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549:. He was still signed to Milestone Records, which had recently moved to San Francisco after being acquired by Fantasy Records. Henderson wanted to be near his label, and get out of New York City. Henderson lived in San Francisco for the rest of his life, and taught at the San Francisco Conservatory of Music from 1978 to 1982, according to musicologist Joel Geoffrey Harris. A performance space at the
220:, Henderson was one of 14 children. He was encouraged by his parents, Dennis and Irene (nÊe Farley) and older brother James T. to study music. He dedicated his first album to them "for being so understanding and tolerant" during his formative years. Early musical interests included drums, piano, saxophone and composition. According to trumpeter
569:, Henderson remained primarily a leader throughout the 1980s. An accomplished and prolific composer, he began to focus more on reinterpreting standards and his own earlier compositions. Blue Note attempted to position the artist at the forefront of a resurgent jazz scene in 1986 with the release of the two-volume
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in March 1991. Seidel said in a 2016 interview with musicologist Joel
Geoffrey Harris that he decided to offer Henderson a record deal after hearing him perform live at Fat Tuesdays in New York. Seidel served as producer on all five of Henderson's 1990s Verve studio albums. Verve adopted a 'songbook'
593:'s "Ask Me Now" becoming a signature ballad feature. Following his brief return to Blue Note Records, Henderson was signed by the Italian label Red Records, for which he recorded two more albums in the piano-less trio format.
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recordings. However, Parker became his greatest inspiration. Henderson's first approach to the saxophone was under the tutelage of
Herbert Murphy in high school. During this time, he wrote several scores for the school band.
224:, two local piano teachers who went to school with Henderson's brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano. He was particularly enamored of his brother's record collection.
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at the Teal School of Music. In late 1959, he formed his first group. By the time he arrived at Wayne State
University, he had transcribed and memorized so many Lester Young solos that his professors believed he had
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approach to recording him, coupling it with a considerable marketing and publicity campaign, which more successfully positioned
Henderson at the forefront of the contemporary jazz scene. His 1992 'comeback' album
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for Warner Bros. It was during this time that
Henderson began to experiment with jazz-funk fusion, studio overdubbing, and other electronic effects. Song and album titles such as
382:". After leaving Silver's band in 1966, Henderson resumed freelancing and also co-led a big band with Dorham. His arrangements for the band went unrecorded until the release of
191:. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including
604:, and worked with Verve producer and vice president Richard Seidel during the session. Henderson and Seidel had first worked together in 1979 while making Henderson's
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album. After Verve expressed interest in signing
Henderson, the saxophonist had to quickly complete his existing contract with Red Records, which he did by recording
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to write some arrangements for the suite "Swings and
Strings", which was later performed by a ten-member orchestra and the local dance band of Jimmy Wilkins.
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in 1957 on his own live
Vanguard albums for the same label. Henderson established his basic repertoire for the next seven or eight years, with
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Although
Henderson's earliest recordings were marked by a strong hard-bop influence, his playing encompassed not only the
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reflected his growing political awareness and social consciousness, although Black
Narcissus was named after the 1947
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to conclude his enlistment. In 1962, he was finally discharged and promptly moved to New York. He first met trumpeter
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In 1991, Verve records signed Henderson to the label. That January, Henderson made a guest appearance on
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label in 1967 marked a new phase in Henderson's career. He co-led the Jazz Communicators with
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was a commercial and critical success, and was followed by tribute albums to Miles Davis,
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This article is about the jazz saxophonist. For other people with the same name, see
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A hometown drummer, John Jarette, advised Henderson to listen to musicians like
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Shortly prior to his army induction in 1960, Henderson was commissioned by
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The State of the Tenor: Live at the Village Vanguard, Vols. 1 & 2
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jazz scene of the mid-'50s, playing in jam sessions with visiting
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If You're Not Part of the Solution, You're Part of the Problem
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From 1963 to 1968, Henderson appeared on nearly 30 albums for
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863:"Joe Henderson "Lush Life" solo: Transcription and analysis"
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from 1967 to 1968. Henderson was also featured on Hancock's
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Joe Henderson: A Biographical Study of His Life and Career
378:'s band, and provided a seminal solo on the jukebox hit "
184:(April 24, 1937 – June 30, 2001) was an American
343:, who provided invaluable guidance, at saxophonist
1090:Double Rainbow: The Music of Antonio Carlos Jobim
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585:on drums) revisited the tenor trio form used by
725:Jazz great Henderson gets musical start in Lima
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787:, March/April 1991. Retrieved April 24, 2007.
