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Jacob van Loo

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253: 265: 386: 292: 319: 307: 331: 374: 20: 362: 277: 530: 92: 350: 80:, but more often his father is described as a painter from whom Jacob van Loo received his early training. Little is known of van Loo's early history due to the destruction of the city archives in Sluis during World War II. His early influences are said to have included 45:. He was especially celebrated for the quality of his nudes to the extent that, during his lifetime, particularly his female figures were said to have been considered superior and more popular than those of his Amsterdam contemporary and competitor 41:, chiefly active in Amsterdam and, after 1660, in Paris. Van Loo is known for his conversational groupings; particularly his mythological and biblical scenes generally attributed to the genre of 170:) of the city of Amsterdam. It was speculated that he did so in the hope of being commissioned to help decorate the newly constructed town hall. In 1654, a poem by 50: 60:
family of painters; a dynasty which was influential in French and European painting from the 17th to the beginning of the 19th century.
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In 1660, van Loo fled from Amsterdam after fatally stabbing someone during an altercation at an inn. He was sentenced to death
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which forever prevented his return to the Dutch Republic. Van Loo settled in Paris, where, in 1663, he was admitted to the
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entered his studio as an apprentice and remained his student for a decade. In 1652 van Loo bought himself citizenship (
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Though his father also painted, Jacob's success ensured that he would forever be referred to as the founder of the
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In Amsterdam, van Loo found himself at the centre of an active and competitive circle of artists, which included
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Wheelock, Arthur K., Jr., editor (1995). Johannes Vermeer. New Haven: Yale University Press. pp 96-101.
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counted van Loo among the most significant of Dutch painters, alongside Rembrandt and van der Helst.
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and had been popularised throughout Europe. He is often referred to as a major influence on
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Blankert, A. (1999) Hollands Classicisme in de zeventiende-eeuwse schilderkunst, p. 164.
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were among the most famous French painters of the 18th century. They lived on
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with van Loo's 1648 version of the same subject (not the 1654 version of
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Historien und Allegorien: Niederlaendische Malerei des 17. Jahrhunderts
155: 234:. He died in Paris in 1670, three years after the van Loo family were 151: 115: 46: 189:, evidence of which can be seen by comparing Vermeer's painting of 34: 282: 178: 139: 57: 529: 340: 103: 77: 91: 118:, In 1642 he married Anna Lengele, the sister of the painter 69: 182: 202:
Van Loo painted many portraits. Among his subjects were
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often used to dispute the claim of direct influence.)
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The greater part of van Loo's oeuvre was done in the
570: 468:Waerom Jacob van Loo in 1660 Amsterdam verliet 517:at the Netherlands Institute for Art History. 407: 405: 51:Académie royale de peinture et de sculpture 470:, (Oud Holland 34, 1916, pp.47-52), p.49. 462: 460: 458: 456: 428:, Amsterdam University Press, 2006, p.245 402: 210:; Joan Ortt, who was later involved with 145: 90: 18: 571: 453: 258:Meebeeck Cruywagen Family, c. 1640-45. 564:Works and literature on Jacob van Loo 559:Biography at Daphne Alazraki Fine Art 231:Académie de peinture et de sculpture 508: 441:, Lit Verlag Muenster, 2010, p.220. 13: 312:Young woman going to bed, c. 1650. 217: 14: 620: 547:Biography from Kresge Art Gallery 523: 214:; and his wife Lucretia Boudaen. 