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cleaning and varnishing. He declared to have studied the art of painting in Venice without a master. He was able to convince the inquisitor of his good character and got off with a severe reprimand. Had the inquisitor known that van
Swanenburg was a non-Catholic the punishment would likely have been more severe.
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Van
Swanenburg returned to his native Leiden without his family in 1615. His return may have been related to the death of his father the year before. He travelled back to Naples in 1617 to move his household permanently to Leiden. On 6 January 1618 the artist along with his wife and three surviving
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in 1620. While the subjects of van
Swanenburg (mainly cityscapes and hell scenes) did not leave a noticeable mark on Rembrandt's work, Rembrandt's use of chiaroscuro and his interest in artificial lighting may have their roots in van Swanenburg's fiery hell scenes. Rembrandt may also have continued
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carries the souls of the dead to the underworld. In a huge mouth the seven deadly sins are represented through various characters: a reclining woman is the personification of laziness, a love couple of lust, a woman who pulls out her tongue is slander, a woman with a pouch represents avarice, a
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in his shop. The accusation related to a large canvas depicting a number of witches and devils engaging in perverse acts, which he had displayed outside his shop. During the proceedings van
Swanenburg explained that he had only taken out the picture which he had begun three years earlier for
264:), which the artist completed in Naples in 1615. It depicts the apocryphal biblical story of the siege of the Jewish mountain town Bethulia by the Babylonians. The most important scene in the lower right corner is barely noticeable. There lies the lifeless body of the Babylonian general
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dressed up lady with a mirror depicts vanity and an eating man intemperance. The scene is further completed with crowds of naked people and monsters engaged in perverse acts, fantastic ships and an eerie background with ancient ruins, flames and clouds of smoke.
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Only about 11 works have been attributed to van
Swanenburg. These works deal with two principal subjects: three are city views while eight depict scenes of hell. He is reported to have painted portraits but none have come down to us.
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in his work a technique of producing paintings which starts with laying out the composition upon the support in stages, building up the picture from the background to the foreground and applying glazing or finishing layers.
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80:. His father was a painter and designer of prints, stained glass windows and other objects and also served multiple times as Leiden's mayor. His father had been a pupil of the leading Flemish history
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around 1598. He married on 28 November 1599 Margaretha De
Cardone, the daughter of a local grocer. He sold his paintings directly from his workshop in Naples. In 1608 he ran foul of the Neapolitan
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Van
Swanenburg left Holland for Italy but information about his sojourn is scarce. The artist was in Venice around 1591. In Italy he also spent time in Rome as is demonstrated by his
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in
Antwerp and received major civil and religious commissions in Leiden where he was the leading history painter of his time. Jacob had two younger brothers who also became artists:
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Alternative name forms: Jacob
Isaacsz. van Swanenburch, Jakob Isaacsz. van Swanenburch, Jakob Isaacsz. van Swanenburgh, Monogrammist IVS, Monogrammist JVS, Danziger Höllenmeister
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children arrived in Leiden. Here van
Swanenburg achieved success as a painter and received commissions from local and non-local patrons.
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The hell scenes deal with different subjects: one sets out all the tortures of inferno, two deal with the story of
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He died in 1638 while on a trip to Utrecht. He was buried in the St. Pieter's Kerk in Leiden next to his father.
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60:) was a Dutch painter, draftsman and art dealer. He was known for his city views,
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Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History
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Isaac Claesz. Van Swanenburg, 1537-1614, Leids schilder en Burgermeester
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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Jacob Isaacszoon van Swanenburg was born in Leiden as the son of
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Van Swanenburg's city views include a biblical scene of
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
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The Sibyl showing Aeneas the Underworld, Charon's boat
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The Sibyl showing Aeneas the Underworld, Charon's boat
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Van Swanenburg also painted a topographical scene of
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A Papal Procession on the Piazza San Pietro in Rome
278:St. Peter's Square in Rome with a papal procession
249:St. Peter's Square in Rome with a papal procession
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636:Bust of a Man Wearing a Gorget and Plumed Beret
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1553:Self-Portrait with Beret and Turned-Up Collar
1537:Self-Portrait in a Black Beret and Gold Chain
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127:for displaying paintings depicting scenes of
940:The Archangel Raphael Leaving Tobias' Family
418:, Amsterdam University Press, 2003, p. 59-64
1501:Portrait of a Young Man with a Golden Chain
149:He was registered as a master of the young
108:The Last Judgment and the Seven Deadly Sins
1200:Ahasuerus and Haman at the Feast of Esther
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469:Belegering van de Joodse bergstad Bethulia
223:who had been a pioneer of the hell scene.
