1296:
1508:" (Good night, existence that cherishes the world). For the rejection of everything earthly, Bach composed a chorale fantasia, with the cantus firmus in the alto voice and repetition of "Gute Nacht" in the two sopranos and the tenor. Jones pointed out that the absence of a bass may depict that "the world" lacks a firm foundation in Christ. The chorale melody used in the movement is slightly different from the one in the other settings within the motet, a version which Bach used mostly in his earlier time in Weimar and before. For Gardiner, the "sublime" music suggests the style of Bach's Weimar period. Jones, however, found that the "bewitchingly lyrical setting" matched compositions from the mid-1720s in Leipzig, comparing the music to the
439:
1382:
56:
1265:
1088:
1051:
920:
837:
1293:" ("Jesus, my joy" or "Jesus, Source of gladness"). The first movement is in E minor, like most other movements related to the hymn. The text, in the first person, speaks of longing for Jesus. Jones noted that the tenor part is particularly expressive. The last movement, the chorale's sixth stanza, has the same music, creating a frame that encloses the whole work:
560:). In the Leipzig version, the melody of the first line is identical to that of the last line. The hymn tune appears in the odd-numbered movements of the motet, completely in the Leipzig version for most stanzas, but paraphrased for the third stanza, and in a slightly different older version in the fifth stanza.
1402:" (Despite the old dragon). The defiant opposition, also to death, fear and the rage of the world, is expressed in a free composition. The soprano melody paraphrases the hymn tune by quoting short motifs from the chorale. The movement is in the bar form as the original melody. Five voices take part in a
747:. The third and fifth movements, both five-part chorale settings, mirror the seventh and ninth movements, both four-part chorale settings. In great variety of chorale settings, the fifth movement is a free setting of the chorale stanza which quotes only motifs from the tune, and the ninth movement is a
598:
in
Leipzig; he concluded that it was written for the funeral of Johanna Maria Kees, the wife of the Leipzig postmaster, on 18 July 1723, because a scripture reading of verse 11 from the Epistle passage set in the motet's tenth movement was documented for the funeral. Daniel R. Melamed, a musicologist
1678:
with his Bach
Cantata Club in chamber formation, which prompted a reviewer to write: "It would be absurd to forbid Bach's Motets to big choirs, but this performance left no doubt that the listener gets the truth of the music from voices few and picked." Scott and the Bach Cantata Club made the first
629:
of 1727, which led Smend to suggest that the work was composed in the 1720s. Melamed thought that the motet was likely in part compiled from music Bach had composed before his
Leipzig period. He based that view on the four-part settings of the chorale movements 1, 7 and 11 (unusual for a five-part
421:
is the longest and most musically complex of Bach's motets. It is scored for up to five vocal parts, which is rare among his works. Most of his vocal church music is to be performed with a four-part SATB choir, while most of his other motets are for double SATB choir. Exceptional compositions with
269:
Unique in its complex symmetrical structure juxtaposing hymn and biblical texts, and with movements featuring a variety of styles and vocal textures, the motet has been regarded as one of Bach's greatest achievements in the genre. In 1927, it became the first of his motets to be recorded. The work
257:
in July 1723, a few months after Bach had moved there, as a scholar proposed in 1912. Since the 1990s, musicologists have come to doubt this, because the order of that funeral was found and shows no reference to music by Bach. At least one of the eleven movements seems to have been composed before
490:
form the odd movement numbers, while the even numbers each take one verse from the
Epistle as their text. The hymn is written in the first person and deals with a believer's bond to Jesus who is addressed as a helper in physical and spiritual distress, and therefore a reason for joy. The singer
1445:
in the fast notes, while the opposite "fleischlich" is a long note stretched over the bar-line. The alto enters during the melisma. All five voices participate in a lively fugue, the only one within the motet. It is a double fugue, with a first theme for the first line, another for the second,
1623:
After Bach's death, the motets, unlike much of his other music, were kept continuously in the repertoire of the
Thomanerchor. A choral version of the entire motet, that is without any indication of instrumental accompaniment, was first published in 1803 in the second volume of
1791:, a complete edition of Bach's vocal works. Modern editions of the motet may supply a reconstructed instrumental accompaniment, such as a continuo realisation, and/or a singable translation of the lyrics, as for instance in Carus's 2003 publication of the motet.
3698:(2002). "Zur Schichtschen Typendruck-Ausgabe der Motetten Johann Sebastian Bachs und zu ihrer Stellung in der Werküberlieferung" [On Schicht's movable font edition of the motets of Johann Sebastian Bach, and on its place in the work transmission].
1476:" (Away with all treasures). While the soprano sings the chorale melody, the lower voices intensify the gesture; "weg" (away) is repeated several times in fast succession. Throughout the movement, the lower voices intensify the expressiveness of the text.
742:
The music is arranged in different layers of symmetry around the sixth movement. The first and last movements have the same four-part setting of the first and last stanzas of Franck's hymn. The second and penultimate movements use the same themes in
1855:
1322:" (There is therefore now no condemnation to them which are in Christ Jesus). The difference between living in the flesh and the spirit is an aspect that is repeated throughout the motet. The movement is also in E minor, but for five voices.
498:
As a key teaching of the
Lutheran faith, the Biblical text reflects on the contrast of living "in the flesh" or "according to the Spirit". The hymn's first line is also the last line of its final stanza, framing the poetry of the whole work.
677:
show a style too advanced to have been written in 1723. He assumed in his 2013 book that the final arrangement of the work likely happened in the late 1720s, when two motets which can be dated with greater certainty were also written:
491:
realizes the world as vanity, and prefers to leave it. Franck used stark images such as "old dragon" and "death's jaw" to express the believer's enemies. The hymn adds a layer of individuality and emotions to
Biblical teaching. When
1568:
This diversified structure of five-, four-, and three-part movements, with shifting configurations of voices and a highly interpretive word-tone relationship throughout, wisely and sensibly combines choral exercise with theological
1579:
have to decide if they will use a boys' choir (as Bach had in mind) or a mixed choir, a small vocal ensemble or a larger choir, and if instruments should accompany the voices, a continuo group or also instruments playing
3983:
1563:
is unique in Bach's work in its complex symmetrical structure, which juxtaposes hymn and Bible text. Bach's vivid setting of the contrasting texts results in music of an unusually dramatic range. Wolff summarised:
1608:. The earliest extant copy of such chorale collections, the Dietel manuscript, also contains a SATB version of the motet's five-part third movement: Dietel's copy omitted the second soprano part of the movement.
1329:: Bach accented the word "nichts" (nothing), repeating it twice, with long rests and echo dynamics. Jones noted that dramatic word painting of this kind was in the tradition of 17th-century motets, such as by
430:, compiled towards the end of his life. Like for most of his other motets, no continuo or other instrumental accompaniment has survived for BWV 227, but it is surmised there was one in Bach's time.
3785:
408:
for weddings and funerals, and most of his motets, was not tied to the liturgical calendar. Around 15 extant compositions came to be recognised as Bach motets by musicologists at some time.
262:
suggested that Bach may have composed and compiled the motet for the education of his choir in both composition techniques and theology. Chorale settings from the motet are included in the
1617:
4394:
218:, forms a contrasting expansion of the doctrinal biblical text. Bach set both texts alternating with and complementing each other, in a structure of symmetries on different layers.
1685:, which was the first of any motet by Bach, in 1927, sung in English. The optimum size of the choir in this work continues to be discussed to this day, for example in reviews of
1441:" (But ye are not in the flesh, but in the Spirit). Again beginning in G major, the tenor starts with a fugue theme that stresses the word "geistlich" (of the Spirit) by a long
728:). The number of voices in the movements varies from three to five. Only the alto sings in all movements. The motet was possibly meant to be accompanied by instruments playing
3973:
607:
of that particular service was found in 1982, mentioning neither a motet nor even the chorale. Possibly the idea of combining hymn and epistle text dates back to the funeral.
4580:
1426:
If one wanted to pick a single example of how Bach chose to harness his compositional prowess and capacity for invention to articulate his zeal and faith, this would be it.
4042:
2259:
1361:" (For the law of the Spirit of life in Christ Jesus hath made me free from the law of sin and death.). The thought is set for the two sopranos and alto, beginning in
603:, wrote in his 1995 book that this was no conclusive evidence for a motet performance on the occasion, but the date has still been "nearly universally accepted". The
3894:
708:
is structured in eleven movements, with text alternating between a chorale stanza and a passage from the
Epistle. Bach scored it for a choir of up to five voices (
4470:
1605:
3596:
Altbachisches Archiv: aus Johann
Sebastian Bachs Sammlung von Werken seiner Vorfahren Johann, Heinrich, Georg Christoph, Johann Michael u. Johann Christoph Bach
400:
of the place where he lived indicated the occasions for which music was required in church services. The bulk of the composer's sacred music, including most of
1490:" (And if Christ be in you, the body is dead because of sin). As in the fourth movement, it is set as a trio, this time for alto, tenor and bass, beginning in
4568:
4145:
1699:
has been recorded more than 60 times, mostly in combination with other motets by Bach. Sets with a recording of BWV 227 alongside other Bach motets include:
4435:
695:, written around 1735, contains three chorales extracted from the motet; the composition of the motet is supposed to have been completed before that time.
233:
of the hymn tune. Four biblical verses are set in the style of a motet, two for five voices and two for three voices. The central movement is a five-part
365:
550:
253:
is one of few works by Bach for five vocal parts. The dating of the work is uncertain. It was supposed to have been written for a specific funeral in
3565:
3426:
372:
2632:
2518:
4369:
4232:
3853:
4695:
685:
4497:
1418:. The rhetoric style is similar to the beginning of the second movement. Gardiner noted that the firm stance against opposition could depict
4386:
4793:
4751:
1655:
3480:
3271:
1530:" (But if the Spirit of him that raised up Jesus from the dead dwell in you). In symmetry, the music recalls that of the second movement.
762:) and its translation into English, its text source naming the stanza in Franck's hymn or the verse(s) in Paul's Epistle, its voices, its
755:, the fourth for the three highest voices, the other for the three lowest voices. The central movement (Romans 8:9) is a five-part fugue.
