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Galerie Fabre: frescoes, fragments of large murals, assembled architectural maquettes, still life or figures ... They show the artist under different aspects manifesting all the fiery wealth and complex diversity. Some urban landscapes will give an idea of the passage of Torres-Garcia by New York were a feverish spectacle of the business city captivated some time his artistic inquietude in search of its rhythm. Although he has played a major role in the development of the Mediterranean school, Garcia is bent with such a force towards his personal inclination he has always cleared away from the prejudices of isms (schools) that might limit his personal growth." "However, by returning to the Classicism of his early work he made it clear that this was not an artistic language he had sought to vanquish through abstraction". Torres-García was part of a May 1927 group show with
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Catalonia noucentista. "In one of the frescoes ... Torres-Garcia represented a gigantic Pan-god with a quote from Goethe's 'Faust' at his feet: 'The temporal is only a symbol'. 'That is the key to all the poetics of Torres-García, the will to surrender to the ephemeral in order to reach eternity,' explained
Llorens. For Torres-García, classicism was the door of a better future, not a brake for modernity." Torres-García used
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567:: "He determined to take the pulse of the greatest and most modern of cities, New York." "Despite being one of the most important artists of the moment, Torres García did not lull, and in 1920 he went to New York to continue exploring what they called modernity and began to cling to the ephemeral and temporal, what he drew in the city of skyscrapers connects with what John Dos Passos reflected in
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560:'Descubrimiento de si mismo (Discovery of Oneself)." He presented an exhibition at Galeries Dalmau of "Joguines d'Art (Artistic Toys)": "The toys teach children which are the correct colors, the correct forms. Each toy is a form, a color that mixes with other shapes and colors and finally becomes a whole: a dog, a car, a city. The toys guide future generations to acquire a natural eye."
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1741:Ángel Kalenberg, Seis Maestros De La Pintura Uruguaya: Juan Manuel Blanes, Carlos Federico Saez, Pedro Figari, Joaquin Torres García, Rafael Barradas y José Cúneo. Edited by Museo Nacional de Bellas Artes de Buenos Aires. Catálogo de la exposición realizada entre Septiembre y Octubre de 1987. Avda. del Libertador, 1473. Buenos Aires, 1987. Montevideo, 1987.
818:. Torres-García returned to the maternity theme from his 1914 Barcelona mural that year, creating a mural for the Sindicato Médico del Uruguay; he also painted seven monumental mural frescoes for the Hospital Saint Bois tuberculosis sanitarium. Torres-García died on 8 August 1949 while preparing two exhibitions: one at the
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exercises from casts, prints, or books. Instead, drawing lessons were grounded in direct observation of reality, using common household objects, leaves, fruits, fish, flowers, and animals. This approach laid the groundwork for the vocabulary of his
Universal Constructivism, emerging as a progressive pedagogical exercise.
493:, where he reconnected with friends and explored numerous museums and galleries. During this time, elements of cubism began to appear in his work, aligning with the theories presented in "Du Cubisme," published in 1912. This influence was evident in his art showcased at the 1912 Paris exhibition, organized by the
535:("These short essays may be of interest also because they are closely related to, something that is alive, sprung from our tradition, in thought and in reality, to form the true Renaissance of Catalonia"). Torres-García then founded the Escuela de Decoración (School of Decoration/Decorative Arts) in Sarrià. "
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Gabriel
Peluffo Linari, History of the Uruguayan painting. Editions of Eastern band limited liability company. Gaboto 1582. Montevideo 11200. Uruguay, 1999 imaginary Tomo the 1 National-regional (1830–1930) from Blanes to Figari Tomo 2 Between localismo and universalismo: Representations of modernity
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Mercedes Doñate, Torres Garcia: Pintures de Mon Repos, Published by the Museum of modern Art of the Museum of Art of Catalunya and the Caixa of Terrassa. I catalogue of the exhibition that place in the museum of modern art of the MNAC took, and in the Cultural Foundation of the Caixa of Terrassa.
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Prat de la Riba commissioned Torres-García frescoes for the atrium of the
Municipal Palace of Barcelona, a 15th-century Gothic palace and seat of government in Catalonia. During the next five years, he painted four large frescoes and studies for another two. The paintings became the new symbol of the
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in 1912 and often mentioned his work in 'La Ben
Plantada,' a book epitomizing the noucentisme movement. However, Torres-García did not align himself with D'Ors' views. His divergence was evident in two texts he published before the emergence of noucentisme around 1910: "Augusta et Augusta" (1904) and
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just a label. What mattered was creating a new image a new language within a traditional composition, in which he balanced representation and abstraction with signs. He had two solo exhibitions in 1931 at the
Galerie Jeanne Bucher and the Galerie Percier, and a group show in October of that year at
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for the third time in 1926, and was a key animator of the interwar abstract movement over the next six years. He exhibited 34 works, a series of large, classical nudes, and paintings from New York at the
Galerie A. G. Fabre. "Forty works make up this presentation of Torres-Garcia first exhibit here
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composition for pagan subjects adapted to modern themes, demonstrating that classicism is not unique to the Greeks. He painted the rhythm of a structure, as he described in "El
Descubrimiento de si mismo" and "Evolucionista" (both published in 1917). Torres-García later used the same composition in
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Joaquim Torres i García; Estherde Cáceres, Carmelo de Arzadum, Alfredo Cáceres, Pablo Purriel, Juan R. Menchaca, i Guido Castillo, the decoration mural of the Martirené pavilion of the colony Saint Bois. Murals paintings of pavilion J.J. Martirené Hospital of the colony Saint Bois. South graphs.