528: 413:A General Dictionary of Painters 384: 372: 360: 348: 329: 317: 305: 290: 275: 263: 251: 33:(1614 – 26 November 1670) was a 204:Johan Huydecoper van Maarseveen 491: 473: 444: 431: 418: 355:Portrait of a gentleman, 1668. 109: 1: 426:Rembrandt and the Female Nude 415:, vol II, London 1829, p.485. 396: 324:Male and Female nudes, 1650s. 181:style that had originated in 63: 7: 391:Diana and her nymphs, 1648. 26:of Jacob van Loo, ca. 1660. 10: 625: 466:Bredius, 1916: A.Bredius, 411:Pilkington, Matthew, A.M, 241: 160:Bartholomeus van der Helst 114:In 1635, van Loo moved to 609:Flemish portrait painters 589:Dutch Golden Age painters 16:Dutch painter (1614–1670) 542:Record at Getty Research 192:Diana and Her Companions 604:Dutch portrait painters 142:district of Amsterdam. 247:Works by Jacob van Loo 106: 86:Jacob Adriaensz Backer 27: 537:at Wikimedia Commons 437:Raupp, Hans Joachim, 146:Professional practice 132:Charles-André van Loo 128:Jean-Baptiste van Loo 124:Louis-Abraham van Loo 94: 22: 424:Sluijter, Eric Jan, 379:Bacchic Scene, 1653. 238:as French citizens. 212:Antoinette Bourignon 197:Diana and her nymphs 68:Van Loo was born in 594:Dutch male painters 126:. Their grandsons, 552:2009-01-22 at the 164:Eglon van der Neer 107: 28: 599:People from Sluis 533:Media related to 503:978-0-300-06558-9 616: 532: 518: 512: 506: 495: 489: 488: 477: 471: 464: 451: 448: 442: 435: 429: 422: 416: 409: 388: 376: 364: 352: 333: 321: 309: 294: 279: 270:A concert, 1652. 267: 255: 187:Johannes Vermeer 120:Martinus Lengele 82:Thomas de Keyser 72:, a town in the 43:History painting 39:Dutch Golden Age 624: 623: 619: 618: 617: 615: 614: 613: 569: 568: 554:Wayback Machine 526: 521: 513: 509: 496: 492: 479: 478: 474: 465: 454: 449: 445: 436: 432: 423: 419: 410: 403: 399: 392: 389: 380: 377: 368: 365: 356: 353: 344: 334: 325: 322: 313: 310: 301: 295: 286: 280: 271: 268: 259: 256: 244: 220: 218:Flight to Paris 208:Jan J. Hinlopen 148: 112: 66: 17: 12: 11: 5: 622: 612: 611: 606: 601: 596: 591: 586: 581: 567: 566: 561: 556: 544: 525: 524:External links 522: 520: 519: 515:Loo, Jacob van 507: 490: 472: 452: 443: 430: 417: 400: 398: 395: 394: 393: 390: 383: 381: 378: 371: 369: 366: 359: 357: 354: 347: 345: 335: 328: 326: 323: 316: 314: 311: 304: 302: 296: 289: 287: 281: 274: 272: 269: 262: 260: 257: 250: 248: 243: 240: 219: 216: 162:. Around 1640 147: 144: 111: 108: 100:Wilanów Palace 74:Dutch Republic 65: 62: 15: 9: 6: 4: 3: 2: 621: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 576: 574: 565: 562: 560: 557: 555: 551: 548: 545: 543: 540: 539: 538: 536: 535:Jacob van Loo 531: 516: 511: 504: 500: 494: 486: 482: 476: 469: 463: 461: 459: 457: 447: 440: 434: 427: 421: 414: 408: 406: 401: 387: 382: 375: 370: 363: 358: 351: 346: 342: 338: 332: 327: 320: 315: 308: 303: 300:, after 1660. 299: 293: 288: 285:, after 1640. 284: 278: 273: 266: 261: 254: 249: 246: 245: 239: 237: 233: 232: 227: 226: 215: 213: 209: 205: 200: 198: 194: 193: 188: 184: 180: 175: 173: 169: 165: 161: 157: 153: 143: 141: 137: 133: 129: 125: 121: 117: 105: 101: 97: 93: 89: 87: 83: 79: 75: 71: 61: 59: 54: 52: 48: 44: 40: 36: 32: 31:Jacob van Loo 25: 24:Self-portrait 21: 527: 510: 493: 484: 475: 467: 446: 438: 433: 425: 420: 412: 367:Danae, 1650. 229: 223: 221: 201: 196: 190: 176: 167: 149: 113: 95: 67: 55: 30: 29: 584:1670 deaths 579:1614 births 505:. pp.96-97. 481:"Biography" 236:naturalised 225:in absentia 168:burgerrecht 136:Rozengracht 110:Family life 573:Categories 397:References 298:Melancholy 156:Frans Hals 152:Rembrandt 116:Amsterdam 64:Biography 47:Rembrandt 550:Archived 339:and her 98:(1652). 343:, 1654. 242:Gallery 179:Baroque 172:Jan Vos 140:Jordaan 138:in the 96:Ariadne 58:Van Loo 37:of the 35:painter 501:  485:wga.hu 341:Nymphs 104:Warsaw 78:notary 337:Diana 283:Danaë 70:Sluis 499:ISBN 183:Rome 158:and 130:and 84:and 575:: 483:. 455:^ 404:^ 154:, 102:, 88:. 53:. 487:.

Index


Self-portrait
painter
Dutch Golden Age
History painting
Rembrandt
Académie royale de peinture et de sculpture
Van Loo
Sluis
Dutch Republic
notary
Thomas de Keyser
Jacob Adriaensz Backer

Wilanów Palace
Warsaw
Amsterdam
Martinus Lengele
Louis-Abraham van Loo
Jean-Baptiste van Loo
Charles-André van Loo
Rozengracht
Jordaan
Rembrandt
Frans Hals
Bartholomeus van der Helst
Eglon van der Neer
Jan Vos
Baroque
Rome

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