4419:
1347:" (Under your protection). While the first soprano provides the chorale melody, the lower voices supply vivid lines expressing the text.
4286:
3826:
4744:
3865:['Jesu, meine Freude': On a theological and practical hermeneutics of text and music of J. S. Bach's motet BWV 227].
4575:
4256:
4017:
4812:
4687:
661:
356:
in the 1710s or 1720s along the principles of these older compositions, the genre was already regarded as antiquated. According to
4668:
4521:
1358:
Denn das Gesetz des
Geistes, der da lebendig machet in Christo Jesu, hat mich frei gemacht von dem Gesetz der Sünde und des Todes
163:
4034:
3421:, full score). Stuttgarter Bach-Ausgaben (in German and English). Translated by Lunn, Jean. Continuo realisation by Horn, Paul.
3298:
324:(ABA). In this context, motets are choral compositions, mostly with a number of independent voices exceeding that of a standard
4735:
4545:
4282:
Psalmodia Germanica: or, The German Psalmody: translated from the high Dutch together with their proper tunes and thorough bass
3863:"'Jesu, meine Freude'. Zu einer theologischen und pragmatischen Hermeneutik von Text und Musik in J. S. Bachs Motette BWV 227"
4727:
4659:
4207:
3770:
3717:
3533:
3506:
3452:
3391:
3367:
3332:
4780:
4311:
3964:
423:
1748:
1462:" (Any one who does not have the spirit of Christ does not belong to him) is set in a homophonic adagio: "not of Christ".
4330:
Lied und Motette. Eine hymnologische Studie anhand des Chorals "Jesu, meine Freude" (Lied: J. Franck; Motette J. S. Bach)
1299:
3862:
2158:
405:
4771:
4067:
4459:
1452:" (since the Spirit of God lives otherwise in you), before both of them are combined in various ways, parallel and in
770:, and its form. For the form, corresponding movements within the symmetry are shown at the same level of indentation.
4338:
3644:
1613:
271:
4443:
4170:
4117:
4092:
4822:
4817:
4137:
3917:["150 pieces from the Bach estate": on the transmission of Johann Sebastian Bach's four-part chorales]. In
1538:
The motet ends with the same four-part setting as the first movement, with the last stanza of the hymn as lyrics, "
4763:
4344:
3590:
581:
3140:
2194:
1207:
1113:
4624:
3653:
2613:
2458:
2210:
1037:
945:
862:
397:
79:
4711:
3585:(in German). Vol. I (1802: BWV 225, 228, Anh. 159) – II (1803: BWV 229, 227, 226). Breitkopf und Härtel.
3230:
3212:
3194:
3176:
3158:
2415:
2345:
2279:
2231:
1952:
734:, with instruments doubling the vocal lines in the practice of Bach's time, but no parts for them survived.
4584:
3915:"'150 Stücke von den Bachischen Erben': Zur Überlieferung der vierstimmigen Choräle Johann Sebastian Bachs"
3706:
Musical sources, sources for the history of music: commemorative paper for Martin Staehelin's 65th birthday
1513:
647:
625:
389:" chorale, may have been on Johann Sebastian's mind when he composed his motet named after the chorale, in
3731:
3552:
3409:
2204:
3944:
1295:
646:, noted that the motet, compiled partly from earlier compositions, is comparable in that respect to the
4361:
4307:
3525:
2173:
585:
412:
is one of only five core works (BWV 225–229) which have always been considered to be Bach motets.
4221:
3843:
3701:
Musikalische Quellen, Quellen zur Musikgeschichte: Festschrift für Martin Staehelin zum 65. Geburtstag
1771:
published the vocal parts of the six motets BWV 225–230 from the NBA in one volume, with a preface by
4719:
4652:
3709:
1637:
1609:
619:
427:
3494:
The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit
1410:. Gardiner compared the movement referring to the medieval image of the old dragon, to paintings by
4630:
4615:
4365:
4186:
Elste, Martin (2000). "Die Motetten BWV 225–230 und 118" [The motets BWV 225–230 and 118].
3681:
3576:
656:, a Bach scholar, suggested in 2002 that the motet may have been intended for the education of the
529:
4489:
3324:
1625:
3762:
3727:
3695:
3548:
3498:
3405:
3359:
2642:
2528:
1869:
1865:
1784:
1411:
1302:
643:
635:
438:
1612:
retained two chorales, based on the motet's first and seventh movements, in the third volume of
270:
has often been performed and recorded with a range of approaches, from unaccompanied singing to
4592:
3466:
3312:
Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
3311:
3257:
1928:
1665:
511:
452:
34:
4411:
3756:
3743:, full score). Stuttgarter Bach-Ausgaben (in German and English). Translated by Coombs, John.
3699:
3492:
3381:
2626:
2471:
2428:
1967:
4674:
4626:
Aspiring Toward Heaven: Tonal, Motivic, and Narrative Structure in Two of J. S. Bach's Motets
4272:
3978:
3940:
3821:
3816:
3618:
3517:
3438:
3351:
3293:
2355:
2294:
2273:
2269:
2241:
2225:
1704:
1669:
1330:
479:
401:
309:
207:
159:
47:
3622:] (Reprint: 1966). Das Erbe deutscher Musik, Special volume 1 (in German). Vol. 1:
1415:
4645:
3918:
3910:
3610:
3595:
1728:
600:
319:
4276:
4252:
4009:
1544:" (Flee, you mournful spirits). The final line repeats the beginning on the same melody: "
617:
to analyse the motet's symmetrical structure, a feature which can also be found in Bach's
8:
4217:
3670:
3666:
3662:
3614:
3601:
Old-Bachian Archive: From Johann Sebastian Bach's Collection of Works by His Forefathers
3488:
3444:
3377:
3347:
1686:
668:
639:
604:
555:
495:
translated the hymn into English in 1869, she rendered it as "Jesu, priceless treasure".
492:
361:
3259:
Bach, Johann Sebastian / Jesu, meine Freude for Five-part Mixed Choir in E minor BWV 227
214:
teachings. The hymn, written in the first person with a focus on an emotional bond with
4537:
3886:
3848:
3677:
2887:
2885:
2872:
2870:
1714:
1708:
1604:. The motet's SATB chorales were copied in several 18th-century manuscripts collecting
758:
In the following table, each movement number is followed by the beginning of the text (
445:
384:
177:
92:
4513:
4387:"Johann Sebastian Bach / Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5)"
3554:
Johann Sebastian Bach: Jesu, meine Freude / Jesus, My Salvation – BWV 227 / Postscript
3544:
3401:
1780:
4334:
4203:
3956:
3890:
3766:
3713:
3580:
3529:
3502:
3476:
3448:
3387:
3363:
3328:
3288:
3267:
3056:
2008:
2006:
2004:
2002:
2000:
1916:
1595:
725:
692:
340:
was integrated into the composition. Instrumental accompaniment was often limited to
263:
3974:"Gramophone 2013 Baroque Vocal winner Sir John Eliot Gardiner discusses Bach Motets"
3799:
3157:
2897:
2882:
2867:
1934:
4195:
3948:
3878:
3627:
1756:
1744:
1370:
748:
542:
475:
337:
226:
222:
167:
4637:
1997:
1643:
502:
274:
taking into account that in Bach's time it was customary to support the voices by
195:
4199:
3922:
3752:
3657:
1381:
1264:
1087:
1050:
919:
836:
653:
610:
259:
199:
4607:
4303:
4059:
3926:
3645:
Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750
3740:
3639:
3418:
3356:
The Cantatas of J. S. Bach with Their Librettos in German–English Parallel Text
1724:
1661:
1470:
The seventh movement is a four-part setting of the fourth stanza of the hymn, "
767:
751:, with the cantus firmus in the alto. The fourth and eighth movements are both
357:
341:
275:
3472:
3343:
3306:
3263:
1768:
146:
4806:
4191:
4133:
4109:
4084:
3960:
3936:
3780:
3606:
3602:
3462:
1772:
1527:
So nun der Geist des, der Jesum von den Toten auferwecket hat, in euch wohnet
1494:. Parallel thirds in the upper voices resemble those in the fourth movement.
1419:
1403:
1386:
1341:
The third movement is a five-part setting of the second stanza of the hymn, "
631:
538:
467:
333:
298:
238:
230:
183:
171:
3317:
Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
1366:
3744:
3561:
3422:
3240:
3235:
3222:
3217:
3204:
3199:
3186:
3181:
3168:
3163:
3150:
3145:
1776:
1764:
1287:
The motet begins with a four-part setting of the first stanza of the hymn "
752:
657:
614:
595:
353:
329:
3882:
3139:
3060:
1922:
1487:
So aber Christus in euch ist, so ist der Leib zwar tot um der Sünde willen
1406:
as they depict defiance by standing firmly and singing, often in powerful
660:
rather than for a funeral. He assumed the same intended use for the motet
4162:
3914:
3794:
3411:
Johann Sebastian Bach: Jesu, meine Freude / Jesus, My Salvation – BWV 227
1904:
1718:
1316:
The second movement begins the excerpts from Romans 8, setting verse 1, "
763:
634:
in the ninth movement. The latter suggests an origin of this movement in
549:), with the word "Jesu" as the high note, which is immediately inverted (
534:
519:
were published in other hymnals over the ensuing decades. The tune is in
506:
466:
is compiled from two sources: a 1653 hymn of the same name with words by
347:
305:
280:
211:
4280:
3229:
3211:
3193:
2903:
2891:
2876:
1634:
was included in the first complete edition of the composer's works, the
426:, written in 1723 at the beginning of Bach's tenure in Leipzig, and the
4328:
3952:
3874:
3649:
4163:"On J. S. Bach's Sublime 'Gute Nacht' of Jesu, meine Freude (BWV 227)"
3175:
2012:
1628:'s first edition of six motets by (or at least, attributed to) Bach.
1509:
1326:
546:
524:
516:
378:
301:
191:
4436:"Composition Type: Sacred Music / Work: Jesu, meine Freude, BWV 227"
574:
is no exception. Spitta assigned the motets that he knew, including
4390:
520:
483:
242:
203:
3631:
3560:. Translated by Beste, Helga. Continuo realisation by Horn, Paul.