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The Joaquín Torres-García Hall in the Palace of the Generalitat of Catalonia houses the frescoes painted by the artist on the walls of Salon Sant Jordi from 1912 to 1916, commissioned by President of the Council and the Commonwealth of Catalonia Enric Prat de la Riba. Torres-García worked on the
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In 1918, "Torres-García can be seen exploring the grid structure,' on the one hand as an inherent characteristic of a modern city and on the other as a form to explore the symbolic potential of everyday motifs. He also explored the potential for language within images, as in the 1916–17 drawing
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In 1907, Torres-García began his teaching career and soon became involved with the experimental school Colegio Mont d'Or, founded by his friend and progressive educator Joan Palau Vera. Breaking away from the conventional academic methods of the time, Colegio Mont d'Or eschewed traditional copy
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he wrote a series of articles on painters, including an interview with Georges Braque. "But if Mondrian wanted to explore modernity by a single path, he (Torres-García) wanted to get to the bottom by two paths at the same time, starting from reason but not avoiding intuition".
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Jacques Lassaigne, Ángel Kalenberg, Maria Helena Vieira da Silva, Michel Seuphor, Jean Hélion, Torres-Garcia. Construction et Symbols. Published by the Museum of Modern Art of Villa of Paris. Catalogue of the exhibition made between June and August 1975. Paris,
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Torres-García visited Paris for a second time with thirty-two crates of paintings after an encounter with his friend Picasso, who advised him to remain there: "Do not to go to America, because it will be like leaping into a void". His work evolved from
594:: first on 49th Street, then on 14th Street and finally on West 29th Street. Torres-García continued his series of sketchbooks of the cities he visited, reflecting the city's movement and atmosphere. He painted a series of portraits, including one of
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Carlos Pérez, Pilar Garcia-Sedas, Mario H. Gradowczyk and Emilio Ellena, Aladdin Toys. Them joguines of Torres Garcia. Published by the IVAM. I catalogue of the exhibition that took place in the Valencian Institute of Modern Art in September
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Margit Rowell, Theo van Doesburg, Joaquín Torres-García, Torres Garcia Structure. Paris-Montevideo 1924–1944 Edited by Foundation Joan Miró. Catalogue of the exhibition in the Fundació Joan Miró, Parc de Montjuic in March 1986. Barcelona,
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Tomàs Llorens, Emmanuel Guigon, Juan José Lahuerta, J. Torres-Garcia, Editorial Ausa y Institut de Cultura de Barcelona, Barcelona, 2003, catalogue of the exhibition that took place in Museo Picasso de Barcelona, 25 November to 11 April
533:"Aquestes curtes notes poden tenir interès, demes, per anar estretament lligades, com quelcom de viu, a tot o que arrencant de la nostra tradició, en el pensament i en la realitat, tendeix a formar el ver Renaixement e Catalunya"
508:. Since its debut, this work has been consistently recognized by historians as a foundational piece of noucentisme. Later, Torres-García created a second version of this painting, which is now housed in the collection of the
383:– the sun, the moon, the star, the well, the garden, the tower, the temple – were themes he revisited throughout his career. Following this, Torres-García received numerous commissions for murals, including work for the
539:(president of the Council) had then his newly formulated conception of Catalan nationalism, and sees in the Mediterranean tradition proposed a positive content for the national profile, rich in spiritual substance."
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Torres-García returned to Italy that year, developing his classic and evolutionistic works. Spain banned the Catalan language, including his writings. During this period, Torres-García's mother died. He settled in
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Tomàs Llorens, Emmanuel Guigon, J.Torres-Garcia Un monde construit, Hazan, Strasbourg, 2002, catalogue of the exhibition that took place in Musée d'Art Moderne et Contemporain de Strasbourg, 24 May to September
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Jorge Castle, Nicolette Gast, Eduardo Lipschutz-Villa, and Sebastián López, The antagonistic Link. Joaquin Torres Garcia-Theo van Doesburg. Published by Institute of Contemporary Art. Ámsterdam, 1991.
406:"La nostra ordinacio I el nostre cami" (1907). In classicism, Torres-García sought a model for order, a language, and a cultural reference point that would enable him to transcend realism and develop
774:). Torres-García presented a solo exhibition at the Society of Architects of Uruguay in November of that year. In July 1942, he received a visit from Committee of Inter-American Relations curator
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was a student of Torres-García in Barcelona who acknowledged his teacher's influence, and Torres-García's constructive paintings influenced the evolution of Latin American geometric abstraction.
