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735:(2013), Lanier posits that the middle class is increasingly disenfranchised from online economies. By convincing users to give away valuable information about themselves in exchange for free services, firms can accrue large amounts of data at virtually no cost. Lanier calls these firms "Siren Servers", alluding to the Sirens of Ulysses. Instead of paying each individual for their contribution to the data pool, the Siren Servers concentrate wealth in the hands of the few who control the data centers.
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exposing one's own process of perception, since "the best enjoyment of VR includes not really being convinced. Like when you go to a magic show." And he underscores how VR inherently helps the user focus on reality, rather than the virtual world, explaining that the best magic of VR happens in the moments right after the demo ends (his lab would often present flowers to visitors coming out of the headset, as the visitor would experience them as though for the first time).
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inspection for the first time. Our collective window shades are now open. We see the mundanity, the avarice, the ugliness, the perversity, the loneliness, the love, the inspiration, the serendipity, and the tenderness that manifest in humanity. Seen in proportion, we can breathe a sigh of relief. We are basically OK.
794:(2017), Lanier reflects on his upbringing in 1960s New Mexico, his lifelong relationship with technology, and his path to Silicon Valley. Part personal memoir and part rumination on virtual reality, Lanier highlights VR's versatility both in historical context and projects its functions into the future.
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As the name implies, Lanier is concerned about the influence of social media, and many of his criticisms of social media will feel familiar to observers of
American politics and culture. In essence the claim is that platforms such as Twitter and Facebook have made their users cruder, less empathetic,
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Lanier cites modern VR's rich résumé beyond gaming and entertainment: it has been used to treat war veterans overcoming PTSD; by doctors to perform intricate surgeries; by paraplegics wanting to feel the sense of flight; and as a mechanism to prototype almost every vehicle fabricated in the last two
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Lanier further argues that the open source approach has destroyed opportunities for the middle class to finance content creation, and results in the concentration of wealth in a few individuals—"the lords of the clouds"—people who, more by virtue of luck rather than true innovation, manage to insert
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Knowledge is run by super-nice people who are my friends. But the thing is it’s like one encyclopedia. Some of us might remember when on paper there was both an
Encyclopedia Britannica and Encyclopedia Americana and they provided different perspectives. The notion of having the perfect encyclopedia
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I wonder if some aspect of human nature evolved in the context of competing packs. We might be genetically wired to be vulnerable to the lure of the mob... What's to stop an online mass of anonymous but connected people from suddenly turning into a mean mob, just like masses of people have time and
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Lanier also argues that there are limitations to certain aspects of the open source and content movement in that they lack the ability to create anything truly new and innovative. For example, Lanier argues that the open source movement did not create the iPhone. In another example, Lanier further
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opinion piece entitled "Piracy is Your Friend" in which he argued that the record labels were a much bigger threat to artists than piracy. The original article is no longer available, but an excerpt entitled "Making an Ally of Piracy" exists with the same date. The original article is quoted in a
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For example, he points to Google's translation algorithm, which amalgamates previous translations uploaded by people online, giving the user its best guess. The people behind the source translations receive no payment for their work, while Google profits from increased ad visibility as a powerful
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Lanier argues that the search for deeper information in any area sooner or later requires finding information that has been produced by a single person, or a few devoted individuals: "You have to have a chance to sense personality in order for language to have its full meaning." That is, he sees
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The
Internet has created the most precise mirror of people as a whole that we've yet had. It is not a summary prepared by a social scientist or an elite think tank. It is not the hagiography of an era, condensed by a romantic idealist or a sneering cynic. It is the real us, available for direct
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Lanier writes of VR's capacity to engage and inspire more than any other kind of technology ("TV and video games draw people into a zombielike trance ... while VR is active and makes you tired after a while"). He writes that the older, poorer VR equipment might have done an even better job at
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their bodies, including changing the pigmentation and texture of their skin, as well as forming complex shape imitations with their limbs. Lanier sees this behavior, especially as exchanged between two octopodes, as a direct behavioral expression of thought.
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In 1997, he was a founding member of the 'National Tele-Immersion
Initiative', an effort devoted to using computer technology to give people who are separated by great distances the illusion that they are physically together. Lanier is a member of the
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expropriation of intellectual production as a form of "Digital Maoism". Lanier accuses Web 2.0 developments of devaluing progress and innovation, as well as glorifying the collective at the expense of the individual. He criticizes
Knowledge and
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time again in the history of every human culture? It's amazing that details in the design of online software can bring out such varied potentials in human behavior. It's time to think about that power on a moral basis.