3383:
Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach
1502:
The ninth movement is a setting of the fifth stanza of the hymn, "
1396:
The fifth movement is a setting of the third stanza of the hymn, "
1319:
Es ist nun nichts Verdammliches an denen, die in Christo Jesu sind
630:
work), and on the older version of the chorale melody used as the
404:, was written for such occasions. His other church music, such as
1491:
1453:
1442:
1390:
1362:
1167:
1121:
953:
828:
759:
713:
390:
254:
69:
55:
2972:
202:. The text of the motet's even-numbered movements is taken from
1422:'s attitude and also the composer's own stance, and summarises:
1407:
487:
187:
3518:"Chronology, Style, and Performance Practise of Bach's Motets"
336:, sometimes in combination. When a hymn was used, usually its
3320:
2948:
2792:
2741:
2692:
2690:
2675:
2648:
744:
721:
471:
313:
234:
215:
155:
43:
4304:""Let All That Have Breath Praise": The Motets of J.S. Bach"
3077:
2843:
2770:
2768:
2184:
2182:
1690:
717:
709:
325:
114:
4285:(2nd, corrected and enlarged ed.). pp. 128–129.
2960:
2804:
2729:
2717:
2687:
2601:
2589:
2565:
1553:
1355:
The fourth movement sets the second verse from Romans 8, "
221:
Bach's treatment of Crüger's melody ranges from four-part
113:
3101:
2926:
2924:
2665:
2663:
2534:
2247:
1301:
Audio playback is not supported in your browser. You can
266:
from around 1735, providing a latest dating of the work.
198:
appears in all of these movements in different styles of
4776:(BWV Anh. 159, also attributed to Johann Christoph Bach)
4412:"CD reviews / Johann Sebastian Bach (1685-1750): Motets"
3113:
2765:
2753:
2434:
2323:
2321:
2319:
2317:
2315:
2179:
2146:
1935:
Der Gerechte kömmt um BWV deest (BC C 8) at Bach Digital
1743:
Gardiner, whose second recording of the motets with the
1646:
and was published in 1892 for volume 39 of the project.
1435:
The central sixth movement sets verse 9 from Romans 8, "
523:(AAB). While the first version had dance elements of an
3013:
3011:
2821:
2819:
2618:
2616:
2555:
2553:
2551:
2549:
2463:
2461:
2405:
2403:
2401:
2399:
2397:
2395:
2393:
2391:
2378:
2376:
1767:, with critical commentary published in 1967. In 1995,
1373:
in the opening when singing of "life in Christ Jesus".
4010:"Jesu, meine Freude / Text and Translation of Chorale"
3786:
Die Melodien der deutschen evangelischen Kirchenlieder
3319:] (in German). Kirsten Beißwenger (collaborator) (
3038:
2921:
2660:
2286:
2284:
2282:
2217:
2215:
2213:
2100:
2098:
2096:
2094:
2081:
2079:
2077:
2075:
2073:
2071:
2069:
2067:
2065:
1550:" (You stay with me even in sorrow, / Jesus, my joy).
1547:
Dennoch bleibst du auch im Leide, / Jesu, meine Freude
1325:
The beginning of the text is rendered in "rhetorical"
186:, first published in 1653. The motet contains the six
4362:"Jesu, meine Freude, BWV 227 / Johann Sebastian Bach"
2984:
2936:
2909:
2707:
2705:
2496:
2494:
2492:
2361:
2333:
2312:
2300:
2063:
2061:
2059:
2057:
2055:
2053:
2051:
2049:
2047:
2045:
1882:
1880:
1878:
4253:"Johann Sebastian Bach (1685-1750) / The Six Motets"
3028:
3026:
3008:
2831:
2816:
2780:
2546:
2420:
2418:
2388:
2373:
2018:
1959:
1957:
1955:
1892:
1843:
4667:
2165:
2163:
2161:
2110:
2091:
2030:
1940:
1642:(BGA); together with other motets it was edited by
1459:
Wer aber Christ Geist nicht hat, der ist nicht sein
3065:
2702:
2577:
2506:
2489:
2477:
2446:
2042:
1985:
1875:
1594:As with most of Bach's motets, there is no extant
1484:The eighth movement sets verse 10 from Romans 8, "
1438:Ihr aber seid nicht fleischlich, sondern geistlich
3089:
3023:
2996:
1973:
1524:The tenth movement sets verse 11 from Romans 8, "
4804:
2855:
2122:
1389:from the chorale tune in the melody sung by the
568:Most of Bach's motets are difficult to date and
3814:
3083:
2134:
190:of the hymn in its odd-numbered movements. The
4188:Meilensteine der Bach-Interpretation 1750–2000
3694:
2954:
1923:D-B Mus.ms. 30199, Fascicle 14 at Bach Digital
1812:Instruments play the same parts as the voices.
1763:, NBA) published the motet in 1965, edited by
1664:in London performed Bach's works conducted by
1385:Beginning of the fifth movement, highlighting
509: 8032, was first published in his hymnal
4653:
3305:
2978:
1910:
1732:
1581:
1104:
729:
345:
170:for up to five voices. It is named after the
126:
4536:
4488:
4035:"Johann Sebastian Bach (1685–1750) / Motets"
3793:] (in German). Vol. IV. Gütersloh:
3791:The melodies of the German evangelical hymns
3726:
3575:
3400:
3119:
3107:
2966:
2904:Jesu, meine Freude BWV 227/3 at Bach Digital
2892:Jesu, meine Freude BWV 227/7 at Bach Digital
2877:Jesu, meine Freude BWV 227/1 at Bach Digital
2849:
2810:
2798:
2747:
2735:
2723:
2696:
2681:
2654:
2607:
2595:
2571:
2540:
2253:
2188:
2152:
1694:
1680:
1673:
1656:Motets by Johann Sebastian Bach, discography
1635:
1629:
1599:
1574:
1558:
1545:
1539:
1525:
1503:
1485:
1471:
1457:
1447:
1436:
1397:
1356:
1342:
1317:
1288:
1244:
1198:
1152:
1067:
984:
899:
812:
775:
703:
679:
672:
589:
575:
569:
533:, the hymnal used in Leipzig then, it is in
461:
443:
416:
382:
317:
248:
175:
162:. The longest and most musically complex of
138:
89:
24:
3867:International Journal of Practical Theology
3758:Johann Sebastian Bach: The Learned Musician
1456:. By contrast, the third line of verse 9, "
1028:
936:
853:
594:was likely written in Bach's first year as
588:, a church musician in Leipzig, wrote that
433:
258:Bach's tenure in Leipzig. The Bach scholar
4768:(BWV 1149, arrangement attributed to Bach)
4660:
4646:
4490:"Jesu, meine Freude, meines Herzens Weide"
4434:
3159:"Der Gerechte kömmt um BWV deest (BC C 8)"
3044:
2013:Jesu, meine Freude BWV 227 at Bach Digital
1649:
1618:1780s edition of Bach's four-part chorales
1589:
486::1–2 and 9–11. In the motet, the six hymn
278:and instruments doubling the vocal lines (
54:
4576:International Music Score Library Project
3861:Schmidt, Eckart David (1 December 2011).
3815:Freeman-Attwood, Jonathan (August 2012).
3733:Johann Sebastian Bach / Motetten / Motets
3589:
3342:
1898:
1849:
1783:, and published again in 2003, edited by
1505:Gute Nacht, o Wesen, das die Welt erlesen
737:
4458:
4216:
4160:
3676:
3376:
3286:
3017:
2837:
2669:
2622:
2467:
2367:
2200:
1946:
1380:
859:(There is therefore now no condemnation)
698:
650:, and both are coherent in performance.
437:
422:five-part movements can be found in the
316:, of which several are preserved in the
245:meaning of both hymn and Epistle texts.
4748:(BWV 118, formerly listed as a cantata)
4326:
4032:
3909:
3860:
3542:
3515:
3461:
3436:
2990:
2942:
2930:
2915:
2351:
2339:
2327:
2306:
2290:
2265:
2237:
2221:
2116:
2104:
2036:
1886:
1794:
1740:Herreweghe, second set recorded in 2010
1711:(recorded November 1985, released 1986)
1554:Reception, performances and publication
4805:
4524:from the original on 24 September 2015
4384:
4359:
4271:
4250:
4132:
4107:
4082:
4057:
4007:
3972:Smith, Charlotte (25 September 2013).
3638:
3071:
2711:
2638:
2583:
2524:
2512:
2500:
2483:
2452:
2085:
1991:
1861:
352:. By the time Bach started to compose
4697:Der Geist hilft unser Schwachheit auf
4641:
4476:from the original on 10 February 2021
4446:from the original on 30 December 2021
4347:from the original on 25 November 2021
4289:from the original on 19 November 2013
4259:from the original on 11 November 2021
4238:from the original on 24 November 2021
4185:
4148:from the original on 30 December 2021
4120:from the original on 23 February 2020
4095:from the original on 23 February 2020
4070:from the original on 23 February 2020
3971:
3841:
3751:
3690:] (in German). Christoph Klinger.
3582:Joh. Seb. Bach's Motetten in Partitur
3487:
3309:; Kobayashi, Yoshitake, eds. (1998).
3255:
3095:
3032:
3002:
2825:
2786:
2774:
2759:
2559:
2440:
2424:
2409:
2382:
2024:
1979:
1963:
1449:so anders Gottes Geist in euch wohnet
687:Der Geist hilft unser Schwachheit auf
328:choir, and with German text from the
4614:(video and background information).
4548:from the original on 21 October 2020
4512:
4409:
4020:from the original on 30 January 2020
3986:from the original on 3 December 2021
3779:
3287:Anderson, Nicholas (December 1986).
2861:
2169:
2128:
229:and a free setting that quotes only
4301:
4277:"Jesu, Source of gladness (Jacobi)"
3829:from the original on 29 August 2020
3626:. Leipzig: Breitkopf & Härtel.
3571:from the original on 20 March 2020.
3483:from the original on 26 March 2020.
3432:from the original on 20 March 2020.
2140:
381:, which contains a setting of the "
13:
4591:Krämer, Martin (19 January 2019).
