253:
265:
386:
292:
319:
307:
331:
374:
20:
362:
277:
530:
92:
350:
80:, but more often his father is described as a painter from whom Jacob van Loo received his early training. Little is known of van Loo's early history due to the destruction of the city archives in Sluis during World War II. His early influences are said to have included
45:. He was especially celebrated for the quality of his nudes to the extent that, during his lifetime, particularly his female figures were said to have been considered superior and more popular than those of his Amsterdam contemporary and competitor
41:, chiefly active in Amsterdam and, after 1660, in Paris. Van Loo is known for his conversational groupings; particularly his mythological and biblical scenes generally attributed to the genre of
170:) of the city of Amsterdam. It was speculated that he did so in the hope of being commissioned to help decorate the newly constructed town hall. In 1654, a poem by
50:
60:
family of painters; a dynasty which was influential in French and
European painting from the 17th to the beginning of the 19th century.
252:
549:
230:
541:
222:
In 1660, van Loo fled from
Amsterdam after fatally stabbing someone during an altercation at an inn. He was sentenced to death
502:
558:
228:
which forever prevented his return to the Dutch
Republic. Van Loo settled in Paris, where, in 1663, he was admitted to the
349:
306:
608:
588:
166:
entered his studio as an apprentice and remained his student for a decade. In 1652 van Loo bought himself citizenship (
514:
318:
603:
56:
Though his father also painted, Jacob's success ensured that he would forever be referred to as the founder of the
385:
150:
In
Amsterdam, van Loo found himself at the centre of an active and competitive circle of artists, which included
330:
291:
264:
593:
122:(1604–1668). The couple had six children, including the painters Jean van Loo and his better known brother
497:
Wheelock, Arthur K., Jr., editor (1995). Johannes
Vermeer. New Haven: Yale University Press. pp 96-101.
373:
598:
159:
174:
counted van Loo among the most significant of Dutch painters, alongside
Rembrandt and van der Helst.
191:
131:
85:
361:
276:
534:
127:
123:
185:
and had been popularised throughout Europe. He is often referred to as a major influence on
583:
578:
211:
8:
546:
450:
Blankert, A. (1999) Hollands
Classicisme in de zeventiende-eeuwse schilderkunst, p. 164.
203:
163:
498:
336:
224:
480:
99:
186:
119:
81:
49:. In 1663, three years after fleeing to Paris, Jacob van Loo was accepted into the
42:
38:
563:
553:
207:
235:
171:
73:
134:
were among the most famous French painters of the 18th century. They lived on
19:
572:
76:. Some sources have speculated that his father, Jan van Loo, may have been a
23:
297:
195:
with van Loo's 1648 version of the same subject (not the 1654 version of
135:
439:
Historien und
Allegorien: Niederlaendische Malerei des 17. Jahrhunderts
155:
234:. He died in Paris in 1670, three years after the van Loo family were
151:
115:
46:
189:, evidence of which can be seen by comparing Vermeer's painting of
34:
282:
178:
139:
57:
529:
340:
103:
77:
91:
118:, In 1642 he married Anna Lengele, the sister of the painter
69:
182:
202:
Van Loo painted many portraits. Among his subjects were
199:
often used to dispute the claim of direct influence.)
206:; his sister, Leonara Huydecoper, who was married to
177:
The greater part of van Loo's oeuvre was done in the
570:
468:Waerom Jacob van Loo in 1660 Amsterdam verliet
517:at the Netherlands Institute for Art History.
407:
405:
51:Académie royale de peinture et de sculpture
470:, (Oud Holland 34, 1916, pp.47-52), p.49.
462:
460:
458:
456:
428:, Amsterdam University Press, 2006, p.245
402:
210:; Joan Ortt, who was later involved with
145:
90:
18:
571:
453:
258:Meebeeck Cruywagen Family, c. 1640-45.
564:Works and literature on Jacob van Loo
559:Biography at Daphne Alazraki Fine Art
231:Académie de peinture et de sculpture
508:
441:, Lit Verlag Muenster, 2010, p.220.
13:
312:Young woman going to bed, c. 1650.
217:
14:
620:
547:Biography from Kresge Art Gallery
523:
214:; and his wife Lucretia Boudaen.
528:
413:A General Dictionary of Painters
384:
372:
360:
348:
329:
317:
305:
290:
275:
263:
251:
33:(1614 – 26 November 1670) was a
204:Johan Huydecoper van Maarseveen
491:
473:
444:
431:
418:
355:Portrait of a gentleman, 1668.
109:
1:
426:Rembrandt and the Female Nude
415:, vol II, London 1829, p.485.
396:
324:Male and Female nudes, 1650s.
181:style that had originated in
63:
7:
391:Diana and her nymphs, 1648.
26:of Jacob van Loo, ca. 1660.