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any attempt to create one final authoritative bottleneck that channels the knowledge onto society is wrong, regardless of whether it is a
Knowledge or any algorithmically created system producing meta information,
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more tribal. Lanier worries that reliance on social media platforms is reducing people's capacity for spirituality, and that social media users are in essence turning into automated extensions of the platforms.
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it removes the touch with the real author of original information, it filters the subtlety of the opinions of the author, essential information (for example, the graphical context of original sources) is
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employed 140,000 people when it led the digital imaging industry. By 2012, Kodak had filed for bankruptcy due to free photo-sharing sites such as
Instagram that employed only 13 people at the time.
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in 2006; A concert-length sequence of works for orchestra and virtual worlds (including "Canons for
Wroclaw", "Khaenoncerto", "The Egg", and others) celebrating the 1000th birthday of the city of
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Lanier has also pioneered the use of
Virtual Reality in musical stage performance with his band Chromatophoria, which has toured around the world as a headline act in venues such as the
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as less intelligent than the name, and popular culture, may suggest. Lanier concludes his essay as follows: "Think of people. People are the answer to the problems of bits."
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which, unlike the ordinary bow, renders possible polyphonic playing on the various strings of a string instrument. Lanier has performed with artists as diverse as
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3256:(Smithsonian often changes the title of a print article when it is published online. This article is titled "What turned Jaron Lanier against the web?" online.)
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and that this kind of activity might create future totalitarian systems as these are basically grounded on misbehaved collectives that oppress individuals.
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on
September 6, 2021 to talk about his views on AI, social media, VR and the future of humanity. He has had speaking engagements and presentations at
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2322:"Annals of Artificial Intelligence - There Is No A.I. - There are ways of controlling the new technology—but first we have to stop mythologizing it"
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Lanier has composed contemporary classical music and is a collector of rare instruments (of which he owns one to two thousand); his acoustic album,
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he worries that collectively created works may be manipulated behind the scenes by anonymous groups of editors who bear no visible responsibility,
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as examples of this problem; Knowledge for what he sees as: its "mob rule" by anonymous editors, the weakness of its non-scientific content, and
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2736:(Documentary, Drama), Skyler Gisondo, Kara Hayward, Vincent Kartheiser, Tristan Harris, Exposure Labs, Argent Pictures, The Space Program
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in the "Yang Speaks" podcast, episode entitled "Who owns your data? Jaron Lanier has the answer" on May 28, 2020. Lanier appeared on the
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From 1979 to 1980, Lanier's NSF-funded project at NMSU focused on "digital graphical simulations for learning". Lanier also attended
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decades. Throughout the book Lanier intersperses fifty-one definitions of VR, illuminating its many uses, gifts, and pitfalls.
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magazine in May 2006, Lanier criticized the sometimes-claimed omniscience of collective wisdom (including examples such as the
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limitations in the utility of an encyclopedia produced by only partially interested third parties as a form of communication.
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themselves as content concentrators at strategic times and locations in the cloud. In the book, Lanier also criticizes the
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3085:"The Center for Public Integrity in Partnership with ABC News Win the Goldsmith Prize for Investigative Reporting"
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separate New York Times article by Neil Strauss, also with the same date. On November 20, 2007, he published a
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and John V. Sinclair's Bach Festival Choir and Orchestra for his Worldwide Premiere of "Symphony for Amelia".
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As a solution to these problems, Lanier puts forth an alternative structure to the web based on Ted Nelson's
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article about him, which he said recurrently exaggerates his film directing work), describing it as "digital
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2900:"#218 - Jaron Lanier: Virtual Reality, Social Media & the Future of Humans and AI | Lex Fridman Podcast"
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and the American Composers Forum, premiered in 2000; and "Mirror/Storm", a symphony commissioned by the
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named Lanier one of the top 25 most influential people over the last 25 years of technological history.