4572:, BWV 227 (Bach, Johann Sebastian)
4500:from the original on 6 August 2020
4372:from the original on 19 March 2020
4333:(in German). Munich: GRIN Verlag.
4314:from the original on 22 March 2020
4173:from the original on 19 March 2020
4045:from the original on 20 March 2020
3967:from the original on 26 July 2020.
3440:The Early Music Revival: A History
3274:from the original on 26 March 2020
360:, Bach's 19th-century biographer,
272:historically informed performances
225:that begin and end the work, to a
14:
4834:
4745:O Jesu Christ, meins Lebens Licht
4562:
4000:
648:Credo from Bach's Mass in B minor
638:(1708 to 1717), or even earlier.
563:
515:of 1653; several variants of the
4422:from the original on 1 June 2013
4397:from the original on 3 July 2019
4138:"BWV 227 – 'Jesu, meine Freude'"
3897:from the original on 1 July 2018
3856:from the original on 8 May 2021.
3386:. Penguin UK. pp. 350–352.
3301:from the original on 6 May 2021.
3141:"D-B Mus.ms. 30199, Fascicle 14"
3128:
1263:
1086:
1049:
918:
835:
505:'s chorale melody for the hymn,
210:, a passage that influenced key
4813:Motets by Johann Sebastian Bach
4689:Singet dem Herrn ein neues Lied
3842:Riley, Paul (20 January 2012).
3654:Fuller Maitland, John Alexander
3522:J. S. Bach and the German Motet
3133:
3050:
1824:
1815:
1775:. The motets were published by
1243:
1197:
1151:
1103:
1066:
1030:Ihr aber seid nicht fleischlich
1027:
983:
935:
898:
855:Es ist nun nichts Verdammliches
852:
811:
681:Singet dem Herrn ein neues Lied
663:Singet dem Herrn ein neues Lied
537:. the melody is built from one
60:Beginning of the first movement
4760:according to Bach's autograph)
3844:"Bach, JS: Motets BWV 225-230"
3468:J. S. Bach / Motetten / Motets
3339:Preface in English and German.
3231:"Jesu, meine Freude BWV 227/7"
3213:"Jesu, meine Freude BWV 227/3"
3195:"Jesu, meine Freude BWV 227/1"
1806:
1751:in the category Baroque Vocal.
1606:chorale harmonisations by Bach
16:Motet by Johann Sebastian Bach
1:
4753:Tilge, Höchster, meine Sünden
4740:(BWV 28/2a, formerly BWV 231)
4593:"Motette in der Thomaskirche"
4460:"Instrumental and Supplement"
4033:Cookson, Michael (May 2010).
1913:, pp. 228–233, 459, 467.
1837:
1703:Philippe Herreweghe with the
1693:recordings of 1985 and 2010.
1034:(But ye are not in the flesh)
541:, the beginning descent of a
292:
4781:Jauchzet dem Herrn alle Welt
4756:(BWV 1083, after Pergolesi:
4729:Lobet den Herrn, alle Heiden
4585:Choral Public Domain Library
4200:10.1007/978-3-476-03792-3_16
3177:"Jesu, meine Freude BWV 227"
1731:, using instruments playing
1298:
1277:
1106:So aber Christus in euch ist
667:. According to Bach scholar
398:Lutheran liturgical calendar
308:from the generations before
7:
4737:Sei Lob und Preis mit Ehren
4623:Smith, Jennifer M. (2012).
4602:(program book) (in German).
4581:Jesu, meine Freude, BWV 227
3945:Evangelische Verlagsanstalt
3939:(in German). Vol. 69.
3807:
3543:Melamed, Daniel R. (2000).
3516:Melamed, Daniel R. (1995).
1250:(Go away, mournful spirits)
1069:Weg, weg mit allen Schätzen
344:and/or instruments playing
10:
4839:
4308:Los Angeles Master Chorale
4039:musicweb-international.com
3710:Vandenhoeck & Ruprecht
3526:Cambridge University Press
1653:
1073:(Away with all treasures!)
586:Bernhard Friedrich Richter
527:, the version of the 1682
287:
80:Romans 8:1–2, 9–11
4791:
4784:(BWV Anh. 160 = TWV 8:10)
4683:
3730:, ed. (2002). "Preface".
3577:Schicht, Johann Gottfried
3564:. p. 50. CV 31.227.
3479: 979-0-00-649848-2.
3270: 979-0-00-649848-2.
3153:; et al. 31 January 2020.
2979:Dürr & Kobayashi 1998
1911:Dürr & Kobayashi 1998
1789:Stuttgarter Bach-Ausgaben
1638:Bach-Gesellschaft Ausgabe
1610:Carl Philipp Emanuel Bach
1546:
1541:Weicht, ihr Trauergeister
1540:
1526:
1504:
1486:
1472:
1458:
1448:
1437:
1398:
1357:
1343:
1333:and Johann Michael Bach.
1318:
1289:
1246:Weicht, ihr Trauergeister
1245:
1199:
1153:
1110:(And if Christ be in you)
1105:
1068:
1029:
985:
937:
900:
854:
813:
801:
798:
795:
792:
789:
786:
783:
584:, 1723 to 1750. In 1912,
444:
383:
176:
121:
109:
101:
90:
85:
75:
65:
53:
42:
32:
23:
4631:Florida State University
4616:Netherlands Bach Society
4410:Veen, Johan van (2010).
4366:Los Angeles Philharmonic
4297:– via hymnary.org.
3817:"Bach Motets BWV225-230"
3683:Neu Leipziger Gesangbuch
3248:
3120:Graulich & Wolf 2003
2811:Graulich & Wolf 2003
2799:Graulich & Wolf 2003
2748:Graulich & Wolf 2003
2736:Graulich & Wolf 2003
2724:Graulich & Wolf 2003
2697:Graulich & Wolf 2003
2682:Graulich & Wolf 2003
2655:Graulich & Wolf 2003
2608:Graulich & Wolf 2003
2596:Graulich & Wolf 2003
2572:Graulich & Wolf 2003
2541:Graulich & Wolf 2003
1868:; Vol. II, p.
1864:, Vol. I, pp.
1799:
1749:Gramophone Award in 2013
1660:In the 1920s, the large
1365:. The sopranos move in "
669:Richard D. P. Jones
530:Neu Leipziger Gesangbuch
450:", printed as No 377 in
434:Epistle text and chorale
4823:Compositions in E minor
4818:Christian funeral music
4360:Posner, Howard (2020).
4161:Eckerson, Sara (2020).
4008:Browne (January 2006).
3763:Oxford University Press
3624:Motetten und Chorlieder
3499:Oxford University Press
3437:Haskell, Harry (1996).
3360:Oxford University Press
3323: ed.). Wiesbaden:
1650:20th and 21st centuries
1590:18th and 19th centuries
1399:Trotz dem alten Drachen
1303:download the audio file
1239:
1193:
1158:(Good night, existence)
990:(I defy the old dragon)
986:Trotz dem alten Drachen
905:(Under your protection)
671:, several movements of
644:Bach Cantata Pilgrimage
4385:Robins, Brian (2020).
4327:Neufeld, Marc (1997).
4273:Jacobi, John Christian
4251:Holman, Peter (1990).
3325:Breitkopf & Härtel
3256:Ameln, Konrad (1965).
1733:
1695:
1681:
1674:
1666:Ralph Vaughan Williams
1636:
1630:
1626:Breitkopf & Härtel
1600:
1582:
1575:
1571:
1559:
1514:Partita No. 3, BWV 827
1473:Weg mit allen Schätzen
1428:
1393:
1147:
1099:
1062:
1023:
979:
931:
894:
848:
807:
776:
738:Table of the structure
730:
704:
684:and the funeral motet
680:
673:
590:
576:
570:
512:Praxis pietatis melica
462:
457:
453:Praxis pietatis melica
417:
346:
318:
249:
223:chorale harmonisations
166:, it is set in eleven
139:
127:
25:
4765:Der Gerechte kömmt um
4675:Johann Sebastian Bach
4583:: Free scores at the
4231:. pp. 6, 10–11.
4014:Bach Cantatas Website
3941:Neue Bachgesellschaft
3919:Schulze, Hans-Joachim
3911:Schulze, Hans-Joachim
3883:10.1515/IJPT.2011.034
3619:Johann Christoph Bach
3243:; et al. 23 May 2019.
3225:; et al. 23 May 2019.
3207:; et al. 23 May 2019.
3189:; et al. 14 May 2019.
3171:; et al. 25 May 2019.
1899:Dürr & Jones 2006
1821:two sopranos and alto
1705:Collegium Vocale Gent
1670:Charles Kennedy Scott
1566:
1533:
1519:
1424:
1404:dramatic illustration
1384:
1344:Unter deinen Schirmen
901:Unter deinen Schirmen
699:Structure and scoring
480:Epistle to the Romans
441:
415:In eleven movements,
393:like his relative's.
310:Johann Sebastian Bach
297:In late 17th-century
208:Epistle to the Romans
160:Johann Sebastian Bach
4773:Ich lasse dich nicht
4538:"Jesu, meine Freude"
4514:"Jesu, meine Freude"
4416:musica-dei-donum.org
4302:May, Thomas (2020).
4255:. Hyperion Records.
4218:Gardiner, John Eliot
4194:. pp. 176–179.
3765:. pp. 249–250.
3712:. pp. 269–286.
3501:. pp. 202–205.
3489:Jones, Richard D. P.
3378:Gardiner, John Eliot
3348:Jones, Richard D. P.
3084:Freeman-Attwood 2012
1830:alto, tenor and bass
1795:Notes and references
1729:Bach Collegium Japan
1497:
1479:
1465:
1430:
1376:
1350:
1336:
1311:
1282:
642:, who conducted the
636:Bach's Weimar period
601:Cambridge University
582:Bach's Leipzig years
396:In Bach's time, the
320:Altbachisches Archiv
4108:Dahn, Luke (2018).
4083:Dahn, Luke (2018).
4058:Dahn, Luke (2018).
3947:. pp. 81–100.
3708:] (in German).
3678:Vopelius, Gottfried
3579:, ed. (1802–1803).