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Alicia Haber, Joaquin Torres Garci'a. Eternal Catalonia. Sketches and drawings for the fresh airs of the Delegation of Barcelona. Edited by Foundation Torres García. Montevideo, 1988.
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Michael Peppiatt, Jean-Michel Basquiat - Gaston Chaissac - Jean Dubuffet - Joaquin Torres-Garcia, New York, catalogue of the exhibition that took place in Jan Krugier Gallery, 2003.
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María Jesús García Puig, Joaquin Torres Garcia and the Constructive Universalismo: The education of the art in Uruguay. Editions of Hispanic culture. Collection Art. Madrid, 1990.
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Jacques Lassaigne, Torres-Garcia. Works destroyed in the fire of the museum of modern art of Rio de Janeiro, Published by the Torres Foundation Garci'a. Montevideo, Uruguay. 1981.
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He returned to Montevideo in April 1934 for the first time since childhood. In August of that year, Torres-García exhibited paintings, sculptures and the work of the
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202:(28 July 1874 – 8 August 1949) was a prominent Uruguayan-Spanish artist, theorist, and author, renowned for his international impact in the modern art world. Born in
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Tomás Llorens, Nicolás Arocena Armas, Torres-Garcia a les seves cruilles-Torres-Garcia en sus encrucijadas. Barcelona, Spain: Museu Nacional d'Art de Catalunya 2011.
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Influenced by European, North American and South American modern art, his work evolved into a more abstract structure; Picasso, seven years younger, was a follower.
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Torres-García announced the closing of the Association of Constructive Arte school in the last of 500 lectures he gave between 1934 and 1940. In 1941, he published
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Arocena Armas, Nicolas. Biography. Torres-Garcia a les seves cruilles-Torres-Garcia en sus encrucijadas. Barcelona, Spain: Museu Nacional d'Art de Catalunya 2011.
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In 1911, Torres-García showcased his painting 'Philosophy X Musa' at the sixth International Exhibition of Art in Barcelona, subsequently donating it to the
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Juan de Gary. Mai 1926 Excerpt from the catalog of the exhibition at Galeri A.G. Fabre 20 Rue de Miromesnil du 7 au 20 de Juin 1926. Translated from French
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Nicolás Arocena Armas, Eric Corne, Marina Bairrão, Emmanuel Guigon, Domitille D'Orgeval, La ituicion y la Estructura, Lisboa, Museo Coleccao Berardo, 2008.
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Pilar García-Sedas, Joaquim Torres Garcia. Epistolari Català: 1909–1936. Curial Edicions Catalan. Publicacions of l' Abbey of Montserrat, Barcelona, 1997.
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Pilar Garcia-Sedas, Joaquin Torres the Striped Garcias and Rafael. Dialeg escrit: 1918–1928. Publicacions of l' Abbey of Montserrat. Barcelona, 1994.
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first mural for 13 days, beginning on 28 July 1912, and it was unveiled on 13 September of that year. The four completed frescoes are entitled
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and Torres-Garcia will create the foundations for the three most important movements to promote abstract art: "Cercle et Carre" (1929–1930), "
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Catàleg de l'Exposició de Joaquim Torres García, organitzada a les Galeries Dalmau del Passeig de Gràcia, del 12 al 25 de juny 1926 Barcelona
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Llorens, Tomas.Torres-Garcia a les seves cruilles-Torres-Garcia en sus encrucijadas. Barcelona, Spain: Museu Nacional d'Art de Catalunya 2011
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in August 1929. Torres-García then had another solo exhibition at the Galerie Carmine. As a correspondent for the Catalan literary magazine
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Arocena Armas, Nicolas. Torres-Garcia- Pythagoras- Plato A Geometric Dialogue, or the Eye of the Soul, Lisboa, Museo Coleccao Berardo, 2008
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707:. The following year, Torres-García presented a solo exhibition of paintings and sculptures at the Galerie Pierre. "The friendship between
375:. This project, spanning from 1902 to 1905, became a key event in his career. Torres-García worked on the Cathedral of Palma de Majorca, a
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Catàleg de l'Exposició de Joaquim Torres García, organitzada a la Galerie Carmine, del 16 al 30 de juny. París. Pròleg de Joseph Milbauer
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and Runser at the Galerie d'art du Montparnasse, and had a solo exhibition of paintings at the Galerie Carmine from 16 to 30 June 1927.
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to undertake a painting project for a pavilion at the Brussels International World Fair. Following this, he spent an extended period in
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29 December 2013 – 2 March 2014, Art & Textiles: fabric as material and concept in modern art from Klimt to the present,
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works. He designed, built, and decorated his home in Tarrasa ("Mon Repos") with frescoes, and invited friends and pupils to a
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were contemporaries. Both began their artistic lives in modern Barcelona ... whose privileged epicenter was the cafe
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on a universal scale. He eventually distanced himself from noucentista artists like Sunyer, Canals, Aragay, and D'Ors.
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Miguel Angel Battegazzore, the plot and the signs, Impresora Gordon, S.A. Av. General Rondeau 2485, Montevideo, 1999.