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accuses Web 2.0 of making search engines lazy, destroying the potential of innovative websites such as
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Lanier, Jaron, "Taking stock: So, what's changed in the last five years?", Wired, January 1998, p. 60
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Some of Lanier's speculation involves what he calls "post-symbolic communication". In his April 2006
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He made a game Moon Dust for Commodore which led to a job at Atari. In California, while working for
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His criticism aims at several targets that concern him and are at different levels of abstraction:
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1829:"Renaissance man: Berkeley resident is a musician, a Web guru and the father of virtual reality"
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2364:"Tech guru Jaron Lanier: 'The danger isn't that AI destroys us. It's that it drives us insane'"
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1542:"Tech guru Jaron Lanier: 'The danger isn't that AI destroys us. It's that it drives us insane'"
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podcast episode "The Cataclysm Sentence", released on 18 April 2020. Lanier was interviewed by
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in 2000 after a three-year development period. From 2001 to 2004, he was visiting scientist at
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In December 2006 Lanier followed up his critique of the collective wisdom with an article in
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and various universities. In 2006 he began to work at Microsoft, and from 2009 has worked at
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named Lanier as one of the top 100 Public Intellectuals. In 2010, Lanier was named to the
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in New York during this time, but returned to New Mexico and worked as an assistant to a
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to let him enroll. At NMSU, he took graduate-level courses; he received a grant from the
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Lanier has served on numerous advisory boards, including the Board of Councilors of the
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special that documented the development and premiere of "The Navigator Tree" won a CINE
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Please help update this article to reflect recent events or newly available information.
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collective authorship tends to produce or align to mainstream or organizational beliefs,
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Lanier's work with Asian instruments can be heard extensively on the soundtrack of
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2881:"Yang Speaks: Who owns your data? Jaron Lanier has the answer. on Apple Podcasts"
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On August 31st, 2023, Lainer made a guest appearance as a pianist onstage at the
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2582:"JOHN ZORN AT 70 / SPECIAL CONCERT AT THE GREAT AMERICAN MUSIC HALL 2023 (4CDR)"
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Lanier asserts that the Internet mirrors the contemporary culture accurately,
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In "One-Half a Manifesto", Lanier criticizes the claims made by writers such as
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during the final seven minutes of the show on 19 June 2018, promoting his book
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to study mathematical notation, which led him to learn computer programming.
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He has appeared in several documentaries, including the 1990 documentary
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646:(2010), Lanier criticizes what he perceives as the hive mind of Web 2.0 (
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Dawn of the New Everything: Encounters with Reality and Virtual Reality
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Lanier performing at the Garden of Memory Solstice Concert in June 2009
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Dawn of the New Everything: Encounters with Reality and Virtual Reality
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of contemporary classical music. Considered a founder of the field of
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2032:"Talking technology: A Q&A with the inventor of virtual reality"
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Siren Server. In another example, Lanier points out that in 1988,
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You Are Not a Gadget: A Manifesto – Jaron Lanier – Google Books
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Ten Arguments for Deleting Your Social Media Accounts Right Now
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Ten Arguments For Deleting Your Social Media Accounts Right Now
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Ten Arguments for Deleting Your Social Media Accounts Right Now
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Ten Arguments for Deleting Your Social Media Accounts Right Now
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technologies; the company prospered for a while, but filed for
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Born Jaron Zepel Lanier in New York City, Lanier was raised in
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3111:"US Internet pioneer Jaron Lanier wins book trade peace prize"
3087:. The President and Fellows of Harvard College. Archived from
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This critique is further explored in an interview with him on
290:(1994) features Asian wind and string instruments such as the
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3265:"Soothsayer in the Hills Sees Silicon Valley's Sinister Side"
2384:"Beethoven's Symphony No. 9 and Lanier's Symphony for Amelia"
2156:"Why not morph? What cephalopods can teach us about language"
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it creates a false sense of authority behind the information,
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Jaron Lanier and his wife, Lena, have one child, a daughter.
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Video discussion with Lanier involving intelligence (and AI)
2174:"Digital Maoism: The Hazards of the New Online Collectivism"
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In 1994, he released the contemporary classical music album
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990:. Recording projects include his acoustic techno duet with
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bought VPL's virtual reality and graphics-related patents.
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Digital Maoism: The Hazards of the New Online Collectivism
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and tele-immersion. He was also visiting scholar with the
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Knowledge and the omniscience of collective wisdom (2006)
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2436:. POINT Music/Philips/PolyGram Records. ASIN B00000418Q.
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entitled "Beware the Online Collective". Lanier writes:
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a sterile style of wiki writing is undesirable because:
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named Lanier one of the top 50 World Thinkers. In 2018,
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In April 2023, Lanier published an alternative view of
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Inc., where he developed solutions to core problems in
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271:. In the late 1990s, Lanier worked on applications for
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As a musician, Lanier has been active in the world of
2924:"Campus clips: Schools highlight creativity, liberty"
2267:"Slate Book Review: Facebookers of the World, Unite!"
