77:, but about when and where he was born is for now not yet fully determined. From his "Modulationes" (1562) he calls himself "Flemish" but later he says that he is "Belgian", so at least we can say he is from the low countries. His first appearance in the historical record is from Kortrijk, where he was admitted in 1543, at age 13, as a singer to the Onze-Lieve-Vrouwekerk (Church of Our Lady). In 1547 he was enrolled at the
110:, whose style of unbroken, smooth polyphony can be seen in most of Vaet's music; his friend Clemens non Papa; and Lassus, whose style he often imitated. Vaet used cross-relations to a degree rare at the time (though they are also significant in the music of Gombert), and they pungently spice
114:
passages; sometimes they are even simultaneous, resulting in dissonant clashes: no one would mistake his music for that of
Palestrina, for this reason alone. Vaet also sometimes ended compositions on minor triads (for example the motet
97:
in 1554, and held that post for the rest of his life. Evidently
Maximilian was fond of his Kapellmeister, and mourned him both in his diary, and by having elegies written for him by other prominent composers in his circle.
150:—simultaneous presentations of several familiar tunes, from both sacred and secular sources. In other compositions he also borrowed sections of pieces by his associates and predecessors, including
135:; it is also a feature of Spanish polyphony of the period, and as a member of the chapel of Charles V, and later Maximilian II, he may have been familiar with the music of Spaniards such as
131:
cadences, both features which foreshadow the changes in music which were to come at the end of the century. His use of circle-of-fifths progressions may be an influence from
119:– ending on a minor chord was very rare between the mid-sixteenth and mid-seventeenth centuries). Another peculiarity of his style was a liking for progressions based on the
86:
391:
666:
353:
200:
were all late works, published in the 1560s. Vaet also wrote a handful of chansons in French, and one setting in German of "
384:
142:
Even more unusual than his pungent cross-relations was his liking for quotation and parody. He was the first to write a
315:
94:
42:
691:
681:
377:
696:
136:
82:
363:
686:
201:
78:
349:
85:, where he was listed as tenor in the chapel choir. He may have been recruited for the choir by
569:
359:
671:
584:
400:
676:
30:
8:
513:
620:
574:
533:
487:
472:
447:
322:
625:
467:
462:
408:
311:
159:
132:
58:
50:
34:
452:
610:
589:
564:
548:
538:
508:
477:
431:
416:
167:
163:
124:
120:
54:
645:
635:
615:
594:
579:
426:
421:
190:
107:
38:
543:
518:
503:
482:
457:
185:
are both sacred and secular. Furthermore, he wrote eight settings each of the
181:, one of relatively few from before the mid-16th century. His many surviving
660:
630:
528:
303:
128:
243:
219:
174:
111:
523:
155:
369:
225:
186:
147:
74:
46:
197:
90:
70:
249:
178:
151:
265:
139:, who wrote in a similar idiom and also worked for Maximilian.
231:
182:
237:
207:
37:. He was a representative of the generation between
278:
658:
177:which have survived, including a setting of the
93:when Vaet was a boy. He became Kapellmeister to
89:who had been magister cantus at Notre Dame in
385:
310:. New York, W.W. Norton & Co., 1954.
392:
378:
146:, a five-voice mass which was a series of
399:
354:International Music Score Library Project
208:Works, editions and selected recordings
659:
320:
101:
667:16th-century Franco-Flemish composers
373:
81:, and by 1550 he was in the court of
293:Music for the Court of Maximilian II
321:Steinhardt, Milton. L. Macy (ed.).
13:
14:
708:
343:
272:Modulationes quinque et sex vocum
285:
279:References and further reading
53:, and he was a friend both of
1:
23:
364:Choral Public Domain Library
7:
360:Free scores by Jacobus Vaet
350:Free scores by Jacobus Vaet
295:Cinquecento, Hyperion, 2007
106:Vaet's influences included
10:
713:
262:Modulationes quinque vocum
202:Vater unser im Himmelreich
117:Postquam consummati essent
603:
557:
496:
440:
407:
173:Vaet wrote nine complete
308:Music in the Renaissance
29:– 8 January 1567) was a
338:(subscription required)
291:Stephen Rice, essay to
64:
570:Jacob Clemens non Papa
69:He was born in either