10:
625:
466:Bredius, 1916: A.Bredius,
411:Pilkington, Matthew, A.M,
241:
160:Bartholomeus van der Helst
114:In 1635, van Loo moved to
609:Flemish portrait painters
589:Dutch Golden Age painters
16:Dutch painter (1614–1670)
542:Record at Getty Research
192:Diana and Her Companions
604:Dutch portrait painters
142:district of Amsterdam.
247:Works by Jacob van Loo
106:
86:Jacob Adriaensz Backer
27:
537:at Wikimedia Commons
437:Raupp, Hans Joachim,
146:Professional practice
132:Charles-André van Loo
128:Jean-Baptiste van Loo
124:Louis-Abraham van Loo
94:
22:
424:Sluijter, Eric Jan,
379:Bacchic Scene, 1653.
238:as French citizens.
212:Antoinette Bourignon
197:Diana and her nymphs
68:Van Loo was born in
594:Dutch male painters
126:. Their grandsons,
552:2009-01-22 at the
164:Eglon van der Neer
107:
28:
599:People from Sluis
533:Media related to
503:978-0-300-06558-9
616:
532:
518:
512:
506:
495:
489:
488:
477:
471:
464:
451:
448:
442:
435:
429:
422:
416:
409:
388:
376:
364:
352:
333:
321:
309:
294:
279:
270:A concert, 1652.
267:
255:
187:Johannes Vermeer
120:Martinus Lengele
82:Thomas de Keyser
72:, a town in the
43:History painting
39:Dutch Golden Age
624:
623:
619:
618:
617:
615:
614:
613:
569:
568:
554:Wayback Machine
526:
521:
513:
509:
496:
492:
479:
478:
474:
465:
454:
449:
445:
436:
432:
423:
419:
410:
403:
399:
392:
389:
380:
377:
368:
365:
356:
353:
344:
334:
325:
322:
313:
310:
301:
295:
286:
280:
271:
268:
259:
256:
244:
220:
218:Flight to Paris
208:Jan J. Hinlopen
148:
112:
66:
17:
12:
11:
5:
622:
612:
611:
606:
601:
596:
591:
586:
581:
567:
566:
561:
556:
544:
525:
524:External links
522:
520:
519:
515:Loo, Jacob van
507:
490:
472:
452:
443:
430:
417:
400:
398:
395:
394:
393:
390:
383:
381:
378:
371:
369:
366:
359:
357:
354:
347:
345:
335:
328:
326:
323:
316:
314:
311:
304:
302:
296:
289:
287:
281:
274:
272:
269:
262:
260:
257:
250:
248:
243:
240:
219:
216:
162:. Around 1640
147:
144:
111:
108:
100:Wilanów Palace
74:Dutch Republic
65:
62:
15:
9:
6:
4:
3:
2:
621:
610:
607:
605:
602:
600:
597:
595:
592:
590:
587:
585:
582:
580:
577:
576:
574:
565:
562:
560:
557:
555:
551:
548:
545:
543:
540:
539:
538:
536:
535:Jacob van Loo
531:
516:
511:
504:
500:
494:
486:
482:
476:
469:
463:
461:
459:
457:
447:
440:
434:
427:
421:
414:
408:
406:
401:
387:
382:
375:
370:
363:
358:
351:
346:
342:
338:
332:
327:
320:
315:
308:
303:
300:, after 1660.
299:
293:
288:
285:, after 1640.
284:
278:
273:
266:
261:
254:
249:
246:
245:
239:
237:
233:
232:
227:
226:
215:
213:
209:
205:
200:
198:
194:
193:
188:
184:
180:
175:
173:
169:
165:
161:
157:
153:
143:
141:
137:
133:
129:
125:
121:
117:
105:
101:
97:
93:
89:
87:
83:
79:
75:
71:
61:
59:
54:
52:
48:
44:
40:
36:
32:
31:Jacob van Loo
25:
24:Self-portrait
21:
527:
510:
493:
484:
475:
467:
446:
438:
433:
425:
420:
412:
367:Danae, 1650.
229:
223:
221:
201:
196:
190:
176:
167:
149:
113:
95:
67:
55:
30:
29:
584:1670 deaths
579:1614 births
505:. pp.96-97.
481:"Biography"
236:naturalised
225:in absentia
168:burgerrecht
136:Rozengracht
110:Family life
573:Categories
397:References
298:Melancholy
156:Frans Hals
152:Rembrandt
116:Amsterdam
64:Biography
47:Rembrandt
550:Archived
339:and her
98:(1652).
343:, 1654.
242:Gallery
179:Baroque
172:Jan Vos
140:Jordaan
138:in the
96:Ariadne
58:Van Loo
37:of the
35:painter
501:
485:wga.hu
341:Nymphs
104:Warsaw
78:notary
337:Diana
283:Danaë
70:Sluis
499:ISBN
183:Rome
158:and
130:and
84:and
575::
483:.
455:^
404:^
154:,
102:,
88:.
53:.
487:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.