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Department of Computer Science at Columbia University
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From 1997 to 2001, Lanier was the Chief Scientist of
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1566:"Virtual reality: Meet founding father Jaron Lanier"
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2953:"Once again, CMU's Watson Festival full of variety"
1590:"Brief Biography of Jaron Lanier (Jaronlanier.com)"
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Computer scientist, composer, visual artist, author
2008:. Business Week Online. 1998-02-06. Archived from
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1149:sequel entitled "Pay Me for My Content", again in
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310:to compose the soundtrack to the documentary film
1125:Sound Unbound: Sampling Digital Music and Culture
275:, and in the 2000s, he was a visiting scholar at
16:American computer scientist, musician, and author
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2533:"MUSIC; A Chance to Break the Pop Stranglehold"
1701:"We Need to Have an Honest Talk About Our Data"
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1222:Computerbilleder – udfordring til virkeligheden
1095:. He and Mario Grigorov scored a film entitled
1068:, on "The Crane Flies West 2" (episode 357) of
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2241:"A Rebel in Cyberspace, Fighting Collectivism"
1734:"Sound Bytes; He Added 'Virtual' to 'Reality'"
1618:"The Prospect/FP Top 100 Public Intellectuals"
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3006:"IEEE VGTC Virtual Reality Career Award 2009"
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1982:"Jaron Lanier: The father of virtual reality"
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683:Standard for musical instrument commonality.
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3371:American artificial intelligence researchers
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1930:See also: Hamilton, Joan O'C. (1993-02-22).
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3501:American people of Ukrainian-Jewish descent
3028:"The 2010 TIME 100 - Thinkers Jaron Lanier"
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1074:Technology and the Future of the Human Soul
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1226:Computer Pictures - A Challenge to Reality
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332:list of most influential people. In 2014,
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3361:21st-century American non-fiction writers
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1834:J. The Jewish News of Northern California
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2193:"Is a free market in ideas a good idea?"
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3234:"The spy who came in from the cold 2.0"
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2489:"Bach Festival Society of Winter Park"
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2006:"SUN'S BIG BURST INTO VIRTUAL REALITY"
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2058:"Jaron Lanier, Visionary and Skeptic"
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1220:, 1992 Danish television documentary
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2625:"National Tele-Immersion Initiative"
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2493:Bach Festival Society of Winter Park
2362:Hattenstone, Simon (23 March 2023).
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1364:Peace Prize of the German Book Trade
1123:Lanier contributed the afterword to
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470:(1997–2001), a visiting artist with
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2951:Thomas, Mary (September 17, 2001).
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2334:from the original on April 23, 2023
2082:Lanier, Jaron (November 10, 2000).
1672:"World Thinkers 2014: Jaron Lanier"
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994:and an album of duets with flutist
383:At the age of 13, Lanier convinced
283:as an Interdisciplinary Scientist.
223:, born May 3, 1960) is an American
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3411:American male film score composers
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3163:"The Shadow of Super Mario Clouds"
2286:"Click 'Delete' to Save Your Soul"
1647:"Jaron Lanier - The 2010 TIME 100"
1325:New Jersey Institute of Technology
1234:, the 2004 television documentary
1138:On May 9, 1999, Lanier authored a
1064:. The album has been described by
511:Post-symbolic communication (2006)
356:. Lanier's mother and father were
263:, Inc., the first company to sell
132:University of California, Berkeley
14:
3527:
3285:
2757:"Brief Biography of Jaron Lanier"
1458:You Are Not a Gadget: A Manifesto
1331:IEEE Virtual Reality Career Award
1238:and the 2020 Netflix documentary
1190:University of Southern California
521:magazine column, he writes about
140:University of Southern California
3401:21st-century classical composers
3356:21st-century American scientists
3167:Game Design as Cultural Practice
2128:Cave, Daniel (October 4, 2000).
910:
821:
769:
708:
495:"One-Half of a Manifesto" (2000)
481:
179:
29:
3396:21st-century American composers
3386:American multi-instrumentalists
3232:Rosenbaum, Ron (January 2013).