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267:stars. While attending classes for flute and
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475:In 1967, there was a brief association with
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642:on June 30, 2001, after a long battle with
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315:Henderson spent two years (1960â62) in the
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841:Joe Henderson Discography & Chronology
697:The Guinness Encyclopedia of Popular Music
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618:Lush Life: The Music of Billy Strayhorn
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259:By age 18, Henderson was active on the
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408:, 1963) to more explorative sessions (
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854:Twelve Essential Joe Henderson Tracks
16:American jazz saxophonist (1937â2001)
1869:20th-century American male musicians
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1083:So Near, So Far (Musings for Miles)
577:in New York City. The albums (with
561:Though he occasionally worked with
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634:A chain smoker, Henderson died in
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1844:Blood, Sweat & Tears members
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1859:20th-century American composers
541:After a brief association with
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446:and "out" albums with pianist
23:Joe Henderson (disambiguation)
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1814:Wayne State University alumni
1769:African-American saxophonists
1145:An Evening with Joe Henderson
844:. Retrieved November 25, 2012
835:The Joe Henderson Discography
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565:, the Griffith Park Band and
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1794:Mainstream jazz saxophonists
1764:American male jazz composers
1713:You've Made Me So Very Happy
774:Interview with Joe Henderson
545:in 1971, Henderson moved to
499:Milestone Records recordings
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1889:Jazz musicians from Detroit
1874:20th-century jazz composers
296:. He also studied music at
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1779:American male saxophonists
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1529:Child Is Father to the Man
861:Javier Arau (April 2014).
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733:February 6, 2015, at the
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1799:Jazz fusion saxophonists
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821:Retrieved June 25, 2009.
754:Original liner notes to
543:Blood, Sweat & Tears
374:as well. He soon joined
253:Jazz at the Philharmonic
1759:American jazz composers
998:In Pursuit of Blackness
525:In Pursuit of Blackness
1819:People from Lima, Ohio
1784:Soul-jazz saxophonists
1131:Joe Henderson in Japan
557:Later career and death
533:Powell and Pressburger
384:Joe Henderson Big Band
335:. Then he was sent to
298:Kentucky State College
273:Wayne State University
57:Background information
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1789:Hard bop saxophonists
1172:Relaxin' at Camarillo
785:The Saxophone Journal
779:July 5, 2007, at the
728:the419 | Our Founders
607:Relaxin' at Camarillo
602:Something to Consider
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1809:Grammy Award winners
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462:, 1964) and drummer
394:Blue Note recordings
1879:CTI Records artists
1834:Red Records artists
1624:Live and Improvised
1069:Straight, No Chaser
991:Power to the People
702:Guinness Publishing
538:of the same title.
521:Power to the People
1854:Bebop saxophonists
1641:Compilation albums
1005:Black Is the Color
857:by S. Victor Aaron
819:AllMusic Biography
804:. August 31, 2010.
700:(First ed.).
571:State of the Tenor
553:is named for him.
517:Fat Albert Rotunda
459:Point of Departure
423:Song for My Father
380:Song for My Father
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1033:Black Miracle
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908:Joe Henderson
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868:September 17,
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646:. He was 64.