3528:. pp. 98–106.
3475:. pp. VII–IX.
3465:(1995). "Preface".
3445:Courier Corporation
2981:, pp. 229–230.
2955:Wolf (article) 2002
2777:, pp. 204–205.
2762:, pp. 203–204.
2443:, pp. 202–203.
1779:in 1975, edited by
1747:in 2011 received a
1687:Philippe Herreweghe
1208:Romans 8:11
1204:(But if the Spirit)
1188:·· chorale fantasy
1154:Gute Nacht, o Wesen
1114:Romans 8:10
780:
640:John Eliot Gardiner
493:Catherine Winkworth
402:his church cantatas
379:ABA I, 10
362:Johann Michael Bach
4713:Fürchte dich nicht
4705:Jesu, meine Freude
4618:. 19 January 2019.
4610:Jesu, meine Freude
4570:Jesu, meine Freude
4060:"BWV 227.1=227.11"
3953:10.13141/bjb.v1983
3933:Bach Yearbook 1983
3928:Bach-Jahrbuch 1983
3849:BBC Music Magazine
3688:New Leipzig hymnal
3362:. pp. 23–24.
1715:Harry Christophers
1709:La Chapelle Royale
1696:Jesu, meine Freude
1691:one voice per part
1682:Jesu, meine Freude
1675:Jesu, meine Freude
1631:Jesu, meine Freude
1601:Jesu, meine Freude
1576:Jesu, meine Freude
1560:Jesu, meine Freude
1394:
1290:Jesu, meine Freude
1038:Romans 8:9
1018:···· free chorale
946:Romans 8:2
863:Romans 8:1
814:Jesu, meine Freude
777:Jesu, meine Freude
773:
705:Jesu, meine Freude
674:Jesu, meine Freude
626:St Matthew Passion
591:Jesu, meine Freude
577:Jesu, meine Freude
571:Jesu, meine Freude
463:Jesu, meine Freude
458:
446:Jesu, meine Freude
418:Jesu, meine Freude
410:Jesu, meine Freude
385:Jesu, meine Freude
250:Jesu, meine Freude
204:the eighth chapter
178:Jesu, meine Freude
140:Jesu, meine Freude
93:Jesu, meine Freude
26:Jesu, meine Freude
4800:
4799:
4209:978-3-476-01714-7
4114:bach-chorales.com
4089:bach-chorales.com
4064:bach-chorales.com
3772:978-0-393-32256-9
3719:978-3-52-527820-8
3535:978-0-52-141864-5
3508:978-0-19-969628-4
3454:978-0-48-629162-8
3393:978-1-84-614721-0
3369:978-0-19-929776-4
3334:978-3-7651-0249-3
3108:Wolf (score) 2002
2967:Schicht 1802–1803
2850:Wolf (score) 2002
2801:, pp. 42–45.
2750:, pp. 36–41.
2684:, pp. 22–28.
2657:, pp. 16–22.
2254:Wolf (score) 2002
2189:Hymnary tune 2020
2153:Hymnary text 2020
1787:, as part of the
1761:Neue Bach-Ausgabe
1307:
1275:
1274:
716:parts (S or SS),
693:Dietel manuscript
367:Halt, was du hast
304:, members of the
264:Dietel manuscript
241:to intensify the
144:(Jesus, my joy),
135:
134:
4830:
4721:Komm, Jesu, komm
4678:
4677:
4662:
4655:
4648:
4639:
4638:
4634:
4619:
4603:
4597:
4574:: Scores at the
4557:
4555:
4553:
4533:
4531:
4529:
4509:
4507:
4505:
4485:
4483:
4481:
4475:
4464:
4455:
4453:
4451:
4431:
4429:
4427:
4406:
4404:
4402:
4381:
4379:
4377:
4356:
4354:
4352:
4323:
4321:
4319:
4298:
4296:
4294:
4268:
4266:
4264:
4247:
4245:
4243:
4237:
4229:monteverdi.co.uk
4226:
4213:
4182:
4180:
4178:
4157:
4155:
4153:
4142:pameladellal.com
4129:
4127:
4125:
4104:
4102:
4100:
4079:
4077:
4075:
4054:
4052:
4050:
4029:
4027:
4025:
3995:
3993:
3991:
3968:
3923:Wolff, Christoph
3906:
3904:
3902:
3857:
3838:
3836:
3834:
3798:
3776:
3753:Wolff, Christoph
3748:
3738:
3723:
3691:
3661:
3658:Novello & Co
3648:. Translated by
3635:
3586:
3572:
3570:
3559:
3545:Graulich, Günter
3539:
3512:
3484:
3458:
3433:
3431:
3416:
3402:Graulich, Günter
3397:
3373:
3338:
3302:
3283:
3281:
3279:
3244:
3226:
3208:
3190:
3172:
3154:
3123:
3117:
3111:
3105:
3099:
3093:
3087:
3081:
3075:
3069:
3063:
3054:
3048:
3042:
3036:
3030:
3021:
3015:
3006:
3000:
2994:
2988:
2982:
2976:
2970:
2964:
2958:
2952:
2946:
2940:
2934:
2928:
2919:
2913:
2907:
2901:
2895:
2889:
2880:
2874:
2865:
2859:
2853:
2847:
2841:
2835:
2829:
2823:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2763:
2757:
2751:
2745:
2739:
2733:
2727:
2721:
2715:
2709:
2700:
2694:
2685:
2679:
2673:
2667:
2658:
2652:
2646:
2641:, Vol. II,
2636:
2630:
2620:
2611:
2605:
2599:
2593:
2587:
2581:
2575:
2569:
2563:
2557:
2544:
2538:
2532:
2527:, Vol. II,
2522:
2516:
2510:
2504:
2498:
2487:
2481:
2475:
2465:
2456:
2450:
2444:
2438:
2432:
2422:
2413:
2407:
2386:
2380:
2371:
2365:
2359:
2349:
2343:
2337:
2331:
2325:
2310:
2304:
2298:
2288:
2277:
2263:
2257:
2251:
2245:
2235:
2229:
2219:
2208:
2198:
2192:
2186:
2177:
2167:
2156:
2150:
2144:
2138:
2132:
2126:
2120:
2114:
2108:
2102:
2089:
2083:
2040:
2034:
2028:
2022:
2016:
2010:
1995:
1989:
1983:
1977:
1971:
1961:
1950:
1944:
1938:
1932:
1926:
1920:
1914:
1908:
1902:
1896:
1890:
1884:
1873:
1859:
1853:
1847:
1831:
1828:
1822:
1819:
1813:
1810:
1757:New Bach Edition
1745:Monteverdi Choir
1736:
1698:
1684:
1677:
1641:
1633:
1603:
1585:
1578:
1562:
1549:
1548:
1543:
1542:
1529:
1528:
1507:
1506:
1489:
1488:
1475:
1474:
1461:
1460:
1451:
1450:
1440:
1439:
1401:
1400:
1360:
1359:
1346:
1345:
1331:Johann Christoph
1321:
1320:
1292:
1291:
1268:
1267:
1248:
1247:
1231:
1230:
1229:
1228:
1202:
1201:
1200:So nun der Geist
1185:
1184:
1183:
1182:
1156:
1155:
1139:
1138:
1137:
1136:
1108:
1107:
1091:
1090:
1071:
1070:
1054:
1053:
1032:
1031:
1015:
1014:
1013:
1012:
988:
987:
971:
970:
969:
968:
940:
939:
923:
922:
903:
902:
886:
885:
884:
883:
857:
856:
840:
839:
831:
816:
815:
781:
779:
772:
749:chorale fantasia
733:
707:
683:
676:
593:
579:
573:
559:
465:
449:
448:
420:
388:
387:
376:
351:
323:
252:
227:chorale fantasia
200:chorale settings
182:" with words by
181:
180:
151:
148:
142:
130:
117:
97:
96:
58:
28:
21:
20:
4838:
4837:
4833:
4832:
4831:
4829:
4828:
4827:
4803:
4802:
4801:
4796:
4787:
4679:
4673:
4672:
4666:
4622:
4606:
4595:
4590:
4565:
4560:
4551:
4549:
4527:
4525:
4503:
4501:
4479:
4477:
4473:
4469:. p. 127.
4462:
4449:
4447:
4425:
4423:
4400:
4398:
4375:
4373:
4350:
4348:
4341:
4317:
4315:
4292:
4290:
4262:
4260:
4241:
4239:
4235:
4224:
4210:
4176:
4174:
4151:
4149:
4123:
4121:
4098:
4096:
4073:
4071:
4048:
4046:
4023:
4021:
4003:
3998:
3989:
3987:
3900:
3898:
3832:
3830:
3810:
3805:
3773:
3736:
3720:
3640:Spitta, Philipp
3611:Georg Christoph
3568:
3557:
3536:
3509:
3455:
3429:
3414:
3408:, eds. (2003).