3189:
3154:
3131:
3103:
3077:
3064:Franklin & Marshall College
3052:
3019:
2998:
2974:
2944:
2930:
2916:
2891:
2873:
2852:
2825:
2799:
2773:
2723:
2679:
2630:Advanced Network & Services
2598:
2574:
2549:
2524:
2499:
2481:
2440:
2406:
2394:
2376:
2355:
2346:
2277:
2258:
2232:
2105:Lanier, Jaron (December 2000).
2056:Kahn, Jennifer (July 4, 2011).
2049:
2030:McKenna, Barbara (2000-01-10).
2023:
1998:
1980:Appleyard, Bryan (2010-01-17).
1973:
1947:
1942:Encyclopedia of World Biography
1895:
1869:
1848:Kahn, Jennifer (11 July 2011).
1820:
1799:
1764:Burkeman, Oliver (2001-12-29).
1211:
1027:National Endowment for the Arts
1001:Lanier also writes chamber and
490:Selected list of works in prose
2215:"Beware the Online Collective"
2071:– via www.newyorker.com.
1732:Lewis, Peter H. (1994-09-25).
1693:
1663:
1610:
1596:
1582:
1558:
1534:
1399:
1298:Concordia University Wisconsin
1183:
525:(i.e., the various species of
426:, focusing on commercializing
120:San Francisco State University
1:
3486:Scientists from New York City
3431:Computer graphics researchers
3406:American film score composers
2730:Orlowski, Jeff (2020-09-09),
2284:Foer, Franklin (2018-06-13).
2191:Lanier, Jaron (8 July 2006).
1670:Team, Prospect (2014-03-25).
1528:
1351:Franklin and Marshall College
537:), many of which are able to
448:Advanced Network and Services
96:Advanced Network and Services
3481:Musicians from New York City
3391:American classical composers
3366:American computer scientists
2213:Lanier, Jaron (2006-12-25).
2172:Lanier, Jaron (2006-05-30).
2154:Lanier, Jaron (April 2006).
1827:Savage, Emily (2010-10-20).
1806:Bloom, Nate (May 21, 2010).
952:contemporary classical music
7:
3441:Columbia University faculty
2898:Fridman, Lex (2021-09-06).
2531:Neil Strauss (1999-05-09).
2465:"Jaron Lanier's Music Reel"
2453:. Episode 357. 13 May 1994.
1877:"Online Collective Hazards"
1360:for best trade book in 2014
1033:, which premiered in 1998.
420:visual programming language
389:National Science Foundation
385:New Mexico State University
74:New Mexico State University
10:
3532:
3491:Writers from New York City
2507:"Making an Ally of Piracy"
2447:"The Crane Flies West 2".
2265:Will Oremus (2013-05-03).
1605:Dawn of the New Everything
1236:Rage Against the Machines,
1031:St. Paul Chamber Orchestra
868:Assessment of the Internet
827:Presentation by Lanier on
777:Dawn of the New Everything
775:Presentation by Lanier on
755:Dawn of the New Everything
714:Presentation by Lanier on
693:
128:University of Pennsylvania
3446:Dartmouth College faculty
2982:"Jaron Lanier | Edge.org"
2611:November 8, 2006, at the
2107:"One-Half of a Manifesto"
1906:Encyclopedia of New Media
1318:Edge of Computation Award
1303:
1162:San Francisco, California
1158:Great American Music Hall
919:This section needs to be
820:
815:
768:
763:
707:
702:
156:
145:
87:
79:
69:
40:
28:
21:
3376:Virtual reality pioneers
3026:Reed, Dan (2010-04-29).
2761:Homepage of Jaron Lanier
2656:"Individual GBN Members"
2607:@ Keynote Speakers Inc.
2469:Homepage of Jaron Lanier
2413:See "Sonos performances"
1789:"The virtual curmudgeon"
1645:Reed, Dan (2010-04-29).
1434:
1370:
1349:Honorary doctorate from
1323:Honorary doctorate from
1282:. He was a guest on the
1228:), the 1995 documentary
1080:, in collaboration with
901:
348:Early life and education
3466:American transhumanists
3436:Silicon Graphics people
3421:Wired (magazine) people
2661:Global Business Network
2557:"Pay Me for My Content"
1766:"The virtual visionary"
1376:Western classical music
1316:Finalist for the first
1202:Global Business Network
1013:Orchestra and Choir in
856:Artificial Intelligence
665:its bullying of experts
380:that he helped design.
362:Nazi concentration camp
3416:American futurologists
3306:Jaron Lanier's profile
3196:Lanier, Jaron (2010).
2432:Lanier, Jaron (1994).