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masterpiece, crafting the lateral stained-glass windows and the small rose window in the apse. His interpretation of
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8 October 2005 – 15 February 2006, Le feu sous les cendres : de Picasso à Basquiat, Fondation Dina Vierny-
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Robbins, Daniel. Joaquin Torres-Garcia 1874–1949. Providence, Museum of Art Rhode Island School of Design, 1970
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In 1891, Torres-García's father moved the family back to Spain, where Torres-Garcia and his siblings acquired
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Annual exhibition of painting and sculpture by members of the Club, New York, N.Y., Whitney Studio Club, 1922
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Llorens, Tomas. Arocena Armas, Nicolas, J.Torres-Garcia, New York, Joaquin Torres-Garcia Archive, 2011. Notes
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2003, Jean-Michel Basquiat-Gaston Chaissac-Jean Dubuffet-Joaquin Torres-Garcia, Jan Krugier Gallery, New York
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Torres-García's first significant success came with his solo exhibition at the Salon La Vanguardia Gallery.
290:. Torres-García studied with a local painter, and soon showed an aptitude for art. When the family moved to
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Joan Sureda Pons, Torres Garcia. Classic passion. Akal editions/contemporary Art. Number 5. Madrid, 1998.
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Joaquín Torres-García, "Constructive" Oil on canvas, 65 x 54 cm. Collection Patricia Phelps de Cisneros.
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Joaquín Torres-García was born on July 28, 1874, in Montevideo, Uruguay, a bustling port city amidst the
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Exposició de dibuixos i pintures de Joaquim Torres García, Galeries Dalmau, 1912 (exhibition catalogue)
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Torres-Garcia, Joaquin. Historia de mi vida. Montevideo, Ediciones Asociacion Arte Constructivo, 1939.
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Claude Schaefer, Joaquin Torres García. Ed. Poseidón. Library Argentina de Arte. Buenos Aires, 1949.
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754:) an autobiographical novel, in 1937. Two years later, Torres-García began work on the pink-granite
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in 1922, describing his work as "expressionistic and geometric at the same time, and very dynamic".
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16 May – 11 September 2011, Torres-García a les seves cruïlles (Torres-García at his Crossroads),
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Frescoes Torres-Garcia created in 1914 in his home built in the surrounding suburbs of Barcelona.
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in December 1928, and was part of a group exhibition at the Galerie des Editions Bonaparte with
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April 12 - June 29, 2018, The Worlds of Joaquín Torres-Garcia, Acquavella Galleries, New York.
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519:: Torres-García (works from his Noucentista period) and Pablo Picasso, with drawings from his
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Enric Jardí, Torres García. Editorial Polígrafa, S. A., Balmes, 54 – 08007, Barcelona, 1973.
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in 1925, and had another solo exhibition at Galeries Dalmau in Barcelona the following year.
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7 October 2005 – 19 February 2006, Obras maestras del siglo XX en las colecciones del
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22 Apr 2013 – 30 Jun 2013, From Picasso to Barceló: Spanish Sculpture of the 20th Century,
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Con respecto a una futura creación literaria y dos poemas, Divertimento 1 y Divertimento 11
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in New York and other at the Pan American Union in Washington. He died of a heart attack.
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September 2002, From Puvis De Chavannes to Matisse and Picasso : Toward Modern Art,
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2605:"Construcción con dos máscaras (Construction with Two Masks) • Pérez Art Museum Miami"
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242:. Torres-García's legacy is deeply rooted in his development of Modern Classicism and
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25 October 2015 – 15 February 2016, Joaquín Torres-García: the Arcadian modern,
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with van Doesburg, and assembled a group of 80 artists. Torres-García left for the
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penned a review entitled 'Joaquin Torres-Garcia, Decorator,' which was featured in
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24 May – 8 September 2002, Joaquin Torres-Garcia : un monde construit :
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Schaefer, Claude. Joaquin Torres-Garcia. Buenos Aires, Editorial Poseidon, 1949.
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Llorens, Tomas. J.Torres-Garcia, New York, Joaquin Torres-Garcia Archive, 2011.
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598:. Torres-García depicted Broadway's cityscape and people. He exhibited at the
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1703:. Torres-Garcia, Joaquin, Volume III, p. 153. Barcelona, Milà, 1966.
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December, 2008 - April 2009, Torres García a Vieira da Silva, 1929–1949,
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Torres-Garcia a les seves cruilles-Torres-Garcia en sus encrucijadas
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Torres-Garcia a les seves cruilles-Torres-Garcia en sus encrucijadas
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31 May – 23 August 1992 Joaquin Torres-Garcia en Theo van Doesburg,
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2434:. Barcelona, Spain: Museu Nacional d'Art de Catalunya. p. 18.
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La decoración mural del pabellón Martirené de la colonia Saint Bois
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commissioned Torres-García to create stained-glass windows for the
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2195:. Barcelona: Generalitat de Catalunya. p. 22. Archived from
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523:(February - March 1912). Torres-García published his first book,
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Modern art, noucentisme, constructivism, universal constructivism
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El Palau de la Generalitat de Catalunya Resum de 600 anys d'art
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El Palau de la Generalitat de Catalunya Resum de 600 anys d'art
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Surio, Dario. Torres-Garcia. Rose Fried Gallery, New York, 1965
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in 1903. He wrote a text for Torres-García's exhibition at the
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2363:"Joaquín Torres-García (1874–1949) One Man, Three Continents"
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2267:. Valencia: IVAM Institut Valencia d'Art Modern. p. 56.