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587:Sonny Rollins
584:
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547:San Francisco
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507:'s fledgling
506:
503:Signing with
496:
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485:Wayne Shorter
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282:perfect pitch
278:
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245:Flip Phillips
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237:Dexter Gordon
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182:Joe Henderson
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92:San Francisco
85:June 30, 2001
84:
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64:
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55:
51:
47:
46:Neil Swainson
41:
36:
32:Joe Henderson
29:
24:
19:
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1597:
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1571:Mirror Image
1569:
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1534:
1527:
1492:Ted Kooshian
1472:Dave Panichi
1407:Jerry Fisher
1397:Larry Willis
1386:
1342:Fred Lipsius
1317:
1312:
1308:Ken Gioffre
1307:
1302:
1297:
1292:
1287:
1280:
1276:Dave Gellis
1275:
1196:Compositions
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1024:
1019:The Elements
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989:
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975:
955:Mode for Joe
953:
946:
939:
932:
925:
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866:. Retrieved
853:
840:
810:
801:
792:
784:
772:Mel Martin,
768:
762:Kenny Dorham
755:
724:
720:
695:
692:Colin Larkin
633:
626:
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611:
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601:
600:Verve album
595:
581:on bass and
570:
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528:
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474:
467:
464:Pete La Roca
457:
451:
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433:The Prisoner
431:
421:
417:Mode for Joe
415:
409:
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397:
383:
357:
341:Kenny Dorham
333:Kenny Clarke
325:Fort Belvoir
321:Fort Benning
314:
311:Early career
302:
290:Barry Harris
286:Yusef Lateef
258:
229:Lester Young
226:
222:Kenny Dorham
215:
181:
180:
142:Years active
87:(2001-06-30)
18:
1754:2001 deaths
1749:1937 births
1687:Soundtracks
1609:Live albums
1507:Jason Paige
1497:Dave Pietro
1467:Steve Conte
1447:Roy McCurdy
1422:Luther Kent
1417:Ron McClure
1382:Bobby Doyle
1357:Jim Fielder
1337:Jerry Weiss
1288:Jon Ossman
1223:Discography
1026:Canyon Lady
815:Scott Yanow
650:Discography
567:Chick Corea
477:Miles Davis
456:, 1963 and
448:Andrew Hill
390:) in 1996.
372:avant-garde
345:Junior Cook
319:: first in
294:Donald Byrd
111:jazz fusion
1743:Categories
1670:Super Hits
1617:In Concert
1437:Mike Stern
1432:Steve Khan
1412:Tom Malone
1372:Lew Soloff
1352:Steve Katz
1204:Recorda Me
977:The Kicker
948:Inner Urge
661:References
640:California
579:Ron Carter
489:Ron Carter
453:Black Fire
438:Lee Morgan
411:Inner Urge
329:Kenny Drew
277:Larry Teal
249:Lee Konitz
218:Lima, Ohio
212:Early life
133:Instrument
125:Occupation
75:Lima, Ohio
68:1937-04-24
1557:New Blood
1442:Don Alias
1327:Al Kooper
1165:Barcelona
966:Milestone
941:In 'n Out
934:Our Thing
916:Blue Note
644:emphysema
583:Al Foster
509:Milestone
472:, 1965).
400:Blue Note
317:U.S. Army
233:Stan Getz
207:Biography
197:Milestone
193:Blue Note
168:Milestone
158:Blue Note
136:Saxophone
116:soul jazz
1578:New City
1564:No Sweat
1216:articles
1097:Big Band
1012:Multiple
984:Tetragon
927:Page One
777:Archived
757:Page One
731:Archived
405:Page One
353:Birdland
337:Maryland
251:and the
216:Born in
128:Musician
1705:Singles
1319:Bo Bice
1214:Related
364:R&B
261:Detroit
1157:albums
1116:albums
1054:albums
969:albums
919:albums
708:
527:, and
199:, and
151:Labels
99:Genres
77:, U.S.
1155:Other
1051:Verve
783:, in
469:Basra
388:Verve
368:Latin
360:bebop
201:Verve
163:Verve
1631:Live
1114:Live
1062:Four
870:2015
706:ISBN
536:film
491:and
414:and
370:and
331:and
305:UNAC
292:and
269:bass
239:and
186:jazz
106:Jazz
82:Died
62:Born
48:and
760:by
440:'s
430:'s
351:at
271:at
1745::
817:,
800:.
741:^
669:^
638:,
523:,
487:,
483:,
436:,
426:,
366:,
300:.
288:,
247:,
235:,
231:,
203:.
195:,
1729:"
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1257:e
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900:e
893:t
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872:.
714:.
466:(
450:(
386:(
70:)
66:(
25:.
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