3394:
3370:
3335:
3277:
3275:
3251:
3136:
3131:
3126:
3118:
3114:
3106:
3102:
3094:
3090:
3082:
3078:
3070:
3066:
3055:
3051:
3045:ArkivMusic 2020
3043:
3039:
3031:
3024:
3016:
3009:
3001:
2997:
2989:
2985:
2977:
2973:
2965:
2961:
2953:
2949:
2941:
2937:
2929:
2922:
2914:
2910:
2902:
2898:
2890:
2883:
2875:
2868:
2860:
2856:
2848:
2844:
2836:
2832:
2824:
2817:
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2766:
2758:
2754:
2746:
2742:
2734:
2730:
2722:
2718:
2710:
2703:
2695:
2688:
2680:
2676:
2668:
2661:
2653:
2649:
2637:
2633:
2621:
2614:
2606:
2602:
2594:
2590:
2582:
2578:
2570:
2566:
2558:
2547:
2539:
2535:
2523:
2519:
2511:
2507:
2499:
2490:
2482:
2478:
2466:
2459:
2451:
2447:
2439:
2435:
2423:
2416:
2408:
2389:
2381:
2374:
2366:
2362:
2350:
2346:
2338:
2334:
2326:
2313:
2305:
2301:
2289:
2280:
2264:
2260:
2252:
2248:
2236:
2232:
2220:
2211:
2199:
2195:
2187:
2180:
2168:
2159:
2151:
2147:
2139:
2135:
2127:
2123:
2115:
2111:
2103:
2092:
2084:
2043:
2035:
2031:
2023:
2019:
2011:
1998:
1990:
1986:
1978:
1974:
1962:
1953:
1945:
1941:
1933:
1929:
1921:
1917:
1909:
1905:
1897:
1893:
1885:
1876:
1860:
1856:
1848:
1844:
1840:
1835:
1834:
1829:
1825:
1820:
1816:
1811:
1807:
1802:
1797:
1781:Günter Graulich
1658:
1652:
1592:
1556:
1536:
1522:
1500:
1482:
1468:
1433:
1379:
1371:parallel thirds
1353:
1339:
1314:
1309:
1308:
1306:
1285:
1280:
1262:
1249:
1227:
1222:
1221:
1220:
1219:
1218:
1203:
1181:
1176:
1175:
1174:
1173:
1172:
1157:
1135:
1130:
1129:
1128:
1127:
1126:
1109:
1085:
1072:
1048:
1033:
1011:
1006:
1005:
1004:
1003:
1002:
989:
967:
962:
961:
960:
959:
958:
941:
938:Denn das Gesetz
917:
904:
882:
877:
876:
875:
874:
873:
858:
834:
827:
818:(Jesus, my joy)
817:
740:
701:
654:Christoph Wolff
620:St John Passion
611:Friedrich Smend
566:
553:
436:
428:Mass in B minor
406:sacred cantatas
370:
295:
290:
260:Christoph Wolff
149:
61:
38:
17:
12:
11:
5:
4836:
4826:
4825:
4820:
4815:
4798:
4797:
4792:
4789:
4788:
4786:
4785:
4777:
4769:
4761:
4749:
4741:
4733:
4725:
4717:
4709:
4701:
4693:
4684:
4681:
4680:
4665:
4664:
4657:
4650:
4642:
4636:
4635:
4620:
4604:
4588:
4578:
4564:
4563:External links
4561:
4559:
4558:
4534:
4510:
4486:
4456:
4440:arkivmusic.com
4432:
4407:
4382:
4357:
4339:
4324:
4299:
4269:
4248:
4214:
4208:
4183:
4158:
4134:Dellal, Pamela
4130:
4105:
4080:
4055:
4030:
4004:
4002:
4001:Online sources
3999:
3997:
3996:
3969:
3907:
3858:
3839:
3811:
3809:
3806:
3804:
3803:
3781:Zahn, Johannes
3777:
3771:
3749:
3724:
3718:
3692:
3674:
3636:
3615:Johann Michael
3593:, ed. (1935).
3591:Schneider, Max
3587:
3573:
3540:
3534:
3513:
3507:
3485:
3463:Hofmann, Klaus
3459:
3453:
3447:. p. 38.
3434:
3398:
3392:
3374:
3368:
3352:"Introduction"
3340:
3333:
3303:
3284:
3252:
3250:
3247:
3246:
3245:
3227:
3209:
3191:
3173:
3155:
3135:
3132:
3130:
3127:
3125:
3124:
3112:
3100:
3088:
3076:
3064:
3049:
3037:
3022:
3007:
2995:
2983:
2971:
2959:
2957:, p. 269.
2947:
2935:
2933:, p. VII.
2920:
2908:
2896:
2881:
2866:
2854:
2852:, p. VII.
2842:
2830:
2828:, p. 202.
2815:
2803:
2791:
2789:, p. 204.
2779:
2764:
2752:
2740:
2728:
2716:
2701:
2686:
2674:
2659:
2647:
2631:
2612:
2600:
2588:
2576:
2564:
2562:, p. 205.
2545:
2533:
2517:
2505:
2488:
2476:
2457:
2445:
2433:
2414:
2412:, p. 203.
2387:
2385:, p. 249.
2372:
2360:
2344:
2332:
2311:
2299:
2278:
2258:
2246:
2230:
2209:
2193:
2178:
2157:
2145:
2133:
2121:
2109:
2090:
2041:
2029:
2027:, p. 133.
2017:
1996:
1984:
1972:
1951:
1939:
1927:
1915:
1903:
1891:
1874:
1854:
1850:Schneider 1935
1841:
1839:
1836:
1833:
1832:
1823:
1814:
1804:
1803:
1801:
1798:
1796:
1793:
1753:
1752:
1741:
1738:
1725:Masaaki Suzuki
1722:
1712:
1651:
1648:
1591:
1588:
1573:Performers of
1555:
1552:
1535:
1532:
1521:
1518:
1499:
1496:
1481:
1478:
1467:
1464:
1432:
1429:
1378:
1375:
1352:
1349:
1338:
1335:
1313:
1310:
1300:
1297:
1284:
1281:
1279:
1276:
1273:
1272:
1269:
1260:
1257:
1254:
1251:
1242:
1236:
1235:
1232:
1223:
1216:
1213:
1210:
1205:
1196:
1190:
1189:
1186:
1177:
1170:
1165:
1162:
1159:
1150:
1144:
1143:
1140:
1131:
1124:
1119:
1116:
1111:
1102:
1096:
1095:
1092:
1083:
1080:
1077:
1074:
1065:
1059:
1058:
1055:
1046:
1043:
1040:
1035:
1026:
1020:
1019:
1016:
1007:
1000:
997:
994:
991:
982:
976:
975:
972:
963:
956:
951:
948:
943:
942:(For the law )
934:
928:
927:
924:
915:
912:
909:
906:
897:
891:
890:
887:
878:
871:
868:
865:
860:
851:
845:
844:
841:
832:
825:
822:
819:
810:
804:
803:
800:
797:
794:
791:
788:
785:
768:time signature
739:
736:
724:(T) and B for
700:
697:
613:was the first
565:
564:Time of origin
562:
435:
432:
358:Philipp Spitta
342:basso continuo
334:Lutheran hymns
294:
291:
289:
286:
276:basso continuo
133:
132:
123:
119:
118:
111:
107:
106:
103:
99:
98:
87:
83:
82:
77:
73:
72:
67:
63:
62:
59:
51:
50:
40:
39:
33:
30:
29:
15:
9:
6:
4:
3:
2:
4835:
4824:
4821:
4819:
4816:
4814:
4811:
4810:
4808:
4795:
4790:
4783:
4782:
4778:
4775:
4774:
4770:
4767:
4766:
4762:
4759:
4755:
4754:
4750:
4747:
4746:
4742:
4739:
4738:
4734:
4731:
4730:
4726:
4723:
4722:
4718:
4715:
4714:
4710:
4707:
4706:
4702:
4699:
4698:
4694:
4691:
4690:
4686:
4685:
4682:
4676:
4670:
4663:
4658:
4656:
4651:
4649:
4644:
4643:
4640:
4632:
4628:
4627:
4621:
4617:
4613:
4611:
4605:
4601:
4594:
4589:
4586:
4582:
4579:
4577:
4573:
4571:
4567:
4566:
4547:
4543:
4539:
4535:
4523:
4519:
4515:
4511:
4499:
4495:
4491:
4487:
4472:
4468:
4461:
4457:
4445:
4441:
4437:
4433:
4421:
4417:
4413:
4408:
4396:
4392:
4388:
4383:
4371:
4367:
4363:
4358:
4346:
4342:
4340:9783668590090
4336:
4332:
4331:
4325:
4313:
4309:
4305:
4300:
4288:
4284:
4283:
4278:
4274:
4270:
4258:
4254:
4249:
4234:
4230:
4223:
4222:"Bach Motets"
4219:
4215:
4211:
4205:
4201:
4197:
4193:
4192:J. B. Metzler
4190:(in German).
4189:
4184:
4172:
4168:
4167:Forma de Vida
4164:
4159:
4147:
4143:
4139:
4135:
4131:
4119:
4115:
4111:
4106:
4094:
4090:
4086:
4081:
4069:
4065:
4061:
4056:
4044:
4040:
4036:
4031:
4019:
4015:
4011:
4006:
4005:
3985:
3981:
3980:
3975:
3970:
3966:
3962:
3958:
3954:
3950:
3946:
3942:
3938:
3937:Bach-Jahrbuch
3934:
3930:
3929:
3924:
3920:
3916:
3912:
3908:
3896:
3892:
3888:
3884:
3880:
3876:
3872:
3869:(in German).
3868:
3864:
3859:
3855:
3851:
3850:
3845:
3840:
3828:
3824:
3823:
3818:
3813:
3812:
3801:
3796:
3792:
3788:
3787:
3782:
3778:
3774:
3768:
3764:
3760:
3759:
3754:
3750:
3746:
3742:
3735:
3734:
3729:
3725:
3721:
3715:
3711:
3707:
3703:
3702:
3697:
3693:
3689:
3685:
3684:
3679:
3675:
3672:
3668:
3664:
3659:
3655:
3651:
3647:
3646:
3641:
3637:
3633:
3629:
3625:
3621:
3620:
3616:
3612:
3608:
3604:
3598:
3597:
3592:
3588:
3584:
3583:
3578:
3574:
3567:
3563:
3556:
3555:
3550:
3546:
3541:
3537:
3531:
3527:
3523:
3519:
3514:
3510:
3504:
3500:
3496:
3495:
3490:
3486:
3482:
3478:
3474:
3470:
3469:
3464:
3460:
3456:
3450:
3446:
3442:
3441:
3435:
3428:
3425:. CV 31.227.
3424:
3420:
3413:
3412:
3407:
3403:
3399:
3395:
3389:
3385:
3384:
3379:
3375:
3371:
3365:
3361:
3357:
3353:
3349:
3345:
3341:
3336:
3330:
3326:
3322:
3318:
3314:
3313:
3308:
3304:
3300:
3296:
3295:
3290:
3289:"Bach Motets"
3285:
3273:
3269:
3265:
3261:
3260:
3254:
3253:
3242:
3238:
3237:
3232:
3228:
3224:
3220:
3219:
3214:
3210:
3206:
3202:
3201:
3196:
3192:
3188:
3184:
3183:
3178:
3174:
3170:
3166:
3165:
3160:
3156:
3152:
3148:
3147:
3142:
3138:
3137:
3129:Cited sources
3121:
3116:
3109:
3104:
3097:
3092:
3085:
3080:
3073:
3068:
3062:
3058:
3053:
3046:
3041:
3034:
3029:
3027:
3019:
3018:Anderson 1986
3014:
3012:
3004:
2999:
2993:, p. 38.