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Woodcut invitation by artist dated 1915. ill. Eric Jardi 1973
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344:. In 1900, Torres-García experienced the loss of his father.
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La tradición del hombre abstracto (Doctrina constructivista)
1912:. Providence: Museum of Art, Rhode Island School of Design.
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Construcción con dos máscaras (Construction with Two Masks)
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Sureda Pons, Joan. Torres-Garcia, Pasion Clasica. Madrid,
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25 November 2003 – 11 April 2004, Torres-Garcia,
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Utrillo, Miguel. "Joaquin Torres-Garcia, Decorator".
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and Nelson A. Rockefeller. Torres-García founded the
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Torres-García married the Spanish-Uruguayan painter
131:
Painting, sculpture, writing, teaching, illustration
2106:, Edicions Polígrafa, S.A., Barcelona, 1975, p. 196
1869:
Llorens, Tomas. Torres-Garcia. Editorial Ausa, 2003
1502:. Montevideo, Asociación de Arte Constructivo, 1946
1496:. Montevideo, Asociación de Arte Constructivo, 1946
1460:, Montevideo, Asociación de Arte Constructivo, 1940
1454:, Montevideo, Asociación de Arte Constructivo, 1939
1436:, Montevideo, Asociación de Arte Constructivo, 1938
2293:"Las encrucijadas de Torres-García llegan al MNAC"
2215:"Las encrucijadas de Torres-García llegan al MNAC"
1960:. Barcelona: Generalitat de Catalunya. p. 22.
1875:Rafols, F. Josep, Torres-Garcia, Barcelano, 1926.
1380:L'Art en relació al home etern i l'home que passa
473:, 1912 Torres-García solo exhibition in Barcelona
2699:
2265:Grandes Artistas: La mirada de los descendientes
2014:"Manolita Piña, viuda del pintor Joaquín Torres"
1488:En defensa de las expressiones modernas del arte
678:Constructivism to Torres-García was the same as
2521:Tomas Llorens; Abigail McEwan; Frederic Tuten.
1701:Biographical Dictionary of artists of Catalonia
531:), in May 1913. In the introduction, he wrote:
1404:Ce que je sais, et ce que je fais par moi-même
2325:
1937:
926:). The murals were hidden from 1926 to 1966.
2683:Joaquin Torres Garcia, Museum of Modern Art
1267:
2156:: CS1 maint: location missing publisher (
1989:. New York: Joaquin Torres-Garcia Archive.
1452:Metafísica de la prehistoria indoamericana
1388:, Barcelona, Salvat Papasseit Editor, 1919
758:, a representative work from this period.
515:In 1912, two exhibitions were held at the
1428:De la tradición andina: Arte precolombino
1382:, Sitges, Imprenta El eco de Sitges. 1919
2577:
2290:
2141:
1308:Dibujo educativo en el colegio Mont D'Or
1003:
825:
669:
476:
465:
248:
2477:
2429:
2170:
1304:, Barcelona, Universitat Catalana, 1904
719:"(1931–1936)." He founded the magazine
14:
2700:
2262:
2212:
2075:
1430:, Montevideo, Círculo y cuadrado, 1936
1412:, París, Fundación Torres García, 1931
1376:, Barcelona, Un Enemic del poble, 1918
1370:, Barcelona, Un Enemic del poble, 1918
1362:El Públic i les noves tendéncies d'art
1358:, Barcelona, Un enemic del poble, 1917
1352:, Barcelona, Un enemic del poble, 1917
1346:, Barcelona, Un enemic del poble, 1917
1334:, Barcelona, Un enemic del poble, 1917
421:in 1908. She would go on to found the
2580:"The Worlds of Joaquín Torres-García"
2538:"The Worlds of Joaquín Torres-García"
2516:
2514:
2473:
2471:
2425:
2423:
2402:"The Worlds of Joaquín Torres-García"
2396:
2394:
2321:
2319:
2317:
2315:
2313:
2286:
2284:
2239:
2237:
1970:
1619:27 March 2009, Trazos de Nueva York,
1524:
1434:Manifiesto 2: Constructivo 100 %
842:
2668:Smithsonian Archives of American Art
2663:Rhode Island School of Design Museum
2185:
1955:
1951:
1949:
1920:
1918:
1904:
1902:
1900:
1583:
1563:Constructive City with Universal Man
1512:Lo aparente y lo concreto en el arte
1295:
924:The Temporal is Nothing But a Symbol
27:Spanish Uruguayan artist (1874-1949)
2818:Uruguayan people of Spanish descent
2813:Uruguayan people of Catalan descent
2523:The Worlds of Joaquin Torres-Garcia
2243:
2011:
1928:. Buenos Aires: Editorial Poseidon.
