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643:, organ works by Bach (played by Butt), a motet by
589:
and "Recording of the Month" by BBC Music Magazine.
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1101:
175:with whom he has made award-winning recordings in
1172:
1815:
798:
796:
1098:
497:sonatas for violin and harpsichord, BWV 1014–19
769:On 17 September 2014 he published a letter in
408:Cambridge History of Seventeenth Century Music
793:
647:, and period chorales, recorded in July 2014;
295:As a guest conductor, Butt has appeared with
612:precisely as we might often assume or wish."
215:. He received his PhD at Cambridge in 1987.
1844:Officers of the Order of the British Empire
1696:(Supplement). 29 December 2012. p. 10.
861:
859:
857:
855:
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1757:Orchestra of the Age of Enlightenment Blog
723:Officer of the Order of the British Empire
528:for Best Baroque Vocal Album and the 2008
1849:Fellows of the Royal Society of Edinburgh
711:for his Bach scholarship and performance.
661:
1710:Cambridge University Press, 2010, p. x,
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852:
1589:"Dunedin Consort's John Butt goes solo"
1208:"Dunedin Consort's John Butt goes solo"
333:Göttingen International Handel Festival
186:
1816:
276:Since October 2001, Butt has been the
1003:
871:Orchestra of the Age of Enlightenment
777:2014 Scottish independence referendum
744:Orchestra of the Age of Enlightenment
317:Orchestra of the Age of Enlightenment
218:After graduation, he lectured at the
699:Arts and Humanities Research Council
676:2003: election to Fellowship of the
637:Magnificat in E-flat major, BWV 243a
626:International Classical Music Awards
604:International Classical Music Awards
1839:Alumni of King's College, Cambridge
13:
1854:People educated at Solihull School
805:"John Butt – Biography – AllMusic"
641:Christen, ätzet diesen Tag, BWV 63
524:in 1742. The release won the 2007
374:(Cambridge University Press, 2010
362:(Cambridge University Press, 1994)
315:Chamber Orchestra and Chorus, the
228:University of California, Berkeley
113:University of California, Berkeley
14:
1905:
1801:
709:Royal Academy of Music Bach Prize
356:(Cambridge Music Handbooks, 1991)
286:historically informed performance
177:historically informed performance
775:supporting the "No" position in
729:
690:2006: election to Fellow of the
602:; it was also nominated for the
470:modeled on an original built by
269:and harpsichordist and director
251:San Francisco Symphony Orchestra
199:, where he held the position of
1889:21st-century conductors (music)
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1259:"John Butt (artistic director)"
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1869:Fellows of the British Academy
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742:. When an interviewer for the
462:. In 2004, he recorded Bach's
413:
297:Philharmonia Baroque Orchestra
1:
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740:London Philharmonic Orchestra
171:and is music director of the
1753:"John Butt: Speed Interview"
670:2003: The Dent Medal of the
329:Stavanger Symphony Orchestra
255:Saint Paul Chamber Orchestra
241:Meine Seel erhebt den Herren
7:
1834:English classical organists
1492:"Choral – gramophone.co.uk"
1389:"ICMA NOMINATION LIST 2014"
1339:"Six Brandenburg Concertos"
400:Cambridge Companion to Bach
382:; the book examines Bach's
10:
1910:
716:Royal College of Organists
678:Royal Society of Edinburgh
325:Portland Baroque Orchestra
305:Scottish Chamber Orchestra
1165:, "Butt alone for Bach,"
1010:Scholarship.claremont.edu
672:Royal Musical Association
565:Carl Philipp Emanuel Bach
548:November 2008: Handel's
489:English Chamber Orchestra
477:The Well-Tempered Clavier
131:
100:
80:
75:King's College, Cambridge
70:
45:
23:
1728:"Obituary: Wilfrid Butt"
1648:13 December 2013 at the
1522:27 November 2014 at the
452:Juan Bautista Cabanilles
404:Oxford Companion to Bach
238:and the related cantata
159:(born 17 November 1960,
1035:Americanbachsociety.org
980:"University of Glasgow"
955:"University of Glasgow"
927:"University of Glasgow"
592:September 2013: Bach's
534:Cannes Classical Awards
474:, Butt recorded Bach's
309:Irish Baroque Orchestra
278:Gardiner Chair of Music
197:University of Cambridge
165:Gardiner Chair of Music
1894:21st-century organists
1419:, Linn Records CDK 430
1318:Dunedin-consort.org.uk
760:In Search of Lost Time
662:Awards and fellowships
653:September 2015 Bach's
493:American Bach Soloists
436:Georg Philipp Telemann
354:Bach – Mass in B Minor
220:University of Aberdeen
108:University of Aberdeen
1479:Gramophone (magazine)
1417:Brandenburg Concertos
1187:Bach Cantatas Website
1167:Gramophone (magazine)
1163:Gramophone (magazine)
1060:Bach Cantatas Website
615:March 2014: Mozart's
595:Brandenburg Concertos
532:Baroque Award at the
424:Johann Sebastian Bach
282:University of Glasgow
234:to conduct in Bach's
191:Butt was educated at
181:Johann Sebastian Bach
169:University of Glasgow
118:University of Glasgow
1625:on 21 September 2016
1568:Creativescotland.com
754:, the symphonies of
621:Franz Xaver Süssmayr
539:March 2008: Bach's
456:Girolamo Frescobaldi
222:and was a Fellow of
187:Education and career
1808:Professor John Butt
1785:. 17 September 2014
714:2013: Medal of the
422:label, of music by
384:St. Matthew Passion
290:Royal Swedish Opera
1810:Glasgow University
1759:. 14 December 2010
1693:The London Gazette
1430:"Mozart's Requiem"
1212:Heraldscotland.com
907:on 16 January 2014
877:on 21 January 2015
837:The New York Times
655:Christmas Oratorio
542:St Matthew Passion
1716:978-0-521-88356-6
1595:. 3 December 2014
1214:. 3 December 2014
803:Robert Cummings.
645:Giovanni Gabrieli
600:Gramophone Awards
398:He co-edited the
380:978-0-521-88356-6
224:Magdalene College
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752:Alfred Hitchcock
582:St. John Passion
550:Acis and Galatea
526:Gramophone Award
460:Sir Edward Elgar
432:Johann Pachelbel
388:St. John Passion
321:Aurora Orchestra
232:Gustav Leonhardt
158:
136:Gramophone Award
90:concert organist
87:Choral conductor
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56:17 November 1960
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705:Kohn Foundation
692:British Academy
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570:2012: Handel's
557:Mass in B minor
514:2006: Handel's
508:Dunedin Consort
504:Orlando Gibbons
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301:English Concert
193:Solihull School
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173:Dunedin Consort
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1269:on 11 May 2008
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1706:John Butt,
1688:"No. 60367"
1540:The GRAMMYs
1004:John Butt.
468:harpsichord
414:Discography
81:Occupations
1818:Categories
1789:20 January
1763:20 January
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762:novels of
685:Leverhulme
587:Gramophone
464:Pastorella
236:Magnificat
52:1960-11-17
1619:Rma.ac.uk
984:Gla.ac.uk
959:Gla.ac.uk
931:Gla.ac.uk
444:John Blow
392:modernity
144:John Butt
65:, England
25:John Butt
1646:Archived
1520:Archived
1434:Upbo.com
1085:AllMusic
810:AllMusic
485:continuo
410:(2005).
243:, BWV 10
161:Solihull
63:Solihull
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617:Requiem
517:Messiah
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1392:(PDF)
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152:FRSE
46:Born
34:FRSE
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156:FBA
148:OBE
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