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1362:Portrait of a Man Rising from His Chair
708:The Anatomy Lesson of Dr. Nicolaes Tulp
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604:Suffer little children to come unto me
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49:[ˈjaːkɔpfɑnˈsʋaːnə(m)bʏr(ə)x]
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1736:Descent from the Cross by Torchlight
892:Samson Threatening His Father-In-Law
1469:Self-Portrait with Dishevelled Hair
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1442:Portrait of a Man with Arms Akimbo
1224:The Conspiracy of Claudius Civilis
493:at the National Gallery of Denmark
448:Onderwereld met de boot van Charon
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116:View of St. Peter's Square in Rome
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1569:Self-Portrait as the Apostle Paul
1168:Jacob Blessing the Sons of Joseph
1160:The Anatomy Lesson of Dr. Deijman
964:Landscape with the Good Samaritan
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1577:Self-Portrait as Zeuxis Laughing
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88:(1572-1652) was a painter while
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860:The Prodigal Son in the Brothel
772:The Storm on the Sea of Galilee
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41:Jacob Isaacszoon van Swanenburg
1760:Christ Presented to the People
1601:Self-Portrait at the Age of 63
1585:Self-Portrait with Two Circles
1521:Self-Portrait at the Age of 34
1346:Portrait of Jacob de Gheyn III
1296:The Return of the Prodigal Son
1112:Aristotle with a Bust of Homer
700:Andromeda Chained to the Rocks
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371:Jacob van Swanenburg Biography
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343:Willem Isaacsz. van Swanenburg
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226:An example of a hell scene is
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1825: (1954 documentary film)
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932:The Preacher Eleazar Swalmius
780:A Lady and Gentleman in Black
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322:Jacob Isaacsz. van Swanenburg
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868:Raising of the Cross (study)
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660:The Parable of the Rich Fool
596:The Stoning of Saint Stephen
78:Isaac Claesz. van Swanenburg
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1378:Portrait of Marten Soolmans
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1048:The Holy Family with Angels
1032:The Woman Taken in Adultery
980:The Girl in a Picture Frame
956:The Wedding Feast of Samson
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96:faith and after 1618-1619,
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1632:Joseph and Potiphar's Wife
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988:The Scholar at the Lectern
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628:The Baptism of the Eunuch
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1370:Oval Portrait of a Woman
972:Still Life with Peacocks
884:The Entombment of Christ
684:Anna and the Blind Tobit
668:The Artist in his Studio
1664:The Death of the Virgin
1304:Landscape with a Castle
1176:Courtesan at her Mirror
748:The Abduction of Europa
488:Jacob van Swanenburgh,
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1410:Portrait of Maria Trip
1096:Descent from the Cross
1072:Susanna and the Elders
916:The Blinding of Samson
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358:, Zwolle 1998, p. 10
257:The siege of Bethulia