1673:Musée d'art moderne et contemporain
889:Palau de la Generalitat (1913-1917)
742:group and reedited the magazine as
563:In 1919, Torres-García visited the
24:
2535:
2511:
2468:
2420:
2391:
2310:
2281:
2234:
2076:Clarín, Redacción (2 April 2024).
1478:, Montevideo, Revista Arturo, 1944
25:
2829:
2793:20th-century Spanish male artists
2626:
2578:Clifford, Benjamin (1 May 2018).
1973:Torres-Garcia Memorial Exhibition
1946:
1915:
1897:
1708:Joaquin Torrers-Garcia, 1874–1949
1614:Museu Nacional d'Art de Catalunya
259:Museu Nacional d'Art de Catalunya
2673:Museo Torres García – Montevideo
2648:Museo Centro de Arte Reina Sofia
1494:Nueva escuela de arte de Uruguay
1484:. Montevideo, Gráficas Sur, 1944
1286:
1277:
1253:
1239:
1230:
1216:
1204:
1189:
1175:
1161:
1147:
1133:
1119:
1105:
1091:
1077:
1063:
1049:
1040:
1026:
1010:
994:
985:
976:
967:
958:
949:
940:
931:
920:Lo temporal no es mes que simbol
879:
870:
861:
852:
637:He had a solo exhibition at the
436:and Ifigenia and two boys named
120:Escuela Oficial de Bellas Artes
42:
2597:
2571:
2529:
2496:
2482:. Editorial Ausa. p. 255.
2457:
2448:
2380:
2355:
2344:
2326:Arocena Armas, Nicolas (2011).
2256:
2225:
2206:
2179:
2164:
2135:
2120:
2109:
2096:
2069:
1975:. New York: Rose Fried Gallery.
1910:Joaquin Torres-Garcia 1874–1949
1686:
1552:Construction in White and Black
727:and finished the manuscript of
302: ..." Classmates included
158:
2039:
2005:
1992:
1979:
1964:
1938:Doyle Duncan, Barbara (1971).
1931:
604:Society of Independent Artists
13:
1:
2788:20th-century Spanish painters
2367:Joaquín Torres-García Archive
2213:Penelo, Lidia (17 May 2011).
1851:
1418:, Ediciones Imán, París, 1932
1340:, Barcelona, La Revista, 1917
393:, the originator of the term
253:Portrait of Torres-García by
2733:Uruguayan surrealist artists
2536:Market, The Editors of Art.
1608:National Art Museum of China
1364:, Barcelona, Velli nou, 1918
265:
7:
2430:Llorens, Tomàs (May 2011).
1770:Joan Sureda Pons, Narcís ,
1386:La Regeneració de si mateix
1197:Figuras sobre uma estrutura
506:Institut d'Estudis Catalans
485:Torres-García journeyed to
481:Another view of the gallery
10:
2834:
2728:Spanish surrealist artists
2688:Metropolitan Museum of Art
2633:http://www.philamuseum.org
2142:Marquina, Eduardo (1933).
1518:La recuperación del objeto
1470:Universalismo Constructivo
1392:Poemes en ondes hertzianes
1326:Descubrimiento de sí mismo
1034:Poemes en ondes hertzianes
625:Torres-García returned to
187:
181:https://jtorresgarcia.com/
2658:Albright-Knox Art Gallery
2643:http://www.guggenheim.org
2406:Wall Street International
1924:Schaefer, Claude (1949).
176:
168:
143:
135:
127:
116:
99:
83:
57:
41:
34:
2693:http://www.musee-lam.fr/
2653:Museo Thyssen-Bornemisza
2171:Wheeler, Monroe (1971).
2047:"El Museo Torres García"
1908:Robbins, Daniel (1970).
1775:Barcelona, January 1995.
1545:El pintor con su familia
837:
244:Universal Constructivism
2778:Painters from Catalonia
2748:Painters from Barcelona
2638:National Gallery of Art
2478:Llorens, Tomas (2003).
2263:Molins, Javier (2003).
1985:Llorens, Tomas (2011).
1699:Josep Francesc Ràfols,
761:
665:
576:
461:
347:
270:
2773:Uruguayan male artists
2758:Spanish male sculptors
2738:20th-century sculptors
2609:Pérez Art Museum Miami
1942:. University of Texas.
1632:Museu Colecção Berardo
1577:Pérez Art Museum Miami
1406:, Losones, Suiza, 1930
1224:Pintura constructiva 2
1183:Pintura constructiva 5
675:
632:Stanislaw Eleszkievicz
482:
474:
419:Manolita Piña i Rubíes
262:
210:, his family moved to
2798:Spanish male painters
2186:Roca, Alfons (2012).
2173:Joaquin Torres-Garcia
2102:Josep Palau i Fabre,
1971:Surio, Dario (1965).
1956:Roca, Alfons (2012).
