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Jerolim Miše

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In 1922 he undertook a study tour of Munich, Berlin and Dresden, where he got to know the work of the old masters, and Cézanne. He visited Paris in 1925 and 1929, events that were crucial in forming his mature artistic style. He painted many portraits, self-portraits and still lifes. He immortalized
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where he painted a series of views of the town with its empty streets in the summer heat and a number of landscapes and seascapes that are expressive colourist works reminiscent of Cézanne’s and Renoir’s painting styles. In his work can be identified contacts with contemporary German and French art
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During his time in Italy (1891–1914), he wrote critiques and reviews of the Italian contemporary arts scene for newspapers and journals back home. He continued to write and publish stimulating articles about the visual arts scene right though his life built up a reputation as an articulate and well
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Miše's early work consisted mainly of portraits, but he later developed into a landscape painter, and finally began to paint everything he saw: views, landscapes, portraits, still lifes, animals. His later landscapes of his native Dalmatia capture an experience of the colour and atmosphere. Miše
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summarized the conflicting styles in Miše's work "...the struggle between the hard, clear volumes of secessionist art, and the vibrating surfaces of impressionism... he is wrestling between the (German) fascination with the subject and the (French) obsession with light."
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In addition to being an exhibiting artist, Jerolim Miše taught and encouraged other artists for over 60 years, wrote articles and critiqued visual arts. As both a painter and a critic, he made an enormous contribution to
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His first solo exhibition was held in 1914 in Split, and from 1917 he participated in the exhibitions of the Spring Salon in Zagreb. During the period 1921-1927 he exhibited with the Independent Group of Artists
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While studying in Rome and Florence, Miše was more interested in art theory than practice, spending time with the Rome avant-garde circle, questioning issues such as Viennese
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went to Paris for the first time in 1925, and according to the painter himself, that is when his “reorientation” started. For his retrospective exhibition in 1955 at the
970: 902: 1032: 1014: 980: 1188: 920: 136:(25 September 1890 – 14 September 1970), was a Croatian painter, teacher, and art critic. He painted portraits, still lifes and landscapes of his native 932: 1200: 1122: 1062: 1038: 908: 896: 1194: 1020: 990: 1212: 942: 886: 1008: 1074: 984: 1146: 1182: 1176: 1134: 954: 958: 1056: 1275: 938: 179:, Miše returned to Split. During the war he was conscripted, and afterwards spent a number of years (1917–1937) teaching in schools in 614: 573: 1260: 156:
Jerolim Miše was born on 25 September 1890 in Split. He began to study painting at the craft school in Split, then attended the
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secessionist linearism nor heroic mythology. His motifs are simple, the content minimalist.
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During his lifetime, Miše held solo exhibits in Split, Slavonski Brod, Rijeka,
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Jerolim Miše's work can be found in the following public collections
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the landscape of Brač, Šolta, Krk, Korčula and the Dubrovnik region.
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2006 Croatian Collection - Museum of Contemporary Art, Skopje