2217:. Edge. Archived from
2195:. Philosopher's Zone,
2130:"Artificial Stupidity"
2084:"One-Half a Manifesto"
1414:, 1982, with designer
1114:Montreux Jazz Festival
1093:Sundance Film Festival
1078:Proof of Consciousness
947:
899:
879:
628:
611:The Philosopher's Zone
3461:Video game developers
3149:Instruments of Change
2434:Instruments of Change
1902:Jones, Steve (2003).
1881:Curious Ellie's Annex
1813:Cleveland Jewish News
1382:Instruments of Change
1265:The Tavis Smiley Show
1076:, and a music album,
1050:Instruments of Change
1011:Bach Festival Society
945:
892:
882:Views about Knowledge
874:
623:
552:In his online essay "
306:. Lanier teamed with
288:Instruments of Change
3456:Critics of Knowledge
3263:(November 8, 2017).
2781:"The Colbert Report"
1955:"Voodoo Electronics"
1481:Simon & Schuster
1476:Who Owns the Future?
1358:Goldsmith Book Prize
1015:Winter Park, Florida
732:Who Owns the Future?
696:Who Owns the Future?
688:Who Owns the Future?
650:) and describes the
644:You Are Not a Gadget
636:You Are Not a Gadget
3202:. Alfred A. Knopf.
3060:"Commencement 2012"
2940:. 30 November 2017.
2401:Continental Harmony
1808:"Jewish Stars 5/21"
1294:Lex Fridman podcast
1231:Synthetic Pleasures
1035:Continental Harmony
1009:, premiered by the
1007:Symphony for Amelia
716:Who Owns the Future
648:wisdom of the crowd
472:New York University
360:; his mother was a
354:Mesilla, New Mexico
253:Thomas G. Zimmerman
233:computer philosophy
116:New York University
112:Columbia University
3471:Internet theorists
3143:2021-01-20 at the
3091:on 22 October 2015
2926:. 14 January 2022.
2733:The Social Dilemma
2561:The New York Times
2537:The New York Times
2511:The New York Times
2418:2008-10-12 at the
2320:(April 20, 2023).
2290:The New York Times
2197:ABC Radio National
1739:The New York Times
1502:Henry Holt and Co.
1479:, San Jose :
1460:, New York :
1253:The Colbert Report
1241:The Social Dilemma
1151:The New York Times
1107:Bastard, the First
1043:Golden Eagle Award
948:
779:, December 7, 2017
434:in 1990. In 1999,
378:geodesic dome home
281:Microsoft Research
225:computer scientist
175:Jaron Zepel Lanier
45:Jaron Zepel Lanier
3328:Eliezer Yudkowsky
3161:Solomon, Robert.
2586:Music Lover Japan
2390:on July 16, 2011.
1676:Prospect Magazine
1624:. 14 October 2005
1523:978-1-250-19668-2
1470:978-1-84614-341-0
1268:. He appeared on
1194:Dartmouth College
1164:, improvising at
940:
939:
888:Simon Hattenstone
886:While talking to
840:
839:
788:
787:
727:
726:
294:mouth organ, the
259:in 1985 to found
172:
171:
124:Dartmouth College
3523:
3332:Bloggingheads.tv
3302:
3297:
3296:
3294:Official website
3281:
3279:
3277:
3255:
3253:
3251:
3220:
3219:
3217:
3216:
3193:
3187:
3186:
3184:
3182:
3173:. Archived from
3158:
3152:
3151:(ArkivMusic.com)
3135:
3129:
3128:
3126:
3124:
3107:
3101:
3100:
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3081:
3075:
3074:
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3010:
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2996:
2995:
2993:
2992:
2978:
2972:
2971:
2969:
2968:
2957:post-gazette.com
2948:
2942:
2941:
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2910:
2895:
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2866:
2856:
2850:
2849:
2847:
2845:
2829:
2823:
2822:
2820:
2818:
2813:on 19 April 2014
2809:. Archived from
2803:
2797:
2796:
2794:
2792:
2787:on 19 April 2014
2783:. Archived from
2777:
2771:
2770:
2768:
2767:
2753:
2744:
2743:
2742:
2741:
2727:
2721:
2720:
2718:
2717:
2701:
2688:
2683:
2677:
2676:
2674:
2673:
2664:. Archived from
2652:
2646:
2645:
2643:
2642:
2633:. Archived from
2621:
2615:
2602:
2596:
2595:
2593:
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2578:
2572:
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2569:
2568:
2553:
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2454:
2444:
2438:
2437:
2429:
2423:
2410:
2404:
2398:
2392:
2391:
2386:. Archived from
2380:
2374:
2373:
2359:
2353:
2350:
2344:
2343:
2341:
2339:
2314:
2308:
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2169:
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2159:
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2145:
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2053:
