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was Vigo's only full-length feature. The simple story of a newly married couple splitting and reuniting effortlessly merges unpolished, naturalistic filmmaking with shimmering, dreamlike sequences and effects. Thomson described the result as "not so much a masterpiece as a definition of cinema, and
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285:, young artists cut off in their prime, leaving behind a handful of great works that suggest what might have been. But one who qualifies is Jean Vigo, the French director who died of tuberculosis at age 29 in 1934."
148:, who were later punished for wartime treason. The young Vigo was subsequently sent to boarding school under an assumed name, Jean Sales, to conceal his identity.
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was mutilated by its distributor. By this point, Vigo was too ill to strenuously fight the matter. Both films have outlived their detractors;
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on 13 August 1917, although the death was officially a suicide. Some speculated that
Almereyda's death was hushed up on orders of the
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Vigo was married and had a daughter, Luce Vigo, a film critic, in 1931. He died in 1934 of complications from
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is an annual prize given to Best
Director at the Navarra Int'l Documentary Film Festival in Spain.
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Vigo is noted for two films that affected the future development of both French and world cinema:
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s 1962 poll, and as the 6th-best in its 1992 poll. In the late 1980s a 1934 copy of
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as "forty-four minutes of sustained, if roughly shot anarchic crescendo."
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is an annual award given since 1951 to outstanding French film directors.
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thus a film that stands resolutely apart from the great body of films."
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677:(Third series ed.). Detroit: Gale Group. 2001. pp. 121–122.
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613:"Son of Anarchy, Father of a Critic: A Tribute to Jean Vigo at UCLA"
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was banned by the French government until after the war, and
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stated: "The ranks of the great film directors are short on
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and was presented to his daughter and French film critic
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wrote a letter for the occasion with praise for Vigo,
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that considered social inequity in the resort town of
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was chosen as the 10th-greatest film of all time in
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Senses of Cinema: Great
Directors Critical Database
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534:(Revised ed.). New York: Knopf. p. 51.
499:(Sixth ed.). New York: Knopf. p. 1073.
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674:British and Irish dramatists since World War II
360:, all of whom struggled with heavy censorship.
155:, which he had contracted eight years earlier.
125:Vigo was born to Emily Clero and the militant
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988:Burials at the Cimetière parisien de Bagneux
781:. New York: The H. W. Wilson Company, 1987.
567:. Manchester University Press. p. 108.
431:. London: Cassell Illustrated. p. 145.
262:British National Film and Television Archive
468:. University of California Press. pp.
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392:, a stage adaptation of the Gomez play by
340:Award posthumously honored Jean Vigo for
223:and was inspired by Soviet newsreels; and
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113:in film in the 1930s. His work influenced
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205:His career began with two other films:
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187:was approvingly described by critic
460:Gomes, Paulo Emílio Salles (1971).
427:Schneider, Steven Jay, ed. (2007).
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800:. Atlanta: On Our Own Authority!.
714:. Paris: Editions du Seuil, 1957.
600:http://www.parajanov.com/institute
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611:Rapold, Nicolas (7 April 2011).
798:Jean Vigo and the Anarchist Eye
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267:Writing on Vigo's career in
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754:Temple, Michael (2011).
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528:Thomson, David (2010).
493:Thomson, David (2014).
215:", 1930), a subversive
840:Anarchist Encyclopedia
773:Wakeman, John (1987).
399:Vigo: Passion for Life
729:Le Cain, Maximilian.
109:who helped establish
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16:French film director
429:501 Movie Directors
390:Love's A Revolution
310:Taris, roi de l'eau
741:on 5 February 2007
648:on 22 October 2014
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270:The New York Times
978:French anarchists
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642:VartanovCom
403:James Frain
289:Filmography
217:silent film
142:Louis Malvy
35:Vigo, 1930s
957:Categories
923:L'Atalante
690:8 February
684:0787646628
652:30 January
622:30 January
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409:References
394:Chris Ward
325:L'Atalante
258:L'Atalante
245:L'Atalante
241:L'Atalante
231:Jean Taris
199:L'Atalante
176:L'Atalante
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47:1905-04-26
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346:Luce Vigo
127:anarchist
121:Biography
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87:1930–1934
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279:Keatses
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827:IMDb
802:ISBN
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747:2007
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376:The
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