1940:Joaquin Torres-Garcia
1926:Joaquin Torres-Garcia
1601:Kunstmuseum Wolfsburg
1535:, oil on canvas, 1903
1506:Mística de la pintura
1332:Consells als artistes
1004:Paintings (1918–1943)
826:Influences and legacy
685:Galerie Georges Petit
673:
480:
469:
385:Church of San Agustin
318:, Pablo Picasso, and
277:South American Pampas
252:
200:Joaquín Torres-García
188:In this article, the
62:Joaquín Torres Garcia
48:Torres-García at the
36:Joaquín Torres García
18:Joaquín Torres García
2718:Constructivism (art)
2244:Roe, Jeremy (2011).
2146:. Madrid. p. 4.
2012:EFE (14 June 1994).
1680:The Stedelijk Museum
1594:Museum of Modern Art
1557:Museum of Modern Art
1539:La casa del lavadero
1464:La ciudad sin nombre
1394:, 1919 (illustrator)
820:Sidney Janis Gallery
780:Taller Torres Garcia
717:Abstraction-Creation
620:Villefranche-sur-Mer
52:in Barcelona in 1903
2507:. 15 November 1931.
2104:Picasso a Catalunya
2051:Museo Torres García
1621:Museo Torres-Garcia
1446:Historia de mi vida
896:La Catalunya Eterna
772:A City With No Name
748:Historia de mi vida
725:Community of Madrid
612:Stanisław Szukalski
423:Museo Torres García
288:Spanish citizenship
94:Montevideo, Uruguay
2768:Uruguayan painters
2563:has generic name (
2202:on 6 October 2015.
1525:Selected paintings
1520:, Montevideo, 1948
1514:, Montevideo, 1948
1508:, Montevideo, 1947
1500:La regla abstracta
1490:, Montevideo, 1944
1472:, Montevideo, 1944
1448:. Montevideo, 1939
1442:. Montevideo, 1938
1424:, Montevideo, 1935
1302:Augusta et Augusta
843:Mon Repos frescoes
744:Circulo y Cuadrado
676:
570:Manhattan Transfer
554:housewarming party
510:Reina Sofia Museum
483:
475:
263:
2763:Spanish muralists
2753:Spanish sculptors
2584:The Brooklyn Rail
2441:978-84-8043-232-0
2337:978-84-8043-232-0
2057:on 6 October 2010
1840:978-84-482-5105-5
1693:Montevideo, 1944.
1616:(MNAC), Barcelona
1584:Major exhibitions
1338:Em digué tot aixó
1316:, Barcelona, 1913
1310:, Barcelona, 1907
1296:Selected writings
1269:Monumento Cosmico
1261:Arte constructivo
1113:Paisaje de ciudad
1019:América Invertida
900:Catalunya Eternal
768:Ciudad sin Nombre
756:Monumento Cosmico
729:Arte Constructivo
186:
185:
16:(Redirected from
2825:
2743:Spanish painters
2713:Abstract artists
2620:
2619:
2617:
2615:
2601:
2595:
2594:
2592:
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2246:"Creative Forks"
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2194:
2183:
2177:
2176:
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2147:
2144:J. Torres-Garcia
2139:
2133:
2129:Veu de Catalunya
2124:
2118:
2113:
2107:
2100:
2094:
2093:
2091:
2089:
2073:
2067:
2066:
2064:
2062:
2053:. Archived from
2043:
2037:
2036:
2034:
2032:
2009:
2003:
1996:
1990:
1987:J. Torres-Garcia
1983:
1977:
1976:
1968:
1962:
1961:
1953:
1944:
1943:
1935:
1929:
1922:
1913:
1906:
1706:Daniel Robbins,
1416:Raison et nature
1290:
1281:
1257:
1243:
1234:
1220:
1208:
1193:
1179:
1165:
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1141:Paisaje de playa
1137:
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883:
874:
865:
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776:Lincoln Kirstein
752:Story of My Life
602:gallery and the
457:
446:
435:
337:Barcelona Cómica
162:
160:
90:
71:
69:
46:
32:
31:
21:
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2723:School of Paris
2708:Modern painters
2698:
2697:
2629:
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2598:
2588:
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2512:
2505:Esprit Français
2503:"Expositions".
2502:
2501:
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2490:
2476:
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2408:. 10 April 2018
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1965:
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1932:
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1579:, United States
1527:
1314:Notes sobre Art
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1099:Interior-Salvat
1096:
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936:
891:
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875:
866:
857:
845:
840:
828:
788:Gonzalo Fonseca
764:
746:. He published
740:Cercle et Carre
721:Cercle et Carre
715:" (1930); and "
668:
579:
537:Prat de la Riba
525:Notes sobre Art
517:Galeries Dalmau
471:Galeries Dalmau
464:
451:
440:
429:
403:Galeries Dalmau
373:Palma Cathedral
350:
300:Els Quatre Gats
273:
268:
232:Cercle et Carré
197:
164:
161: 1908)
156:
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50:Sagrada Família
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2627:External links
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2131:, 7 March 1912
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2020:(in Spanish).