2047:
2046:
2044:
2043:
2027:
2021:
2020:
2018:
2017:
2002:
1996:
1995:
1990:. Archived from
1987:The Sunday Times
1977:
1971:
1970:
1968:
1966:
1951:
1945:
1929:
1909:
1899:
1893:
1892:
1890:
1888:
1873:
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1845:
1839:
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1803:
1797:
1796:
1785:
1776:
1775:
1761:
1755:
1754:
1752:
1751:
1742:. Archived from
1729:
1723:
1722:
1720:
1719:
1697:
1691:
1690:
1688:
1687:
1678:. Archived from
1667:
1661:
1660:
1658:
1657:
1642:
1633:
1632:
1630:
1629:
1614:
1608:
1607:, pg. 144 (2017)
1600:
1594:
1593:
1586:
1580:
1579:
1577:
1576:
1562:
1556:
1555:
1553:
1552:
1538:
1394:PolyGram Records
1062:PolyGram Records
1003:orchestral music
984:Pauline Oliveros
935:
932:
926:
914:
913:
906:
848:There Is No A.I.
825:
824:
813:
812:
773:
772:
761:
760:
712:
711:
700:
699:
460:Silicon Graphics
436:Sun Microsystems
277:Silicon Graphics
222:
221:
218:
217:
214:
211:
208:
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188:
185:
168:
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108:Silicon Graphics
58:
54:
52:
33:
19:
18:
3531:
3530:
3526:
3525:
3524:
3522:
3521:
3520:
3426:Guzheng players
3346:
3345:
3292:
3291:
3288:
3275:
3273:
3249:
3247:
3228:
3226:Further reading
3223:
3214:
3212:
3210:
3194:
3190:
3180:
3178:
3177:on 30 June 2012
3159:
3155:
3145:Wayback Machine
3136:
3132:
3122:
3120:
3109:
3108:
3104:
3094:
3092:
3083:
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3078:
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3004:
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2999:
2990:
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2935:
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2921:
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2896:
2892:
2887:. 10 July 2023.
2879:
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2680:
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2618:
2613:Wayback Machine
2603:
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2500:
2487:
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2473:
2471:
2463:
2462:
2458:
2450:Hearts of Space
2446:
2445:
2441:
2430:
2426:
2420:Wayback Machine
2411:
2407:
2399:
2395:
2382:
2381:
2377:
2369:TheGuardian.com
2360:
2356:
2351:
2347:
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2300:
2282:
2278:
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2089:
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2076:
2066:
2064:
2054:
2050:
2041:
2039:
2028:
2024:
2015:
2013:
2004:
2003:
1999:
1978:
1974:
1964:
1962:
1953:
1952:
1948:
1926:
1900:
1896:
1886:
1884:
1875:
1874:
1870:
1860:
1858:
1850:"The Visionary"
1846:
1842:
1825:
1821:
1804:
1800:
1787:
1786:
1779:
1762:
1758:
1749:
1747:
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1574:
1572:
1564:
1563:
1559:
1550:
1548:
1540:
1539:
1535:
1531:
1493:978-1-846145223
1462:Alfred A. Knopf
1437:
1402:
1378:
1373:
1306:
1247:Minority Report
1214:
1186:
1174:Laurie Anderson
1118:Rollins College
1070:Hearts of Space
964:Ornette Coleman
936:
930:
927:
924:
915:
911:
904:
884:
870:
852:
831:, June 19, 2018
822:
816:External videos
811:
770:
764:External videos
759:
709:
703:External videos
698:
692:
640:
550:
513:
497:
492:
484:
444:
428:virtual reality
408:
350:
298:flute, and the
249:virtual reality
202:
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151:Virtual reality
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3476:Hacker culture
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3287:
3286:External links
3284:
3283:
3282:
3270:New York Times
3257:
3227:
3224:
3222:
3221:
3208:
3188:
3153:
3130:
3116:Deutsche Welle
3102:
3076:
3051:
3018:
2997:
2973:
2943:
2938:"Jaron Lanier"
2929:
2915:
2890:
2885:Apple Podcasts
2872:
2860:"WNYC Studios"
2851:
2833:"Tavis Smiley"
2824:
2807:"Charlie Rose"
2798:
2772:
2745:
2722:
2705:"Jaron Lanier"
2689:
2678:
2647:
2616:
2597:
2573:
2548:
2523:
2498:
2480:
2456:
2439:
2424:
2405:
2393:
2375:
2354:
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2327:The New Yorker
2309:
2276:
2257:
2245:New York Times
2231:
2202:
2183:
2161:
2146:
2120:
2097:
2074:
2062:The New Yorker
2048:
2022:
1997:
1994:on 2010-01-23.
