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has offered an annual prize named after Kunst. Until 2018, the prize honored the most significant ethnomusicological article of the previous year by a society member. From 2019 onward, only researchers in their first 10 years of scholarship are eligible for the prize.
57:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
281:, while the other members of his trio departed. Taking a job as an official in the colonial government, Kunst remained in Java for fifteen years. He married Kathy van Wely in 1921; she became a partner in Kunst's work.
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The name of our science is, in fact, not quite characteristic; it does not 'compare' any more than any other science. A better name, therefore, is that appearing on the title page of this book: ethno-musicology.
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at only 5 years old, and continued to play the instrument throughout his life. Kunst was drawn toward folk music as a result of vacations to the island of
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elements. Contrary to mainstream
European scholarship at the time, Kunst believed that music from other continents was no less sophisticated than the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Kunst decided to pursue a career in law. While studying law, Kunst published the results of his first musical research. Kunst earned a degree in
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Kunst believed musical study must take into account the cultural context of its creation. In his view, musicology was incomplete without
288:. He amassed an archive of photographs, recordings, and instruments of Indonesian music. He ceded much of his collection to the
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Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
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in 1917. and pursued a career in banking and law for the next two years. However, he soon grew tired of this work.
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Musicologica: A Study of the Nature of
Ethnomusicology, Its Problems, Methods, and Representative Personalities
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In 1934, Kunst returned to the
Netherlands, and he became the curator of Amsterdam's Colonial Museum (now the
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687:"The "Attentively Silent" Presence of Jaap Kunst in the Vereniging voor Nederlandse Muziekgeschiedenis"
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with a recently-formed musical trio. This group performed 95 times throughout
Indonesia. Kunst heard a
230:. Both of his parents were musicians, and his father was a music-school teacher. He began to study the
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714:"Definitions of "Comparative Musicology" and "Ethnomusicology": An Historical-Theoretical Perspective"
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Over zeldzame fluiten en veelstemmige muziek in het Ngada- en
Nagehgebied, West-Flores
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as the name of the field. This usage was influenced by the formation of the
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to the source of your translation. A model attribution edit summary is
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Kunst first used the term "ethno-musicology" in his 1950 publication
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Tijdschrift van de
Vereniging voor Nederlandse Muziekgeschiedenis
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Kultur-historische
Beziehungen zwischen dem Balkan und Indonesien
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Koninklijk
Bataviaasch Genootschap van Kunsten en Wetenschappen
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In 1956, Kunst released a bestselling album of folk songs, on
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Koninklijke
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559:"In Memoriam Jaap Kunst. 12 Augustus 1891-7 December 1960"
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747:"Living Folksongs and Dance-Tunes from the Netherlands"
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Tijdschrift voor Indische taal-, land-, en volkenkunde
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Living Folksongs and Dance-Tunes from the Netherlands.
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Kunst was the first person to record gamelan music on
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218:. His published work totals more than 70 texts.
637:Journal of the International Folk Music Council
199:(12 August 1891 – 7 December 1960) was a Dutch
524:(Amsterdam, 1950; 2nd ed., expanded, retitled
308:) in 1936. Later, he became a lecturer at the
75:accompanying your translation by providing an
41:Click for important translation instructions.
33:expand this article with text translated from
534:(Amsterdam, 1953, English translation, 1954)
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495:The Cultural Background of Indonesian Music
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456:Een en ander over den Javaanschen gamelan
751:Smithsonian Folkways (FW03576 / FP 3576)
257:In 1919, Kunst set out on a tour of the
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516:Metre, Rhythm, and Multi-part Music
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458:(Amsterdam, 1940; 4th ed. 1945)
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774:. Society for Ethnomusicology
712:Merriam, Alan P. (May 1977).
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448:, 1934; English translation,
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869:People from Groningen (city)
796:Works by or about Jaap Kunst
728:University of Illinois Press
557:Reeser, Eduard (1960–1961).
430:Musicologisch onderzoek 1931
294:National Museum of Indonesia
87:{{Translated|de|Jaap Kunst}}
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501:Begdja, het gamelanjongetje
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381:Society for Ethnomusicology
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600:"Melacak Jejak Jaap Kunst"
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605:Museum Nasional Indonesia
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859:Dutch ethnomusicologists
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507:De inheemsche muziek in
393:with C. Kunst-van Wely.
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306:Royal Tropical Institute
810:Encyclopædia Britannica
685:Titus, Barbara (2018).
424:A Study on Papuan Music
310:University of Amsterdam
247:University of Groningen
96:For more guidance, see
730:: 194–195 – via
697:: 166–169 – via
509:Westelijk Nieuw-Guinea
332:comparative musicology
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745:Kunst, Jaap (2004) .
528:, 1955; 3rd ed. 1959)
442:De toonkunst van Java
395:De Toonkunst van Bali
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98:Knowledge:Translation
69:copyright attribution
854:Dutch musicologists
426:(Weltevreden, 1931)
772:"Jaap Kunst Prize"
401:, 1924; part 2 in
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608:. 31 January 2019
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651:11 December
612:12 December
399:Weltevreden
345:, entitled
267:Paku Alaman
838:Categories
825:Jaap Kunst
816:Jaap Kunst
805:Jaap Kunst
545:References
271:Yogyakarta
269:palace in
222:Early life
209:folk music
197:Jaap Kunst
162:Occupation
120:Jaap Kunst
476:Music in
462:Music in
446:The Hague
353:Amsterdam
338:in 1955.
292:(now the
277:to study
245:from the
228:Groningen
142:Groningen
91:talk page
37:in German
388:Writings
67:provide
864:Gamelan
820:Discogs
798:at the
485:Around
472:, 1942)
420:, 1968)
409:, 1925)
407:Batavia
405:, LXV,
263:gamelan
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89:to the
71:in the
778:24 May
756:24 May
470:Leiden
464:Flores
375:Legacy
232:violin
172:Spouse
732:JSTOR
726:(2).
699:JSTOR
657:JSTOR
571:JSTOR
359:Ideas
183:(
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51:DeepL
829:IMDb
780:2017
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653:2022
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478:Nias
275:Java
214:and
150:Died
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