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and I was already thirty-two when I came into contact with
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trends. There, he also spent time with fellow Split native
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Golden works by one of the classics of Croatian Modernism
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In 1928, for the first time he spent a long period in
720:[Great, subtle, unobtrusive]. Matica hrvatska 258:In 1937, he went to teach at the Academy of Art in 269:Jerolim Miše died on 14 September 1970 in Split. 1232: 266:where he worked until his retirement in 1961. 802: 231:. In 1928, he was part of the Group of Four ( 809: 795: 742: 740: 738: 633: 478:Selected recent group exhibitions include 457:2008 Jerolim Miše - Gallery Adris, Rovinj 715: 639: 661: 659: 642:"Grupa nezavisnih umjetnika (1921-1927)" 609: 607: 605: 603: 601: 599: 235:) with (Ljubo Babić, Vladimir Becić and 16:Croatian painter, teacher and art critic 735: 686: 684: 568: 566: 564: 562: 560: 558: 556: 554: 552: 550: 333:styles. The art historian and curator, 1233: 790: 656: 596: 574:"JEROLIM MIŠE, Noon in Supetar, 1928" 486: 711: 709: 681: 580:. Croatian Post, Inc. Archived from 547: 239:) and from 1929 the Group of Three ( 13: 1276:20th-century Croatian male artists 537:Museum of Contemporary Art, Skopje 511:Museum of Contemporary Art, Zagreb 466:1970 Jerolim Miše Retrospective - 262:, until 1943 when he moved to the 14: 1292: 762: 718:"Sjajno, istančano, nenametljivo" 706: 617:. Galerija Divila. Archived from 305:, he wrote: "I started with the 692:"Jerolim Miše u galeriji Adris" 389:Portrait of the Painter Rački ( 1261:20th-century Croatian painters 473: 439: 243:) which consisted of himself, 1: 1271:Croatian expatriates in Italy 748:"Jerolim Miše 1890-1970, HR" 541: 444: 1281:Burials at Lovrinac Cemetery 1256:Vladimir Nazor Award winners 264:Academy of Fine Arts, Zagreb 158:Academy of Fine Arts, Zagreb 151: 7: 501:Gallery of Fine Arts, Split 468:Gallery of Fine Arts, Split 368:Portrait of Ivo Tartaglia ( 199:) whose other members were 10: 1297: 515:Muzej Suvremene Umjetnosti 197:Grupa nezavisnih umjetnika 828: 433:Mrtva priroda s kistovima 431:Still life with brushes ( 377:Primorsku vedutu, Supetar 272: 121: 107: 93: 83: 57: 28: 21: 820:for Life Achievement in 578:CROATIAN MODERN PAINTING 341: 162:Accademia Internazionale 1159:Marija Ujević-Galetović 1117:Vjekoslav Vojo Radoičić 1266:Croatian male painters 1105:Nives Kavurić-Kurtović 975:Mira Kovačević-Ovčačik 521:Modern Gallery, Zagreb 426:Majsko jutro na Lopudu 424:May Morning on Lopud ( 391:Portret slikara Račkog 303:Modern Gallery, Zagreb 281:as opposed to Italian 1003:Kosta Angeli Radovani 370:Portret Ive Tartaglie 354:Portrait of a Bride ( 146:modern art in Croatia 1251:Croatian art critics 1153:Ivan Ladislav Galeta 818:Vladimir Nazor Award 532:Macedonia (F.Y.R.M.) 462:Art Pavilion, Zagreb 460:1990 Jerolim Miše - 168:in the paper Zvono. 166:Menci Clement Crnčić 375:Seascape, Supetar ( 47:Kingdom of Dalmatia 621:on 2 December 2010 505:Galerija Umjetnina 487:Public collections 382:Noon in Supetar, ( 237:Maksimilijan Vanka 175:On the eve of the 1228: 1227: 1165:Mladen Stilinović 669:. Galerija Kaptol 403:Noon in Koločep ( 363:Djevojku s dinjom 361:Girl with Melon ( 356:Portret zaručnice 328:on the island of 172:informed critic. 131: 130: 61:14 September 1970 39:25 September 1890 1288: 1201:Mihajlo Arsovski 1081:Aleksandar Srnec 1027:Ferdinand Kulmer 971:Željko Hegedušić 839:Marino Tartaglia 811: 804: 797: 788: 787: 782: 781: 779: 777: 772:. 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Index

Split
Kingdom of Dalmatia
Austria-Hungary
Split
SR Croatia
SFR Yugoslavia
Croatian
Rome
Florence
Oil painting
art critic
Modern Art
Dalmatia
modern art in Croatia
Academy of Fine Arts, Zagreb
Accademia Internazionale
Menci Clement Crnčić
First World War
Krapina
Slavonski Brod
Zagreb
Ljubo Babić
Vladimir Becić
Jozo Kljaković
Frano Kršinić
Ivan Meštrović
Marin Studin
Zlatko Šulentić
Vladimir Varlaj
Maksimilijan Vanka

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