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held until his death. Although
Barbireau was registered in the account books of the church as singing master or magister choralum from 1487, he had probably held the post from as early as 1484. In 1485 as a schoolmaster, he paid a contribution to the Capellanía Our Lady of Nieuwwerk, a foundation created for singing teachers. At that time, the choir led by Barbireau consisted of twelve singers.
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Evidently his health was poor for about the last nine years of his life. He died in
Antwerp, not long after returning from Hungary, on 7 August 1491. In his will, he designated as heirs the woman he married after 1487 and the daughter he had with her, Jacomyne Barbireau (born after 1487, died after
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Barbireau may have been attached to the Church of Our Lady in
Antwerp since childhood. Since 1482, the church was the center of his life. It is also probably the reason why it was impossible for him to study with Agricola. In 1484, succeeding Antoine de Vigne, he became Kapellmeister, a position he
83:, and several letters written by Agricola to Barbireau have survived; one of them gives useful clues about Barbireau's life. According to it, Barbireau was already active as a composer by 1484, and implies that his fame had not yet spread outside of his native Antwerp.
71:. Barbireau was probably born in Antwerp, and both of his parents were citizens there. By 1482, he had attained the title of Master of Arts, so he likely went to university in the 1470s. He wanted to study with the humanist and musician
192:, for three voices, became a 'hit' song all over Europe, appearing in numerous arrangements from places as far apart as Spain, Italy and England; Heinrich Isaac used it as the basis for his own
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The death of the composer inspired the humanist
Judocus Beyssel to write three epitaphs, in which he described Barbireau as "notabilissimus modulator" and laments the composer's untimely death.
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The library of the cathedral in
Antwerp was destroyed by religious fanatics in 1556, including probably most of Barbireau's music. Some, however, has survived, in sources such as the
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passages alternating dynamically with polyphonic, and with fast-moving parts weaving around the slower-moving parts. Also featured in this mass are alternating duos (
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59:. He was considered to be a superlative composer both by his contemporaries and by modern scholars; however, his surviving output is small, and he died young.
453:. (Note: contains some material not found in the online Grove, but includes some of the old confusion between Barbireau and at least one other composer.)
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parts, indicating that at least ten actual voices would be required to sing it. In this composition the textural contrasts are high, with striking
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by
Jacobus Barbireau; composed in the late 15th century, copied in the early 16th century as part of a gift to
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polish and melodic-harmonic resourcefulness that puts him firmly on a par with such composers as
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122:. What has survived is of outstanding quality. "Barbireau shows a degree of
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Until the 1960s, he was confused with another somewhat older composer named
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evidently held him in high regard, and when
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435:Fox, Charles Warren (1980). "Jacobus Barbireau".
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438:The New Grove Dictionary of Music and Musicians
327:The New Grove Dictionary of Music and Musicians
546:15th-century people from the Holy Roman Empire
157:, for four voices. The mass for five voices,
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490:International Music Score Library Project
387:Learn how and when to remove this message
350:This article includes a list of general
173:) in a call-response fashion. The motet
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441:, ed. Stanley Sadie. 20 vol. London:
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531:15th-century Franco-Flemish composers
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401:Works. Opera omnia/Jacobi Barbireau
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411:Wegman, Rob C. (20 January 2001).
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153:on texts from the Song of Songs,
486:Free scores by Jacobus Barbireau
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48:) (1455 – 7 August 1491) was a
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301:List of Renaissance composers
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141:have survived as well as a
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217:Missa virgo parens Christi
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103:also spoke highly of him.
24:Missa Virgo parens Christi
465:W.W. Norton & Company
205:Masses and mass movements
461:Music in the Renaissance
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431:(subscription required)
371:more precise citations.
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536:Musicians from Antwerp
293:Classical music portal
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194:Missa Frölich wesen
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312:References
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179:tessituras
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81:Heidelberg
69:Barbingant
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459:(1954).
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330:(2001).
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139:masses
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469:ISBN
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426:2020
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