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Besides being an important portrait painter—some 70 portraits can be attributed to him with certainty—Backer was an excellent painter of religious and mythological paintings. He was especially interested in pastoral subjects, themes from contemporary history, like
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and went home the same day, in which short period of time her portrait, cuffs, fur, collar, together with the rest of her dress and both hands, was handsomely completed in a life-sized half-length. This remark refers both to the success of the
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212:(c. 1633). The artist excelled in painting hands and feet. He never painted a town or landscape. He was a leading artist in Amsterdam until his premature death in 1651. He was buried in the
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200:. Backer, who joined Rembrandt's studio between 1632 and 1634, was one of the most independent of his pupils although absorbed the spirit of Rembrand's style which is reflected in his
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He completely finished, in one day, the half length portrait of a lady in full dress, even so early, that she was able to return the same day back to
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Perhaps this portrait of a woman in an armchair by Backer seemed more attractive to the sitter mentioned by
Sandrart than the portraits by
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Backer proved susceptible to
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William
Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts (1965).
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technique practised in the
Netherlands at that time, as well as the fact that the
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His extreme quickness in painting portraits has been particularly noticed, and
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by Jacob Backer (1635), oil painting, Magyar Szépmüvészeti Múzeum, Budapest
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Walter
Liedtke (2007) Dutch paintings in the Metropolitan Museum of Art.
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De groote schouburgh der
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Portrait of Young Women, Regional gallery of
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http://www.hoogsteder.com/publications/journals/journal-10/backed
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A major exhibition of Jacob Backer's work was displayed at the
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Peter van den Brink et al. (2008) Jacob Backer (1608/9-1651).
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http://www.essentialvermeer.com/dutch-painters/backer.html
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Backer was one of the most independent pupils of
Rembrandt
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481:The Hoogsteder Exhibition of Rembrandt's Academy
96:near the harbour. Between 1627 and 1633 he and
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516:Paintings by Jacob Backer in the Rijksmuseum
436:From 1632 to 1634, he studied with Rembrandt
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202:Portrait of a Woman (Saskia van Uylenburgh?)
177:(250 x 250 cm.). The painting with the
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415:A New General Biographical Dictionary
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395:Digital library for Dutch literature
53:of her Haarlem contemporaries, the
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572:People from Harlingen, Netherlands
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510:Jacob Backer - The great virtuoso
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112:, a mennonite teacher, father of
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39:and luitenant Hendrick Lauwrensz
531:Jacob Adriansz Backer on Artnet
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64:(1608 – 27 August 1651) was a
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451:The world's master paintings
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448:Christopher Wright (1992).
357:Quote from Backer biography
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454:. Routledge. p. 298.
378:; cited 50 years later in
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562:Dutch Golden Age painters
256:Portrait of a Young Woman
317:Nelson-Atkins Art Museum
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383:Jakob Bakker biography
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62:Jacob Adriaensz Backer
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88:Backer was born in
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393:, courtesy of the
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297:Rijksmuseum
290:Company of
258:, c. 1638,
248:, c. 1635,
235:, c. 1633,
214:Noorderkerk
198:Rijksmuseum
194:Night Watch
183:Company of
94:Nieuwendijk
35:Company of
24:The Hearing
546:Categories
538:at PubHist
389:(1718) by
380:(in Dutch)
345:References
179:schutterij
155:trekschuit
151:wet-on-wet
110:Leeuwarden
102:Mennonites
51:Frans Hals
286:, Romania
266:Courtesan
190:Rembrandt
126:Amsterdam
84:Biography
409:(1857).
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268:, 1640,
374:Haarlem
359:in the
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100:, both
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241:Warsaw
210:Warsaw
74:Rubens
284:Sibiu
175:Sibiu
456:ISBN
132:Work
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