2992:
2987:
2980:
2975:
2968:
2963:
2956:
2951:
2945:, p. 99.
2944:
2939:
2932:
2927:
2925:
2918:, p. 91.
2917:
2912:
2905:
2900:
2893:
2888:
2886:
2878:
2873:
2871:
2863:
2858:
2851:
2846:
2839:
2838:Eckerson 2020
2834:
2827:
2822:
2820:
2813:, p. 46.
2812:
2807:
2800:
2795:
2788:
2783:
2776:
2771:
2769:
2761:
2756:
2749:
2744:
2738:, p. 36.
2737:
2732:
2726:, p. 33.
2725:
2720:
2713:
2708:
2706:
2699:, p. 30.
2698:
2693:
2691:
2683:
2678:
2672:, p. 10.
2671:
2670:Gardiner 2012
2666:
2664:
2656:
2651:
2644:
2640:
2635:
2628:
2624:
2623:Gardiner 2013
2619:
2617:
2610:, p. 16.
2609:
2604:
2598:, p. 15.
2597:
2592:
2585:
2580:
2574:, p. 13.
2573:
2568:
2561:
2556:
2554:
2552:
2550:
2542:
2537:
2530:
2526:
2521:
2514:
2509:
2502:
2497:
2495:
2493:
2485:
2480:
2473:
2469:
2468:Gardiner 2013
2464:
2462:
2454:
2449:
2442:
2437:
2430:
2426:
2421:
2419:
2411:
2406:
2404:
2402:
2400:
2398:
2396:
2394:
2392:
2384:
2379:
2377:
2369:
2368:Gardiner 2012
2364:
2357:
2353:
2348:
2342:, p. 50.
2341:
2336:
2330:, p. 50.
2329:
2324:
2322:
2320:
2318:
2316:
2309:, p. IV.
2308:
2303:
2296:
2292:
2287:
2285:
2283:
2275:
2271:
2267:
2262:
2255:
2250:
2243:
2239:
2234:
2227:
2223:
2218:
2216:
2214:
2206:
2202:
2201:Vopelius 1682
2197:
2190:
2185:
2183:
2175:
2171:
2166:
2164:
2162:
2154:
2149:
2142:
2137:
2130:
2125:
2118:
2113:
2106:
2101:
2099:
2097:
2095:
2087:
2082:
2080:
2078:
2076:
2074:
2072:
2070:
2068:
2066:
2064:
2062:
2060:
2058:
2056:
2054:
2052:
2050:
2048:
2046:
2038:
2033:
2026:
2021:
2014:
2009:
2007:
2005:
2003:
2001:
1993:
1988:
1981:
1976:
1969:
1965:
1960:
1958:
1956:
1948:
1947:Bach 333 2021
1943:
1936:
1931:
1924:
1919:
1912:
1907:
1900:
1895:
1888:
1883:
1881:
1879:
1871:
1867:
1863:
1858:
1851:
1846:
1842:
1827:
1818:
1809:
1805:
1792:
1790:
1786:
1782:
1778:
1774:
1773:Klaus Hofmann
1770:
1766:
1762:
1758:
1750:
1746:
1742:
1739:
1735:
1730:
1726:
1723:
1720:
1716:
1713:
1710:
1706:
1702:
1701:
1700:
1697:
1692:
1688:
1683:
1679:recording of
1676:
1671:
1667:
1663:
1657:
1647:
1645:
1644:Franz Wüllner
1640:
1639:
1632:
1627:
1621:
1619:
1615:
1611:
1607:
1602:
1597:
1587:
1584:
1577:
1570:
1565:
1561:
1551:
1531:
1517:
1515:
1511:
1495:
1493:
1477:
1463:
1455:
1444:
1427:
1423:
1421:
1420:Martin Luther
1417:
1413:
1409:
1405:
1392:
1388:
1383:
1374:
1372:
1368:
1364:
1348:
1334:
1332:
1328:
1323:
1304:
1294:
1270:
1266:
1261:
1258:
1255:
1252:
1241:
1238:
1237:
1233:
1226:
1217:
1214:
1211:
1209:
1206:
1195:
1192:
1191:
1187:
1180:
1171:
1169:
1166:
1163:
1160:
1149:
1146:
1145:
1141:
1134:
1125:
1123:
1120:
1117:
1115:
1112:
1101:
1098:
1097:
1094:···· chorale
1093:
1089:
1084:
1081:
1078:
1075:
1064:
1061:
1060:
1056:
1052:
1047:
1044:
1041:
1039:
1036:
1025:
1022:
1021:
1017:
1010:
1001:
998:
995:
992:
981:
978:
977:
973:
966:
957:
955:
952:
949:
947:
944:
933:
930:
929:
925:
921:
916:
913:
910:
907:
896:
893:
892:
888:
881:
872:
869:
866:
864:
861:
850:
847:
846:
842:
838:
833:
830:
826:
823:
820:
809:
806:
805:
782:
778:
774:Movements of
771:
769:
765:
761:
756:
754:
750:
746:
745:fugal writing
735:
732:
727:
723:
719:
715:
712:: one or two
711:
706:
696:
694:
690:
688:
682:
675:
670:
666:
664:
659:
655:
651:
649:
645:
641:
637:
633:
632:cantus firmus
628:
627:
622:
621:
616:
612:
608:
606:
602:
597:
592:
587:
583:
578:
572:
561:
557:
552:
548:
544:
540:
536:
532:
531:
526:
522:
518:
514:
513:
508:
504:
503:Johann Crüger
500:
496:
494:
489:
485:
481:
477:
473:
469:
468:Johann Franck
464:
455:
454:
447:
440:
431:
429:
425:
419:
413:
411:
407:
403:
399:
394:
392:
386:
380:
374:
369:
368:
363:
359:
355:
350:
349:
343:
339:
335:
331:
327:
322:
321:
315:
311:
307:
303:
300:
285:
283:
282:
277:
273:
267:
265:
261:
256:
251:
246:
244:
240:
239:word painting
236:
232:
228:
224:
219:
217:
213:
209:
205:
201:
197:
196:Johann Crüger
193:
189:
185:
184:Johann Franck
179:
173:
172:Lutheran hymn
169:
165:
164:Bach's motets
161:
157:
153:
143:
141:
129:
124:
120:
116:
112:
108:
104:
100:
94:
88:
84:
81:
78:
74:
71:
68:
64:
57:
52:
49:
45:
41:
36:
31:
27:
22:
19:
4779:
4772:
4764:
4757:
4752:
4743:
4736:
4728:
4720:
4712:
4704:
4703:
4696:
4688:
4625:
4609:
4599:
4587:(ChoralWiki)
4569:
4550:. Retrieved
4541:
4526:. Retrieved
4517:
4502:. Retrieved
4493:
4478:. Retrieved
4466:
4448:. Retrieved
4439:
4424:. Retrieved
4415:
4399:. Retrieved
4374:. Retrieved
4349:. Retrieved
4329:
4316:. Retrieved
4291:. Retrieved
4281:
4261:. Retrieved
4240:. Retrieved
4228:
4187:
4175:. Retrieved
4166:
4150:. Retrieved
4141:
4122:. Retrieved
4113:
4097:. Retrieved
4088:
4072:. Retrieved
4063:
4047:. Retrieved
4038:
4022:. Retrieved
4013:
3988:. Retrieved
3977:
3932:
3927:
3899:. Retrieved
3870:
3866:
3847:
3831:. Retrieved
3820:
3790:
3784:
3757:
3747:. CV 31.224.
3732:
3705:
3700:
3687:
3682:
3643:
3623:
3600:
3594:
3581:
3553:
3521:
3493:
3467:
3439:
3410:
3382:
3355:
3344:Dürr, Alfred
3316:
3310:
3307:Dürr, Alfred
3292:
3276:. Retrieved
3258:
3241:Bach Archive
3236:Bach Digital
3234:
3223:Bach Archive
3218:Bach Digital
3216:
3205:Bach Archive
3200:Bach Digital
3198:
3187:Bach Archive
3182:Bach Digital
3180:
3169:Bach Archive
3164:Bach Digital
3162:
3151:Bach Archive
3146:Bach Digital
3144:
3134:Bach Digital
3115:
3110:, p. I.
3103:
3091:
3079:
3067:
3052:
3040:
2998:
2991:Haskell 1996
2986:
2974:
2962:
2950:
2943:Melamed 1995
2938:
2931:Hofmann 1995
2916:Schulze 1983
2911:
2899:
2857:
2845:
2833:
2806:
2794:
2782:
2755:
2743:
2731:
2719:
2677:
2650:
2634:
2603:
2591:
2579:
2567:
2543:, p. 4.
2536:
2520:
2508:
2479:
2448:
2436:
2370:, p. 9.
2363:
2352:Melamed 1995
2347:
2340:Neufeld 1997
2335:
2328:Melamed 2000
2307:Hofmann 1995
2302:
2291:Melamed 1995
2266:Melamed 1995
2261:
2256:, p. V.