1972:
1946:
1936:as quoted in "
1924:
1894:
1868:
1855:The New Yorker
1840:
1819:
1798:
1777:
1771:guardian.co.uk
1756:
1724:
1692:
1662:
1634:
1622:Foreign Policy
1609:
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1416:Bernie DeKoven
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1311:Wats:on? Award
1305:
1302:
1213:
1210:
1204:, part of the
1185:
1182:
1140:New York Times
1098:The Third Wave
988:Stanley Jordan
968:George Clinton
938:
937:
918:
916:
909:
903:
900:
896:is just weird.
883:
880:
869:
866:
861:The New Yorker
851:
845:
838:
837:
818:
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786:
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752:
748:Project Xanadu
725:
724:
718:, May 15, 2013
705:
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694:Main article:
691:
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606:Radio National
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533:, and related
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456:tele-immersion
443:
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372:to escape the
364:survivor from
349:
346:
322:Foreign Policy
313:The Third Wave
308:Mario Grigorov
170:
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149:Co-founder of
147:
146:Known for
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89:
85:
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38:
37:
35:Lanier in 2010
34:
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6:
4:
3:
2:
3528:
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3506:1960 births
3337:Appearances
3239:Smithsonian
2904:Lex Fridman
2158:. Discover.
2109:. wired.com
1914:. pp.
1445:Basic Books
1400:Video games
1386:POINT Music
1340:magazine's
1290:Andrew Yang
1184:Memberships
1103:Terry Riley
1054:POINT Music
996:Robert Dick
992:Sean Lennon
976:Terry Riley
972:Vernon Reid
652:open source
523:cephalopods
505:Moore's law
88:Employer(s)
55:May 3, 1960
3350:Categories
3246:(9): 24–28
3215:2019-12-01
3070:2018-05-18
3045:2018-05-18
2991:2024-06-15
2967:2018-05-18
2909:2021-09-06
2844:1 December
2766:2006-07-08
2740:2020-09-13
2716:2006-07-05
2672:2006-07-05
2641:2006-07-05
2591:2024-06-15
2567:2016-08-31
2542:2016-08-31
2517:2016-08-31
2474:2006-07-18
2403:at PBS.org
2303:2019-04-24
2250:2 December
2225:2007-07-24
2086:. edge.org
2067:August 10,
2042:2008-01-09
2038:, Currents
2016:2020-11-13
1965:18 October
1961:. May 2005
1750:2011-03-04
1718:2021-06-30
1686:2021-06-30
1656:2021-06-30
1628:2021-06-30
1575:2017-06-13
1551:2023-03-23
1529:References
1485:Allen Lane
956:curved bow
858:(A.I.) in
673:Thinkquest
432:bankruptcy
416:data glove
412:Atari Inc.
396:art school
265:VR goggles
51:1960-05-03
3310:MobyGames
3250:March 25,
3181:1 October
3123:August 8,
3040:0040-781X
2686:Cyberpunk
2422:Sonos.org
2338:April 24,
2298:0362-4331
2134:salon.com
1861:28 August
1713:1059-1028
1412:Atari 800
1218:Cyberpunk
1166:John Zorn
1146:mea culpa
1133:DJ Spooky
1129:MIT Press
564:Knowledge
452:Internet2
319:In 2005,
273:Internet2
136:Microsoft
104:Internet2
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3141:Archived
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1343:Time 100
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400:midwife
374:pogroms
370:Ukraine
157:Website
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568:Maoism
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366:Vienna
358:Jewish
302:-like
296:suling
243:, and
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3326:with
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1435:Books
1371:Works
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661:Linux
587:lost,
539:morph
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341:Wired
304:esraj
300:sitar
292:khene
257:Atari
255:left
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3183:2011
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3097:2014
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2846:2017
2819:2014
2793:2014
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