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1935:Vereniging Rembrandt
1886:The Rembrandt Affair
1870:Rembrandt's J'Accuse
1830:Rembrandt fecit 1669
1004:Concord of the State
876:The Rape of Ganymede
788:Raising of the Cross
515:at Wikimedia Commons
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1992:Dutch male painters
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1696:Portrait of Jan Six
1418:Portrait of Jan Six
1338:Portrait of a Woman
900:The Standard Bearer
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716:Christ with a Staff
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1854:Stealing Rembrandt
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1477:Rembrandt Laughing
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27:Dutch painter
19:
1937:(foundation)
1926:
1889:(2010 novel)
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82:Frans Floris
75:
40:
39:
34:
1982:1638 deaths
1977:1571 births
1865:(2007 film)
1857:(2003 film)
1833:(1977 film)
1777:Works about
1707:(1647–1649)
1620:(including
1588:(1665–1669)
1299:(1662–1669)
1099:(1650–1652)
1059:(1645–1648)
759:(1632–1633)
125:Inquisition
98:Remonstrant
1971:Categories
1107:(c. 1652)
588:The Senses
477:(in Dutch)
456:(in Dutch)
435:(in Dutch)
383:(in Dutch)
360:(in Dutch)
329:(in Dutch)
289:References
266:Holofernes
185:Proserpina
129:witchcraft
1949:Contested
1928:Rembrandt
1921:Rembrandt
1898:Namesakes
1846:Rembrandt
1814:Rembrandt
1806:Rembrandt
1798:Rembrandt
1779:Rembrandt
1596:(c. 1669)
1453:(c. 1662)
1314:Portraits
1275:(c. 1665)
1155:(c. 1655)
975:(c. 1639)
871:(c. 1635)
863:(c. 1635)
820:Artemisia
735:(c. 1631)
687:(c. 1630)
679:(1629–30)
647:(c. 1626)
591:(1624–25)
579:Paintings
567:paintings
550:Rembrandt
205:with the
151:Rembrandt
66:Rembrandt
1923:(crater)
1672:The Mill
1622:etchings
1613:Drawings
1506:disputed
1504:(1635) (
1496:(c.1629)
1288:Lucretia
1264:Lucretia
1056:The Mill
563:etchings
94:Arminian
52:; 1571,
1931:(train)
1267:(1664)
1139:(1655)
852:Minerva
775:(1633)
607:(1620s)
472:at the
451:at the
430:at the
381:, 1718
324:at the
281:(1628,
58:Utrecht
1763:(1655)
1755:(1654)
1747:(1653)
1739:(1652)
1731:(1652)
1723:(1651)
1715:(1650)
1699:(1647)
1691:(1646)
1683:(1643)
1675:(1641)
1667:(1639)
1659:(1639)
1651:(1634)
1643:(1634)
1635:(1634)
1617:prints
1604:(1669)
1580:(1662)
1572:(1662)
1564:(1660)
1556:(1659)
1548:(1658)
1540:(1654)
1532:(1652)
1524:(1640)
1516:(1635)
1488:(1629)
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1421:(1654)
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1251:(1663)
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1219:(1660)
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1203:(1660)
1195:(1659)
1187:(1657)
1179:(1657)
1171:(1656)
1163:(1656)
1147:(1655)
1131:(1654)
1123:(1654)
1115:(1653)
1091:(1651)
1083:(1648)
1075:(1647)
1067:(1646)
1051:(1645)
1043:(1645)
1035:(1644)
1027:(1643)
1015:(1642)
1007:(1642)
999:(1642)
991:(1641)
983:(1641)
967:(1638)
959:(1638)
951:(1637)
943:(1637)
935:(1637)
919:(1636)
911:(1636)
903:(1636)
895:(1635)
887:(1635)
879:(1635)
855:(1635)
847:(1635)
839:(1634)
831:(1634)
823:(1634)
815:(1634)
807:(1634)
799:(1633)
791:(1633)
783:(1633)
767:(1633)
751:(1632)
743:(1632)
727:(1631)
719:(1631)
711:(1631)
703:(1631)
671:(1628)
663:(1627)
655:(1627)
639:(1626)
631:(1626)
623:(1626)
615:(1626)
599:(1625)
270:Judith
238:Charon
216:Aeneid
211:Virgil
203:Aeneas
121:Naples
90:Willem
54:Leiden
908:Danaë
812:Flora
209:from
187:from
181:Pluto
86:Claes
1615:and
1024:Ruth
1022:and
1020:Boaz
373:in:
189:Ovid
183:and
161:Work
72:Life
285:).
213:'s
191:'s
1973::
569:,
565:,
561:,
389:^
377:,
335:^
306:^
100:.
68:.
1624:)
1508:)
542:e
535:t
528:v
260:(
43:(
20:)
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