692:People from Harelbeke
682:Renaissance composers
585:Pierre de Manchicourt
401:Franco-Flemish School
256:Published collections
697:People from Kortrijk
327:. Grove Music Online
79:University of Leuven
102:Music and influence
621:Giovanni de Macque
575:Thomas Crecquillon
534:Matthaeus Pipelare
488:Johannes Tinctoris
473:Marbrianus de Orto
448:Alexander Agricola
144:Missa quodlibetica
687:Flemish composers
654:
653:
626:Philippe de Monte
468:Johannes Ockeghem
463:Guillaume Faugues
160:Jacquet of Mantua
45:, writing smooth
704:
611:Orlando di Lasso
590:Cipriano de Rore
565:Jacques Arcadelt
549:Pierre de la Rue
539:Josquin des Prez
514:Antoine de FĂ©vin
509:Antonius Divitis
478:Johannes Prioris
432:Johannes Pullois
417:Guillaume Du Fay
394:
387:
380:
371:
370:
339:
336:
334:
332:
296:
289:
168:Cipriano de Rore
164:Clemens non Papa
121:circle of fifths
55:Clemens non Papa
33:composer of the
28:
25:
16:Flemish composer
712:
711:
707:
706:
705:
703:
702:
701:
657:
656:
655:
650:
646:Giaches de Wert
636:Philippe Rogier
616:Carolus Luython
599:
595:Adrian Willaert
580:Nicolas Gombert
553:
492:
436:
427:Antoine Busnois
422:Gilles Binchois
403:
398:
346:
337:
330:
328:
300:
299:
290:
286:
281:
210:
191:Marian antiphon
108:Nicolas Gombert
104:
87:Pieter Maessens
67:
49:with pervasive
26:
17:
12:
11:
5:
710:
700:
699:
694:
689:
684:
679:
674:
669:
652:
651:
649:
648:
643:
638:
633:
628:
623:
618:
613:
607:
605:
604:5th generation
601:
600:
598:
597:
592:
587:
582:
577:
572:
567:
561:
559:
558:4th generation
555:
554:
552:
551:
546:
544:Jean Richafort
541:
536:
531:
526:
521:
519:Heinrich Isaac
516:
511:
506:
504:Antoine Brumel
500:
498:
497:3rd generation
494:
493:
491:
490:
485:
483:Johannes Regis
480:
475:
470:
465:
460:
458:Firminus Caron
455:
453:Loyset Compère
450:
444:
442:
441:2nd generation
438:
437:
435:
434:
429:
424:
419:
413:
411:
409:1st generation
405:
404:
397:
396:
389:
382:
374:
368:
367:
357:
345:
344:External links
342:
341:
340:
318:
298:
297:
283:
282:
280:
277:
276:
275:
269:
253:
252:
246:
240:
234:
228:
222:
209:
206:
103:
100:
66:
63:
15:
9:
6:
4:
3:
2:
709:
698:
695:
693:
690:
688:
685:
683:
680:
678:
675:
673:
670:
668:
665:
664:
662:
647:
644:
642:
639:
637:
634:
632:
631:Jacob Regnart
629:
627:
624:
622:
619:
617:
614:
612:
609:
608:
606:
602:
596:
593:
591:
588:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
562:
560:
556:
550:
547:
545:
542:
540:
537:
535:
532:
530:
529:Jacob Obrecht
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
501:
499:
495:
489:
486:
484:
481:
479:
476:
474:
471:
469:
466:
464:
461:
459:
456:
454:
451:
449:
446:
445:
443:
439:
433:
430:
428:
425:
423:
420:
418:
415:
414:
412:
410:
406:
402:
395:
390:
388:
383:
381:
376:
375:
372:
365:
361:
358:
355:
351:
348:
347:
326:
325:
319:
317:
316:0-393-09530-4
313:
309:
305:
304:Gustave Reese
302:
301:
294:
288:
284:
274:1562, Venice.
273:
270:
267:
263:
260:
259:
258:
257:
251:
247:
245:
244:Salve Reginas
241:
239:
235:
233:
229:
227:
223:
221:
217:
216:
215:
214:
205:
203:
199:
195:
192:
188:
184:
180:
176:
171:
169:
165:
161:
157:
153:
149:
145:
140:
138:
134:
130:
126:
123:, as well as
122:
118:
113:
109:
99:
96:
95:Maximilian II
92:
88:
84:
80:
76:
72:
62:
60:
56:
52:
48:
44:
40:
36:
32:
21:
672:1520s births
641:Jacobus Vaet
640:
366:(ChoralWiki)
329:. Retrieved
324:Jacobus Vaet
323:
307:
292:
287:
271:
261:
255:
254:
213:Extant works
212:
211:
194:Salve Regina
193:
172:
143:
141:
116:
112:contrapuntal
105:
68:
20:Jacobus Vaet
19:
18:
677:1567 deaths
524:Jean Mouton
226:magnificats
156:Jean Mouton
35:Renaissance
27: 1529
661:Categories
331:29 October
187:Magnificat
148:quodlibets
43:Palestrina
198:antiphons
83:Charles V
75:Harelbeke
51:imitation
47:polyphony
250:chansons
189:and the
137:Guerrero
125:dominant
91:Courtrai
71:Kortrijk
362:in the
356:(IMSLP)
352:at the
179:Requiem
152:Josquin
39:Josquin
31:Flemish
314:
266:Venice
264:1562,
232:motets
220:masses
196:; the
183:motets
175:masses
133:Lassus
59:Lassus
238:hymns
129:tonic
333:2010
312:ISBN
166:and
65:Life
57:and
41:and
230:66
218:10
204:".
73:or
663::
306:,
248:3
242:8
236:8
224:8
170:.
162:,
158:,
154:,
61:.
24:c.
393:e
386:t
379:v
335:.
268:.
127:-
22:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.