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1883:Ediciones Akal
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810:and his sons,
763:
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600:Whitney Studio
578:
575:
550:constructivist
463:
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449:Horacio Torres
438:Augusto Torres
427:Olimpia Torres
381:Marian symbols
377:Spanish Gothic
354:Miguel Utrillo
349:
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320:Julio Gonzalez
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91:(aged 75)
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680:neoplasticism
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87:8 August 1949
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2405:
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2302:29 September
2300:. Retrieved
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2197:the original
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2103:
2098:
2086:. Retrieved
2084:(in Spanish)
2081:
2071:
2059:. Retrieved
2055:the original
2050:
2041:
2029:. Retrieved
2017:
2007:
1999:
1994:
1986:
1981:
1972:
1966:
1957:
1939:
1933:
1925:
1909:
1806:(1930–1960).
1707:
1700:
1687:Bibliography
1675:, Strasbourg
1630:, Valencia,
1623:, Montevideo
1572:
1567:
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1458:Manifiesto 3
1457:
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1433:
1427:
1421:
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1403:
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1391:
1385:
1379:
1374:Natura i Art
1373:
1367:
1361:
1356:Art-Evolució
1355:
1349:
1343:
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1331:
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1319:
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919:
915:
911:
907:
903:
899:
895:
892:
846:
829:
804:Raquel Orzuj
792:José Gurvich
771:
767:
765:
755:
751:
747:
743:
739:
737:
728:
720:
709:van Doesburg
677:
658:
655:Vantongerloo
636:
624:
616:
608:Stuart Davis
580:
568:
562:
558:
541:
532:
529:Notes on Art
528:
524:
514:
503:
495:Section d'Or
484:
416:
412:
389:
369:Antoni Gaudí
366:
351:
341:
335:
329:
323:
308:Manolo Hugue
285:
274:
199:
198:
193:
89:(1949-08-08)
72:28 July 1874
29:
2803:1949 deaths
2783:1874 births
2614:8 September
2000:Pèl i Ploma
1682:, Amsterdam
1658:, Barcelona
1568:Composition
1410:Pére soleil
1368:Plasticisme
904:L'Etat d'Or
800:Julio Alpuy
713:Art Concret
643:John Graham
639:Galerie Zak
545:iconostatic
521:Blue Period
512:in Madrid.
452: [
441: [
430: [
408:Catalan art
395:Noucentisme
362:Ramon Casas
358:Pèl i Ploma
312:Joaquim Mir
255:Ramon Casas
100:Nationality
2702:Categories
2297:publico.es
1852:References
1634:, Portugal
1596:, New York
1422:Estructura
808:Lily Salvo
784:Olga Piria
689:Giacometti
651:Tutundjian
584:classicism
399:Sala Parés
204:Montevideo
76:Montevideo
68:1874-07-28
2372:5 October
2152:cite book
2127:Picasso,
2026:1134-6582
1603:, Germany
1532:La colada
1211:Contraste
916:The Muses
912:Les Muses
832:Joan Miró
697:Max Ernst
647:Kakabadze
592:Manhattan
367:In 1903,
292:Barcelona
266:Biography
240:Kandinsky
212:Catalonia
122:Barcelona
117:Education
106:Uruguayan
78:, Uruguay
2553:cite web
1772:Comadira
1668:, Venice
1650:Valencia
1575:, 1943.
1127:Interior
1057:Linòleum
693:Ozenfant
499:futurism
487:Brussels
342:La Saeta
220:New York
169:Children
136:Movement
2219:Publico
2018:El País
1641:, Paris
1555:at the
1320:Diàlegs
1169:Pintura
1155:Figuras
1085:Passeig
1071:Bodegom
816:Augusto
812:Horacio
659:Mirador
296:Picasso
208:Uruguay
190:surname
177:Website
163:
155:
109:Spanish
2589:14 May
2543:14 May
2486:
2438:
2412:14 May
2334:
2271:
2250:Apollo
2088:25 May
2082:Clarín
2061:24 May
2031:25 May
2024:
2002:No. 74
1885:, 1998
1838:
1828:
1817:
1792:
1782:
1764:
1751:
1724:
1714:
1559:(1938)
1328:, 1914
1322:, 1914
1271:(1938)
1199:(1930)
918:) and
703:, and
653:, and
588:Cubism
281:Mataró
228:France
144:Spouse
2678:LACMA
2200:(PDF)
2193:(PDF)
1824:2004.
1813:2002.
1799:1998.
1738:1986.
1731:1975.
838:Works
687:with
627:Paris
606:with
491:Paris
456:]
445:]
434:]
224:Italy
216:Spain
157:(
153:
2616:2023
2591:2020
2565:help
2545:2020
2484:ISBN
2436:ISBN
2414:2020
2374:2015
2332:ISBN
2304:2017
2269:ISBN
2158:link
2090:2024
2063:2024
2033:2024
2022:ISSN
1836:ISBN
1826:ISBN
1815:ISBN
1790:ISBN
1780:ISBN
1762:ISBN
1749:ISBN
1722:ISBN
1712:ISBN
1646:IVAM
1628:IVAM
1547:1917
814:and
762:1940
701:Miro
683:the
666:1930
610:and
577:1920
548:his
462:1910
447:and
348:1900
340:and
331:Iris
271:1874
238:and
84:Died
58:Born
1398:Foi
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586:to
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