2249:
2238:Melamed 1995
2233:
2222:Melamed 1995
2196:
2148:
2136:
2124:
2117:Schmidt 2011
2112:
2105:Neufeld 1997
2037:Melamed 1995
2032:
2020:
1987:
1975:
1942:
1930:
1918:
1906:
1894:
1887:Cookson 2010
1857:
1845:
1826:
1817:
1808:
1788:
1777:Carus-Verlag
1765:Konrad Ameln
1760:
1754:
1659:
1622:
1593:
1572:
1567:
1557:
1537:
1523:
1501:
1492:C major
1483:
1469:
1434:
1425:
1395:
1363:G major
1354:
1340:
1324:
1315:
1286:
1224:
1178:
1132:
1057:····· fugue
1008:
964:
879:
790:Text source
757:
741:
702:
686:
662:
658:Thomanerchor
652:
624:
623:of 1724 and
618:
615:musicologist
609:
596:Thomaskantor
567:
528:
510:
501:
497:
474:verses from
460:The text of
459:
451:
414:
409:
395:
391:E minor
366:
338:chorale tune
330:Luther Bible
296:
279:
268:
247:
237:. Bach used
220:
145:
137:
136:
122:Instrumental
18:
4794:Discography
4542:hymnary.org
4494:hymnary.org
4467:bach333.com
4351:25 November
4293:30 December
4263:11 November
4242:28 February
4152:21 November
4110:"BWV 227.7"
4085:"BWV 227.3"
3795:Bertelsmann
3650:Bell, Clara
3473:Bärenreiter
3264:Bärenreiter
3239:. Leipzig:
3221:. Leipzig:
3203:. Leipzig:
3185:. Leipzig:
3167:. Leipzig:
3149:. Leipzig:
3072:Holman 1990
2712:Dahn 7 2018
2643:p. 601
2639:Spitta 1899
2584:Dahn 3 2018
2529:p. 600
2525:Spitta 1899
2513:Jacobi 1756
2501:Dahn 1 2018
2484:Browne 2006
2453:Posner 2020
2268:, pp.
2224:, pp.
2086:Dellal 2020
1992:Robins 2020
1862:Spitta 1899
1769:Bärenreiter
1734:colla parte
1719:the Sixteen
1583:colla parte
926:·· chorale
731:colla parte
554: [
535:common time
371: [
348:colla parte
306:Bach family
281:colla parte
243:theological
128:colla parte
4807:Categories
4633:Libraries.
4629:(Thesis).
4612:, BWV 227"
3990:3 December
3979:Gramophone
3943:. Berlin:
3875:De Gruyter
3833:3 December
3822:Gramophone
3632:1001795741
3294:Gramophone
3096:Smith 2013
3033:Riley 2012
3003:Elste 2000
2826:Jones 2013
2787:Jones 2013
2775:Jones 2013
2760:Jones 2013
2625:, p.
2560:Jones 2013
2470:, p.
2441:Jones 2013
2427:, p.
2425:Wolff 2002
2410:Jones 2013
2383:Wolff 2002
2354:, p.
2293:, p.
2240:, p.
2203:, p.
2172:, p.
2025:Jones 2013
1980:Ameln 1965
1966:, p.
1964:Jones 2013
1838:References
1672:performed
1662:Bach Choir
1654:See also:
1569:education.
1253:6th stanza
1161:5th stanza
1076:4th stanza
993:3rd stanza
908:2nd stanza
821:1st stanza
424:Magnificat
373:choralwiki
354:his motets
299:Protestant
293:Background
76:Bible text
48:J. S. Bach
4732:(BWV 230)
4724:(BWV 229)
4716:(BWV 228)
4708:(BWV 227)
4700:(BWV 226)
4692:(BWV 225)
3961:0084-7682
3891:146854834
3728:Wolf, Uwe
3696:Wolf, Uwe
3549:Wolf, Uwe
3406:Wolf, Uwe
3061:855707487
2862:Veen 2010
2170:Zahn 1891
2129:CCEL 2020
1727:with the
1614:Breitkopf
1596:autograph
1512:from the
1510:Sarabande
1416:Grünewald
1327:homophony
1278:Movements
1234:· fugato
1142:··· trio
974:··· trio
889:· fugato
689:, BWV 226
665:, BWV 225
547:catabasis
525:Allemande
517:hymn tune
364:'s motet
302:Thuringia
192:hymn tune
168:movements
102:Movements
4552:31 March
4546:Archived
4522:Archived
4518:ccel.org
4504:31 March
4498:Archived
4480:11 March
4471:Archived
4450:28 March
4444:Archived
4426:24 March
4420:Archived
4401:19 March
4395:Archived
4391:AllMusic
4376:19 March
4370:Archived
4345:Archived
4318:27 March
4312:Archived
4287:Archived
4275:(1756).
4257:Archived
4233:Archived
4220:(2012).
4177:19 March
4171:Archived
4146:Archived
4136:(2020).
4124:21 March
4118:Archived
4099:21 March
4093:Archived
4074:21 March
4068:Archived
4049:20 March
4043:Archived
4024:20 March
4018:Archived
3984:Archived
3965:Archived
3925:(eds.).
3913:(1983).
3901:19 March
3895:Archived
3854:Archived
3827:Archived
3808:Journals
3783:(1891).
3755:(2002).
3680:(1682).
3671:Vol. III
3642:(1899).
3607:Heinrich
3566:Archived
3551:(eds.).
3491:(2013).
3481:Archived
3427:Archived
3380:(2013).
3350:(2006).
3299:Archived
3278:19 March
3272:Archived
2141:May 2020
1785:Uwe Wolf
1668:, while
1367:beatific
1271:chorale
1215:E minor
1082:E minor
1045:G major
914:E minor
843:chorale
551:anabasis
521:bar form
212:Lutheran
4758:motetto
4600:mvmc.de
3935:].
3800:Vol. IV
3667:Vol. II
1454:stretti
1443:melisma
1412:Cranach
1391:soprano
1259:E minor
1168:A minor
1122:C major
999:E minor
954:G major
870:E minor
829:E minor
793:Voices
760:incipit
714:soprano
488:stanzas
288:History
255:Leipzig
206:of the
188:stanzas
154:, is a
86:Chorale
70:E minor
4669:Motets
4528:12 May
4337:
4206:
3959:
3889:
3769:
3741:Urtext
3716:
3663:Vol. I
3630:
3603:Johann
3532:
3505:
3451:
3419:Urtext
3390:
3366:
3331:
3059:
1737:, 2009
1721:, 1989
1408:unison
1387:motifs
766:, its
691:. The
470:, and
456:, 1653
314:motets
312:wrote
231:motifs
150:
4596:(PDF)
4474:(PDF)
4463:(PDF)
4236:(PDF)
4225:(PDF)
3931:[
3887:S2CID
3873:(2).
3789:[
3745:Carus
3737:(PDF)
3704:[
3686:[
3599:[
3569:(PDF)
3562:Carus
3558:(PDF)
3430:(PDF)
3423:Carus
3415:(PDF)
3315:[
3249:Books
2969:, II.
2226:86–87
1866:40–96
1800:Notes
1717:with
1212:SSATB
1042:SSATB
996:SSATB
911:SSATB
867:SSATB
802:Form
799:Time
787:Text
753:trios
722:tenor
720:(A),
710:SSATB
605:order
599:from
580:, to
558:]
543:fifth
539:motif
472:Bible
375:]
235:fugue
216:Jesus
156:motet
125:Lost
115:SSATB
110:Vocal
44:Motet
4554:2020
4530:2014
4506:2020
4482:2021
4452:2020
4428:2020
4403:2020
4378:2020
4353:2021
4335:ISBN
4320:2020
4295:2021
4265:2021
4244:2017
4204:ISBN
4179:2020
4154:2021
4126:2020
4101:2020
4076:2020
4051:2020
4026:2020
3992:2021
3957:ISSN
3903:2020
3835:2021
3767:ISBN
3714:ISBN
3617:and
3530:ISBN
3503:ISBN
3477:ISMN
3449:ISBN
3388:ISBN
3364:ISBN
3329:ISBN
3280:2020
3268:ISMN
3057:OCLC
1755:The
1707:and
1414:and
1256:SATB
1164:SSAT
1079:SATB
824:SATB
796:Key
784:No.
726:bass
718:alto
507:Zahn
476:Paul
332:and
326:SATB
4671:by
4196:doi
3949:doi
3879:doi
3628:GND
3321:BWV
2627:352
2472:351
2429:329
2205:780
2174:651
1968:198
1870:601
1689:'s
1616:'s
1598:of
1118:ATB
950:SSA
764:key
478:'s
284:).
194:by
158:by
152:227
147:BWV
66:Key
46:by
37:227
35:BWV
4809::
4598:.
4544:.
4540:.
4520:.
4516:.
4496:.
4492:.
4465:.
4442:.
4438:.
4418:.
4414:.
4393:.
4389:.
4368:.
4364:.
4343:.
4310:.
4306:.
4279:.
4227:.
4202:.
4169:.
4165:.
4144:.
4140:.
4116:.
4112:.
4091:.
4087:.
4066:.
4062:.
4041:.
4037:.
4016:.
4012:.
3982:.
3976:.
3963:.
3955:.
3921:;
3893:.
3885:.
3877:.
3871:15
3852:.
3846:.
3825:.
3819:.
3761:.
3669:–
3665:–
3656:.
3652:;
3613:,
3609:,
3605:,
3547:;
3524:.
3520:.
3497:.
3471:.
3443:.
3404:;
3358:.
3354:.
3346:;
3327:.
3297:.
3291:.
3266:.
3262:.
3233:.
3215:.
3197:.
3179:.
3161:.
3143:.
3025:^
3010:^
2923:^
2884:^
2869:^
2818:^
2767:^
2704:^
2689:^
2662:^
2615:^
2548:^
2491:^
2460:^
2417:^
2390:^
2375:^
2356:86
2314:^
2295:85
2281:^
2274:98
2272:,
2270:85
2242:98
2212:^
2181:^
2160:^
2093:^
2044:^
1999:^
1954:^
1877:^
1620:.
1586:.
1534:11
1520:10
1516:.
1369:"
1240:11
1194:10
556:de
482:,
377:,
105:11
4661:e
4654:t
4647:v
4608:"
4556:.
4532:.
4508:.
4484:.
4454:.
4430:.
4405:.
4380:.
4355:.
4322:.
4267:.
4246:.
4212:.
4198::
4181:.
4156:.
4128:.
4103:.
4078:.
4053:.
4028:.
3994:.
3951::
3905:.
3881::
3837:.
3802:.
3797:.
3775:.
3739:(
3722:.
3673:.
3660:.
3634:.
3538:.
3511:.
3457:.
3417:(
3396:.
3372:.
3337:.
3282:.
3122:.
3098:.
3086:.
3074:.
3047:.
3035:.
3020:.
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